GB-Lcm MS 2036 [Altus]

Royal College of Music, London, England

partbook: Early 17th century

Archive Royal College of Music, London, England (GB-Lcm)
Shelfmark MS 2036 [Altus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 119 x 200 mm
Other Identifiers
  • CCM: LonRC 2036
Notations
  • black void mensural
Relationships
External Links
Provenance
  • Norfolk, England
Contents 55 pieces from 14 composers
General Description

An Altus partbook from a set of three volumes. Copied by one main scribe and one other scribe, both employed by Edward Paston. Many pieces have text incipits or titles only. Repertory consists of three-voice works or three-voice sections extracted from larger works; see also LonRC 2035. Originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Owned in 19th century by Sacred Harmonic Society of London. Library of latter purchased for newly founded Royal College of Music in 1883.

DIAMM, 2017
Binding

Original white limp vellum covers, inscribed 'Preciosas Margaritas' [possibly a reference to Margaret, wife of Edward Paston] ; remnants of green tie strings.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation in each book, 1-48.

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Index

Original index on back flyleaves of Bassus book; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Agnus, 7 Mass Ordinary sections, 2 Mass Proper sections, 4 hymns, 18 motets, 10 Italian secular pieces, 5 English secular pieces, 1 French secular piece, 4 instrumental pieces = 53

(Byrd)-15, (Morales)-1, (Sweelinck)-1, (Taverner)-1, (Victoria)-4, anon-31

3 paper partbooks (D-iii + 48 + ii folios, A-iii + 48 + iii, B-ii + 48 + iii), 119 x 200. Original ink foliation in each book, 1-48. Original covers of white parchment, inscribed "Preciosas Margaritas" [reference to Margaret, wife of Edward Paston] ; remnants of green tie strings. Original index on back flyleaves of B book; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by one main scribe and one other scribe, both employed by Edward Paston (see BrettEP for list of other books in the same hands and for discussion of related manuscripts from Paston's circle). No initials or decoration. Many pieces have text incipits or titles only. Repertory consists of three-voice works or three-voice sections extracted from larger works; see also LonRC 2035.

Early 17th century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Owned in 19th century by Sacred Harmonic Society of London. Library of latter purchased for newly founded Royal College of Music in 1883.

Vol 4

Composers: Add "(A. Ferrabosco I)-1"; change "anon-31" to "anon-30."

DIAMM, 2025

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–4 Ave maris stella (2p. Sumens illud ave, 3p. Solve vincla, 4p. Monstra te esse, 5p. Virgo singularis, 6p. Vitam praesta puram, 7p. Sit laus Deo) -
Appears on: 1–4
Genres: Ave maris stella, Gradual, Marian antiphon, Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Ave maris stella Dei mater Alma
General Note

1 pars copied on each page

4v–5 Fantasia a3 (I) -
Appears on: 4v–5
Genres: Fantasia
Voice: Altus
Languages: none
Clef: c3
Voice Text: [untexted]
5v–6 Fantasia a3 (II) -
Appears on: 5v–6
Genres: Fantasia
Voice: Altus
Languages: none
Mensuration: cut-c
Clef: c3
Voice Text: [untexted]
6v Cum invocarem - 2a pars (of 3): Sacrificate sacrificium justitiae -
Appears on: 6v
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Sacrificate sacrificium iustitiae & sperate in Domino
7 Agnus Dei -
Appears on: 7
Genres: Agnus Dei, Mass Ordinary
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Agnus dei [text incipit only]
7v–8 Deus tu scis insipientiam meam -
Appears on: 7v–8
Genres: Motet
Voice: Altus
Languages: Latin
Clef: c2
Voice Text: Deus tu scis insipientiam meam
8v Missa O quam gloriosum: Sanctus [extract: Benedictus] -
Appears on: 8v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: Altus
Languages: Latin
Clef: c2
Voice Text: Benedictus qui venit
9 Diffusa est gratia - 2a pars (of 6): Propter veritatem -
Appears on: 9
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Propter veritatem [text incipit only]
9v–10 Proba me Deus - Anonymous

Proba me Deus

Anonymous
Appears on: 9v–10
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Proba me deus et scito cor meum
10v–11 Puer natus est nobis -
Appears on: 10v–11
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Puer natus est nobis et filius datus
11v–13 Laetatus sum (2p. Jerusalem quae aedificatur; 3p. Quia illic sederunt; 4p. Propter fratres) -
Appears on: 11v–13
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Letatus sum in his quae dicta sunt
General Note

3a pars omitted; 1a-2a partes texted fully, 4a pars has text incipit only.

