GB-Ob MS. Tenbury 341

Bodleian Library, Oxford, England

partbook: Early 17th century

Archive	Bodleian Library, Oxford, England (GB-Ob)
Shelfmark	MS. Tenbury 341
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	221 x 169 mm
Other Identifiers	CCM: OxfBT 341-4
Relationships	St Michael's College (owner) Ouseley, Sir Frederick Gore (1825–1889) (owner) Lygon, Frederick (1830–1891) (owner) Paston, Edward (1550–1630) (patron)
External Links	Catalogue entry
Provenance	Norfolk, England
Contents	114 pieces from 14 composers

General Description

A Discantus partbook from a set of five(?) volumes (Quinta & Sexta bound together). One main repertorial layer, with two additional layers: (1) three motets added at beginning of all books except Discantus; (2) 21 pieces for three and four voices added on new ff. 81 '104' of Quintus/Sextus book, copied in choirbook format (i.e., all voices present). Copied by a single scribe, employed by Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Frederick Lygon, 6th Earl Beauchamp (1830-91) and by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College by Ouseley; deposited in Bodleian Library in 1979.

DIAMM, 2017

Binding

Original covers of dark brown leather on cardboard, tooled in gold with ornamental designs, voice designations, and 'EDWARDUS PASTON.

DIAMM, 2017

Watermark

grape cluster (not in Briquet or Heawood)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Staff height 12.5

DIAMM, 2017

Foliation

Original ink foliation 1-62; modern pencil foliation in all books except Discantus

DIAMM, 2017

Decoration

A few inked calligraphic initials and plain inked initials; no other decoration

DIAMM, 2017

Index

Original indices on first original flyleaf at back of each book include all pieces in main layer, grouped by number of voices. Six- and 7-voice pieces listed in order of appearance; 5-voice pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Mass Ordinary sections, 1 Magnificat, 7 hymns, 5 Lamentations, 72 motets, 2 anthems, 2 Latin secular pieces, 1 Fantasia = 100 + 1 duplicate = 101

Byrd-27, Byrd/Taverner-1,* Clemens non Papa-2, Fayrfax-2, A. Ferrabosco I-21, R.Johnson I-2, Lassus-3, Meiland-1, Parsley-1, Roose-1, Shepherd-1, Tallis-19, Tallis/(Shepherd)-1, Taverner-11, (Tye)-1, Vaet-1, R. White-4, Wood-1

*Motet "Infelix ego" in all four partbooks, attributed to Byrd. Pars I copied again on new ff. 96'-97 of Q/S book, incorrectly attributed to Taverner.

4 paper partbooks of an original 5? (D-v + 62 + ii + i folios, A-ii + iii + 64 + ii + i, T-ii + iii + 65 + ii + i, Q/S-ii + ii + 104 + ii + i), 221 x 169. Original ink foliation (D: 1-62; A: 1-61; T: 1-64; Q/S: 1-77); modern pencil foliation in all books except D (A: 1-64; T: 1-65; Q/S: 1-104) includes some folios not numbered by original foliation. Original covers of dark brown leather on cardboard, tooled in gold with ornamental designs, voice designations, and "EDWARDUS PASTON." Original indices on first original flyleaf at back of each book include all pieces in main layer, grouped by number of voices. Six- and 7-voice pieces listed in order of appearance; 5-voice pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

One main repertorial layer, with two additional layers: (1) three motets added at beginning of all books except D; (2) 21 pieces for three and four voices added on new ff. 81 '104' of Q/S book, copied in choirbook format (i.e., all voices present in Q/S book). Copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). Staff height 12.5. A few inked calligraphic initials and plain inked initials; no other decoration. Watermark: grape cluster (not in Briquet or Heawood).

Early 17th Century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Later owned by Frederick Lygon, 6th Earl Beauchamp (1830-91) and by Sir Frederick Ouseley (1825-89), founder of St. Michael's College (near Tenbury, Worcester). Bequeathed to St. Michael's College by Ouseley; deposited in Bodleian Library in 1979.

Vol 4

Contents: Change "72 motets" to "73 motets"; change total number of pieces from "100 + 1 duplicate = 101" to "101 + 1 duplicate = 102."

