GB-Lbl Add. MS 32377

British Library, London, England

partbook: c. 1585-90

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 32377
Numbering System	Foliation
Format	landscape
Measurements	144 x 190 mm
Other Identifiers	CCM: LonBL 32377
Notations	black void mensural
Copyists	? Geare, Hugh Music
Relationships	Marshall, Julian (owner) Geare, Hugh (mentioned in liminary text)
External Links	British Library online catalogue entry
Provenance	Dorset? England
Contents	76 pieces from 19 composers

General Description

A Discantus partbook of a set originally of 5 volumes. Copied by several scribes, possibly including Hugh Geare. Of English origin; possibly copied in Dorset. 'Hugh Geare' and 'Dorset' appear on f. 80'. Geare may have been the original owner, and possibly one of the scribes; he may be related to John Geare (1566-1645), vicar at Lyme Regis and Symondsbury, both in Dorset (BernsCE). Later owned by Julian Marshall; purchased by British Museum at a Sotheby's sale in 1884.

DIAMM, 2017

Binding

New covers of red leather on cardboard

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1585-90 (BernsCE).

DIAMM, 2017

Foliation

New pencil foliation, 1-80, begins with second original flyleaf.

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat section, 4 hymns, 3 Lamentations, 23 motets, 4 French secular pieces, 4 Italian secular pieces, 35 textless pieces (In nomines, Fantasias, etc.) =74 + 2 duplicates = 76

J. or P.? Alcock-1, Bruster-1, Byrd-10, Byrd/(R. Parsons I)-2, Daman [Demand]-1, A. Ferrabosco 1-4, Lassus-5, (Le Cocq)-1, (Macque?)-3, W. Mundy-4, Nayler-1, Parsley-1, R. Parsons I-8, Poynte-1, Shepherd-3, (Shepherd/Tallis)-1, Strogers-4, Tallis-6, Tye-4, R. Whiter, anon-9

1 paper partbook of an original 5 (D-i + ii + 79 + i + i folios), 144 x 190. New pencil foliation, 1-80, begins with second original flyleaf. New covers of red leather on cardboard. No index. Copied by several scribes, possibly including Hugh Geare (see below). No initials or decoration.

