GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

Bodleian Library, Oxford, England

Altus partbook: c. 1528-30, 1553-8, 1590s, 1615-25

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)
Surface Paper
Numbering System Foliation
Format landscape
Measurements 190 x 245 mm
Other Identifiers
  • CCM: OxfBMS e.376-81
  • Other catalogues/source: MadanSC 26343
  • Other catalogues/source: Forest-Heyther
  • olim (Former shelfmark): Arch.F.e.20
Copyists
Relationships
Provenance
Contents 90 pieces from 11 composers
General Description

An Altus partbook from a set of 6 volumes. First layer (Masses 1-11) copied by an unidentified scribe. Second layer (Masses 12-18) copied mostly by William Forrest (see below); Masses 16-18 and end of Mass 15 in S book copied by John Baldwin, who also wrote LonBLM 24 d.2, OxfC 979-83, part of OxfC 984-8, and 'My Ladye Nevells Booke' (last-named manuscript not within scope of this catalogue). A fourth scribe added some accidentals (see BrayIM). In early 17th century, a fifth scribe (probably William Heyther or Richard Nicholson) added three English anthems in the Sextus book; other voices for these pieces copied in OxfBMS d.212-6.

First layer copied in Oxford, for use at Cardinal College (later Christ Church). Owned in 1530 by William Forrest, a petty canon at Cardinal College (inscription on f. 1 of A); Forrest copied second layer of Masses after becoming chaplain to Mary Tudor, Queen of England. There is no evidence to indicate that the partbooks were owned by John Baldwin of Windsor (c. 1581 – they were not part of his estate on his death) other than his 'professional' copying hand appearing towards the end, adding some works and completing missing parts for others. Baldwin copied some music from these books into his own collection (the 'Baldwin' partbooks). Later owned by William Heyther (d. 1627), gentleman of the Chapel Royal and founder of the Professorship of Music at Oxford University. Donated to Oxford University Music School in 1626; passed to Bodleian Library in 1885.

DIAMM, 2017
Physical Description

All books in highly fragile condition; some folios damaged by ink corrosion, but most music still legible.

DIAMM, 2017
Binding

DATBQ books bound in identical original covers of brown tooled leather, decorated with English royal arms supported by greyhound and dragon or griffin, Tudor rose, and pomegranate.

DIAMM, 2017
Watermark

(1) Main watermark in DATBQ: shield with initials "PS" (not in Briquet); (2) grape cluster with initials "AR", resembles Heawood #2174; (3) unidentified grape cluster.

(1)Main watermark in S is Heawood #2495, not found in other books of this set; two other unidentified watermarks, also unique to S book: (2) pot with initials "PK" or "PR"; (3) pot with three(?) indeterminate initials

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: original numbering of Masses, 1-18

DIAMM, 2017
Decoration

Inked calligraphic initials; large initial at beginning of Taverner's Missa Gloria tibi Trinitas in each book (except S) decorated with portrait of the composer.

DIAMM, 2017
Index

Original indices of Masses at beginning of all books except Q: some indices list only the first 11 Masses.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

18 Masses, 3 anthems (later additions) = 21

Allwood-1, Ashwell-2, Aston-2, Bull-1, Burton-1, Byrd/(T. Mudd II)-1, Fayrfax-4, Merbecke-1, Nicholson [R N]/(Edward Smith)-1, Norman-1, Rasar-1, Shepherd-1, Taverner-3, Tye-1

6 paper partbooks (D-i + 135 folios, A-i + 137, T-i + 120, B-120, Q-iii + 120, S-67), 190 x 245 (S measures 145 x 195). All books in highly fragile condition; some folios damaged by ink corrosion, but most music still legible. New pencil foliation (D: 1-135; A: 1-137; T: 1109a + 1090-119; B: 1-120; Q: 1-120; S: 1-67); original numbering of Masses, 1-18. Blank folios or blank staves only-D: 2-3, 126'-135'; A: 1-3', 137-137'; T: 1-2, 3-3', 101'-109b, l09b'-119; B: 1-2, 3-3', 106'-120'; Q: 1-3', 115-120'; S: 1-4', 59'-60', 66-67'. DATBQ books bound in identical original covers of brown tooled leather, decorated with English royal arms supported by greyhound and dragon or griffin, Tudor rose, and pomegranate. Covers of S book (probably dating from late 16th century) also of brown tooled leather, but with different heraldic emblems (see BergsFH). Original indices of Masses at beginning of all books except Q: some indices list only the first 11 Masses.