13v–14 Convertere Domine - Anonymous

Convertere Domine

Anonymous
Appears on: 13v–14
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Convertere domine [text incipit only]
14v–15 Sancta et immaculata -
Appears on: 14v–15
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Sancta & immaculate [text incipit ony]
15v–16 Domine non est - 2a pars (of 2): Sicut ablactatus est -
Appears on: 15v–16
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Sicut ablactatus [text incipit only]
16v–17 Ego sum resurrectio -
Appears on: 16v–17
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Ego sum resurrectio [text incipit only]
17v–18 Credo: (extract) Crucifixus - Anonymous
Appears on: 17v–18
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Crucifixus [text incipit only]
18v Credo: (extract) Crucifixus - Anonymous
Appears on: 18v
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Crucifixus [text incipit only]
19 Fantasia a3 - Anonymous

Fantasia a3

Anonymous
Appears on: 19
Genres: Fantasia
Voice: Altus
Languages: none
Mensuration: cut-c
Clef: g2
Voice Text: Fantasia [untexted]
19v–20 Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet -
Appears on: 19v–20
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Emittet verbum suum et liquefaciet
20v–21 Vezzosi augelli -
Appears on: 20v–21
Genres: Madrigal (Italian)
Voice: Altus
Languages: Italian
Mensuration: cut-c
Clef: c2
Voice Text: Vezzosi augelli [text incipit only]
21v–22 Lunge da gl' occhi -
Appears on: 21v–22
Genres: Madrigal (Italian)
Voice: Altus
Languages: Italian
Mensuration: cut-c
Clef: c2
Voice Text: Lunge dagli [text incipit only]
22v–23 Voi bramate -
Appears on: 22v–23
Genres: Madrigal (Italian)
Voice: Altus
Languages: Italian
Mensuration: cut-c
Clef: g2
Voice Text: Voi bramate [text incipit only]
23v–24 Ma che squallido -
Appears on: 23v–24
Genres: Madrigal (Italian)
Voice: Altus
Languages: Italian
Mensuration: cut-c
Clef: g2
Voice Text: Ma che squallido [text incipit only]
24v Jamais n'avoir - Anonymous

Jamais n'avoir

Anonymous
Appears on: 24v
Genres: Chanson
Voice: Altus
Languages: French
Mensuration: cut-c
Clef: c3
Voice Text: Jamais [text incipit only]
25 Missa Quam pulchri: Sanctus [extract: Benedictus] -
Appears on: 25
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Benedictus qui venit
25v Missa Simile est regnum: Sanctus [extract: Benedictus] -
Appears on: 25v
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Benedictus qui venit
26 Alma redemptoris mater -
Appears on: 26
Genres: Alma redemptoris mater, Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Alma redemptores [sic] [text incipit only]
26v–27 Ut-re-mi-fa-so-la - Anonymous

Ut-re-mi-fa-so-la

Anonymous
Appears on: 26v–27
Genres: textless
Voice: Altus
Languages: none
Mensuration: cut-c
Clef: c1
Voice Text: Utremifasola [untexted]
27 Timete Dominum - 2a pars (of 2): Inquirentes autem -
Appears on: 27
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Inquirentes [text incipit only]
27v–28 Qual vive Salamandra in fiamma ardente -
Appears on: 27v–28
Genres: Madrigal (Italian)
Voice: Altus
Languages: Italian
Mensuration: cut-c
Clef: c1
Voice Text: Qual vive [text incipit only]
28v–29 S' altra fiamma -
Appears on: 28v–29
Genres: Madrigal (Italian)
Voice: Altus
Languages: Italian
Mensuration: cut-c
Clef: c1
Voice Text: S'altra fiamma [text incipit only]
29v–30 Deh torna - Anonymous