Ca. 1585-90 (BernsCE). Of English origin; possibly copied in Dorset. "Hugh Geare" and "Dorset" appear on f. 80'. Geare may have been the original owner, and possibly one of the scribes; he may be related to John Geare (1566-1645), vicar at Lyme Regis and Symondsbury, both in Dorset (BernsCE). Later owned by Julian Marshall; purchased by British Museum at a Sotheby's sale in 1884.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2r	Browning = The leaves be green	Mr Byrd	Byrd, William (ca. 1540–1623)
Browning = The leaves be green Byrd, William (ca. 1540–1623) Appears on: 2r Genres: Song Source Attribution: Mr Byrd Voice: [no designation] Languages: English Clef: c1 Voice Text: [untitled] General Note Notes: Incomplete - beginning missing. Identified in Warwick Edwards's thesis;
2r	Praeludium	-	Byrd, William (ca. 1540–1623)
Praeludium Byrd, William (ca. 1540–1623) Appears on: 2r Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: Pre ludyum
2r–3v	Ground	Mr Byrd	Byrd, William (ca. 1540–1623)
Ground Byrd, William (ca. 1540–1623) Appears on: 2r–3v Source Attribution: Mr Byrd Voice: [no designation] Languages: English Mensuration: c-dot Clef: g1 Voice Text: [untitled] General Note Notes: Companion to piece above;
4r–4v	Fantasia / A Fancy	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Fantasia / A Fancy Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 4r–4v Source Attribution: Alfonso Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: Fantasya 4 p[ar]te Alfonso General Note Annotations/Corrections: At the end 'cor';
5r	Ut re mi fa	Mr Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Ut re mi fa Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 5r Source Attribution: Mr Parsons Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: Vt re my fa solla
5r	Ut mi re	Mr Byrd	Byrd, William (ca. 1540–1623)
Ut mi re Byrd, William (ca. 1540–1623) Appears on: 5r Source Attribution: Mr Byrd Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: Vt my re
5v	Le bergier et la bergiere	-	Gallus, Joannes
Le bergier et la bergiere Gallus, Joannes Appears on: 5v Voice: [no designation] Languages: French Mensuration: cut-c Clef: g2 Voice Text: Le bergyre
6r–6v	Non vidette	-	Anonymous
Non vidette Anonymous Appears on: 6r–6v Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: Non vydette General Note Annotations/Corrections: At the end 'cor';
6v–7r	Et d’où venez vous ma dame Lucette	Orlando dy Lassus	Lassus, Orlande de (ca. 1532–1594)
Et d’où venez vous ma dame Lucette Lassus, Orlande de (ca. 1532–1594) Appears on: 6v–7r Genres: Chanson Source Attribution: Orlando dy Lassus Voice: [no designation] Languages: French Mensuration: cut-c Clef: g2 Voice Text: Et deu vene vous General Note Annotations/Corrections: At the end 'cor';
7r–7v	In nomine (F84) - Exaudi vocem	Alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
In nomine (F84) - Exaudi vocem Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 7r–7v Genres: In nomine Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In nomine Alfonso /i General Note Notes: In nomine number from Musica Britannica XLIV;
7v–8r	Ut re mi fa	Alfonso	Parsons (I), Robert (ca. 1535–ca. 1572)
Ut re mi fa Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 7v–8r Source Attribution: Alfonso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In nomine Alfonso /2/ General Note Notes: In nomine number from Musica Britannica XLIV;
8v–9r	In nomine (V) a5	Mr byrd	Byrd, William (ca. 1540–1623)
In nomine (V) a5 Byrd, William (ca. 1540–1623) Appears on: 8v–9r Genres: In nomine, Viol piece Source Attribution: Mr byrd Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In nomine Mr byrd General Note Notes: At the bottom of fo.8v - doodle of vertical lines in an irregular oval. In nomine number from Byrd Edition 17;
9v	In nomine à5	Mr byrd	Byrd, William (ca. 1540–1623)
In nomine à5 Byrd, William (ca. 1540–1623) Appears on: 9v Source Attribution: Mr byrd Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In nomine Mr Byrd/ on [th]e sharpe / / In nomine / Mr Byrd/ on [th]e sharpe / General Note Annotations/Corrections: At the end 'cor'; Notes: In nomine number from Byrd Edition 17;
10r	In nomine (IV)	Mr byrd	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine (IV) Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 10r Genres: Motet Source Attribution: Mr byrd Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In nomine 7 p[ar]tes Mr byrd/ General Note Annotations/Corrections: pasted on correction on line 3; Notes: In nomine number from Musica Britannica XLIV (No.74);
10v	In nomine a7	d Whyte	White, Robert (ca. 1538–1574)
In nomine a7 White, Robert (ca. 1538–1574) Appears on: 10v Source Attribution: d Whyte Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In nomine 7 [par]tes d Whyte