Composers: Change "A. Ferrabosco I-21" to "A. Ferrabosco I-22."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r	[blank page]	-	-
[blank page] Appears on: 1r
1v	Emendemus - 1a pars (of 2): Emendemus in melius	-	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 1v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Emendemus ni melius
1v	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 1v Genres: Motet
2r	Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Mr Willam Byrde	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes Byrd, William (ca. 1540–1623) Appears on: 2r Genres: Motet Source Attribution: Mr Willam Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Deus Deus venerunt General Note Annotations/Corrections: Secunda pars' on f. 2; 'Tertia pars' on f. 2v; 'Quarta pars' on f. 3. ; Notes: Clef changes from the tertia pars to the end into C1.;
2r–2v	Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia Byrd, William (ca. 1540–1623) Appears on: 2r–2v Genres: Motet
2v–3r	Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem Byrd, William (ca. 1540–1623) Appears on: 2v–3r Genres: Motet
3r	Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus Byrd, William (ca. 1540–1623) Appears on: 3r Genres: Motet
3v–4r	Miserere mei Deus	Mr Byrde	Byrd, William (ca. 1540–1623)
Miserere mei Deus Byrd, William (ca. 1540–1623) Appears on: 3v–4r Genres: Miserere mei Deus, Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Miserere mei deus
4r–4v	Circumdederunt me dolores mortis	Master Byrde	Byrd, William (ca. 1540–1623)
Circumdederunt me dolores mortis Byrd, William (ca. 1540–1623) Appears on: 4r–4v Genres: Motet Source Attribution: Master Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Circundederunt me dolores mortis General Note Annotations/Corrections: Finis Mr Byrde:' at end added later, in different ink?;
5r	Memento Domine	Mr Byrde	Byrd, William (ca. 1540–1623)
Memento Domine Byrd, William (ca. 1540–1623) Appears on: 5r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Memento domine congregationis tue
5v	Domine praestolamur - 1a pars (of 2): Domine praestolamur	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine praestolamur - 1a pars (of 2): Domine praestolamur Byrd, William (ca. 1540–1623) Appears on: 5v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: [Domine prestolamur] Aduentu[m] tuum General Note Annotations/Corrections: Secunda pars' on f.6.; Notes: at beginning, 'Domine prestolamur' under long pauses;
6r	Domine praestolamur - 2a pars (of 2): Veni Domine	-	Byrd, William (ca. 1540–1623)
Domine praestolamur - 2a pars (of 2): Veni Domine Byrd, William (ca. 1540–1623) Appears on: 6r Genres: Motet
6v–7r	Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Mr Byrde	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 6v–7r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Tristitia [...] et anxietas General Note Annotations/Corrections: Secunda pars' on f. 7.;
7r	Tristitia et anxietas - 2a pars (of 2): Sed tu domine	-	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 2a pars (of 2): Sed tu domine Byrd, William (ca. 1540–1623) Appears on: 7r Genres: Motet
7v–8r	Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Mr Byrde	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta Byrd, William (ca. 1540–1623) Appears on: 7v–8r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Aspice domine de sede sancta tua General Note Annotations/Corrections: Rs (sign for Responsory) at the beginning; V[er]sus starts at 8r third line.;
8r	Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	-	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine Byrd, William (ca. 1540–1623) Appears on: 8r Genres: Motet
8v	Petrus beatus - 1a pars (of 3): Petrus beatus	Mr Byrde	Byrd, William (ca. 1540–1623)
Petrus beatus - 1a pars (of 3): Petrus beatus Byrd, William (ca. 1540–1623) Appears on: 8v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Petrus beatus General Note Annotations/Corrections: .2. p[ar]s' on f. 8v before sixth line; 'Tertia pars' on f. 9, end of second line.;
8v–9r	Petrus beatus - 2a pars (of 3): Quodcumque vinclis	-	Byrd, William (ca. 1540–1623)
Petrus beatus - 2a pars (of 3): Quodcumque vinclis Byrd, William (ca. 1540–1623) Appears on: 8v–9r Genres: Motet
9r	Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula	-	Byrd, William (ca. 1540–1623)
Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula Byrd, William (ca. 1540–1623) Appears on: 9r Genres: Motet
9v	Apparebit in finem	Mr Byrde	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 9v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Apparebit in fine[m]
10r	Domine tu jurasti	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 10r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Domine tu iurasti patribus nostris
10v	In resurrectione tua	Mr Byrde	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 10v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In resurrectione tua domine
10v–11r	Vigilate nescitis enim	Mr Byrde	Byrd, William (ca. 1540–1623)
Vigilate nescitis enim Byrd, William (ca. 1540–1623) Appears on: 10v–11r Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Vigilate [...] Vigilate Vigilate nescitis enim
11v	Audivi vocem de caelo	-	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 11v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Audiui Audiui vocem
12r	Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Mr Byrde	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore Byrd, William (ca. 1540–1623) Appears on: 12r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Vide domine [...] afflictionem nostram General Note Annotations/Corrections: at bottom of f. 12 'verte'; 'Secunda pars' on top of f. 12v.; Notes: Correction at the end of the second line, f. 12.;
12v	Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	-	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare Byrd, William (ca. 1540–1623) Appears on: 12v Genres: Motet
13r	Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Mr Byrde	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis Byrd, William (ca. 1540–1623) Appears on: 13r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Hec dicit dominus General Note Annotations/Corrections: at bottom of f. 13 'verte'; 'Secunda pars' on f. 13v.;
13v	Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	-	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox Byrd, William (ca. 1540–1623) Appears on: 13v Genres: Motet
14r	Domine secundum multitudinem dolorum meum	Mr Byrde	Byrd, William (ca. 1540–1623)
Domine secundum multitudinem dolorum meum Byrd, William (ca. 1540–1623) Appears on: 14r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Domine secundu[m] multitudine[m]
14v	Laudate Dominum omnes gentes, laudate eum	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Laudate Dominum omnes gentes, laudate eum Tallis, Thomas (ca. 1505–1585) Appears on: 14v Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Laudate dominu[m] omnes gentes
15r	Fac cum servo tuo	Mr Byrde	Byrd, William (ca. 1540–1623)
Fac cum servo tuo Byrd, William (ca. 1540–1623) Appears on: 15r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Fac cu[m] seruo tuo
15v	O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Mr Byrde	Byrd, William (ca. 1540–1623)
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum Byrd, William (ca. 1540–1623) Appears on: 15v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: O quam gloriosum est regnu[m] General Note Annotations/Corrections: Secunda pars' on f. 16.;
16r	O quam gloriosum - 2a pars (of 2): Benedictio et claritas	-	Byrd, William (ca. 1540–1623)