Deh torna

Anonymous
Appears on: 29v–30
Genres: Madrigal (Italian)
Voice: Altus
Languages: Italian
Mensuration: cut-c
Clef: c1
Voice Text: Deh torna [text incipit ony]
30v–31 Tante piaghe ha il mio core -
Appears on: 30v–31
Genres: Madrigal (Italian)
Voice: Altus
Languages: Italian
Mensuration: cut-c
Clef: g2
Voice Text: Tante piaghe [text incipit only]
31v–32 Basciami vita mia -
Appears on: 31v–32
Genres: Madrigal (Italian)
Voice: Altus
Languages: Italian
Mensuration: cut-c
Clef: g2
Voice Text: Basciami vita [text incipit only]
32v Gia fu mia -
Appears on: 32v
Genres: Madrigal (Italian)
Voice: Altus
Languages: Italian
Mensuration: cut-c
Clef: g2
Voice Text: Gia fu mia [text incipit only]
33 Susanna fair - 1a pars (of 2): Susanna fair sometime assaulted was -
Appears on: 33
Genres: Song
Voice: Altus
Languages: English
Mensuration: cut-c
Clef: c1
Voice Text: Susana fayre [text incipit only]
33v Susanna fair - 2a pars (of 2): And if I grant to that which you request -
Appears on: 33v
Genres: Song
Voice: Altus
Languages: none
Mensuration: cut-c
Clef: c1
Voice Text: [untexted]
34 When younglings first - 1a pars (of 3): When younglings first on Cupid fix their sight -
Appears on: 34
Genres: Madrigal (English)
Voice: Altus
Languages: English
Mensuration: cut-c
Clef: c1
Voice Text: When yonglinges first [text incipit]
34v When younglings first - 2a pars (of 3): And therefore with his purple wings -
Appears on: 34v
Genres: Madrigal (English)
Voice: Altus
Languages: none
Mensuration: cut-c
Clef: c1
Voice Text: [untexted]
34v–35 When younglings first - 3a pars (of 3): But when by proof -
Appears on: 34v–35
Genres: Madrigal (English)
Voice: Altus
Languages: none
Mensuration: cut-c
Clef: c1
Voice Text: [untexted]
35v–36 The nightingale -
Appears on: 35v–36
Genres: Madrigal (English)
Voice: Altus
Languages: English
Mensuration: cut-c
Clef: c1
Voice Text: The nightingale [text incipit only]
36v–37 Upon a summer's day - 1a pars (of 2): Upon a summer's day -
Appears on: 36v–37
Genres: Madrigal (English)
Voice: Altus
Languages: English
Mensuration: cut-c
Clef: c1
Voice Text: Uppon a sommer [text incipit only]
37v–38 Upon a summer's day - 2a pars (of 2): Then for a boat -
Appears on: 37v–38
Genres: Madrigal (English)
Voice: Altus
Languages: none
Mensuration: cut-c
Clef: c1
Voice Text: [untexted]
38v–39 The greedy hawk -
Appears on: 38v–39
Genres: Madrigal (English)
Voice: Altus
Languages: English
Mensuration: cut-c
Clef: c1
Voice Text: The greedie Hawke
39v–40 Memento salutis auctor -
Appears on: 39v–40
Genres: Gradual, Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Memento salutis [text incipit only]
40v–41v O gloriosa Domina -
Appears on: 40v–41v
Genres: Gradual, Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: O gloriosa Domina excelsa super sidera
42–44 Quem terra pontus (2p. Cui luna, 3p. Beata mater, 4p. Beata caeli nuntio, 5p. Jesu tibi sit gloria) -
Appears on: 42–44
Genres: Gradual, Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Quem terra pontus aethera colunt adorant praedicant
44v Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 44v
Genres: Agnus Dei, Mass Ordinary
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Agnus dei qui tollis peccata mundi
44v–45 Missa Ave maris stella: Credo [extract: Et resurrexit] -
Appears on: 44v–45
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Et resurrexit tertia die secundum scripturas
45v–46 Missa Dum complerentur: Credo (extract: Crucifixus) -
Appears on: 45v–46
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Crucifixus etiam pro nobis
46v Diffusa est gratia - 5a pars (of 6): Adducentur regi -
Appears on: 46v
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Adducentur [text incipit only]