11r	In nomine XVII	d Tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine XVII Tye, Christopher (ca. 1505–ca. 1573) Appears on: 11r Genres: none Source Attribution: d Tye Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In nomine d Tye/ General Note Notes: In nomine number from Musica Britannica XLV;
11v	In nomine (V)	d Whyte	White, Robert (ca. 1538–1574)
In nomine (V) White, Robert (ca. 1538–1574) Appears on: 11v Genres: In nomine Source Attribution: d Whyte Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In nomine d Whyte / General Note Annotations/Corrections: At the end 'cor'; Notes: In nomine number from Musica Britannica XLIV;
12r–12v	In nomine a 5	Mr bruster	Brewster
In nomine a 5 Brewster Appears on: 12r–12v Genres: In nomine, Viol piece Source Attribution: Mr bruster Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In nomine Mr bruster / General Note Annotations/Corrections: At the end 'cor';
13r	In nomine (V)	Mr Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine (V) Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 13r Genres: Motet Source Attribution: Mr Parsons Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In nomine 7 General Note Notes: In nomine number from Musica Britannica XLIV;
13v–14r	In nomine XXI	d Tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine XXI Tye, Christopher (ca. 1505–ca. 1573) Appears on: 13v–14r Genres: none Source Attribution: d Tye Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In nomine d Tye 6 parte / General Note Notes: In nomine number from Musica Britannica XLV;
14v	In nomine (III)	Mr Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine (III) Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 14v Genres: In nomine Source Attribution: Mr Parsons Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In nomine Mr Parsons 5 parte /
15r–15v	In nomine	Mr Nayler	Nayler
In nomine Nayler Appears on: 15r–15v Source Attribution: Mr Nayler Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: In nomine mr nayler
15v–16r	In nomine (II)	Mr Poynte	Poynt
In nomine (II) Poynt Appears on: 15v–16r Source Attribution: Mr Poynte Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: In nomine Mr Poynte 5 parte / General Note Notes: In nomine number from Musica Britannica XLIV;
16v–17r	In nomine XIII 'Trust'	Mr d Tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine XIII 'Trust' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 16v–17r Genres: none Source Attribution: Mr d Tye Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In nomine Mr d Tye 5 Parte / General Note Notes: In nomine number from Musica Britannica XLV;
17r–18r	In nomine (7vv)	Mr Alcock	Alcock, Philip (?)
In nomine (7vv) Alcock, Philip (?) Appears on: 17r–18r Genres: In nomine, Viol piece Source Attribution: Mr Alcock Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In nomine 7 parte Mr a l cock General Note Annotations/Corrections: At the end 'cor';
18v–19r	In nomine a6	Mr Strogers	Strogers, Nicholas
In nomine a6 Strogers, Nicholas Appears on: 18v–19r Source Attribution: Mr Strogers Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In nomine 6 parte Mr Strogers General Note Annotations/Corrections: At the end 'cor'; Notes: In nomine number from Musica Britannica XLIV;
19v	In nomine (I)	Mr Strogers	Strogers, Nicholas
In nomine (I) Strogers, Nicholas Appears on: 19v Genres: Motet Source Attribution: Mr Strogers Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In nomine 6 parte Mr Strogers / General Note Annotations/Corrections: At the end 'cor'; Notes: Music extended into the margin to fit the end onto the page. In nomine number from Musica Britannica XLIV;
20r	In nomine a5	Mr Strogers	Strogers, Nicholas
In nomine a5 Strogers, Nicholas Appears on: 20r Source Attribution: Mr Strogers Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In nomine. 5 parte Mr Strogers / General Note Notes: Incomplete (no known concordances);
20v–21r	In nomine	Mr Parsley	Parsley [Percely], Osbert
In nomine Parsley [Percely], Osbert Appears on: 20v–21r Source Attribution: Mr Parsley Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In nomine 5 parte Mr Parsley //
21v–22r	De la court - 1a pars	Mr Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 21v–22r Genres: Chanson Source Attribution: Mr Parsons Voice: [no designation] Languages: French Mensuration: cut-c Clef: c1 Voice Text: delacurt 5 parte Mr Parsons /
22r–23r	De la court - 1a pars	Mr Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 22r–23r Genres: Chanson Source Attribution: Mr Parsons Voice: [no designation] Languages: French Mensuration: cut-c Clef: g2 Voice Text: The second part of de lacourt / General Note Annotations/Corrections: At the end 'or this' marks an alternative, more virtuosic ending;
23r–23v	Magnificat a6: (exc) Esurientes	Mr Sheperd	Sheppard, John (ca. 1515–1558)