O quam gloriosum - 2a pars (of 2): Benedictio et claritas Byrd, William (ca. 1540–1623) Appears on: 16r Genres: Motet
16v	Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Mr Byrde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum Byrd, William (ca. 1540–1623) Appears on: 16v Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Tribulationes Ciuitatum audiuimus General Note Annotations/Corrections: Secunda pars' on f. 16v sixth line; 'Tertia pars' on f. 17 sixth line.;
16v–17r	Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo Byrd, William (ca. 1540–1623) Appears on: 16v–17r Genres: Motet
17r–17v	Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis Byrd, William (ca. 1540–1623) Appears on: 17r–17v Genres: Motet
17v–18r	Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Mr Byrde	Byrd, William (ca. 1540–1623)
Ne irascaris - 1a pars (of 2): Ne irascaris Domine Byrd, William (ca. 1540–1623) Appears on: 17v–18r Genres: Motet Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ne Irascaris domine General Note Annotations/Corrections: Secunda pars' on f. 18 fifth line.;
18r–18v	Ne irascaris - 2a pars (of 2): Civitatis sancti tui	-	Byrd, William (ca. 1540–1623)
Ne irascaris - 2a pars (of 2): Civitatis sancti tui Byrd, William (ca. 1540–1623) Appears on: 18r–18v Genres: Motet
18v–19r	Domine quis habitabit - 1a pars (of 2): Domine quis habitabit	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Tallis, Thomas (ca. 1505–1585) Appears on: 18v–19r Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Domine quis habitabit General Note Annotations/Corrections: at bottom of f. 19 'verte'; on top of f. 19v 'Secu[n]da / pars'; Notes: correction at f. 19 sixth line.;
19v–20r	Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus	-	Tallis, Thomas (ca. 1505–1585)
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus Tallis, Thomas (ca. 1505–1585) Appears on: 19v–20r Genres: Motet
20r–20v	Derelinquit impius viam suam	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Derelinquit impius viam suam Tallis, Thomas (ca. 1505–1585) Appears on: 20r–20v Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Derelinquit inpius
20v–21r	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 20v–21r Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Sabbathum Maria General Note Annotations/Corrections: signum congruentiae in f. 21 first, line and second line.;
21r–21v	O salutaris hostia	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 21r–21v Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: O salutaris hostia
21v–22r	[Salvator mundi Domine] Adesto nunc propitius	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
[Salvator mundi Domine] Adesto nunc propitius Tallis, Thomas (ca. 1505–1585) Appears on: 21v–22r Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: g2 Voice Text: Adesto nunc propicius General Note Notes: NG: 'Even-numbered verses only; c.f. chant; hymn for Compline, Vigil of Nativity and various other seasons';
22r–22v	Tu fabricator omnium [= Jesu Salvator saeculi, v. 2]	-	Tallis, Thomas (ca. 1505–1585)
Tu fabricator omnium [= Jesu Salvator saeculi, v. 2] Tallis, Thomas (ca. 1505–1585) Appears on: 22r–22v Genres: Contrafactum, Motet Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c2 Voice Text: Tu fabricatur omniu[m]
22v	Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus)	-	Tallis, Thomas (ca. 1505–1585)
Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus) Tallis, Thomas (ca. 1505–1585) Appears on: 22v Genres: Anthem Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Tu libens votis petimus
22v–23r	[Iam Christus astra] (v. 2) Solemnis urgebat dies	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
[Iam Christus astra] (v. 2) Solemnis urgebat dies Tallis, Thomas (ca. 1505–1585) Appears on: 22v–23r Genres: Hymn Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: g2 Voice Text: Solemnis urgebat dies
23v	[Deus tuorum militum (II)] (v. 2) Hic nempe mundi	X	Sheppard, John (ca. 1515–1558)
[Deus tuorum militum (II)] (v. 2) Hic nempe mundi Sheppard, John (ca. 1515–1558) Appears on: 23v Genres: Hymn Source Attribution: X Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Hic nempe mundi gaudia
23v–24r	Aeterne rex altissime, v.2: Scandens tribunal dexterae patris	Mr Tallis	Sheppard, John (ca. 1515–1558) (?) Tallis, Thomas (ca. 1505–1585) (?)
Aeterne rex altissime, v.2: Scandens tribunal dexterae patris Sheppard, John (ca. 1515–1558) (?) Tallis, Thomas (ca. 1505–1585) (?) Appears on: 23v–24r Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: rev-cut-c Clef: c1 Voice Text: Gloria tibi Domine General Note Annotations/Corrections: .1.' under penultimate note of C1-part; Notes: no time signature at the beginning of C1-part, but cut-C for the 'Amen' section; Layout the first polyphonic verse (i.e. second verse of hymn) at bottom of 23v, the other verse at bottom of 24r (with attribution to Tallis)
24r	Rex Christe clementissime (= last two verses of Sermone blando)	-	Tallis, Thomas (ca. 1505–1585)
Rex Christe clementissime (= last two verses of Sermone blando) Tallis, Thomas (ca. 1505–1585) Appears on: 24r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: rev-cut-c Clef: c1 Voice Text: Rex Christe clementissime
24v	Amavit eum Dominus	-	Tye, Christopher (ca. 1505–ca. 1573) (?)
Amavit eum Dominus Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 24v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Amauit eum dominus General Note Notes: only first three words of text entered;
25r–25v	Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua	Mr Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 25r–25v Genres: Motet Source Attribution: Mr Johnson Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Domine in virtute tua letabitur rex General Note Annotations/Corrections: Secu[n]da pars' in fourth line of f. 25v ;
25v–26r	Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 25v–26r Genres: Motet
26v–27r	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 26v–27r Genres: Lamentations, Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Incipit lamentatio Ieremie prophete General Note Canon/Gimels: Gimel in secon line of f. 27v; Annotations/Corrections: at beginning of top six staves of f. 27, second flat erased; at bottom of f. 27: 'verte pro Secunda p[ar]te.'; at beginning of two top lines of f. 27v, second flat erased;
27v–28v	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	-	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 27v–28v Genres: Lamentations, Motet
29r–31r	Lamentations (I) a5	-	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 29r–31r Genres: Lamentations, Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Heth Peccatu[m] peccavit General Note Annotations/Corrections: note/stem corr. in fifth line of f. 29;
31v–32v	Miserere mei Deus - 1a pars (of 2): Miserere mei Deus	-	White, Robert (ca. 1538–1574)
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus White, Robert (ca. 1538–1574) Appears on: 31v–32v Genres: Miserere mei Deus, Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Miserere mei deus General Note Notes: 2a pars beginning on f. 32v, fifth line.;
32v–33v	Miserere mei Deus - 2a pars (of 2): Cor mundum crea	-	White, Robert (ca. 1538–1574)
Miserere mei Deus - 2a pars (of 2): Cor mundum crea White, Robert (ca. 1538–1574) Appears on: 32v–33v Genres: Miserere mei Deus, Motet
34r–34v	Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Mr Tau[e]ner	Taverner, John
Mater Christi sanctissima virgo [= O most holy and mighty Lord] Taverner, John Appears on: 34r–34v Genres: Motet Source Attribution: Mr Tau[e]ner Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Mater christi sanctissima
