Early 16th century book of organ pieces by anonymous authors. Written on double staves of 6 or 7 lines each, apparently in England. Also contains the plainsong of some settings of the ‘Magnificat‘ in each of the 8 ecclesiastical tones, each of them ending with a pneuma (or coda) in its proper tone (ff. 22v-28v); and the plainsong of a 'Te Deum,' beginning 'Te eternum patrem'; apparently written in England (f.30v).
| Archive | British Library, London, England (GB-Lbl) |
|---|---|
| Shelfmark | Royal Appendix 56 |
| External Links | |
| Provenance |
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| Contents | Contains 20 compositions, 19 are anonymous. |
General Description
Notation
not indicated
DIAMM Note
Keyboard MS. See bibliography.
rear endpaper 5v
The inventory could not be loaded.
Sets
TUDOR PARTBOOKS
Project Collection · 170 sources
‡ denotes primary source study
Milsom, John. 2007. Caustun's Contrafacta. Journal of the Royal Musical Association, 132/1: 1-31. http://jrma.oxfordjournals.org/cgi/content/full/132/1/1 .
Bent, Margaret. 1984. The Progeny of Old Hall: More Leaves from a Royal English Choirbook. Gordon Athol Anderson (1929-1981) in Memoriam, Musicological Studies, vol. 49. 2 vols.1-54. Henryville, Ottawa, and Binningen: Institute of Mediaeval Music.
Parton, Kenton. 1964. On Two Early Tudor Manuscripts of Keyboard Music. Journal of the American Musicological Society, 17: 81-3.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; DIAMM Note
IIIF manifest