Magnificat a6: (exc) Esurientes Sheppard, John (ca. 1515–1558) Appears on: 23r–23v Genres: BVM, Canticle, Magnificat Source Attribution: Mr Sheperd Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Esuryentes implevit General Note Annotations/Corrections: At the end 'cor';
23v–24r	O mater mundi (instrumental)	Mr mundye	Mundy, William (ca. 1528–ca. 1591) (?)
O mater mundi (instrumental) Mundy, William (ca. 1528–ca. 1591) (?) Appears on: 23v–24r Source Attribution: Mr mundye Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: A solfynge songe General Note Annotations/Corrections: At the end 'cor';
24v	A solfing song	Mr mundye	Mundy, William (ca. 1528–ca. 1591) (?)
A solfing song Mundy, William (ca. 1528–ca. 1591) (?) Appears on: 24v Source Attribution: Mr mundye Voice: [no designation] Languages: English Mensuration: 3 Clef: g2 Voice Text: A solfinge songe 5 partes General Note Annotations/Corrections: At the end 'cor';
25r	A solfing song	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
A solfing song Tallis, Thomas (ca. 1505–1585) Appears on: 25r Source Attribution: Mr Tallis Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: A solfinge songe 5 partes Mr Tallis General Note Annotations/Corrections: At the end 'cor';
25v	Haec dies	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Haec dies Tallis, Thomas (ca. 1505–1585) Appears on: 25v Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Hec dies 5 parte Mr Tallis General Note Annotations/Corrections: At the end 'cor';
26r	[Christe qui lux es (I)] Precamur sancte Domine	-	White, Robert (ca. 1538–1574)
[Christe qui lux es (I)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 26r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Precamur / Precamur sancte domine General Note Annotations/Corrections: At the end 'cor';
27r–26v	Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 27r–26v Genres: Lamentations, Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Plorans Ploravit / 5 parte Mr Tallis General Note Note: page reversed so that the piece begins on 27r and finishes on 26v. Annotations/Corrections (27r): Correction - passage at end to be inserted at the cross sign. At the end 'cor'. Cues for 'Aleph', and 'Beth'; Notes: Music for verses 1.1 plus 'Beth' of verse 1.2; (26v) At the end 'cor'; Notes: Music for Verse 1.2 (minus the opening 'Beth');
27v–28v	Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	Mr	Sheppard, John (ca. 1515–1558)
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] Sheppard, John (ca. 1515–1558) Appears on: 27v–28v Genres: Motet Source Attribution: Mr Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Deus misereator nostri [2p. Vt cognoscamus; 3p. Confiteantur; 4p. Letentur; 4p. Confiteantour; 5p. Benedicat]
28v	Aeterne rex altissime, v.2: Scandens tribunal dexterae patris	-	Sheppard, John (ca. 1515–1558) (?) Tallis, Thomas (ca. 1505–1585) (?)
Aeterne rex altissime, v.2: Scandens tribunal dexterae patris Sheppard, John (ca. 1515–1558) (?) Tallis, Thomas (ca. 1505–1585) (?) Appears on: 28v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Scandens 5 partes / Scandens [2p. Gloria tibi] General Note Annotations/Corrections: At the end 'cor';
29r	Quod chorus vatum haec Deum	-	Tallis, Thomas (ca. 1505–1585)
Quod chorus vatum haec Deum Tallis, Thomas (ca. 1505–1585) Appears on: 29r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: g2 Voice Text: Hec deum [2p. Tu libens]
29v–30r	Sive vigilem	-	Mundy, William (ca. 1528–ca. 1591)
Sive vigilem Mundy, William (ca. 1528–ca. 1591) Appears on: 29v–30r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sive vigilem General Note Annotations/Corrections: At the end 'cor';
30v–31v	Ne irascaris Domine [2p. Civitas sancti tui]	-	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 30v–31v Genres: Anthem Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ne irascaris domine [2p. Ciuitas sanci tui]
32v–35r	Cunctis diebus quibus nunc milito	Mr Willm Byrde	Byrd, William (ca. 1540–1623)
Cunctis diebus quibus nunc milito Byrd, William (ca. 1540–1623) Appears on: 32v–35r Genres: Motet Source Attribution: Mr Willm Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Cunctis diebus General Note Annotations/Corrections: At the end of 32v 'turne quicklye' and 33v 'verte folliu[m]'; Notes: Medius and Superius parts are copied on adjacent pages on each opening;
35v–36r	Sponsus amat sponsam	Master William Byrde	Byrd, William (ca. 1540–1623)
Sponsus amat sponsam Byrd, William (ca. 1540–1623) Appears on: 35v–36r Source Attribution: Master William Byrde Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sponsus amat
36v–40r	Domine quis habitabit (III)	-	White, Robert (ca. 1538–1574)
Domine quis habitabit (III) White, Robert (ca. 1538–1574) Appears on: 36v–40r Genres: Motet Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Domino quis habitabit [2p. Ad nihilu[m] General Note Annotations/Corrections: At the end of 36v and 37v 'verto folim'. At the end of 39v 'cor'; Notes: Primus and Secundus Triplex parts are copied on adjacent pages on each opening;