34v–35r	Dum transisset sabbatum Maria Magdalena	-	Roose
Dum transisset sabbatum Maria Magdalena Roose Appears on: 34v–35r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Dum transiscet sabathum
35v–37r	Salve intemerata virgo Maria	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo Maria Tallis, Thomas (ca. 1505–1585) Appears on: 35v–37r Genres: Antiphon Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Ave mulieris sanctissime General Note Annotations/Corrections: at beginning, on stave, before music: 'Salue Intemerata / tacet'; in third line of f. 36: ''Lune miru[m] / tacet'; at end of penultimate line on f. 36v 'Secu[n]dum / humanitate[m] / tacet';
37v–38r	Magnificat O bone Jesu	Docter fairfax	Fayrfax, Robert (1464–1521)
Magnificat O bone Jesu Fayrfax, Robert (1464–1521) Appears on: 37v–38r Genres: English Catholic service music, Magnificat Source Attribution: Docter fairfax Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Et exultavit spiritus meus General Note Annotations/Corrections: on ff. 37 and 38, four verses indicated 'tacet'; note/stem corr. in top line of f. 38; Notes: tacet in Et sanctum; tacet in Dispersit; correction at 38r first line; tacet in Et divites; tacet in Sicut erat;
38v–39r	Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Mr Tauerner	Taverner, John
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) Taverner, John Appears on: 38v–39r Genres: Motet Source Attribution: Mr Tauerner Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g2 Voice Text: Sospitati. / Olei perfusio Nicholaus General Note Annotations/Corrections: two verses indicated to be 'tacet';
39v	Musica laeta suum gaudet (C79)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Musica laeta suum gaudet (C79) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 39v Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Musica læta
39v–40r	Benedic anima mea - 9a pars (of 11): Draco iste enim (C16)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedic anima mea - 9a pars (of 11): Draco iste enim (C16) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 39v–40r Genres: Psalm Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Draco iste quem formasti
40r	Benedic anima mea - 1a pars (of 11): Benedic anima mea. Domine Deus meus (C8)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedic anima mea - 1a pars (of 11): Benedic anima mea. Domine Deus meus (C8) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 40r Genres: Psalm Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Benedic [...] anima mea
40v	Benedic anima mea - 4a pars (of 11): Qui emittis (C11)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedic anima mea - 4a pars (of 11): Qui emittis (C11) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 40v Genres: Psalm Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Qui emittis fontes
40v–41r	Ingemuit Susanna (C43)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Ingemuit Susanna (C43) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 40v–41r Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Ingemuit Susanna
41v	Benedic anima mea - 3a pars (of 11): Qui fundasti (C10)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedic anima mea - 3a pars (of 11): Qui fundasti (C10) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 41v Genres: Psalm Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Qui fundasti terram
41v–42r	Mirabile mysterium (C47)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Mirabile mysterium (C47) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 41v–42r Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Mirabile misteerium
42v	Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 42v Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Cantate domino General Note Annotations/Corrections: Secunda / pars' on f. 43.;
43r	Cantate Domino - 2a pars (of 2): Quia bene placitum est	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Cantate Domino - 2a pars (of 2): Quia bene placitum est Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 43r Genres: Motet
43v	Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 43v Genres: Motet Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Conserua me domine General Note Annotations/Corrections: Secunda /pars' at beginning of bottom line or f. 43v;
43v–44r	Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 43v–44r Genres: Motet
44v	Peccantem me quotidie	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Peccantem me quotidie Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 44v Source Attribution: Alfonsus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Peccante[m] me quotidie
45r	Benedic anima mea ... Et omnia quae	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedic anima mea ... Et omnia quae Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 45r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Benedic anima mea
45v	Heu mihi Domine (I) (C37)	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Heu mihi Domine (I) (C37) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 45v Genres: Motet Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Heu mihi domine
45v–46v	De Lamentatione Jeremiae (C64)	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 45v–46v Genres: Lamentations, Motet Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: De lamentatione Jeremiæ Prophetæ
46v–47r	Ecce jam noctis	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Ecce jam noctis Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 46v–47r Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ecce iam noctis
47r–47v	Aurora diem nuntiat	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Aurora diem nuntiat Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 47r–47v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Aurora diem nuntiat
47v–48r	Ad Dominum cum tribularer (C1)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Ad Dominum cum tribularer (C1) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 47v–48r Genres: Motet Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Ad dominu[m] cu[m] tribularer
48r–48v	Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57)	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 48r–48v Genres: Motet Source Attribution: Alfonso Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Surge propera amica mea General Note Annotations/Corrections: Secunda / pars' on f. 48v third line.;
48v	Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 48v Genres: Motet
49r	Inclina Domine - 4a pars (of 6): In die tribulationis	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 4a pars (of 6): In die tribulationis Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 49r Genres: Motet Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In die tribulationis mee General Note Annotations/Corrections: verte folium' at bottom of f. 49; '.2. p[ar]s.' (in later hand) at top of f. 49v.; 'Sex Vocu[m]' on top of f. 49v.;
49v	Inclina Domine - 5a pars (of 6): Quoniam magnus es	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 5a pars (of 6): Quoniam magnus es Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 49v Genres: Motet
50r	Virgo per incertos casus (C80)	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Virgo per incertos casus (C80) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 50r Genres: Motet Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Virgo per incertos casus General Note Annotations/Corrections: Sex Vocu[m]' on top of f. 50;
