Poppy Holden
Tuesday, 8 August, 2017
Listed in BL http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=AddMS29996 as 'Uppon 'La mi re.'' Anonymous. f. 48.
| Archive | British Library, London, England (GB-Lbl) |
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| Shelfmark | Add. MS 29996 |
| Format | portrait |
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| Contents | Contains 198 compositions, 150 from 20 composers, 48 are anonymous. |
According to Joseph Warren, who owned the ms. in 1847, ff. 6-45 are in the hand of John Redford, Master of the Boys of St. Paul's, temp. Hen. VIII. ; and some of Byrd's compositions (see f. 110 b) are also autograph. Annotated throughout by Thomas Tomkins, with some of his own compositions.
Owned in 17th century by George Moult (f. 6) and George Thomas Woodson (f. 184b). Large additions were made to it in 1647, etc., by Thomas Tomkins, organist of Worcester (see ff. 2, 217b), and others; and in the 19th century, it belonged to Robert Smith (bookplate — doubtless the wine-merchant of St. Paul's Church Yard mentioned on f. 222b), T. Jones (before 1826 — see beginning), Joseph Warren (1847), and J. Bishop.
Title: MOTETS, madrigals, fancies, etc., annotated throughout by Thomas Tomkins, with some of his own compositions
Organ book
Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.
116v
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Project Collection · 170 sources
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Listed in BL http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=AddMS29996 as 'Uppon 'La mi re.'' Anonymous. f. 48.
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Notified that the piece on fol. 48r is Thomas Preston's 'Upon la mi re' (not an anymous 'Upon la mi fa', as previously stated – the title then having been taken from the later pencil annotation). Also pointed out that the sketches on the previous page (47v) are sketches for this piece.
the two Regina caelestis pieces on 166r to 168v changed to 'Bina caelestis' - matins 'tunes for the day'
Composition records updated; inventory updated
NB: Migrated from old site. Credit for notes may not be completely accurate. Date Note; Ruling Note; DIAMM Note