First layer (Masses 1-11) copied by an unidentified scribe. Second layer (Masses 12-18) copied mostly by William Forrest (see below); Masses 16-18 and end of Mass 15 in S book copied by John Baldwin, who also wrote LonBLM 24 d.2, OxfC 979-83, part of OxfC 984-8, and "My Ladye Nevells Booke" (last-named manuscript not within scope of this catalogue). A fourth scribe added some accidentals (see BrayIM). In early 17th century, a fifth scribe (probably William Heyther or Richard Nicholson) added three English anthems in S book; other voices for these pieces copied in OxfBMS d.212-6.

Inked calligraphic initials; large initial at beginning of Taverner's Missa Gloria tibi Trinitas in each book (except S) decorated with portrait of the composer. Main watermark in DATBQ: shield with initials "PS" (not in Briquet); second watermark (grape cluster with initials "AR") resembles Heawood #2174; third watermark (grape cluster) unidentified. Main watermark in S is Heawood #2495, not found in other books of this set; two other unidentified watermarks, also unique to S book: (1) pot with initials "PK" or "PR"; (2) pot with three(?) indeterminate initials.

Ca. 1528-30 (first layer); ca. 1553-8 (second layer); some additions or recopying in S book during 1590's; other additions in S book (anthems) ca. 1615-25. First layer copied in Oxford, for use at Cardinal College (later Christ Church). Owned in 1530 by William Forrest, a petty canon at Cardinal College (inscription on f. 1 of A); Forrest copied second layer of Masses after becoming chaplain to Mary Tudor, Queen of England. Partbooks acquired by John Baldwin of Windsor ca. 1581; Baldwin completed or recopied several Masses in S book, and was probably responsible for having S book rebound in present covers. Later owned by William Heyther (d. 1627), gentleman of the Chapel Royal and founder of the Professorship of Music at Oxford University. Donated to Oxford University Music School in 1626; passed to Bodleian Library in 1885.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

2r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
4r–5r Missa Gloria tibi Trinitas: Gloria Jhoi[nn]esTau[er]nar (at end 'Jho[nn]es Tauernar')
Appears on: 4r–5r
Genres: Anglican Service Music, Gloria (et in terra pax)
Source Attribution: Jhoi[nn]esTau[er]nar (at end 'Jho[nn]es Tauernar')
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Gloria tibi trinitas / Et in terra pax
General Note

Annotations/Corrections: ligature clarification and signum congruentiae on f. 4; Notes: face (in armour and with helmet) coming out of initial 'E', with a script roll coming out of the mouth: 'IHO[nn]ES TAVER[ner]';

5r–6r Missa Gloria tibi Trinitas: Credo -
Appears on: 5r–6r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Patre[m] omnipotentem
General Note

Annotations/Corrections: 12' entered under ante-penultimate note of seciton on f. 5v;

6r–7r Missa Gloria tibi Trinitas: Sanctus -
Appears on: 6r–7r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Sanctus Sanctus dominus
7r–7v Missa Gloria tibi Trinitas: Benedictus -
Appears on: 7r–7v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: In nomine domini
7v–8r Missa Gloria tibi Trinitas: Agnus dei -
Appears on: 7v–8r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Agnus dei
8v–10v Missa Ut re mi fa sol la: Gloria Avery Burton; at end 'Mast avery'
Appears on: 8v–10v
Source Attribution: Avery Burton; at end 'Mast avery'
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Vt. re. my. fa. sol. la. / Et in terra pax
General Note

Annotations/Corrections: .v. parts,' at beginning; some small note correcitons on f. 9;

10v–13r Missa Ut re mi fa sol la: Credo -
Appears on: 10v–13r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Patre[m] omnipotentem
General Note

Annotations/Corrections: 22' under a note in bottom line of f. 11;