40v–41r	Beati omnes	demand w	Daman, William
Beati omnes Daman, William Appears on: 40v–41r Genres: Motet Source Attribution: demand w Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: no clef Voice Text: Beata omnes General Note Annotations/Corrections: At the end 'cor';
41v–46r	Domine quis habitabit	-	Mundy, William (ca. 1528–ca. 1591)
Domine quis habitabit Mundy, William (ca. 1528–ca. 1591) Appears on: 41v–46r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Domine quis habitabit [2p. Ad nichilu[m]] General Note Annotations/Corrections: At the end of 41v, 42v, 43v, 44v 'verto foliu[m]'.; Notes: Primus and Secundus Medius parts are copied on adjacent pages on each opening;
46v–47r	Da pacem Domine (II) (C28)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (II) (C28) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 46v–47r Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Da pacem domine General Note Annotations/Corrections: At the end 'cor';
47v–48r	Credo quod redemptor meus vivit	Mr Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 47v–48r Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Mr Parsons Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Credo quod redemptor General Note Annotations/Corrections: At the end 'cor'; Notes: Altus and Medius parts are copied on adjacent pages on each opening;
48v–49v	Haec dies	-	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 48v–49v Genres: Motet Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Hec diebos qua[m] decit do[mi]n[u]s
48v–50r	Kyrie Paschali	-	Sheppard, John (ca. 1515–1558)
Kyrie Paschali Sheppard, John (ca. 1515–1558) Appears on: 48v–50r Genres: Kyrie eleison, Mass Ordinary Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Kirrie ely General Note Annotations/Corrections: At the end of 48v 'verto foliu[m]'.;
49v–51r	Jam Christus astra	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Jam Christus astra Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 49v–51r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: solemnis vrgebat dies General Note Notes: Piece is written under the second and third parts of Sheppard's Kyrie;
51v–55r	Deus misereatur nostri et benedicat nobis	-	White, Robert (ca. 1538–1574)
Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 51v–55r Genres: Anglican Service Music, Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Deus misereatur nostri [2p. Letenter et exultent] General Note Annotations/Corrections: On fol. 54 staves extended into margin to finish on the page. At the end of 51v, 52v 'verte foliu[m]'.; Notes: Primus and Secundus Medius parts are copied on adjacent pages on each opening;
55v–59r	In te Domine speravi (2p. Quoniam fortitudo mea) (6vv)	Orlano Dilasso	Lassus, Orlande de (ca. 1532–1594)
In te Domine speravi (2p. Quoniam fortitudo mea) (6vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 55v–59r Genres: Motet Source Attribution: Orlano Dilasso Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In te domine speravi [2p. Quoniam fortitudo mea] General Note Annotations/Corrections: At the end of 56v 'verte folliu[m]'. At the end 'cor'; Notes: Primus and Secundus Triplex parts are copied on adjacent pages on each opening;
59v–61v	Spiritus ubi vult	-	Anonymous
Spiritus ubi vult Anonymous Appears on: 59v–61v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Spiritus vbi vult General Note Annotations/Corrections: Fol.60v, stave begins squashed in margin. At the end 'cor'; Notes: Primus and Secundus Medius parts are copied on adjacent pages on each opening;
60v–62r	Retribue servo tuo	Mr Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Retribue servo tuo Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 60v–62r Genres: Motet Source Attribution: Mr Parsons Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Retribue servo tuo General Note Annotations/Corrections: Cross indicates where to begin on fol.61v. At the end 'cor'; Notes: Piece is underneath 'Spiritus ubi vult' on fol.60v-61r;
62v–65r	Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem Tallis, Thomas (ca. 1505–1585) Appears on: 62v–65r Genres: Lamentations, Motet Source Attribution: Mr Tallis Voice: [no designation] Languages: Latin Clef: c2 Voice Text: De lamentatione hieremia General Note Notes: Verses 1.3-5;
65r–65v	O rex gloriae Domine virtutum	-	Anonymous
O rex gloriae Domine virtutum Anonymous Appears on: 65r–65v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: O rex goria do[m]i[n]e virtutu[m]
66r	Omnia quae fecisti nobis Domine in vero	-	Lassus, Orlande de (ca. 1532–1594)
Omnia quae fecisti nobis Domine in vero Lassus, Orlande de (ca. 1532–1594) Appears on: 66r Genres: Motet Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Omnia