50v	Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 50v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Inclina domine aurem tuam
50v–51r	Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore	Alfonso feraboscho	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 50v–51r Genres: Motet Source Attribution: Alfonso feraboscho Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Benedicam dominu[m] General Note Annotations/Corrections: Secu[n]da pars' at end of third line on f. 51;
51r–51v	Benedicam Dominum - 2a pars (of 2): Gustate et videte	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Benedicam Dominum - 2a pars (of 2): Gustate et videte Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 51r–51v Genres: Motet
51v	Da pacem Domine (III) (C68)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (III) (C68) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 51v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Da pacem domine
52r–53r	Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67)	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52r–53r Genres: Lamentations Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Incipit lamentatio Ieremiæ Prophetæ. Lamech General Note Notes: only bits of the text entered throughout;
53r–53v	Salve regina (V) - 1a pars (of 4): Salve regina misericordiae	Jacobus vaet	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 1a pars (of 4): Salve regina misericordiae Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 53r–53v Genres: BVM, Motet, Salve Regina Source Attribution: Jacobus vaet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Vita vita dulcedo General Note Annotations/Corrections: under ligature at very beginning, '4' and '2'; on top of f. 53v 'Ad te Suspiramus. tacet.'; Notes: Salue regina' at beginning under long pauses;
53v	Salve regina (V) - 2a pars (of 4): Ad te suspiramus	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 2a pars (of 4): Ad te suspiramus Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 53v Genres: BVM, Motet, Salve Regina
53v	Salve regina (V) - 3a pars (of 4): Et Jesum benedictum	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 3a pars (of 4): Et Jesum benedictum Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 53v Genres: BVM, Motet, Salve Regina
53v–54r	Salve regina (V) - 4a pars (of 4): O pia	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Salve regina (V) - 4a pars (of 4): O pia Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 53v–54r Genres: BVM, Motet, Salve Regina
54r	Memento homo quod cinis es	Mr Byrde	Byrd, William (ca. 1540–1623)
Memento homo quod cinis es Byrd, William (ca. 1540–1623) Appears on: 54r Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Memento homo quod cinis es
54v–55r	Attollite portas	Mr Byrde	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 54v–55r Genres: Psalm Source Attribution: Mr Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Attollite portas General Note Annotations/Corrections: Signum congruentiae on f. 55, in third line and at end of piece, with beginning of repeat written out;
55v–56r	Fantasia a6 (II) in g minor	Mr Byrde	Byrd, William (ca. 1540–1623)
Fantasia a6 (II) in g minor Byrd, William (ca. 1540–1623) Appears on: 55v–56r Genres: English Consort music, Fantasia Source Attribution: Mr Byrde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Fantasia
56v	Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Mr Will. Byrde	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Byrd, William (ca. 1540–1623) Appears on: 56v Genres: Motet Source Attribution: Mr Will. Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Infelix ego General Note Annotations/Corrections: Secunda pars' and 'Tertia pars' on f. 57r;
57r	Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam Byrd, William (ca. 1540–1623) Appears on: 57r Genres: Motet
57r–58r	Infelix ego omnium - 3a pars (of 3): Ad te igitur	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 3a pars (of 3): Ad te igitur Byrd, William (ca. 1540–1623) Appears on: 57r–58r Genres: Motet
58r	Christ rising again - 1a pars (of 2): Christ rising again	Mr Byrde	Byrd, William (ca. 1540–1623)
Christ rising again - 1a pars (of 2): Christ rising again Byrd, William (ca. 1540–1623) Appears on: 58r Genres: Anthem Source Attribution: Mr Byrde Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: Christ risinge [...] againe General Note Annotations/Corrections: Chorus' and 'Solus' indicated on f. 58; at end of f. 58 'verte'; 2a pars beginning on f. 58v (no title); last note of f. 58v corrected or split;
58v–59r	Christ rising again - 2a pars (of 2): Christ is risen again	-	Byrd, William (ca. 1540–1623)
Christ rising again - 2a pars (of 2): Christ is risen again Byrd, William (ca. 1540–1623) Appears on: 58v–59r Genres: Anthem
59r	Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Mr Byrde	Byrd, William (ca. 1540–1623)
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou Byrd, William (ca. 1540–1623) Appears on: 59r Genres: Anthem Source Attribution: Mr Byrde Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: Aryse o Lorde General Note Annotations/Corrections: at end of f. 59r 'verte foll. pro. 2. p[ar]te.';
59v	Arise O Lord - 2a pars (of 2): Help us, O God	-	Byrd, William (ca. 1540–1623)
Arise O Lord - 2a pars (of 2): Help us, O God Byrd, William (ca. 1540–1623) Appears on: 59v Genres: Anthem
59v–60r	Ego flos campi et lilium convalium	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ego flos campi et lilium convalium Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 59v–60r Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ego flos campi General Note Annotations/Corrections: on top 'Septem Voc:';
60v–61r	Missa Puer natus est nobis: Gloria	-	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Gloria Tallis, Thomas (ca. 1505–1585) Appears on: 60v–61r Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Qui tollis General Note extract: "Qui tollis" only
61r	Missa Puer natus est nobis: Sanctus	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Sanctus Tallis, Thomas (ca. 1505–1585) Appears on: 61r Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Benedictus General Note extract: "Benedictus" & "Osanna" only
61v	Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis Tallis, Thomas (ca. 1505–1585) Appears on: 61v Genres: Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Suscipe quæso Domine General Note Annotations/Corrections: Secunda / pars' on f. 61v, bottom line;
61v–62r	Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis	-	Tallis, Thomas (ca. 1505–1585)
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis Tallis, Thomas (ca. 1505–1585) Appears on: 61v–62r Genres: Motet
62r	Missa Puer natus est nobis: Credo	Mr Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Missa Puer natus est nobis: Credo Tallis, Thomas (ca. 1505–1585) Appears on: 62r Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Mr Thomas Tallis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Et vitam venturi General Note Et exspecto resurrectionem section only: First time signature followed only by pauses (text begins at "Et vitam venturi saeculi")
62v	Decantabat populus Israel alleluia (7vv)	Orlando	Lassus, Orlande de (ca. 1532–1594)
Decantabat populus Israel alleluia (7vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 62v Genres: Motet Source Attribution: Orlando Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Decantabat populus Israel
63r–63v	index	-	-
index Appears on: 63r–63v General Note Annotations/Corrections: has some later annotations;
64r–65v	[blank pages]	-	-
[blank pages] Appears on: 64r–65v

