GB-CF MS D/DP Z6/1

Essex Record Office, Chelmsford, England

partbook: c. 1590

Archive Essex Record Office, Chelmsford, England (GB-CF)
Shelfmark MS D/DP Z6/1
Surface Paper
Numbering System Foliation
Format landscape
Measurements 208 x 280 mm
Other Identifiers
  • CCM: ChelmE 1
Relationships
External Authorities
Provenance
  • England
Contents 104 pieces from 26 composers
General Description

A single Bassus partbook. Copied by a scribe employed by Edward Paston (1550-1630), a collector of musical prints and manuscripts. The manuscript may have been a gift from Paston to Sir John Petre (1549-1613), of Ingatestone, Essex County (BrettEP). Petre was a neighbour and patron of Byrd.

DIAMM, 2017
Binding

Original covers of brown tooled leather on boards, with remnants of two string ties.

DIAMM, 2017
Liminary Note

Inscription on cover: 'lohn Petre.'

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Ca. 1590 (FelAP)

DIAMM, 2017
Ruling

In red ink, now faded to light brown.

DIAMM, 2017
Foliation

Original foliation, 1-71

DIAMM, 2017
Decoration

Scattered initials, in simple penned style

DIAMM, 2017
Index

Original index on ff. i-i', arranged alphabetically by title of piece, listing 59 of the 72 pieces

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Magnificat, 2 Lamentations, 66 motets, 2 fantasias = 72 (some pieces have text incipits only; may be instrumental)

Bacchius-1, Byrd-20, Crecquillon-4, Fayrfax-2, A. Ferrabosco I-1, Formellis-1, Gombert-1, R. Johnson-2, Lassus-1, Meiland-1, Philippe de Monte-2, W. Mundy-1, Palestrina-2, Parsley-1, Rivulo-2, Shepherd-2, Strogers-2, Tallis-8, Taverner-6, Tye-1, Vaet-3, R. White-2, Wilder-1, Wood-1, anon-4

1 paper partbook (B-i + 71 folios), 208 x 280. Original foliation, 1-71. Original covers of brown tooled leather on boards, with remnants of two string ties. Original index on ff. i-i', arranged alphabetically by title of piece, listing 59 of the 72 pieces. Scattered initials, in simple penned style. Staves are in red ink, now faded to light brown. Inscription on cover: "lohn Petre."

Ca. 1590 (FelAP). The scribe was in the employ of Edward Paston (1550-1630), a collector of musical prints and manuscripts, whose estate was located near Norwich, Norfolk County.

The manuscript may have been a gift from Paston to Sir John Petre (1549-1613), of Ingatestone, Essex County (BrettEP). Petre was a neighbor and patron of Byrd.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

58v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1r–2r Magnificat O bone Jesu D Fairfax
Appears on: 1r–2r
Genres: English Catholic service music, Magnificat
Source Attribution: D Fairfax
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: f5
Voice Text: O bone Jh[es]u / Exvltavit spiritus meus [inventory: Et exultauit]
General Note

Notes: decorative initial 'E' in pencil; throughout this MS, '[...] tacet' to indicate sections not included;

2r–3v Ave Dei patris filia Doct[o]r Fairfax
Appears on: 2r–3v
Genres: Motet
Source Attribution: Doct[o]r Fairfax
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f5
Voice Text: Ave dei patris / Ave sum[m]e eternitatis filia [inventory: Aue dei patris]
General Note

Annotations/Corrections: at beginning 'Ave dei patris tacet' ( with decorative initial 'A' in black and brown);

4r–5v Ave Dei patris filia T Tallis
Appears on: 4r–5v
Genres: Motet
Source Attribution: T Tallis
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Ave dei patris / Ave summe eternitatis filia [inventory: Ave dei patris]
General Note

Annotations/Corrections: at beginning '[A]ve dei patris tacet' (initial missing);

6r–7r Ave rosa sine spinis Mr Thomas Tallis
Appears on: 6r–7r
Genres: Motet
Source Attribution: Mr Thomas Tallis
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Ave rosa sine spinis / Maria stella dicta [inventory: Ave rosa sine spinis]
General Note

Annotations/Corrections: at beginning '[A]ve rosa tacet', initial missing;

7v–9r Ave Dei patris filia Mr Robert Jhonson
Appears on: 7v–9r
Genres: Motet
Source Attribution: Mr Robert Jhonson
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f5
Voice Text: Ave dei patris / Ave summe eternitatis filia [inventory: Ave dei patris]
General Note