13r–14r Missa Ut re mi fa sol la: Sanctus -
Appears on: 13r–14r
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Sanctus Domin[us] deus
14r–14v Missa Ut re mi fa sol la: Benedictus -
Appears on: 14r–14v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Qui venit
15r–16v Missa Ut re mi fa sol la: Agnus dei -
Appears on: 15r–16v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Agnus dei
17r–18v Missa Per Arma Justitiae: Gloria Jhoi[nn]es Merbeck
Appears on: 17r–18v
Source Attribution: Jhoi[nn]es Merbeck
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: P[er] arma iusticie / Et in terra pax
18v–21r Missa Per Arma Justitiae: Credo -
Appears on: 18v–21r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Patre[m] omnipotente[m]
21r–22r Missa Per Arma Justitiae: Sanctus -
Appears on: 21r–22r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Sanctus Domin[us] deus
22r–23r Missa Per Arma Justitiae: Benedictus -
Appears on: 22r–23r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Benedictus qui venit
23r–24v Missa Per Arma Justitiae: Agnus dei -
Appears on: 23r–24v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Agnus dei
24v–26v Missa Regali ex progenie: Gloria Doct ffayrfox
Appears on: 24v–26v
Source Attribution: Doct ffayrfox
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Regaly. / Et in terra pax
26v–28v Missa Regali ex progenie: Credo -
Appears on: 26v–28v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Patre[m] omnipotentem
29r–30r Missa Regali ex progenie: Sanctus -
Appears on: 29r–30r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Sanctus sanctus sanctus Sancuts
General Note

Annotations/Corrections: 2' under first ligature;

30r–30v Missa Regali ex progenie: Benedictus -
Appears on: 30r–30v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: In nomine domini
31r–32r Missa Regali ex progenie: Agnus dei -
Appears on: 31r–32r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Agnus dei
General Note

Annotations/Corrections: 2' under first ligature;

32r–34r Missa Albanus: Gloria Doct ffayrfox
Appears on: 32r–34r
Source Attribution: Doct ffayrfox
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Albanus / Et in terra pax
34r–36r Missa Albanus: Credo -
Appears on: 34r–36r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Patre[m] omnipotentem
36v–37v Missa Albanus: Sanctus -
Appears on: 36v–37v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Sanctus Dominus deus
37v–38r Missa Albanus: Benedictus -
Appears on: 37v–38r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Qui venit
38r–39v Missa Albanus: Agnus dei -
Appears on: 38r–39v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c1
Voice Text: Agnus dei
General Note

Notes: at end 'Alban[us]';

40r–41r Missa Christe Jesu: Gloria W. Rasar
Appears on: 40r–41r
Source Attribution: W. Rasar
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Cristi Jhesu / Et in terra pax
41v–43v Missa Christe Jesu: Credo -
Appears on: 41v–43v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Patre[m] omnipotentem
General Note

Annotations/Corrections: 2' under note in third line of f. 41v;

43v–45r Missa Christe Jesu: Sanctus -
Appears on: 43v–45r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Sanctus sanctus sanctus
45r–46r Missa Christe Jesu: Benedictus -
Appears on: 45r–46r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Benedictus Qui venit
46v–48r Missa Christe Jesu: Agnus dei -
Appears on: 46v–48r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Agnus dei
48r–49v Missa Te Deum: Gloria Hugo Hastun
Appears on: 48r–49v
Source Attribution: Hugo Hastun
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Te deum / Et in terra pax
50r–52v Missa Te Deum: Credo -
Appears on: 50r–52v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Et in vnum dominu[m]
52v–53v Missa Te Deum: Sanctus -
Appears on: 52v–53v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Sanctus Sanctus Sanctus
General Note

Notes: The three 'Sanctus' are clearly separated by barlines (unusual here); Benedictus not actually sung (only rests), but second 'Osanna'; final system prolongued to fit in final notes;

53v Missa Te Deum: Benedictus -
Appears on: 53v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: O sanna In excelsis
General Note

Annotations/Corrections: stave extendended into inner margin for final two notes;

54r–55r Missa Te Deum: Agnus dei -
Appears on: 54r–55r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Agnus dei
55v–57r Missa O Bone Jesu: Gloria Doct ffayrfox; at end 'doct ffayrffor'
Appears on: 55v–57r
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Doct ffayrfox; at end 'doct ffayrffor'
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c4
Voice Text: O bone Jhesu / Et in terra pax
57r–59r Missa O Bone Jesu: Credo -
Appears on: 57r–59r
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c4
Voice Text: Patre[m] omnipotentem
General Note

Annotations/Corrections: note (stem) corrected in bottom lines ff. 57 and 57v, and top line f. 58;

59r–60v Missa O Bone Jesu: Sanctus -
Appears on: 59r–60v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c4
Voice Text: Sanctus Sanctus sanctus
60v–61r Missa O Bone Jesu: Benedictus -
Appears on: 60v–61r
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Benedictus Qui uenit
General Note