Composer	Compositions
Anonymous	[No description] – 1r [No description] – 64r–65v [No description] – 63r–63v
Byrd, William (ca. 1540–1623)	Apparebit in finem – 9v Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou – 59r Arise O Lord - 2a pars (of 2): Help us, O God – 59v Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta – 7v–8r Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine – 8r Attollite portas – 54v–55r Audivi vocem de caelo – 11v Christ rising again - 1a pars (of 2): Christ rising again – 58r Christ rising again - 2a pars (of 2): Christ is risen again – 58v–59r Circumdederunt me dolores mortis – 4r–4v Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes – 2r Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia – 2r–2v Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem – 2v–3r Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus – 3r Domine praestolamur - 1a pars (of 2): Domine praestolamur – 5v Domine praestolamur - 2a pars (of 2): Veni Domine – 6r Domine secundum multitudinem dolorum meum – 14r Domine tu jurasti – 10r Emendemus - 1a pars (of 2): Emendemus in melius – 1v Emendemus - 2a pars (of 2): Adiuva nos Deus – 1v Fac cum servo tuo – 15r Fantasia a6 (II) in g minor – 55v–56r Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis – 13r Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox – 13v In resurrectione tua – 10v Infelix ego omnium - 1a pars (of 3): Infelix ego omnium – 56v Infelix ego omnium - 2a pars (of 3): Quid igitur faciam – 57r Infelix ego omnium - 3a pars (of 3): Ad te igitur – 57r–58r Memento Domine – 5r Memento homo quod cinis es – 54r Miserere mei Deus – 3v–4r Ne irascaris - 1a pars (of 2): Ne irascaris Domine – 17v–18r Ne irascaris - 2a pars (of 2): Civitatis sancti tui – 18r–18v O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum – 15v O quam gloriosum - 2a pars (of 2): Benedictio et claritas – 16r Petrus beatus - 1a pars (of 3): Petrus beatus – 8v Petrus beatus - 2a pars (of 3): Quodcumque vinclis – 8v–9r Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula – 9r Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum – 16v Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo – 16v–17r Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis – 17r–17v Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti – 6v–7r Tristitia et anxietas - 2a pars (of 2): Sed tu domine – 7r Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore – 12r Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare – 12v Vigilate nescitis enim – 10v–11r
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Ego flos campi et lilium convalium – 59v–60r
Fayrfax, Robert (1464–1521)	Magnificat O bone Jesu – 37v–38r
Ferrabosco, Alfonso (the elder) (1543–1588)	Ad Dominum cum tribularer (C1) – 47v–48r Aurora diem nuntiat – 47r–47v Benedic anima mea - 1a pars (of 11): Benedic anima mea. Domine Deus meus (C8) – 40r Benedic anima mea - 3a pars (of 11): Qui fundasti (C10) – 41v Benedic anima mea - 4a pars (of 11): Qui emittis (C11) – 40v Benedic anima mea - 9a pars (of 11): Draco iste enim (C16) – 39v–40r Benedic anima mea ... Et omnia quae – 45r Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore – 50v–51r Benedicam Dominum - 2a pars (of 2): Gustate et videte – 51r–51v Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum – 42v Cantate Domino - 2a pars (of 2): Quia bene placitum est – 43r Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25) – 43v Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) – 43v–44r Da pacem Domine (III) (C68) – 51v De Lamentatione Jeremiae (C64) – 45v–46v Ecce jam noctis – 46v–47r Heu mihi Domine (I) (C37) – 45v Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67) – 52r–53r Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41) – 50v Inclina Domine - 4a pars (of 6): In die tribulationis – 49r Inclina Domine - 5a pars (of 6): Quoniam magnus es – 49v Ingemuit Susanna (C43) – 40v–41r Mirabile mysterium (C47) – 41v–42r Musica laeta suum gaudet (C79) – 39v Peccantem me quotidie – 44v Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57) – 48r–48v Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58) – 48v Virgo per incertos casus (C80) – 50r
Johnson (I), Robert (ca. 1500–ca. 1560)	Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua – 25r–25v Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius – 25v–26r
Lassus, Orlande de (ca. 1532–1594)	Decantabat populus Israel alleluia (7vv) – 62v
Roose	Dum transisset sabbatum Maria Magdalena – 34v–35r
Sheppard, John (ca. 1515–1558)	(?) Aeterne rex altissime, v.2: Scandens tribunal dexterae patris – 23v–24r [Deus tuorum militum (II)] (v. 2) Hic nempe mundi – 23v
Tallis, Thomas (ca. 1505–1585)	(?) Aeterne rex altissime, v.2: Scandens tribunal dexterae patris – 23v–24r Derelinquit impius viam suam – 20r–20v Domine quis habitabit - 1a pars (of 2): Domine quis habitabit – 18v–19r Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus – 19v–20r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 20v–21r Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 26v–27r Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 27v–28v Laudate Dominum omnes gentes, laudate eum – 14v Missa Puer natus est nobis: Credo – 62r Missa Puer natus est nobis: Gloria – 60v–61r Missa Puer natus est nobis: Sanctus – 61r O salutaris hostia – 21r–21v Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus) – 22v Rex Christe clementissime (= last two verses of Sermone blando) – 24r Salve intemerata virgo Maria – 35v–37r Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis – 61v Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis – 61v–62r Tu fabricator omnium [= Jesu Salvator saeculi, v. 2] – 22r–22v [Iam Christus astra] (v. 2) Solemnis urgebat dies – 22v–23r [Salvator mundi Domine] Adesto nunc propitius – 21v–22r
Taverner, John	Mater Christi sanctissima virgo [= O most holy and mighty Lord] – 34r–34v Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat) – 38v–39r
Tye, Christopher (ca. 1505–ca. 1573)	(?) Amavit eum Dominus – 24v
Vaet, Jacobus (ca. 1529–ca. 1567)	Salve regina (V) - 1a pars (of 4): Salve regina misericordiae – 53r–53v Salve regina (V) - 2a pars (of 4): Ad te suspiramus – 53v Salve regina (V) - 3a pars (of 4): Et Jesum benedictum – 53v Salve regina (V) - 4a pars (of 4): O pia – 53v–54r
White, Robert (ca. 1538–1574)	Lamentations (I) a5 – 29r–31r Miserere mei Deus - 1a pars (of 2): Miserere mei Deus – 31v–32v Miserere mei Deus - 2a pars (of 2): Cor mundum crea – 32v–33v