Annotations/Corrections: at beginning '[A]ve dei patris tacet', initial missing;

9v–10v Conserva me Domine Mr Osbert parsley
Appears on: 9v–10v
Genres: Motet
Source Attribution: Mr Osbert parsley
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c5
Voice Text: Conserua me domine / Quoniam bonorum meorum no[n] eges [inventory: Conserua me domine]
General Note

Annotations/Corrections: at beginning 'onserva' under pauses, initial missing;

11r–11v Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) Tauerner
Appears on: 11r–11v
Genres: Motet
Source Attribution: Tauerner
Voice: [no designation]
Languages: none
Mensuration: cut-o
Clef: f4
Voice Text: Sospitate / Sospitate N [inventory: Sospitati]
General Note

Notes: first word of text (beginning of piece) under pauses; apart from 'N' no other text under music;

12r–12v The Mean Mass: Gloria -
Appears on: 12r–12v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: The Meane Masse / [E]t in terra pax hominib[us] [inventory: Et in terra pax]
General Note

Notes: initial missing;

12v–13r The Mean Mass: Credo -
Appears on: 12v–13r
Genres: Anglican Service Music, Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Patrem omnipotentem
General Note

Notes: in the first two lines, different style of F-clef;

13r–13v The Mean Mass: Sanctus (& Benedictus) -
Appears on: 13r–13v
Genres: Anglican Service Music, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Sanctus sanctus sanctus
13v–14r The Mean Mass: Benedictus -
Appears on: 13v–14r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Benedictus q[ui] venit
14r The Mean Mass: Agnus Dei Tauerner
Appears on: 14r
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Tauerner
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Agnus dei
14v Gaude plurimum - 1a pars (of 3): Gaude plurimum Tauerner
Appears on: 14v
Genres: Motet
Source Attribution: Tauerner
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c5
Voice Text: Gaude plurimum / Verum deum [inventory: Gaude plurimum]
General Note

Annotations/Corrections: at beginning '[G]aude plurimu[m] ' under pauses, initial missing;

14v Gaude plurimum - 2a pars (of 3): Gaude Maria virgo -
Appears on: 14v
Genres: Motet
General Note

2a pars Tacet

14v–15v Gaude plurimum - 3a pars (of 3): Gaude Maria, Jesu mater -
Appears on: 14v–15v
16r Salve intemerata virgo Maria Tallis
Appears on: 16r
Genres: Antiphon
Source Attribution: Tallis
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f5
Voice Text: Salue Intemerata / [S]alue intemerata [inventory: Salue intemerata]
General Note

Notes: initial missing;

18r–19r Miserere mei Deus - 1a pars (of 2): Miserere mei Deus Mr Whighte
Appears on: 18r–19r
Genres: Miserere mei Deus, Motet
Source Attribution: Mr Whighte
Voice: [no designation]
Languages: Latin
Clef: f4
Voice Text: Miserere / [M]iserere mei deus [inventory: Miserere]
General Note

Annotations/Corrections: on fols 18v to 20, the beginning of the top stave has been amended in red ink (space seems to have been left out, as for an initial); Notes: initial missing; 2p beginning on fol. 19, not marked;

19r–20r Miserere mei Deus - 2a pars (of 2): Cor mundum crea -
Appears on: 19r–20r
Genres: Miserere mei Deus, Motet
20v–22v Lamentations (I) a5 Mr Whight
Appears on: 20v–22v
Genres: Lamentations, Motet
Source Attribution: Mr Whight
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Lamentacio / [H]eth. Peccatum peccavit Jerusalem [inventory: Lamentatio]
General Note

Notes: initial missing; Lamentations I: 8-13; 2a pars beginning in second line of f. 21v, but not marked in any way;

23r Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) Birde
Appears on: 23r
Genres: Motet
Source Attribution: Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Exurge Exurge quare obdormis[...] domine [inventory: Exurge domine]
23v Levemus corda nostra Birde
Appears on: 23v
Genres: Motet
Source Attribution: Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: L vemus corda nostra [inventory: Leuemus corda nostra]
General Note

Notes: text at beginning missing?;

24r Ad punctum in modico - 1a pars (of 2): Ad punctum in modico Mr willam Birde
Appears on: 24r
Genres: Motet
Source Attribution: Mr willam Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Ad punctum / In modico, in modico [inventory: Ad punctum]
General Note