66v–67r	Libera me Domine de morte aeterna	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Libera me Domine de morte aeterna Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 66v–67r Genres: Motet, Requiem Voice: [no designation] Languages: Latin Clef: c2 Voice Text: libera me d[omi]ne de morte eterna
67v–68r	Musica Dei donum optimum	-	Anonymous
Musica Dei donum optimum Anonymous Appears on: 67v–68r Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Musica dei donu[m] obtimu[m]
68v–69r	Confitemini Domino et invocate (2p. Narrate omnia) (5vv)	-	Lassus, Orlande de (ca. 1532–1594)
Confitemini Domino et invocate (2p. Narrate omnia) (5vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 68v–69r Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Confitemini [2p. Narrate]
69v–71v	Lamentations: De lamentatione Jeremiae	-	Byrd, William (ca. 1540–1623)
Lamentations: De lamentatione Jeremiae Byrd, William (ca. 1540–1623) Appears on: 69v–71v Genres: Lamentations, Motet Voice: [no designation] Languages: Latin Clef: c2 Voice Text: De lamentatione Jeremie General Note Notes: Verses 2.8-10;
71v–72r	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	-	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 71v–72r Genres: Motet Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Sabatum tum maria
72v	[Christe qui lux es (I)] Precamur sancte Domine	-	White, Robert (ca. 1538–1574)
[Christe qui lux es (I)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 72v Genres: Motet Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Precamur sancte d[omi]ne [2p. Oculi somnum capiant; 3p. Memento nostri Domine]
73r–73v	Domine non est exaltatum	-	Anonymous
Domine non est exaltatum Anonymous Appears on: 73r–73v Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Do[mi]ne non est exaltatum
73v–74v	Jerusalem plantabis vineam (2p. Gaude et laetare)	-	Lassus, Orlande de (ca. 1532–1594)
Jerusalem plantabis vineam (2p. Gaude et laetare) Lassus, Orlande de (ca. 1532–1594) Appears on: 73v–74v Genres: Motet Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Hierusalem [2p. Gaude et latera Jacob] General Note Annotations/Corrections: extra short stave added at the bottom of fo.74r;
74v–75r	Omnia quae fecisti nobis Domine in vero	-	Lassus, Orlande de (ca. 1532–1594)
Omnia quae fecisti nobis Domine in vero Lassus, Orlande de (ca. 1532–1594) Appears on: 74v–75r Genres: Motet Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Omnia que fecisti General Note Annotations/Corrections: notes crossed out on second third stave;
75v	Upon the plainsong	-	Anonymous
Upon the plainsong Anonymous Appears on: 75v Voice: [no designation] Languages: English Clef: c1 Voice Text: Upon the playnsonge
76r	Susanne un jour d'amour solicitée par deux viellards	-	Lassus, Orlande de (ca. 1532–1594)
Susanne un jour d'amour solicitée par deux viellards Lassus, Orlande de (ca. 1532–1594) Appears on: 76r Genres: Chanson Voice: [no designation] Languages: French Clef: g2 Voice Text: Susanna .5. partes General Note Annotations/Corrections: Notes added at the end to be inserted at the cross sign.;
76v–77v	Domine praestolamur [2p. Veni domine]	Mr Bird	Byrd, William (ca. 1540–1623)
Domine praestolamur [2p. Veni domine] Byrd, William (ca. 1540–1623) Appears on: 76v–77v Genres: Motet Source Attribution: Mr Bird Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Domine prestolamur 5 p[ar]ts Mr bird / Adventum tuum do[mi]ne [2. Veni d[omi]ne] General Note Annotations/Corrections: At the end 'cor'. Annotations in margin (later hand) 'by me Thomas Thomas ffather' 'Roger Wallter' and other pen trials;
78r–78v	Io vo gridando come spiritato la nott'el giorno	-	Conversi, Girolamo
Io vo gridando come spiritato la nott'el giorno Conversi, Girolamo Appears on: 78r–78v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Io uo gridando come spiritato General Note Annotations/Corrections: At the end 'cor'; Notes: Girolami Conversi, Il primo libro de canzoni alla napolitana, 5vv (Venice, 1572);
78v–79r	Corri corri mamma doro se non corre	-	Conversi, Girolamo
Corri corri mamma doro se non corre Conversi, Girolamo Appears on: 78v–79r Genres: Italian secular Voice: [no designation] Languages: Italian Mensuration: cut-o Clef: g2 Voice Text: Corri corri corri mam[m]a doro General Note Annotations/Corrections: At the end 'cor'; Notes: Girolami Conversi, Il primo libro de canzoni alla napolitana, 5vv (Venice, 1572);
79v	Nasce la doglia mia dal vedermi levar	-	Conversi, Girolamo
Nasce la doglia mia dal vedermi levar Conversi, Girolamo Appears on: 79v Genres: Italian secular Voice: [no designation] Languages: Italian Clef: c2 Voice Text: Nase la doglia mia General Note Annotations/Corrections: At the end 'cor'; Notes: Girolami Conversi, Il primo libro de canzoni alla napolitana, 5vv (Venice, 1572);
80r	[Untitled fragment]	-	-
[Untitled fragment] Appears on: 80r Voice: [no designation] Languages: none Clef: c1 Voice Text: [Untitled fragment]