Notes: final line of music prolongued to fit in two final notes ;

61v–63r Missa O Bone Jesu: Agnus dei -
Appears on: 61v–63r
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c4
Voice Text: Agnus dei
63r–65r Missa Tecum principium: Gloria Doct ffayrfax
Appears on: 63r–65r
Source Attribution: Doct ffayrfax
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Tecum p[ri]ncipium / Et in terra pax
65v–67v Missa Tecum principium: Credo -
Appears on: 65v–67v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Patrem omnipotentem
68r–69r Missa Tecum principium: Sanctus -
Appears on: 68r–69r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Sanctus Sanctus Dominus
69r–69v Missa Tecum principium: Benedictus -
Appears on: 69r–69v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Qui uenit
69v–71r Missa Tecum principium: Agnus dei -
Appears on: 69v–71r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Agnus dei
General Note

Annotations/Corrections: note/stem corr. at end of first line on f. 69v; Notes: at end 'Tecum principiu[m]';

71v–74r Missa Jesu Christe: Gloria Tomas ashwell
Appears on: 71v–74r
Source Attribution: Tomas ashwell
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Jh[es]u Criste / Et in terra pax
General Note

Canon/Gimels: "Gimel' on f. 72v amd 73;

74v–76v Missa Jesu Christe: Credo -
Appears on: 74v–76v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Patre[m] omnipotentem
General Note

Annotations/Corrections: on f. 76 some notes missing, entered on bottom of page on extra folio, marked in main score by a '+';

77r–78r Missa Jesu Christe: Sanctus -
Appears on: 77r–78r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Sanctus Sanctus Sanctus
78r–78v Missa Jesu Christe: Benedictus -
Appears on: 78r–78v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Qui uenit
78v–80r Missa Jesu Christe: Agnus dei -
Appears on: 78v–80r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Agnus dei
80v–82r Missa Resurrexit: Gloria J. Norma[n]
Appears on: 80v–82r
Source Attribution: J. Norma[n]
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Resurrexit dominus / Et in terra pax
General Note

Annotations/Corrections: note/stem corr. in second line of f. 81;

82r–84r Missa Resurrexit: Credo -
Appears on: 82r–84r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Patre[m] omnipotentem
84r–84v Missa Resurrexit: Sanctus -
Appears on: 84r–84v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Sanctus Sanctus tus dominus
85r Missa Resurrexit: Benedictus -
Appears on: 85r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: In nomine domini
General Note

Notes: last line of page extended to fit in final two notes;

85v–86v Missa Resurrexit: Agnus dei -
Appears on: 85v–86v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Agnus dei
86v–88v Missa Corona spinea: Gloria John Tauernar; at end 'John Taue[r]nar'
Appears on: 86v–88v
Source Attribution: John Tauernar; at end 'John Taue[r]nar'
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Spinea Corona / Et in terra pax
General Note

Annotations/Corrections: 'Patrem.' accidentally entered a line too early and crossed out; also two first notes in that line crossed out; Notes: music (and words) in different hand than preceeding pieces;

88v–90r Missa Corona spinea: Credo -
Appears on: 88v–90r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Patrem. / Et in vnu[m] D[o]mi[num]
90r–90v Missa Corona spinea: Sanctus -
Appears on: 90r–90v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Sanctus, Sanctus. D[omin]us
90v–91r Missa Corona spinea: Benedictus -
Appears on: 90v–91r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Benedictus / Qui venit
91r–92v Missa Corona spinea: Agnus dei -
Appears on: 91r–92v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Agnus / Qui tollis
General Note

Canon/Gimels: Gimel' twice on f. 91v;

92v–94r Missa Ave Maria: Gloria -
Appears on: 92v–94r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: ET in terra pax
General Note

Canon/Gimels: Gimel' twice on f. 93; on f. 93v, top line split into 'primus medius' and 'S[e]c[un]dus'; Annotations/Corrections: at end of penultimate line of f. 93: 'verte foliu[m]: et nota liea[m]';

94r–95v Missa Ave Maria: Credo -
Appears on: 94r–95v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Patrem om[n]ipotentem
General Note

Annotations/Corrections: note added in top line of f. 94v;