Annotations/Corrections: verte' at bottom of fol. 24r; 'Secunda / pars' at top of f. 24v, before music;

24v Ad punctum in modico - 2a pars (of 2): In momento indignationis -
Appears on: 24v
Genres: Motet
25r Circumdederunt me dolores mortis Byrde
Appears on: 25r
Genres: Motet
Source Attribution: Byrde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Circumdedeunt me dolores mortis [inventory: Circumdederunt]
25v Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta Mr Birde
Appears on: 25v
Genres: Motet
Source Attribution: Mr Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: Aspice domine domine, Aspice domine de sede sancta tua [inventory: Aspice domine]
General Note

Annotations/Corrections: Secunda / pars' at top of fol. 26r, before music;

26r Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine -
Appears on: 26r
Genres: Motet
26v Domine praestolamur - 1a pars (of 2): Domine praestolamur Birde
Appears on: 26v
Genres: Motet
Source Attribution: Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Domine prestolamur adventum tuum [inventory: Domine prestolamus]
General Note

Annotations/Corrections: Secunda / pars' at top of fol. 27r, before music;

27r Domine praestolamur - 2a pars (of 2): Veni Domine -
Appears on: 27r
Genres: Motet
27v In nomine a5 [unique to GB-CF D/DP Z6/1] Strogers
Appears on: 27v
Source Attribution: Strogers
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: f4
Voice Text: In nomine [inventory: Innomine]
General Note

Notes: incomplete and no known concordances; only first two words of text entered;

28r Audivi vocem de caelo Mr Birde
Appears on: 28r
Genres: Motet
Source Attribution: Mr Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Audiui vocem [inventory: Audiui vocem]
28v Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis -
Appears on: 28v
Genres: Motet
29r Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox Byrde
Appears on: 29r
Genres: Motet
Source Attribution: Byrde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Hec dicit dominus [...] vox [inventory: Hec dicet dominus]
General Note

Annotations/Corrections: Secunda / pars' at top of fol. 29r, before music;

29v Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore Birde
Appears on: 29v
Genres: Motet
Source Attribution: Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Vide domine [...] afflictionem [inventory: Vide domine afflictionem]
General Note

Annotations/Corrections: Secunda / pars' at top of fol. 30r, before music;

30r Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare -
Appears on: 30r
Genres: Motet
30v Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti Mr Birde
Appears on: 30v
Genres: Motet
Source Attribution: Mr Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Tristicia [...] et anxietas [inventory: Tristicia]
General Note

Annotations/Corrections: Secunda / pars' at top of fol. 31, before music;

31r Tristitia et anxietas - 2a pars (of 2): Sed tu domine -
Appears on: 31r
Genres: Motet
31v Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem Mr Birde
Appears on: 31v
Genres: Motet
Source Attribution: Mr Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Effuderunt sanguinem sanguinem ipsorum [inventory: Efuderunt sanguinem]
General Note

Notes: 3a pars of William Byrd, Deus venerunt gentes;

32r Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes Birde
Appears on: 32r
Genres: Motet
Source Attribution: Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Deus Deus venerunt gentes [inventory: Deus venerunt gentes]
General Note

Annotations/Corrections: verte' at bottom of fol. 32; 'Secunda / pars' at top of f. 32v;

32v Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia -
Appears on: 32v
Genres: Motet
33r Domine secundum multitudinem dolorum meum Mr Birde
Appears on: 33r
Genres: Motet
Source Attribution: Mr Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Domine secundum multitudinem [inventory: Domine secundu[m] multitudinem]
General Note

Notes: Part of initial still in pencil rather than ink;

33v Apparebit in finem Birde
Appears on: 33v
Genres: Motet
Source Attribution: Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Apparebit in finem [inventory: Aparebit in finem]
34r In resurrectione tua Mr Birde
Appears on: 34r
Genres: Motet
Source Attribution: Mr Birde
Voice: [no designation]
Languages: Latin
Clef: c5
Voice Text: In resurrexione tua [inventory: In resurrectione]
General Note

Notes: Incorrectly assigned to fol.24 in the index;

34v Domine tu jurasti Mr Birde
Appears on: 34v
Genres: Motet
Source Attribution: Mr Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Domine tu iurasti [inventory: Domine tu iurasti]
35r O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum Mr Birde
Appears on: 35r
Genres: Motet
Source Attribution: Mr Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: O quam gloriosum [inventory: O quam gloriosum]
General Note