47 Laetentur caeli - 2a pars (of 2): Orietur in diebus -
Appears on: 47
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Orietur [text incipit only]
47v Suscepimus Deus - 2a pars (of 2): Magnus Dominus -
Appears on: 47v
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Magnus Dominus [text incipit only]
48 Rorate caeli - 2a pars (of 2): Benedixisti Domine -
Appears on: 48
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Benedixisti Domine [text incipit only]
48v Infelix ego omnium - 1a pars (of 3): Infelix ego omnium -
Appears on: 48v
Genres: Motet
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Infelix ego omnium auxilio destitutus
Composer Compositions
Anonymous
Asola, Giammateo (ca. 1532–1609)
Baccusi, Ippolito (ca. 1550–1609)
Bellasio, Paolo (1554–1594)
Byrd, William (ca. 1540–1623)
Croce, Giovanni (ca. 1557–1609)
Flori, Giovanni
Gregori, Francesco di
Lassus, Orlande de (ca. 1532–1594)
Marenzio, Luca (ca. 1553–1599)
Morales, Cristóbal de (ca. 1500–1553)
Pallavicino, Benedetto
Taverner, John
Victoria, Tomas Luis de (1548–1611)
Composition Composers (? Uncertain) Folios / Pages
Agnus Dei 7
Agnus Dei Anonymous 44v
Alma redemptoris mater 26
Ave maris stella (2p. Sumens illud ave, 3p. Solve vincla, 4p. Monstra te esse, 5p. Virgo singularis, 6p. Vitam praesta puram, 7p. Sit laus Deo) 1–4
Basciami vita mia 31v–32
Convertere Domine Anonymous 13v–14
Credo: (extract) Crucifixus Anonymous 17v–18
Credo: (extract) Crucifixus Anonymous 18v
Cum invocarem - 2a pars (of 3): Sacrificate sacrificium justitiae 6v
Deh torna Anonymous 29v–30
Deus tu scis insipientiam meam 7v–8
Diffusa est gratia - 2a pars (of 6): Propter veritatem 9
Diffusa est gratia - 5a pars (of 6): Adducentur regi 46v
Domine non est - 2a pars (of 2): Sicut ablactatus est 15v–16
Ego sum resurrectio 16v–17
Fantasia a3 Anonymous 19
Fantasia a3 (I) 4v–5
Fantasia a3 (II) 5v–6
Gia fu mia 32v
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium 48v
Jamais n'avoir Anonymous 24v
Laetatus sum (2p. Jerusalem quae aedificatur; 3p. Quia illic sederunt; 4p. Propter fratres) 11v–13
Laetentur caeli - 2a pars (of 2): Orietur in diebus 47
Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet 19v–20
Lunge da gl' occhi 21v–22
Ma che squallido 23v–24
Memento salutis auctor 39v–40
Missa Ave maris stella: Credo [extract: Et resurrexit] 44v–45
Missa Dum complerentur: Credo (extract: Crucifixus) 45v–46
Missa O quam gloriosum: Sanctus [extract: Benedictus] 8v
Missa Quam pulchri: Sanctus [extract: Benedictus] 25
Missa Simile est regnum: Sanctus [extract: Benedictus] 25v
O gloriosa Domina 40v–41v
Proba me Deus Anonymous 9v–10
Puer natus est nobis 10v–11
Qual vive Salamandra in fiamma ardente 27v–28
Quem terra pontus (2p. Cui luna, 3p. Beata mater, 4p. Beata caeli nuntio, 5p. Jesu tibi sit gloria) 42–44
Rorate caeli - 2a pars (of 2): Benedixisti Domine 48
S' altra fiamma 28v–29
Sancta et immaculata 14v–15
Susanna fair - 1a pars (of 2): Susanna fair sometime assaulted was 33
Susanna fair - 2a pars (of 2): And if I grant to that which you request 33v
Suscepimus Deus - 2a pars (of 2): Magnus Dominus 47v
Tante piaghe ha il mio core 30v–31
The greedy hawk 38v–39
The nightingale 35v–36
Timete Dominum - 2a pars (of 2): Inquirentes autem 27
Upon a summer's day - 1a pars (of 2): Upon a summer's day 36v–37
Upon a summer's day - 2a pars (of 2): Then for a boat 37v–38
Ut-re-mi-fa-so-la Anonymous 26v–27
Vezzosi augelli 20v–21
Voi bramate 22v–23
When younglings first - 1a pars (of 3): When younglings first on Cupid fix their sight 34
When younglings first - 2a pars (of 3): And therefore with his purple wings 34v
When younglings first - 3a pars (of 3): But when by proof 34v–35

