GB-Ob MS. Mus. c. 784 [Contratenor] (Willmott Manuscript)

Bodleian Library, Oxford, England

partbook: 1591

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Mus. c. 784 [Contratenor] (Willmott Manuscript)
Surface Paper
Numbering System None / Unknown
Format landscape
Measurements 208 x 283 mm (page)
Other Identifiers
  • CCM: SpetchB s.s.
  • olim (Former shelfmark): Private Library of R. J. Berkeley
Notations
  • black void mensural
Copyists
Relationships
Provenance
  • Norwich, Norfolk, England
Contents Contains 29 compositions, 27 from 10 composers, 2 are anonymous.
General Description

A Contratenor partbook from a set probably of 5 volumes (Ob Tenb. MS 1486, the Tenor partbook from this set, known as the Braikenridge manuscript, is the only other known survivor). Both books contain the name of John Sadler, a Norwich Grocer (not a Northamptonshire Parson), who is also linked to Ob Mus. e. 1-5.

Given to Thomas Chapman by Charles Spisar, of 'Fulsham', Norfolk (i.e. Foulsham), in 1709 (inscription on f. 46). Given to Elizabeth Becher by Dr. Peckard, Dean of Peterborough, in 1788; passed to Mary Cranfield Becher (niece of Elizabeth Becher) in 1838. Later owned by the collector Ellen Ann Willmott (d. 1934), of Great Warley, Essex. Latter's library sold by Sotheby's in 1935; present manuscript purchased by Willmott's nephew, R. G. Berkeley. Acquired by the Bodleian Library from Berkeley's grandchild 2022.

DIAMM, 2017
Physical Description

Original folios also missing between ff. [10]-[11]; [13]-[14]; [15]-[16].

DIAMM, 2017
Binding

Original covers of dark brown leather over cardboard, blind tooled and gold tooled with ornamental designs; modern red morocco slipcase.

DIAMM, 2017
Ownership

Given to Thomas Chapman by Charles Spisar, of 'Fulsham', Norfolk (i.e. Foulsham), in 1709 (inscription on f. 46). Given to Elizabeth Becher by Dr. Peckard, Dean of Peterborough, in 1788; passed to Mary Cranfield Becher (niece of Elizabeth Becher) in 1838. Later owned by the collector Ellen Ann Willmott (d. 1934), of Great Warley, Essex. Latter's library sold by Sotheby's in 1935; purchased by Willmott's nephew, R. G. Berkeley of Spetchley Park, Worcester - the grandfather of the current owner.

DIAMM, 2017
Watermark

Grapes with AG letters, Briquet #13163 (Autun, 1580; Narbonne 1583-89)

Simon Maguire
Ruling

Staff height 9-11

DIAMM, 2019
Foliation

No foliation or pagination. Other numberings: Original numbering of pieces, 1-26 (last two motets included under #26).

DIAMM, 2017
Decoration

large calligraphic initials, some elaborately decorated with red, green, gold, blue, silver, and gray floral designs, animals, monsters, and grotesques; some text in red ink.

DIAMM, 2019
Surface

Paper

DIAMM, 2017
DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023
DIAMM Note

Part of the set including the 'Braikenridge' MS in the Bodleian Library (MS. Tenbury 1486), copied by John Sadler in 1591. The description partly refers to that given in the Census Catalogue for the Braikenridge MS.

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 hymn, 26 motets (6 incomplete) = 27

(Byrd)-9, (Byrd/Taverner)-1, (R. Johnson I)-1, (W. Mundy)-1, (R. Parsons I)-1, Sadler-1, Tallis-6, (Taverner)-1, R. White-2, anon-4

1 paper partbook (A-48 + iv folios), 208 x 285. OxfBT 1486 is T book from same set; other books apparently lost. No foliation or pagination. Original numbering of pieces, 1-26 (last two motets included under #26). Original covers of dark brown leather over cardboard, blind tooled and gold tooled with ornamental designs; modern red morocco slipcase. No index. Copied by John Sadler, who also wrote OxfBM e.1-5 and OxfBT 1486 (FelAP). Staff height 9-11. Large calligraphic initials, some elaborately decorated with red, green, gold, blue, silver, and gray floral designs, animals, monsters, and grotesques; some text in red ink. Watermark is Heawood #2168, also found in OxfBM e.1-5 and OxfBT 1486.