Annotations/Corrections: verte' at bottom of fol. 35; 'secunda / pars' at top of f. 35v, before music;

35v O quam gloriosum - 2a pars (of 2): Benedictio et claritas -
Appears on: 35v
Genres: Motet
36r Laudate Dominum omnes gentes, laudate eum Mr Tallis
Appears on: 36r
Genres: Motet
Source Attribution: Mr Tallis
Voice: [no designation]
Languages: Latin
Clef: f4
Voice Text: Laudate dominu[m] omnes gentes [inventory: Laudate dominum omnes gentes]
36v Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum Mr Birde
Appears on: 36v
Genres: Motet
Source Attribution: Mr Birde
Voice: [no designation]
Languages: Latin
Clef: f4
Voice Text: Tribulaciones ciuitatum [inventory: Tribulationes]
General Note

Annotations/Corrections: Secunda / pars' at beginning of fourth line on fol. 36v; 'tercia pars' at beginning of second line on f. 37r;

36v–37r Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo -
Appears on: 36v–37r
Genres: Motet
37r Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis -
Appears on: 37r
Genres: Motet
37v Ne irascaris - 1a pars (of 2): Ne irascaris Domine Mr will[i]am Byrde
Appears on: 37v
Genres: Motet
Source Attribution: Mr will[i]am Byrde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: [N]e Irascaris domine (2p. Civitas sancti tui] [inventory: Ne Irascaris domine]
General Note

Annotations/Corrections: secunda / pars' on top of f. 38, before music; Notes: at beginning, initial missing. ;

38r Ne irascaris - 2a pars (of 2): Civitatis sancti tui -
Appears on: 38r
Genres: Motet
38v–39r Mater Christi sanctissima virgo [= O most holy and mighty Lord] Mr Tauerner
Appears on: 38v–39r
Genres: Motet
Source Attribution: Mr Tauerner
Voice: [no designation]
Languages: Latin
Clef: f4
Voice Text: Mater cristi / Virgo sacrata maria [inventory: Mater christi]
39v Dum transisset sabbatum Maria Magdalena -
Appears on: 39v
Genres: Motet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Dum transisset sabatum [inventory: Dum transiscit sabatu[m]]
40r–40v Inclina Domine aurem tuam (I) Mr Sheparde
Appears on: 40r–40v
Source Attribution: Mr Sheparde
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Inclina domine aurem tuam [inventory: Incline domine]
41r Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Tallis
Appears on: 41r
Genres: Motet
Source Attribution: Tallis
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f3
Voice Text: Domine quis habitabit in tabernaculo tuo [inventory: Domine quis habitabit]
General Note

Annotations/Corrections: verte' at bottom of fol. 41r; 'secunda / pars' at top of fol. 41v, before music; Notes: composer name not with music, but 'Tallis' entered in inventory at beginning;

41v Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus -
Appears on: 41v
Genres: Motet
42r–42v Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Mr Tallis
Appears on: 42r–42v
Genres: Lamentations, Motet
Source Attribution: Mr Tallis
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Lamentacio Tallis / [I]ncipit lamentacio Jeremie prophete [inventory: Incipit lamentatio]
General Note

Annotations/Corrections: 'v[er]te'/'verte' at bottom of fols 42r, 43r; 'secunda / pars' on f. 42v; 'tercia / pars' on fol. 43r; 'quarta / pars' on fol. 43v; 'quinta / pars' on f. 44r; Notes: initial missing. Lamentation1 :1-5;

43r–44r Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem -
Appears on: 43r–44r
Genres: Lamentations, Motet
44v Sub tuum praesidium confugimus Cricquillon
Appears on: 44v
Genres: Motet
Source Attribution: Cricquillon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Sub tuum presidiu[m] [inventory: Sub tuum praeduu[m]]
45r Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Gumbert
Appears on: 45r
Genres: Motet
Source Attribution: Gumbert
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Domine quis habitabit [inventory: Domine quis habitabit]
General Note

Annotations/Corrections: v[er]te' at bottom of fol. 45; 'secunda / pars' at top of fol. 45v, before music;

45v Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est -
Appears on: 45v
Genres: Motet
46r–47v O splendor gloriae Mr Tauerner
Appears on: 46r–47v
Genres: Motet
Source Attribution: Mr Tauerner
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c5
Voice Text: O Splendor glorie / Salve tua est maiestas [inventory: O splendo glorie]
General Note

