A Medius partbook from a set originally of 8(?). Copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Acquired by Royal College of Music from an unknown source in late 19th century; apparently never belonged to Sacred Harmonic Society of London.
| Archive | Royal College of Music, London, England (GB-Lcm) |
|---|---|
| Shelfmark | MS 2041 |
| Image Availability | DIAMM does not have images of this source. |
| Numbering System | Foliation |
| Measurements | 190 x 245 mm |
| Other Identifiers |
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| Notations |
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| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Relationships |
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| Provenance |
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| Contents | Contains 80 compositions, 64 from 16 composers, 16 are anonymous. |
General Description
Binding
Original(?) leather(?) covers.
Notation
black void mensural
Foliation
Original ink foliation, 1-48.
Decoration
No initials or decoration.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Agnus, 8 Mass Ordinary sections, 1 Lamentation, 54 motets, 4 anthems, 2 carols, 10 English secular pieces, 1 Latin secular piece = 82 + 16 duplicates = 98
(Byrd)-22, (Crecquillon)-1, (A. Ferrabosco I)-6 + 1?, (Gombert)-1, (Lassus)-9, (Morales)-1, (Palestrina)-1, (Tallis)-1, (Vaet)-2, (Victoria)-21, anon-16
1 paper partbook of an original 8? (Medius-i + 48 + i folios), 190 x 245. Original ink foliation, 1-48. Original(?) leather(?) covers. No index. Copied by a single scribe, employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). No initials or decoration.
Early 17th century. Of English provenance; originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Acquired by Royal College of Music from an unknown source in late 19th century; apparently never belonged to Sacred Harmonic Society of London.
Vol 4
Contents: 2 Agnus, 8 Mass Ordinary sections, 1 Lamentation, 53 motets, 4 anthems, 2 carols, 10 English secular pieces, 1 Latin secular piece = 81 + 15 duplicates = 96
Composers: (Byrd)-22, (Crecquillon)-1, (Crecquillon/Morales)-1, (A. Ferrabosco I)-8, (G. Gabrieli)-1, (Gombert)-1, (Lassus)-9, (Merulo)-1, (Palestrina)-1, (Tallis)-1, (Vaet)-2, (Victoria)-20, anon-13
The inventory could not be loaded.
Sets
Paston Manuscripts
Linked by Origin or Contents · 97 sources
‡ denotes primary source study
Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 69ff, 190. Notes: contents list (partial); concordances (partial).
Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1. London. Notes: contents list (partial); concordances (partial).
Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 4: 51-69. Pages: 61, 69. Notes: mention of MS; contents list (partial); concordances (partial).
Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 14: 343-65. Pages: 345-7, 360-5. Notes: physical description (partial); contents list (partial); concordances (partial).
Squire, W Barclay. 1930c. Catalogue of the Manuscripts in the Library of the Royal College of Music. Notes: physical description.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description