Composition	Composers (? Uncertain)	Folios / Pages
[Deus tuorum militum (II)] (v. 2) Hic nempe mundi	Sheppard, John (ca. 1515–1558)	23v
[Iam Christus astra] (v. 2) Solemnis urgebat dies	Tallis, Thomas (ca. 1505–1585)	22v–23r
[Salvator mundi Domine] Adesto nunc propitius	Tallis, Thomas (ca. 1505–1585)	21v–22r
Ad Dominum cum tribularer (C1)	Ferrabosco, Alfonso (the elder) (1543–1588)	47v–48r
Aeterne rex altissime, v.2: Scandens tribunal dexterae patris	Sheppard, John (ca. 1515–1558) (?) Tallis, Thomas (ca. 1505–1585) (?)	23v–24r
Amavit eum Dominus	Tye, Christopher (ca. 1505–ca. 1573) (?)	24v
Apparebit in finem	Byrd, William (ca. 1540–1623)	9v
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Byrd, William (ca. 1540–1623)	59r
Arise O Lord - 2a pars (of 2): Help us, O God	Byrd, William (ca. 1540–1623)	59v
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Byrd, William (ca. 1540–1623)	7v–8r
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	Byrd, William (ca. 1540–1623)	8r
Attollite portas	Byrd, William (ca. 1540–1623)	54v–55r
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	11v
Aurora diem nuntiat	Ferrabosco, Alfonso (the elder) (1543–1588)	47r–47v
Benedic anima mea - 1a pars (of 11): Benedic anima mea. Domine Deus meus (C8)	Ferrabosco, Alfonso (the elder) (1543–1588)	40r
Benedic anima mea - 3a pars (of 11): Qui fundasti (C10)	Ferrabosco, Alfonso (the elder) (1543–1588)	41v
Benedic anima mea - 4a pars (of 11): Qui emittis (C11)	Ferrabosco, Alfonso (the elder) (1543–1588)	40v
Benedic anima mea - 9a pars (of 11): Draco iste enim (C16)	Ferrabosco, Alfonso (the elder) (1543–1588)	39v–40r
Benedic anima mea ... Et omnia quae	Ferrabosco, Alfonso (the elder) (1543–1588)	45r
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore	Ferrabosco, Alfonso (the elder) (1543–1588)	50v–51r
Benedicam Dominum - 2a pars (of 2): Gustate et videte	Ferrabosco, Alfonso (the elder) (1543–1588)	51r–51v
Cantate Domino - 1a pars (of 2): Cantate Domino canticum novum	Ferrabosco, Alfonso (the elder) (1543–1588)	42v
Cantate Domino - 2a pars (of 2): Quia bene placitum est	Ferrabosco, Alfonso (the elder) (1543–1588)	43r
Christ rising again - 1a pars (of 2): Christ rising again	Byrd, William (ca. 1540–1623)	58r
Christ rising again - 2a pars (of 2): Christ is risen again	Byrd, William (ca. 1540–1623)	58v–59r
Circumdederunt me dolores mortis	Byrd, William (ca. 1540–1623)	4r–4v
Conserva me Domine - 1a pars (of 2): Conserva me Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	43v
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	43v–44r
Da pacem Domine (III) (C68)	Ferrabosco, Alfonso (the elder) (1543–1588)	51v
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	45v–46v
Decantabat populus Israel alleluia (7vv)	Lassus, Orlande de (ca. 1532–1594)	62v
Derelinquit impius viam suam	Tallis, Thomas (ca. 1505–1585)	20r–20v
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Byrd, William (ca. 1540–1623)	2r
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	Byrd, William (ca. 1540–1623)	2r–2v
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	Byrd, William (ca. 1540–1623)	2v–3r
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	Byrd, William (ca. 1540–1623)	3r
Domine in virtute tua (II) - 1a pars (of 2): Domine in virtute tua	Johnson (I), Robert (ca. 1500–ca. 1560)	25r–25v
Domine in virtute tua (II) - 2a pars (of 2): Magna gloria eius	Johnson (I), Robert (ca. 1500–ca. 1560)	25v–26r
Domine praestolamur - 1a pars (of 2): Domine praestolamur	Byrd, William (ca. 1540–1623)	5v
Domine praestolamur - 2a pars (of 2): Veni Domine	Byrd, William (ca. 1540–1623)	6r
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit	Tallis, Thomas (ca. 1505–1585)	18v–19r
Domine quis habitabit - 2a pars (of 2): Ad nihillum deductus	Tallis, Thomas (ca. 1505–1585)	19v–20r
Domine secundum multitudinem dolorum meum	Byrd, William (ca. 1540–1623)	14r
Domine tu jurasti	Byrd, William (ca. 1540–1623)	10r
Dum transisset sabbatum Maria Magdalena	Roose	34v–35r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	20v–21r
Ecce jam noctis	Ferrabosco, Alfonso (the elder) (1543–1588)	46v–47r
Ego flos campi et lilium convalium	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	59v–60r
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	1v
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	1v
Fac cum servo tuo	Byrd, William (ca. 1540–1623)	15r
Fantasia a6 (II) in g minor	Byrd, William (ca. 1540–1623)	55v–56r
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Byrd, William (ca. 1540–1623)	13r
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	Byrd, William (ca. 1540–1623)	13v
Heu mihi Domine (I) (C37)	Ferrabosco, Alfonso (the elder) (1543–1588)	45v
In resurrectione tua	Byrd, William (ca. 1540–1623)	10v
Incipit lamentatio Jeremiae [III]: Lamed (6vv - C67)	Ferrabosco, Alfonso (the elder) (1543–1588)	52r–53r
Inclina Domine - 1a pars (of 6): Inclina Domine aurem (C41)	Ferrabosco, Alfonso (the elder) (1543–1588)	50v
Inclina Domine - 4a pars (of 6): In die tribulationis	Ferrabosco, Alfonso (the elder) (1543–1588)	49r
Inclina Domine - 5a pars (of 6): Quoniam magnus es	Ferrabosco, Alfonso (the elder) (1543–1588)	49v
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Byrd, William (ca. 1540–1623)	56v
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	Byrd, William (ca. 1540–1623)	57r
Infelix ego omnium - 3a pars (of 3): Ad te igitur	Byrd, William (ca. 1540–1623)	57r–58r
Ingemuit Susanna (C43)	Ferrabosco, Alfonso (the elder) (1543–1588)	40v–41r
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	26v–27r
Lamentations (I) a5	White, Robert (ca. 1538–1574)	29r–31r
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	27v–28v
Laudate Dominum omnes gentes, laudate eum	Tallis, Thomas (ca. 1505–1585)	14v
Magnificat O bone Jesu	Fayrfax, Robert (1464–1521)	37v–38r
Mater Christi sanctissima virgo [= O most holy and mighty Lord]	Taverner, John	34r–34v
Memento Domine	Byrd, William (ca. 1540–1623)	5r
Memento homo quod cinis es	Byrd, William (ca. 1540–1623)	54r
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	41v–42r
Miserere mei Deus	Byrd, William (ca. 1540–1623)	3v–4r
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus	White, Robert (ca. 1538–1574)	31v–32v
Miserere mei Deus - 2a pars (of 2): Cor mundum crea	White, Robert (ca. 1538–1574)	32v–33v
Missa Puer natus est nobis: Credo	Tallis, Thomas (ca. 1505–1585)	62r
Missa Puer natus est nobis: Gloria	Tallis, Thomas (ca. 1505–1585)	60v–61r
Missa Puer natus est nobis: Sanctus	Tallis, Thomas (ca. 1505–1585)	61r
Musica laeta suum gaudet (C79)	Ferrabosco, Alfonso (the elder) (1543–1588)	39v
Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Byrd, William (ca. 1540–1623)	17v–18r
Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Byrd, William (ca. 1540–1623)	18r–18v
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Byrd, William (ca. 1540–1623)	15v
O quam gloriosum - 2a pars (of 2): Benedictio et claritas	Byrd, William (ca. 1540–1623)	16r
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	21r–21v
Peccantem me quotidie	Ferrabosco, Alfonso (the elder) (1543–1588)	44v
Petrus beatus - 1a pars (of 3): Petrus beatus	Byrd, William (ca. 1540–1623)	8v
Petrus beatus - 2a pars (of 3): Quodcumque vinclis	Byrd, William (ca. 1540–1623)	8v–9r
Petrus beatus - 3a pars (of 3): Gloria Deo - Per immensa saecula	Byrd, William (ca. 1540–1623)	9r
Quod chorus vatum [= Haec Deum coeli ] (v. 4: Tu libens votis petimus)	Tallis, Thomas (ca. 1505–1585)	22v
Rex Christe clementissime (= last two verses of Sermone blando)	Tallis, Thomas (ca. 1505–1585)	24r
Salve intemerata virgo Maria	Tallis, Thomas (ca. 1505–1585)	35v–37r
Salve regina (V) - 1a pars (of 4): Salve regina misericordiae	Vaet, Jacobus (ca. 1529–ca. 1567)	53r–53v
Salve regina (V) - 2a pars (of 4): Ad te suspiramus	Vaet, Jacobus (ca. 1529–ca. 1567)	53v
Salve regina (V) - 3a pars (of 4): Et Jesum benedictum	Vaet, Jacobus (ca. 1529–ca. 1567)	53v
Salve regina (V) - 4a pars (of 4): O pia	Vaet, Jacobus (ca. 1529–ca. 1567)	53v–54r
Sospitati dedit aegros (extract: Ergo laudes Nicholae concinat)	Taverner, John	38v–39r
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (C57)	Ferrabosco, Alfonso (the elder) (1543–1588)	48r–48v
Surge propera - 2a pars (of 2): Surge propera amica mea formosa mea (C58)	Ferrabosco, Alfonso (the elder) (1543–1588)	48v
Suscipe quaeso Domine - 1a pars (of 2): Suscipe quaeso Domine vocem confitentis	Tallis, Thomas (ca. 1505–1585)	61v
Suscipe quaeso Domine - 2a pars (of 2): Si enim iniquitates recordaberis	Tallis, Thomas (ca. 1505–1585)	61v–62r
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Byrd, William (ca. 1540–1623)	16v
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	Byrd, William (ca. 1540–1623)	16v–17r
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	Byrd, William (ca. 1540–1623)	17r–17v
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Byrd, William (ca. 1540–1623)	6v–7r
Tristitia et anxietas - 2a pars (of 2): Sed tu domine	Byrd, William (ca. 1540–1623)	7r
Tu fabricator omnium [= Jesu Salvator saeculi, v. 2]	Tallis, Thomas (ca. 1505–1585)	22r–22v
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Byrd, William (ca. 1540–1623)	12r
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	Byrd, William (ca. 1540–1623)	12v
Vigilate nescitis enim	Byrd, William (ca. 1540–1623)	10v–11r
Virgo per incertos casus (C80)	Ferrabosco, Alfonso (the elder) (1543–1588)	50r