Annotations/Corrections: at beginning '[O] splendor glorie tacet.' (initial missing);

48r–50v Exsurge Domine John Woode
Appears on: 48r–50v
Genres: Motet
Source Attribution: John Woode
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f5
Voice Text: Exurge Domine / Esto pater populorum [inventory: Exurge domine]
General Note

Annotations/Corrections: at beginning 'Exurge domine tacet';

50v O salutaris hostia Tallis
Appears on: 50v
Genres: Motet
Source Attribution: Tallis
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: O salutaris hostia [inventory: O salutaris hostia]
51r Io son ferito ahi lasso e chi mi diede Gianetto / da pallastina:
Appears on: 51r
Genres: Madrigal (Italian)
Source Attribution: Gianetto / da pallastina:
Voice: [no designation]
Languages: Italian
Mensuration: cut-c
Clef: c4
Voice Text: Io son ferito ahi lasso [inventory: Ioson ferito]
General Note

Notes: composer name in very different writing to preceeding pieces;

51v Dolor non fu ne fia Gianetto da pallastina
Appears on: 51v
Source Attribution: Gianetto da pallastina
Voice: [no designation]
Languages: Italian
Mensuration: cut-c
Clef: f4
Voice Text: Dolor Dolor non fune fia [inventory: Dolor non fune fia]
General Note

Notes: composer name in same elaborate hand as in earlier pieces;

52r Musica laeta suum gaudet (C79) Alfonso
Appears on: 52r
Genres: Motet
Source Attribution: Alfonso
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Musica leta [inventory: Musica Leta]
52v Nigra sum - 1a pars (of 2): Nigra sum sed formosa Crequillon
Appears on: 52v
Genres: Motet
Source Attribution: Crequillon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Nigra sum sed formosa (2p. Posuerunt me] [inventory: Nigra sum]
General Note

Annotations/Corrections: secunda /pars';

53r Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis -
Appears on: 53r
Genres: Motet
53v Beati qui habitant Philippus de Monte
Appears on: 53v
Genres: Motet
Source Attribution: Philippus de Monte
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Beati qui habitant [inventory: Beati qui habitant]
54r Rubum quem (A Singing Song) D. Tye
Appears on: 54r
Genres: Motet
Source Attribution: D. Tye
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: f4
Voice Text: Phantasia [inventory: Fantasia]
54v–55r Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua Mr Johnson
Appears on: 54v–55r
Genres: Motet
Source Attribution: Mr Johnson
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: Domine in virtute tua [inventory: Domine in virtute tua]
General Note

Annotations/Corrections: v[er]te' at bottom of fol. 55r; 'secunda / pars' at top of f. 55v, before music; on fols 55r and 56r, beginnig of top stave amended in red (there had been a gap, as for an initial);

55v–56r Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius -
Appears on: 55v–56r
Genres: Motet
56v Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri Cricquillion
Appears on: 56v
Genres: Motet
Source Attribution: Cricquillion
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Deus misereatur nostri (2p. Letentur et exultent] [inventory: Deus miseriatur nostri]
General Note

Annotations/Corrections: secunda / pars' on top of f. 57r;

57r Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes -
Appears on: 57r
Genres: Motet
57v Fantasia - Anonymous

Fantasia

Anonymous
Appears on: 57v
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: Fantasia [inventory: Fantasia]
58r Blessed are those that be undefiled (=Beati immaculati) Mr Tallis
Appears on: 58r
Genres: Anthem, Contrafactum
Source Attribution: Mr Tallis
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: f4
Voice Text: Blessed [inventory: Blessed]
58v Beati omnes Mr Phillips
Appears on: 58v
Source Attribution: Mr Phillips
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: f4
Voice Text: Beati omnes [inventory: Beati omnes]
59r Pater noster = Our Father (Lord's Prayer) Mr Sheparde
Appears on: 59r
Source Attribution: Mr Sheparde
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: c4
Voice Text: Pater noster [inventory: Pater noster]
59v I lift my heart to thee (= Amavit eum Dominus) -
Appears on: 59v
Genres: Anthem, Contrafactum
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: f4
Voice Text: Amauit eum dominus [inventory: Amavit]
60r O mater mundi (instrumental) Mr Mundy
Appears on: 60r
Source Attribution: Mr Mundy
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: f4
Voice Text: O mater mundi [inventory: O mater mundi]
60v In nomine (V) -
Appears on: 60v
Genres: In nomine
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: f4
Voice Text: In nomine [inventory: In nomine]
General Note