95v–96v Missa Ave Maria: Sanctus -
Appears on: 95v–96v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Sanctus. Sanctus. Sanctus
96v Missa Ave Maria: Benedictus -
Appears on: 96v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Benedictus
96v–97v Missa Ave Maria: Agnus dei -
Appears on: 96v–97v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Agnus Dei
97v–99v Missa Videte manus meas: Gloria Hughe Aston (at end)
Appears on: 97v–99v
Source Attribution: Hughe Aston (at end)
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Videte man[us] meas / ET in terra pax
General Note

Canon/Gimels: Gymel' twice on f. 98v;

99v–101v Missa Videte manus meas: Credo -
Appears on: 99v–101v
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c2
Voice Text: Patre[m] om[n]ipotente[m]
101v–102r Missa Videte manus meas: Sanctus -
Appears on: 101v–102r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Sanctus. Sancus. D[omin]us
102r–103r Missa Videte manus meas: Benedictus -
Appears on: 102r–103r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Benedictus
103r–104v Missa Videte manus meas: Agnus dei -
Appears on: 103r–104v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Agn[us] dei
104v–105v Missa O Michael: Gloria Tauernar (at end)
Appears on: 104v–105v
Source Attribution: Tauernar (at end)
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: O Mychaell / Et inter ter pax
105v–106v Missa O Michael: Credo -
Appears on: 105v–106v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Patrem om[n]ipotentem
106v–107r Missa O Michael: Sanctus -
Appears on: 106v–107r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Sanctus. Sanctus. Sancuts.
107r Missa O Michael: Benedictus -
Appears on: 107r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Bndictus / In nomine domini
107r–107v Missa O Michael: Agnus dei -
Appears on: 107r–107v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Agn[us] Dei
107v–108v Missa Cantate Domino: Gloria maister Shepparde (at end)
Appears on: 107v–108v
Source Attribution: maister Shepparde (at end)
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Cantate / ET in terra pax
108v–109v Missa Cantate Domino: Credo -
Appears on: 108v–109v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Patre[m] om[n]ipote[n]tem
109v–110r Missa Cantate Domino: Sanctus -
Appears on: 109v–110r
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Sanct[us] s[an]ctus Sanctus
General Note

Annotations/Corrections: two distinct dots under 'D[omin]us';

110r Missa Cantate Domino: Benedictus -
Appears on: 110r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Benedictus q[ui] venit
110r–110v Missa Cantate Domino: Agnus dei -
Appears on: 110r–110v
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c2
Voice Text: Agn[us] dei
110v–111r Missa Euge bone: Gloria Doctor Tye
Appears on: 110v–111r
Source Attribution: Doctor Tye
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Euge bone / Et in terra pax
111r–112r Missa Euge bone: Credo -
Appears on: 111r–112r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Patrem om[n]ipotentem
112r Missa Euge bone: Sanctus -
Appears on: 112r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Sanctus, sanctus, sanctus
112r–112v Missa Euge bone: Benedictus -
Appears on: 112r–112v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Benedictus
112v–113r Missa Euge bone: Agnus dei -
Appears on: 112v–113r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Agn[us] Dei
General Note

Canon/Gimels: Gimel' on f. 112;

113r–113v Missa Praise him praiseworthy: Gloria Alwoodde
Appears on: 113r–113v
Source Attribution: Alwoodde
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: praise hym praiseworthye / ET in terra pax
General Note

Annotations/Corrections: on top of f. 113v some notes with text added, their plac eindicated with a '+'; on f. 113v some syllables have two dots under them (miserere, patris, Amen); penultimate note has '2' beneath it;

113v–114v Missa Praise him praiseworthy: Credo -
Appears on: 113v–114v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Patre[m] om[n]ipotente[m]
General Note

Annotations/Corrections: on f. 114: 'Et' of 'Et in carnatus' has two dots beneath it;

114v Missa Praise him praiseworthy: Sanctus -
Appears on: 114v
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: S[anc]tus [Sanctus] [Sanctus]
General Note

Annotations/Corrections: on f. 114v, several syllables have two dots beneath them.;

114v–115r Missa Praise him praiseworthy: Benedictus -
Appears on: 114v–115r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Benedictus qui venit
General Note

Annotations/Corrections: on f. 114v, several syllables have two dots beneath them.;

115r Missa Praise him praiseworthy: Agnus dei -
Appears on: 115r
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Agn[us] Dei
General Note

Annotations/Corrections: first Agnus has two dots under first syllable; Notes: pacem' at end repeated;