Composer	Compositions
Alcock, Philip	(?) In nomine (7vv) – 17r–18r
Anonymous	Domine non est exaltatum – 73r–73v Musica Dei donum optimum – 67v–68r Non vidette – 6r–6v O rex gloriae Domine virtutum – 65r–65v Spiritus ubi vult – 59v–61v Upon the plainsong – 75v [No description] – 80r
Brewster	In nomine a 5 – 12r–12v
Byrd, William (ca. 1540–1623)	Browning = The leaves be green – 2r Cunctis diebus quibus nunc milito – 32v–35r Domine praestolamur [2p. Veni domine] – 76v–77v Ground – 2r–3v In nomine à5 – 9v In nomine (V) a5 – 8v–9r Lamentations: De lamentatione Jeremiae – 69v–71v Ne irascaris Domine [2p. Civitas sancti tui] – 30v–31v Praeludium – 2r Sponsus amat sponsam – 35v–36r Ut mi re – 5r
Conversi, Girolamo	Corri corri mamma doro se non corre – 78v–79r Io vo gridando come spiritato la nott'el giorno – 78r–78v Nasce la doglia mia dal vedermi levar – 79v
Daman, William	Beati omnes – 40v–41r
Ferrabosco, Alfonso (the elder) (1543–1588)	Da pacem Domine (II) (C28) – 46v–47r Fantasia / A Fancy – 4r–4v In nomine (F84) - Exaudi vocem – 7r–7v
Gallus, Joannes	Le bergier et la bergiere – 5v
Lassus, Orlande de (ca. 1532–1594)	Confitemini Domino et invocate (2p. Narrate omnia) (5vv) – 68v–69r Et d’où venez vous ma dame Lucette – 6v–7r In te Domine speravi (2p. Quoniam fortitudo mea) (6vv) – 55v–59r Jerusalem plantabis vineam (2p. Gaude et laetare) – 73v–74v Omnia quae fecisti nobis Domine in vero – 66r Omnia quae fecisti nobis Domine in vero – 74v–75r Susanne un jour d'amour solicitée par deux viellards – 76r
Mundy, William (ca. 1528–ca. 1591)	(?) A solfing song – 24v Domine quis habitabit – 41v–46r (?) O mater mundi (instrumental) – 23v–24r Sive vigilem – 29v–30r
Nayler	In nomine – 15r–15v
Parsley [Percely], Osbert	In nomine – 20v–21r
Parsons (I), Robert (ca. 1535–ca. 1572)	Credo quod redemptor meus vivit – 47v–48r De la court - 1a pars – 21v–22r De la court - 1a pars – 22r–23r In nomine (III) – 14v In nomine (IV) – 10r In nomine (V) – 13r Jam Christus astra – 49v–51r Libera me Domine de morte aeterna – 66v–67r Retribue servo tuo – 60v–62r Ut re mi fa – 7v–8r Ut re mi fa – 5r
Poynt	In nomine (II) – 15v–16r
Sheppard, John (ca. 1515–1558)	(?) Aeterne rex altissime, v.2: Scandens tribunal dexterae patris – 28v Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat] – 27v–28v Haec dies – 48v–49v Kyrie Paschali – 48v–50r Magnificat a6: (exc) Esurientes – 23r–23v
Strogers, Nicholas	In nomine (I) – 19v In nomine a5 – 20r In nomine a6 – 18v–19r
Tallis, Thomas (ca. 1505–1585)	A solfing song – 25r (?) Aeterne rex altissime, v.2: Scandens tribunal dexterae patris – 28v Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 71v–72r Haec dies – 25v Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem – 27r–26v Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem – 62v–65r Quod chorus vatum haec Deum – 29r
Tye, Christopher (ca. 1505–ca. 1573)	In nomine XIII 'Trust' – 16v–17r In nomine XVII – 11r In nomine XXI – 13v–14r
White, Robert (ca. 1538–1574)	Deus misereatur nostri et benedicat nobis – 51v–55r Domine quis habitabit (III) – 36v–40r In nomine (V) – 11v In nomine a7 – 10v [Christe qui lux es (I)] Precamur sancte Domine – 72v [Christe qui lux es (I)] Precamur sancte Domine – 26r