1591 (date on f. 18'). Probably copied in or near Sudborough, Northampton. The compiler, scribe, and original owner was John Sadler, a schoolmaster and Anglican priest. Given to Thomas Chapman by Charles Spisar, of Fulsham, Norfolk, in 1709 (inscription at end). Given to Elizabeth Becher by Dr. Peckard, Dean of Peterborough, in 1788; passed to Mary Cranfield Becher (niece of Elizabeth Becher) in 1838. Later owned by the collector Ellen Ann Willmott (d. 1934), of Great Warley, Essex. Latter's library sold by Sotheby's in 1935; present manuscript purchased by Willmott's nephew, R. G. Berkeley, grandfather of current owner.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

13v

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Sets

Select a set to see its sources.

denotes primary source study

Blezzard, Judith H. 1995. Monsters and Messages: The Willmott and Braikenridge Manuscripts of Latin Tudor Church Music, 1591. The Antiquaries Journal, 75: 311–338.

Gaskin, Hilary Lorna. 1985. Music copyists in late sixteenth-century England, with particular reference to the manuscripts of John Baldwin. University of Cambridge Faculty of Music, PhD.

Mateer, David G. 1979. John Sadler and Oxford, Bodleian MSS Mus. e. 1-5. Music and Letters, 40: 281-95. Pages: 281, 285, 287. Notes: mention of MS.

Morris, Christopher (compiler). 1978. The Oxford Book of Tudor Anthems.  London. Pages: 272. Notes: contents list (partial); concordances (partial).

Hofman, May. 1977. The Survival of Latin Sacred Music by English Composers 1485–1610. University of Oxford Faculty of Music, DPhil.

Josephson, David Sholom. 1972. John Taverner: A Documentary Study of His Life and Musik. Columbia University, Unpublished Ph.D. dissertation. Pages: 259. Notes: contents list (partial).

Bray, Roger W. 1971. The Part-Books Oxford, Christ Church, MSS 979-983: An Index and Commentary. Musica Disciplina, 25: 179-97. Pages: 184-9. Notes: contents list (partial); concordances (partial).

Benham, Hugh Raymond. 1969. The Music of John Taverner - A Study and Assessment. University of Southampton, Unpublished Ph.D. dissertation. Pages: 44. Notes: physical description (partial); contents list (partial).

Satterfield, John. 1969. A Catalogue of Tye's Latin Music,. Studies in Musicology: Essays in the History, Style, and Bibliography of Music in Memory of Glen Haydon, 51-9. Chapel Hill, N.C. Pages: 56, 59. Notes: mention of MS; contents list (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: II, 217; XXV,171; XXVIII,125,130; XXIX, 129,132-3. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1963. Communication. Journal of the American Musicological Society, 16: 110. Notes: contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 14: 359-82. Pages: 364. Notes: mention of MS; contents list (partial).

Noble, Jeremy. 1955. La Répertoire Instrumental Anglais: 1550-1585. La Musique Instrumentale de la Renaissance, 91-114. Paris. Pages: 105. Notes: contents list (partial); concordances (partial).

Fellowes, Edmund H. 1948. Tudor Church Music: Appendix with Supplementary Notes.  London. Pages: 5-6, 36-7, 42-9. Notes: physical description (partial); contents list; transcription (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd.  London, New York, and Toronto. Pages: 113, 131, plate opp. 72. Notes: contents list (partial); concordances (partial); facsimile (partial).

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Edward Tambling

Thursday, 4 July, 2024

Identified Quare tristis est anima mea (on fols 45r-45v) to be the setting by Derrick Gerarde, also found in GB-Lbl Roy. App. 17-22 and 26-30.

Magnus Williamson

Friday, 30 August, 2019

Incorrect attribution fixed

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description