Composer Compositions
Alwood, Richard (fl. 16th century)
Ashwell, Thomas (ca. 1478–ca. 1513)
Aston, Hugh (ca. 1485–1558)
Fayrfax, Robert (1464–1521)
Master Avery [= David Burton?]
Merbecke, John
Norman, John
Rasar, William
Sheppard, John (ca. 1515–1558)
Taverner, John
Tye, Christopher (ca. 1505–ca. 1573)
Composition Composers (? Uncertain) Folios / Pages
Missa Albanus: Agnus dei 38r–39v
Missa Albanus: Benedictus 37v–38r
Missa Albanus: Credo 34r–36r
Missa Albanus: Gloria 32r–34r
Missa Albanus: Sanctus 36v–37v
Missa Ave Maria: Agnus dei 96v–97v
Missa Ave Maria: Benedictus 96v
Missa Ave Maria: Credo 94r–95v
Missa Ave Maria: Gloria 92v–94r
Missa Ave Maria: Sanctus 95v–96v
Missa Cantate Domino: Agnus dei 110r–110v
Missa Cantate Domino: Benedictus 110r
Missa Cantate Domino: Credo 108v–109v
Missa Cantate Domino: Gloria 107v–108v
Missa Cantate Domino: Sanctus 109v–110r
Missa Christe Jesu: Agnus dei 46v–48r
Missa Christe Jesu: Benedictus 45r–46r
Missa Christe Jesu: Credo 41v–43v
Missa Christe Jesu: Gloria 40r–41r
Missa Christe Jesu: Sanctus 43v–45r
Missa Corona spinea: Agnus dei 91r–92v
Missa Corona spinea: Benedictus 90v–91r
Missa Corona spinea: Credo 88v–90r
Missa Corona spinea: Gloria 86v–88v
Missa Corona spinea: Sanctus 90r–90v
Missa Euge bone: Agnus dei 112v–113r
Missa Euge bone: Benedictus 112r–112v
Missa Euge bone: Credo 111r–112r
Missa Euge bone: Gloria 110v–111r
Missa Euge bone: Sanctus 112r
Missa Gloria tibi Trinitas: Agnus dei 7v–8r
Missa Gloria tibi Trinitas: Benedictus 7r–7v
Missa Gloria tibi Trinitas: Credo 5r–6r
Missa Gloria tibi Trinitas: Gloria 4r–5r
Missa Gloria tibi Trinitas: Sanctus 6r–7r
Missa Jesu Christe: Agnus dei 78v–80r
Missa Jesu Christe: Benedictus 78r–78v
Missa Jesu Christe: Credo 74v–76v
Missa Jesu Christe: Gloria 71v–74r
Missa Jesu Christe: Sanctus 77r–78r
Missa O Bone Jesu: Agnus dei 61v–63r
Missa O Bone Jesu: Benedictus 60v–61r
Missa O Bone Jesu: Credo 57r–59r
Missa O Bone Jesu: Gloria 55v–57r
Missa O Bone Jesu: Sanctus 59r–60v
Missa O Michael: Agnus dei 107r–107v
Missa O Michael: Benedictus 107r
Missa O Michael: Credo 105v–106v
Missa O Michael: Gloria 104v–105v
Missa O Michael: Sanctus 106v–107r
Missa Per Arma Justitiae: Agnus dei 23r–24v
Missa Per Arma Justitiae: Benedictus 22r–23r
Missa Per Arma Justitiae: Credo 18v–21r
Missa Per Arma Justitiae: Gloria 17r–18v
Missa Per Arma Justitiae: Sanctus 21r–22r
Missa Praise him praiseworthy: Agnus dei 115r
Missa Praise him praiseworthy: Benedictus 114v–115r
Missa Praise him praiseworthy: Credo 113v–114v
Missa Praise him praiseworthy: Gloria 113r–113v
Missa Praise him praiseworthy: Sanctus 114v
Missa Regali ex progenie: Agnus dei 31r–32r
Missa Regali ex progenie: Benedictus 30r–30v
Missa Regali ex progenie: Credo 26v–28v
Missa Regali ex progenie: Gloria 24v–26v
Missa Regali ex progenie: Sanctus 29r–30r
Missa Resurrexit: Agnus dei 85v–86v
Missa Resurrexit: Benedictus 85r
Missa Resurrexit: Credo 82r–84r
Missa Resurrexit: Gloria 80v–82r
Missa Resurrexit: Sanctus 84r–84v
Missa Te Deum: Agnus dei 54r–55r
Missa Te Deum: Benedictus 53v
Missa Te Deum: Credo 50r–52v
Missa Te Deum: Gloria 48r–49v
Missa Te Deum: Sanctus 52v–53v
Missa Tecum principium: Agnus dei 69v–71r
Missa Tecum principium: Benedictus 69r–69v
Missa Tecum principium: Credo 65v–67v
Missa Tecum principium: Gloria 63r–65r
Missa Tecum principium: Sanctus 68r–69r
Missa Ut re mi fa sol la: Agnus dei 15r–16v
Missa Ut re mi fa sol la: Benedictus 14r–14v
Missa Ut re mi fa sol la: Credo 10v–13r
Missa Ut re mi fa sol la: Gloria 8v–10v
Missa Ut re mi fa sol la: Sanctus 13r–14r
Missa Videte manus meas: Agnus dei 103r–104v
Missa Videte manus meas: Benedictus 102r–103r
Missa Videte manus meas: Credo 99v–101v
Missa Videte manus meas: Gloria 97v–99v
Missa Videte manus meas: Sanctus 101v–102r

