A Bassus partbook from a set of three volumes. Music copied by two scribes, both employed by Edward Paston (see BrettEP for list of other books in the same hand and for discussion of related manuscripts from Paston's circle). Repertory consists mainly of three-voice sections extracted from larger works; see also LonRC 2036. All attributions in Bassus book. Many pieces have text incipits only. Roughly drawn barlines added to many pieces by later hand. Many pieces at the beginning of the book are repeated later, in different keys & with different clefs. Originated in the household of Edward Paston (1550-1630) of Norfolk, a country gentleman and collector of music. Owned in 19th century by Sacred Harmonic Society of London. Library of latter purchased for newly founded Royal College of Music in 1883.
| Archive | Royal College of Music, London, England (GB-Lcm) |
|---|---|
| Shelfmark | MS 2035 [Bassus] |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 127 x 210 mm |
| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 62 compositions from 13 composers. |
General Description
Binding
Discantus has original buff limp vellum covers, inscribed 'Cantus/Trium Vocum'; other books have modern covers of dark blue pasteboard
Notation
black void mensural
Foliation
Original ink foliation in each book, 1-48
Decoration
No initials or decoration
Index
Original index on front flyleaves of Bassus book; pieces grouped alphabetically by first letter of text, with subgrouping under each letter by order of appearance
Surface
paper
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Sets
MS 2035
Partbooks · 3 sources
Paston Manuscripts
Linked by Origin or Contents · 97 sources
‡ denotes primary source study
Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 142, 171ff; II, 62ff. Notes: transcription (partial); mention of MS; discussion.
Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents, vol. 22. American Institute of Musicology. Pages: 54, 60, 123. Notes: mention of MS; contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 145. Notes: contents list (partial); concordances (partial); incipits (partial).
Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 4: 51-69. Pages: 69. Notes: mention of MS.
Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 115-6, 223-6. Notes: physical description (partial); contents list (partial); concordances (partial).
Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 14: 343-65. Pages: 346-7, 365. Notes: mention of MS.
Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: IV, 479-80. Notes: transcription (partial).
Squire, W Barclay. 1930c. Catalogue of the Manuscripts in the Library of the Royal College of Music. Notes: physical description.
Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, lx-lxiii; III, xvii-xx, 60, 133; V, xx, xxii, xxvii; VI, xxvii-xxix; X, 235. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Husk, W H. 1872. Catalogue of the Library of The Sacred Harmonic Society. London. Pages: 203-4. Notes: physical description (partial); contents list.
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