Notes: finis' at end, but no composer; In Nomine number from Musica Britannica XLIV;

61r In nomine (III) Strogers
Appears on: 61r
Genres: Motet
Source Attribution: Strogers
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: f4
Voice Text: In nomine [inventory: In nomine]
General Note

Notes: In Nomine number from Musica Britannica XLIV;

61v Aspice Domine quia facta est desolata (II) Jacobus Vaet
Appears on: 61v
Genres: Motet
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Cantiones sex vocum / Aspice domine [...] quia facta est
General Note

Annotations/Corrections: Section Title: Cantiones sex vocum' on top of fol. 62v;

62r Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti Jacobus Meilandus
Appears on: 62r
Genres: Motet
Source Attribution: Jacobus Meilandus
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Benedixisti domine
General Note

Annotations/Corrections: verte' at bottom of fol. 62r; 'Secunda / pars' at beginning of fol. 62v;

62v Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster -
Appears on: 62v
Genres: Motet
63r Ave regina caelorum (II) (6vv) Orlando
Appears on: 63r
Genres: Ave regina caelorum, Motet
Source Attribution: Orlando
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Ave Regina celorum
63v Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Mr W Birde
Appears on: 63v
Genres: Motet
Source Attribution: Mr W Birde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Quo ibo ad quem confugiuam
General Note

Annotations/Corrections: Secunda /pars' at beginning of fol. 64r; at bottom of fol. 64r 'verte folliu[m] pro tercia p[ar]te'; 'tercia pars' at beginning of fol. 64v;

64r Infelix ego omnium - 2a pars (of 3): Quid igitur faciam -
Appears on: 64r
Genres: Motet
64v Infelix ego omnium - 3a pars (of 3): Ad te igitur -
Appears on: 64v
Genres: Motet
65r Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crecquillon
Appears on: 65r
Genres: Motet
Source Attribution: Crecquillon
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Domine da nobis [...] auxilium
General Note

Annotations/Corrections: verte' at bottom of fol. 65; 'Secunda / pars' at top of fol. 65v;

65v Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea -
Appears on: 65v
Genres: Motet
66r Fuit homo missus - 1a pars (of 2): Fuit homo missus John de Bachi
Appears on: 66r
Genres: Motet
Source Attribution: John de Bachi
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Fuit homo missus
General Note

Annotations/Corrections: verte' at bottom of fol. 66r; 'Secunda / pars' at top of fol. 66v;

66v Fuit homo missus - 2a pars (of 2): Erat Joannes in deserto -
Appears on: 66v
Genres: Motet
67r Vias tuas Domine demonstra mihi et semitas Franciscus de Riuulo
Appears on: 67r
Genres: Motet
Source Attribution: Franciscus de Riuulo
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Vias tuas domine
67v Miserere mei Deus secundum magnam Will. Formellis
Appears on: 67v
Genres: Miserere mei Deus, Motet
Source Attribution: Will. Formellis
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Miserere mei deus
General Note

Notes: composer name in different writing than in the other pieces;

68r Deus, Deus meus respice in me Philippus de Monte
Appears on: 68r
Genres: Motet
Source Attribution: Philippus de Monte
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Deus deus meus respice in me
68v Ego sum panis vivus - 1a pars (of 2): Ego sum panis vivus qui de caelo descendi F: de: R:
Appears on: 68v
Genres: Motet
Source Attribution: F: de: R:
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Ego sum panis viuus
General Note

Annotations/Corrections: Secunda / pars' on top of fol. 69;

69r Ego sum panis vivus - 2a pars (of 2): Et panis quam ego dabo caro mea -
Appears on: 69r
Genres: Motet
69v Huc me sydereo - 1a pars (of 2): Huc me sydereo descendere Ja: Vaet
Appears on: 69v
Genres: Motet
Source Attribution: Ja: Vaet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Huc me sidereo destendere
General Note

Annotations/Corrections: Secunda / pars' on top of fol. 70;

70r Huc me sydereo - 2a pars (of 2): Felle sitim magni regis -
Appears on: 70r
Genres: Motet
70v Antevenis viridis raris - 1a pars (of 2): Antevenis viridis raris Jacobus vaet
Appears on: 70v
Genres: Motet
Source Attribution: Jacobus vaet
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Anteuenis virides raris
General Note