Set: TUDOR PARTBOOKS

Type: Project Collection

No images available

GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

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GB-Lbl Royal Appendix 57

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Och Mus. 45

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

US-NYp Mus. Res. Drexel 4182

denotes primary source study

Milsom, John (editor). 1986. Oxford, Bodleian Library, MSS Music School e. 376381 ("The Forrest-Heather part books"). Renaissance Music in Facsimile.  New York. Notes: physical description; contents list; facsimile; discussion.

Brett, Philip. 1981. Homage to Taverner in Byrd's Masses. Early Music, 169-76. Pages: 174-5. Notes: contents list (partial); facsimile (partial); mention of MS; discussion.

Brothers, Lester D. 1978. New Light on an Early Tudor Mass: Avery Burton's Missa Ut re mi fa sol la. Musica Disciplina, 111-26. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575.  London. Pages: 24-6, 134, 158-60, passim; Plate 5. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

Bray, Roger W. 1975. John Baldwin. Music and Letters, 55-9. Notes: physical description; mention of MS; discussion.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 32-41, 94-114, 140-55; II, 27-42, 46, 58, 61-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents.  American Institute of Musicology. Pages: 51, 59. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: I, passim; XVI, passim; XVIII, 1-59; XX, passim, XXIV.xiv, 105-56,163. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Bergsagel, John D. 1963. The Date and Provenance of the Forrest-Heyther Collection of Tudor Masses. Music and Letters, 240-8. Notes: physical description (partial); mention of MS; discussion.

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 82, 108-9, 221; II, 41-71. Notes: physical description (partial); contents list (partial); transcription (partial).

Bergsagel, John D. 1962. On the Performance of Ludford's Alternatim Masses. Musica Disciplina, 35-55. Pages: 38ff, 49-55. Notes: facsimile (partial); mention of MS; discussion.

Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: Critical Notes to Vol. I. Notes: physical description (partial); contents list (partial); concordances (partial).

Westrup, Jack A (editor). 1954-. New Oxford History of Music.  London, New York, and Toronto. Pages: III, 332-5. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Hughes, Dom Anselm. 1951. Medieval Polyphony in the Bodleian Library, Oxford. Pages: 43-6. Notes: physical description (partial); contents list; concordances.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: IX, 112; X, 515. Notes: contents list (partial); facsimile (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: XCVII, iii. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music.  London, Oxford et al. Pages: I, frontispiece, lix, lxii-lxiii, passim; X, xviii, 162, passim. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Davey, Henry. 1921. History of English Music.  London. Pages: 89ff, 129, 132, 137. Notes: physical description (partial); contents list (partial).

Madan, Falconer (editor). 1895-1953. A Summary Catalogue of Western Manuscripts in the Bodleian Library at Oxford.  Oxford. Pages: V, 210-1. Notes: physical description; contents list.

Frere, Walter Howard. 1894-1932, repr. Hildesheim, 1967. Bibliotheca Musico-Liturgica: A Descriptive Handlist of the Musical and Latin-Liturgical Mss. of the Middle Ages Preserved in the Libraries of Great Britain and Ireland. 2 vols. London: The Plainsong and Medieval Music Society. Pages: I, 134. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description