Set: MSS Tenbury 341-344

Type: Partbooks

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

Set: Paston Manuscripts

Type: Linked by Origin or Contents

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

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GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

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GB-Lbl Add. MS 29246 (Paston MS)

GB-Lbl Add. MS 29247 (Paston MS)

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

No images available

GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

No images available

GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

No images available

GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

No images available

GB-Ob MS. Tenbury 363

No images available

GB-Ob MS. Tenbury 369

No images available

GB-Ob MS. Tenbury 370

No images available

GB-Ob MS. Tenbury 371

No images available

GB-Ob MS. Tenbury 372

No images available

GB-Ob MS. Tenbury 373

No images available

GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

No images available

GB-Ob MS. Tenbury 376

No images available

GB-Ob MS. Tenbury 377

No images available

GB-Ob MS. Tenbury 378

No images available

GB-Ob MS. Tenbury 1469 (Harmsworth Manuscript)

No images available

GB-Ob MS. Tenbury 1470 (Harmsworth Manuscript)

No images available

GB-Ob MS. Tenbury 1471 (Harmsworth Manuscript)

No images available

US-Ws V.a. 405

No images available

US-Ws V.a. 406

No images available

US-Ws V.a. 407

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

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GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 57ff,193. Notes: contents list (partial); concordances (partial).

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xv-xviii; II,xii-xiv, 16-9,179-80,186-90,197-201; III.xv. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Bray, Roger W. 1970-71. The Interpretation of Musica Ficta in English Music C.1490-C.1580. Proceedings of the Royal Musical Association, 29-45. Pages: 41-4. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 141-55, 169-84; II, 60-8, 76-85. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 200, 272. Notes: physical description (partial); contents list (partial); concordances (partial).

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69. Pages: 57-61, 69, plate VIIIb. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXVIII.125,130; XXIX,129,132-3; XXX,75-90,177,186. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 117, 222, 226. Notes: physical description (partial); contents list (partial); concordances (partial).

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 369-70. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99, 112-3, opp. 142, 143, 192. Notes: mention of MS; contents list (partial); concordances (partial); facsimile (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XVII, 53-62, 151, 157. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H. 1934. The Catalogue of Manuscripts in the Library of St. Michael's College Tenbury. Paris. Pages: 56-9. Notes: physical description (partial); contents list.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lx-lxiii; II, xxv, xxxiv; III, xviii-xix; V, xx, xxiii; VI, xxv-xxxii, passim; IX, xii, xiv; X, 235. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

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Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Edward Tambling

Thursday, 25 June, 2020

Composition updated, and duplicates merged. (Note: DIAMM concordances include Tenbury 1464 as 'Amavit' & Add. MS 47844 as 'I lift my heart', which like Tenbury 341 are not in EECM concordances list.)

Edward Tambling

Monday, 4 September, 2017

Composition record merged with all instances of Magnificat O bone Jesu

Edward Tambling

Monday, 4 September, 2017

Composition entry corrected, bibliography added to composition record

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description