Annotations/Corrections: Secunda / pars' on top of fol. 71;

71r Antevenis viridis raris - 2a pars (of 2): Respice fatorum domitrices -
Appears on: 71r
Genres: Motet
71v Quemadmodum Mr Tauerner
Appears on: 71v
Genres: Motet
Source Attribution: Mr Tauerner
Voice: [no designation]
Languages: none
Mensuration: cut-c
Clef: f5
Voice Text: Quemadmodu[m].
Composer Compositions
Anonymous
Bacchius, Johannes de (–ca. 1557)
Byrd, William (ca. 1540–1623)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Fayrfax, Robert (1464–1521)
Ferrabosco, Alfonso (the elder) (1543–1588)
Formellis, Wilhelmus (ca. 1541–1582)
Gombert, Nicolas (ca. 1495–ca. 1560)
Johnson (I), Robert (ca. 1500–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Monte, Philippe de
Mundy, William (ca. 1528–ca. 1591)
Palestrina, Giovanni Pierluigi da (1525–1594)
Parsley [Percely], Osbert
Philips, Peter (ca. 1560–1628)
Rivulo, Franziscus de
Roose
Sheppard, John (ca. 1515–1558)
Strogers, Nicholas
Tallis, Thomas (ca. 1505–1585)
Taverner, John
Tye, Christopher (ca. 1505–ca. 1573)
Vaet, Jacobus (ca. 1529–ca. 1567)
White, Robert (ca. 1538–1574)
Wood, John
Composition Composers (? Uncertain) Folios / Pages
Ad punctum in modico - 1a pars (of 2): Ad punctum in modico 24r
Ad punctum in modico - 2a pars (of 2): In momento indignationis 24v
Antevenis viridis raris - 1a pars (of 2): Antevenis viridis raris 70v
Antevenis viridis raris - 2a pars (of 2): Respice fatorum domitrices 71r
Apparebit in finem 33v
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta 25v
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine 26r
Aspice Domine quia facta est desolata (II) 61v
Audivi vocem de caelo 28r
Ave Dei patris filia 2r–3v
Ave Dei patris filia 4r–5v
Ave Dei patris filia 7v–9r
Ave regina caelorum (II) (6vv) 63r
Ave rosa sine spinis 6r–7r
Beati omnes 58v
Beati qui habitant 53v
Benedixisti Domine - 1a pars (of 2): Benedixisti Domine terram tuam avertisti 62r
Benedixisti Domine - 2a pars (of 2): Converte nos Deus salutaris noster 62v
Blessed are those that be undefiled (=Beati immaculati) 58r
Circumdederunt me dolores mortis 25r
Conserva me Domine 9v–10v
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri 56v
Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes 57r
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes 32r
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia 32v
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem 31v
Deus, Deus meus respice in me 68r
Dolor non fu ne fia 51v
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 65r
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 65v
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua 54v–55r
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius 55v–56r
Domine praestolamur - 1a pars (of 2): Domine praestolamur 26v
Domine praestolamur - 2a pars (of 2): Veni Domine 27r
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit 41r
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit 45r
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus 41v
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est 45v
Domine secundum multitudinem dolorum meum 33r
Domine tu jurasti 34v
Dum transisset sabbatum Maria Magdalena 39v
Ego sum panis vivus - 1a pars (of 2): Ego sum panis vivus qui de caelo descendi 68v
Ego sum panis vivus - 2a pars (of 2): Et panis quam ego dabo caro mea 69r
Exsurge Domine 48r–50v
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) 23r
Fantasia Anonymous 57v
Fuit homo missus - 1a pars (of 2): Fuit homo missus 66r
Fuit homo missus - 2a pars (of 2): Erat Joannes in deserto 66v
Gaude plurimum - 1a pars (of 3): Gaude plurimum 14v
Gaude plurimum - 2a pars (of 3): Gaude Maria virgo 14v
Gaude plurimum - 3a pars (of 3): Gaude Maria, Jesu mater 14v–15v
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis 28v
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox 29r
Huc me sydereo - 1a pars (of 2): Huc me sydereo descendere 69v
Huc me sydereo - 2a pars (of 2): Felle sitim magni regis 70r
I lift my heart to thee (= Amavit eum Dominus) 59v
In nomine (III) 61r
In nomine (V) 60v
In nomine a5 [unique to GB-CF D/DP Z6/1] 27v
In resurrectione tua 34r
Inclina Domine aurem tuam (I) 40r–40v
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium 63v
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam 64r
Infelix ego omnium - 3a pars (of 3): Ad te igitur 64v
Io son ferito ahi lasso e chi mi diede 51r
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem 42r–42v
Lamentations (I) a5 20v–22v
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem 43r–44r
Laudate Dominum omnes gentes, laudate eum 36r
Levemus corda nostra 23v
Magnificat O bone Jesu 1r–2r
Mater Christi sanctissima virgo [= O most holy and mighty Lord] 38v–39r
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus 18r–19r
Miserere mei Deus - 2a pars (of 2): Cor mundum crea 19r–20r
Miserere mei Deus secundum magnam 67v
Musica laeta suum gaudet (C79) 52r
Ne irascaris - 1a pars (of 2): Ne irascaris Domine 37v
Ne irascaris - 2a pars (of 2): Civitatis sancti tui 38r
Nigra sum - 1a pars (of 2): Nigra sum sed formosa 52v
Nigra sum - 2a pars (of 2): Posuerunt me custodem in vinis 53r
O mater mundi (instrumental) 60r
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum 35r
O quam gloriosum - 2a pars (of 2): Benedictio et claritas 35v
O salutaris hostia 50v
O splendor gloriae 46r–47v
Pater noster = Our Father (Lord's Prayer) 59r
Quemadmodum 71v
Rubum quem (A Singing Song) 54r
Salve intemerata virgo Maria 16r
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) 11r–11v
Sub tuum praesidium confugimus 44v
The Mean Mass: Agnus Dei 14r
The Mean Mass: Benedictus 13v–14r
The Mean Mass: Credo 12v–13r
The Mean Mass: Gloria 12r–12v
The Mean Mass: Sanctus (& Benedictus) 13r–13v
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum 36v
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo 36v–37r
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis 37r
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti 30v
Tristitia et anxietas - 2a pars (of 2): Sed tu domine 31r
Vias tuas Domine demonstra mihi et semitas 67r
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore 29v
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare 30r