Set: MS 2036

Type: Partbooks

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

Set: Paston Manuscripts

Type: Linked by Origin or Contents

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GB-Lbl Add. MS 18936

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GB-Lbl Add. MS 18937

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GB-Lbl Add. MS 18938

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GB-Lbl Add. MS 18939

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GB-Lbl Add. MS 29388

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GB-Lbl Add. MS 29389

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GB-Lbl Add. MS 29390

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GB-Lbl Add. MS 29391

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GB-Lbl Add. MS 29392

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GB-Lbl Add. MS 29401

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GB-Lbl Add. MS 29402

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GB-Lbl Add. MS 29403

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GB-Lbl Add. MS 29404

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GB-Lbl Add. MS 29405

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GB-Lbl Add. MS 30823

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GB-Lbl Add. MS 30824

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GB-Lbl Add. MS 30825

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GB-Lbl Add. MS 34000

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GB-Lbl Add. MS 34001

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GB-Lbl Add. MS 34002

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GB-Lbl Add. MS 34049

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GB-Lbl Add. MS 41156

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GB-Lbl Add. MS 41157

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GB-Lbl Add. MS 41158

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GB-Lbl Egerton 2009

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GB-Lbl Egerton 2010

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GB-Lbl Egerton 2011

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GB-Lbl Egerton 2012

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GB-Lbl Madrigal Society G. 9

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GB-Lbl Madrigal Society G. 10

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GB-Lbl Madrigal Society G. 11

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GB-Lbl Madrigal Society G. 12

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GB-Lbl Madrigal Society G. 13

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GB-Lbl Madrigal Society G. 14

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GB-Lbl Madrigal Society G. 15

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GB-Lbl Madrigal Society G. 16

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GB-Lbl Madrigal Society G. 17

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GB-Lbl Madrigal Society G. 18

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GB-Lbl Madrigal Society G. 19

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GB-Lbl Madrigal Society G. 20

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GB-Lbl Madrigal Society G. 21

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GB-Lbl Madrigal Society G. 22

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GB-Lbl Madrigal Society G. 23

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GB-Lbl Madrigal Society G. 24

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GB-Lbl Madrigal Society G. 25

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GB-Lbl Madrigal Society G. 26

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GB-Lbl Madrigal Society G. 27

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GB-Lcm MS 2035 [Altus]

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GB-Lcm MS 2035 [Bassus]

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GB-Lcm MS 2035 [Discantus]

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GB-Lcm MS 2036 [Altus]

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GB-Lcm MS 2036 [Bassus]

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GB-Lcm MS 2036 [Discantus]

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GB-Lcm MS 2041

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GB-Ob MS. Tenbury 349

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GB-Ob MS. Tenbury 350

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GB-Ob MS. Tenbury 351

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GB-Ob MS. Tenbury 352

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GB-Ob MS. Tenbury 353

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GB-Ob MS. Tenbury 354

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GB-Ob MS. Tenbury 355

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GB-Ob MS. Tenbury 356

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GB-Ob MS. Tenbury 357

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GB-Ob MS. Tenbury 358

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GB-Ob MS. Tenbury 359

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GB-Ob MS. Tenbury 360

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GB-Ob MS. Tenbury 361

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GB-Ob MS. Tenbury 362

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GB-Ob MS. Tenbury 363

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GB-Ob MS. Tenbury 369

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GB-Ob MS. Tenbury 370

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GB-Ob MS. Tenbury 371

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GB-Ob MS. Tenbury 372

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GB-Ob MS. Tenbury 373

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GB-Ob MS. Tenbury 374

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GB-Ob MS. Tenbury 375

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GB-Ob MS. Tenbury 376

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GB-Ob MS. Tenbury 377

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GB-Ob MS. Tenbury 378

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US-Ws V.a. 405

No images available

US-Ws V.a. 406

No images available

US-Ws V.a. 407

denotes primary source study

Kerman, Joseph. 1979. Byrd's Settings of the Ordinary of the Mass. Journal of the American Musicological Society, 408-39. Pages: 413. Notes: mention of MS.

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 197-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 51-69. Pages: 60, 69. Notes: physical description (partial).

Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 343-65. Pages: 347, 365.

Squire, W Barclay. 1930c. Catalogue of the Manuscripts in the Library of the Royal College of Music. Notes: physical description.

Husk, W H. 1872. Catalogue of the Library of The Sacred Harmonic Society.  London. Pages: 204-5. Notes: physical description (partial); contents list.

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Monday, 23 January, 2017

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