Composition	Composers (? Uncertain)	Folios / Pages
[Christe qui lux es (I)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	26r
[Christe qui lux es (I)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	72v
A solfing song	Mundy, William (ca. 1528–ca. 1591) (?)	24v
A solfing song	Tallis, Thomas (ca. 1505–1585)	25r
Aeterne rex altissime, v.2: Scandens tribunal dexterae patris	Sheppard, John (ca. 1515–1558) (?) Tallis, Thomas (ca. 1505–1585) (?)	28v
Beati omnes	Daman, William	40v–41r
Browning = The leaves be green	Byrd, William (ca. 1540–1623)	2r
Confitemini Domino et invocate (2p. Narrate omnia) (5vv)	Lassus, Orlande de (ca. 1532–1594)	68v–69r
Corri corri mamma doro se non corre	Conversi, Girolamo	78v–79r
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	47v–48r
Cunctis diebus quibus nunc milito	Byrd, William (ca. 1540–1623)	32v–35r
Da pacem Domine (II) (C28)	Ferrabosco, Alfonso (the elder) (1543–1588)	46v–47r
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	21v–22r
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	22r–23r
Deus misereator nostri [2p. Ut cognoscamus; 3p. Confiteantur; 4p. Letentur; 5p. Benedicat]	Sheppard, John (ca. 1515–1558)	27v–28v
Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	51v–55r
Domine non est exaltatum	Anonymous	73r–73v
Domine praestolamur [2p. Veni domine]	Byrd, William (ca. 1540–1623)	76v–77v
Domine quis habitabit	Mundy, William (ca. 1528–ca. 1591)	41v–46r
Domine quis habitabit (III)	White, Robert (ca. 1538–1574)	36v–40r
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	71v–72r
Et d’où venez vous ma dame Lucette	Lassus, Orlande de (ca. 1532–1594)	6v–7r
Fantasia / A Fancy	Ferrabosco, Alfonso (the elder) (1543–1588)	4r–4v
Ground	Byrd, William (ca. 1540–1623)	2r–3v
Haec dies	Tallis, Thomas (ca. 1505–1585)	25v
Haec dies	Sheppard, John (ca. 1515–1558)	48v–49v
In nomine	Nayler	15r–15v
In nomine	Parsley [Percely], Osbert	20v–21r
In nomine à5	Byrd, William (ca. 1540–1623)	9v
In nomine (7vv)	Alcock, Philip (?)	17r–18r
In nomine (F84) - Exaudi vocem	Ferrabosco, Alfonso (the elder) (1543–1588)	7r–7v
In nomine (I)	Strogers, Nicholas	19v
In nomine (II)	Poynt	15v–16r
In nomine (III)	Parsons (I), Robert (ca. 1535–ca. 1572)	14v
In nomine (IV)	Parsons (I), Robert (ca. 1535–ca. 1572)	10r
In nomine (V)	White, Robert (ca. 1538–1574)	11v
In nomine (V)	Parsons (I), Robert (ca. 1535–ca. 1572)	13r
In nomine (V) a5	Byrd, William (ca. 1540–1623)	8v–9r
In nomine a 5	Brewster	12r–12v
In nomine a5	Strogers, Nicholas	20r
In nomine a6	Strogers, Nicholas	18v–19r
In nomine a7	White, Robert (ca. 1538–1574)	10v
In nomine XIII 'Trust'	Tye, Christopher (ca. 1505–ca. 1573)	16v–17r
In nomine XVII	Tye, Christopher (ca. 1505–ca. 1573)	11r
In nomine XXI	Tye, Christopher (ca. 1505–ca. 1573)	13v–14r
In te Domine speravi (2p. Quoniam fortitudo mea) (6vv)	Lassus, Orlande de (ca. 1532–1594)	55v–59r
Io vo gridando come spiritato la nott'el giorno	Conversi, Girolamo	78r–78v
Jam Christus astra	Parsons (I), Robert (ca. 1535–ca. 1572)	49v–51r
Jerusalem plantabis vineam (2p. Gaude et laetare)	Lassus, Orlande de (ca. 1532–1594)	73v–74v
Kyrie Paschali	Sheppard, John (ca. 1515–1558)	48v–50r
Lamentations (I) : Incipit lamentatio Jeremiae - Aleph - Beth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	27r–26v
Lamentations (II): De lamentatione Jeremiae - Gimel - Daleth - Heth - Convertere Jerusalem	Tallis, Thomas (ca. 1505–1585)	62v–65r
Lamentations: De lamentatione Jeremiae	Byrd, William (ca. 1540–1623)	69v–71v
Le bergier et la bergiere	Gallus, Joannes	5v
Libera me Domine de morte aeterna	Parsons (I), Robert (ca. 1535–ca. 1572)	66v–67r
Magnificat a6: (exc) Esurientes	Sheppard, John (ca. 1515–1558)	23r–23v
Musica Dei donum optimum	Anonymous	67v–68r
Nasce la doglia mia dal vedermi levar	Conversi, Girolamo	79v
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	30v–31v
Non vidette	Anonymous	6r–6v
O mater mundi (instrumental)	Mundy, William (ca. 1528–ca. 1591) (?)	23v–24r
O rex gloriae Domine virtutum	Anonymous	65r–65v
Omnia quae fecisti nobis Domine in vero	Lassus, Orlande de (ca. 1532–1594)	66r
Omnia quae fecisti nobis Domine in vero	Lassus, Orlande de (ca. 1532–1594)	74v–75r
Praeludium	Byrd, William (ca. 1540–1623)	2r
Quod chorus vatum haec Deum	Tallis, Thomas (ca. 1505–1585)	29r
Retribue servo tuo	Parsons (I), Robert (ca. 1535–ca. 1572)	60v–62r
Sive vigilem	Mundy, William (ca. 1528–ca. 1591)	29v–30r
Spiritus ubi vult	Anonymous	59v–61v
Sponsus amat sponsam	Byrd, William (ca. 1540–1623)	35v–36r
Susanne un jour d'amour solicitée par deux viellards	Lassus, Orlande de (ca. 1532–1594)	76r
Upon the plainsong	Anonymous	75v
Ut mi re	Byrd, William (ca. 1540–1623)	5r
Ut re mi fa	Parsons (I), Robert (ca. 1535–ca. 1572)	5r
Ut re mi fa	Parsons (I), Robert (ca. 1535–ca. 1572)	7v–8r

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 71,158-60,164-5,188. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 258-63. Notes: physical description (partial); contents list (partial); concordances (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 173ff; II,77ff. Notes: transcription (partial); mention of MS; discussion.

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 103-4, 223-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 197, 264; II, 130, 193; III, 202, 218, 232, 234. Notes: physical description (partial); contents list.

Fellowes, Edmund H. 1948. Tudor Church Music: Appendix with Supplementary Notes. London. Pages: 50-l. Notes: transcription (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XVII, 149, 154-5, 161-2. Notes: mention of MS; contents list (partial); concordances (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1882-7], 108. Notes: physical description (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description