Set: Paston Manuscripts

Type: Linked by Origin or Contents

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GB-Lbl Add. MS 18936

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GB-Lbl Add. MS 18937

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GB-Lbl Add. MS 18938

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GB-Lbl Add. MS 18939

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GB-Lbl Add. MS 29388

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GB-Lbl Add. MS 29389

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GB-Lbl Add. MS 29390

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GB-Lbl Add. MS 29391

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GB-Lbl Add. MS 29392

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GB-Lbl Add. MS 29401

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GB-Lbl Add. MS 29402

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GB-Lbl Add. MS 29403

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GB-Lbl Add. MS 29404

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GB-Lbl Add. MS 29405

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GB-Lbl Add. MS 30823

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GB-Lbl Add. MS 30824

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GB-Lbl Add. MS 30825

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GB-Lbl Add. MS 34000

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GB-Lbl Add. MS 34001

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GB-Lbl Add. MS 34002

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GB-Lbl Add. MS 34049

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GB-Lbl Add. MS 41156

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GB-Lbl Add. MS 41157

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GB-Lbl Add. MS 41158

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GB-Lbl Egerton 2009

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GB-Lbl Egerton 2010

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GB-Lbl Egerton 2011

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GB-Lbl Egerton 2012

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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US-Ws V.a. 405

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US-Ws V.a. 406

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US-Ws V.a. 407

Set: TUDOR PARTBOOKS

Type: Project Collection

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GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

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GB-Lbl Royal Appendix 57

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

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GB-Lcm [pr. bk.] B190 [Bassus]

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GB-Lcm [pr. bk.] B190 [Discantus]

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GB-Lcm [pr. bk.] B190 [Tenor]

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GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

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GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

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GB-Och Mus. 45

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IRL-Dm [pr. bk.] Z4. 3. 1-5

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US-NYp Mus. Res. Drexel 4182

denotes primary source study

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents.  American Institute of Musicology. Pages: 56.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 131.

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: XXV, 171, 175, 178, 183 XXVIII, 124, 130; XXX,75-90,177,186. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, 86.

Hughes, Dom Anselm. 1952. An Introduction to Fayrfax. Musica Disciplina, 83-104. Pages: 92.

Fellowes, Edmund H. 1948. Tudor Church Music: Appendix with Supplementary Notes.  London. Pages: 6-7.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Liminary Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description