Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1r–4r | Te Deum Laudamus [K.543] | - | Anonymous |
Te Deum Laudamus [K.543]Anonymous
Appears on:
1r–4r
Genres:
Te Deum
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Te eternu[m] p[at]rem
General NoteNotes: starts "Te eternum"; gap before first line of music (as if for title or similar); in bottom line of f. 1 (at end of section), note split in the octave (C-C); time signatures go both ways round (i.e. sometimes open to the left, sometimes to the right); |
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| 4r–5v | Asperges me I | - | Anonymous |
Asperges me IAnonymous
Appears on:
4r–5v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Asparges me / Domine ysopo
General NoteAnnotations/Corrections: signum congruentiae at beginnning of secon line of f. 4v and in second line of f. 5v; Notes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo'; |
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| 6r–8r | Asperges me II | - | Anonymous |
Asperges me IIAnonymous
Appears on:
6r–8r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
Asparges me / Domine ysopo
General NoteNotes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo'; |
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| 8r–9r | Asperges me III | - | Anonymous |
Asperges me IIIAnonymous
Appears on:
8r–9r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
Asparges me / Domine ysopo
General NoteAnnotations/Corrections: signum congruentiae in bottom line of f. 8; at end ' vt sup[r]a', before 'finis'; Notes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo'; |
|||
| 9v–11r | Asperges me IV | - | Anonymous |
Asperges me IVAnonymous
Appears on:
9v–11r
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Asparges me / Domine ysopo
General NoteAnnotations/Corrections: at bottom of f. 9v, 'Miserere' written into stave at end; on f. 10, in third line 'et secu[n]du[m] multitudine[m]' written into stave, then a paste-over with music and text; in bottom line 'gloria patri' written in stave, then a clef corr. from C4 to C3; Notes: Antiphon before Mass except in Paschal time (Easter and Trinity). All four settings are called 'Asparges me' and have the first two words as plainsong, starting polyphony at 'Domine hyssopo'; |
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| 11r–12v | Pater Noster | Mr phillippes | |
|
Appears on:
11r–12v
Source Attribution:
Mr phillippes
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
Pater noster q[u]i es in celis
General NoteAnnotations/Corrections: text corr. in third line of f. 11v: note/stem erasure(?) in bottom line of f. 11v; Notes: Sung at second appearance in Mass? [published Amsterdam 1554]; |
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| 13r–14r | Kyrie Leroy | mr tav[e]rner | |
|
Appears on:
13r–14r
Source Attribution:
mr tav[e]rner
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
c4
Voice Text:
ley roy kyry / kyrye leyson
|
|||
| 14r–14v | Kyrie | - | |
|
Appears on:
14r–14v
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
c4
Voice Text:
kyry e leyson
General NoteNotes: gap before the first line of music (as for title or similiar); |
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| 14v | Alleluia [Verse: Salve Virgo] | mr tau[er]nor | |
|
Appears on:
14v
Source Attribution:
mr tau[er]nor
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Alleluya
General NoteAnnotations/Corrections: composer's name added later, in different ink, in blank bottom stave; Notes: gap before the first line of music (as for title or similiar); although the bottom stave is blank-ruled, it has a clef; |
|||
| 15r–15v | Alleluia [Verse: Veni electa] | - | |
|
Appears on:
15r–15v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Alleluya
General NoteAnnotations/Corrections: composer's name added later at end, in different ink; Notes: gap before the first line of music (as for title or similiar); followed by two unnumbered folios with blank staves on both sides; |
|||
| 16r | [blank staves] | - | - |
[blank staves]
Appears on:
16r
|
|||
| 16v–17r | Kyrie | docter Tye | |
|
Appears on:
16v–17r
Source Attribution:
docter Tye
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
kyry e leyson
General NoteAnnotations/Corrections: in last two lines, four times '31' under notes; |
|||
| 17r | Alleluia [Verse: Per Te Dei] | docter Tye | |
|
Appears on:
17r
Source Attribution:
docter Tye
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Alleluya
General NoteAnnotations/Corrections: note corr. in second line; at beginning of last two lines, under the flat-signs, some crossing out; |
|||
| 17v–18r | Kyrie | mr wyllyam mondy | |
|
Appears on:
17v–18r
Source Attribution:
mr wyllyam mondy
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Kyrye leyson
General NoteAnnotations/Corrections: 3' under full circle in middle line of f. 18; |
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| 18v | Alleluia [Verse: Post partum] | master mondy | |
|
Appears on:
18v
Source Attribution:
master mondy
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Alleluya
|
|||
| 19r | Kyrie | master hake | |
|
Appears on:
19r
Source Attribution:
master hake
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
kyrye leyson
General NoteAnnotations/Corrections: in the bottom outer corner of the page a '3'; |
|||
| 19v | Alleluia [Verse: Per Te Dei] | mr mondy | |
|
Appears on:
19v
Source Attribution:
mr mondy
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Alleluya
|
|||
| 20r | Kyrie | mr okeland | |
|
Appears on:
20r
Source Attribution:
mr okeland
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
kyry e leyson
|
|||
| 20v | Alleluia [Verse: Obtine sacris] | mr knighte | |
|
Appears on:
20v
Source Attribution:
mr knighte
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Alleluya
|
|||
| 21r–21v | Alleluia [Verse: Ora pro nobis] | master Talles | |
|
Appears on:
21r–21v
Source Attribution:
master Talles
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Alleluya
|
|||
| 21v | Alleluia [Verse: Per Te Dei] | master sheperd | |
|
Appears on:
21v
Source Attribution:
master sheperd
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
Alleluya
|
|||
| 22r | Alleluia [Verse: Posuisti Domine] | master shep[er]de | |
|
Appears on:
22r
Source Attribution:
master shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
Alleluya
|
|||
| 22r | Alleluia [Verse: Virtutes caeli] | master sheperde | |
|
Appears on:
22r
Source Attribution:
master sheperde
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Alleluya
|
|||
| 22v | Alleluia [Verse: Veni electa] | master shep[er]de | |
|
Appears on:
22v
Source Attribution:
master shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
Alleluya
General NoteAnnotations/Corrections: note/stem corr. in second line; |
|||
| 23r | [blank staves] | - | - |
[blank staves]
Appears on:
23r
|
|||
| 23v–26r | The Western Wynde Mass: Gloria | master Taverner | |
|
Appears on:
23v–26r
Source Attribution:
master Taverner
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
The Western Wynde / Et in terra pax
General NoteAnnotations/Corrections: fols 24 and 25 have the pencil folio numbers corr. in pencil one up; |
|||
| 26r–29r | The Western Wynde Mass: Credo | - | |
|
Appears on:
26r–29r
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
patrem / patre[m] omnipote[n]tem
|
|||
| 29r–30v | The Western Wynde Mass: Sanctus | - | |
|
Appears on:
29r–30v
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Sanct[us] / Sanct[us] sanctus sanct[us]
General NoteAnnotations/Corrections: 32' under note in bottom line of f. 29v; |
|||
| 30v–31v | The Western Wynde Mass: Benedictus | - | |
|
Appears on:
30v–31v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Benedict[us] / qui venit
|
|||
| 31v–34r | The Western Wynde Mass: Agnus dei | at end: 'mr Jhon taverner' | |
|
Appears on:
31v–34r
Source Attribution:
at end: 'mr Jhon taverner'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Agnus / Agn[us] dei
General NoteAnnotations/Corrections: "32' under note in top line of f. 32; '2' under second note of ligature in top line of f. 32v; |
|||
| 34r–36v | The Western Wynde Mass: Gloria | doctor Tye | |
|
Appears on:
34r–36v
Source Attribution:
doctor Tye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
The Western Wynde / Et in terra pax
|
|||
| 37r–40r | The Western Wynde Mass: Credo | - | |
|
Appears on:
37r–40r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Patrem / Patrem o[m]nipotente[m]
General NoteNotes: title actually at bottom of f. 36v; |
|||
| 40r–42r | The Western Wynde Mass: Sanctus | - | |
|
Appears on:
40r–42r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
sanctus / Sanct[us] sanct[us] sanct[us] sanct[us]
General NoteAnnotations/Corrections: note corr. in third line of f. 41v; |
|||
| 42r–43r | The Western Wynde Mass: Benedictus | - | |
|
Appears on:
42r–43r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Benedictus / benedictus q[u]i venit
|
|||
| 43r–44v | The Western Wynde Mass: Agnus dei | at end: 'Docter tye' | |
|
Appears on:
43r–44v
Source Attribution:
at end: 'Docter tye'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Agnus / Agn[us] dei
|
|||
| 44v–47r | The Western Wynde Mass: Gloria | mr sheperde | |
|
Appears on:
44v–47r
Source Attribution:
mr sheperde
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
The Western Wynde / Et in terra pax
General NoteAnnotations/Corrections: 32.' under note in third line of f. 46; '3' in bottom outer corner of f. 46; |
|||
| 47r–49v | The Western Wynde Mass: Credo | - | |
|
Appears on:
47r–49v
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Patrem / Patre[m] omnipotentem
General NoteAnnotations/Corrections: stave corr. in third line of f. 47v; '.31.' under note in fourth line of f. 48; '2' in bottom outer corner of f. 48 and f. 49; |
|||
| 49v–51r | The Western Wynde Mass: Sanctus | - | |
|
Appears on:
49v–51r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Sanctus / Sanctus sanctus sanctus
General NoteAnnotations/Corrections: note/stem corr. in fourth line of f. 50; '2' and '3' in bottom outer corner of f. 50; '.3r. under note in third line o f. 50v, colliding with the text; '3' under note in bottom line of f. 50v; |
|||
| 51r–51v | The Western Wynde Mass: Benedictus | - | |
|
Appears on:
51r–51v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Benedictus / In nomi[n]e
General NoteAnnotations/Corrections: 3' in outer bottom corner of f. 51; |
|||
| 51v–53r | The Western Wynde Mass: Agnus dei | mr shep[er]de | |
|
Appears on:
51v–53r
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Agn[us] / Agn[us] dei
General NoteAnnotations/Corrections: stave amendation in fourth line of f. 52v; '3' in bottom outer corner of f. 52; |
|||
| 53v–55v | The French Mass: Gloria | mr shep[e]rde | |
|
Appears on:
53v–55v
Source Attribution:
mr shep[e]rde
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c2
Voice Text:
ffrench masse / Et in terra pax
General NoteAnnotations/Corrections: 3' in bottom outer corner of fols 54 and 55; |
|||
| 55v–59r | The French Mass: Credo | - | |
|
Appears on:
55v–59r
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
patrem / patre[m] omnipotente[m]
General NoteAnnotations/Corrections: corr. in second line of f. 56; '3' in bottom outer corner of fols 56 and 57 (seemingly also f. 58, but mostly cut of there); |
|||
| 59r–60r | The French Mass: Sanctus | - | |
|
Appears on:
59r–60r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c2
Voice Text:
Sanctus / Sanct[us] sanct[us] sanct[us] sanct[us]
General NoteAnnotations/Corrections: corr in fourth line of f. 59; '3' in bottom outer corner of f. 59; |
|||
| 60r–60v | The French Mass: Benedictus | - | |
|
Appears on:
60r–60v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Benedictus / Benedict[us] qui venit
General NoteAnnotations/Corrections: possibly '3' in bottom outer corner of f. 60 (mostly cut off); |
|||
| 60v–61v | The French Mass: Agnus dei | at end: 'mr shep[er]de' | |
|
Appears on:
60v–61v
Source Attribution:
at end: 'mr shep[er]de'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c2
Voice Text:
Agnu[us] / Agn[us] dei
General NoteAnnotations/Corrections: possibly '3' in bottom outer corner of f. 61 (mostly cut off); |
|||
| 62r–64r | Mass 'Be not afraid': Gloria | mr shep[er]de | |
|
Appears on:
62r–64r
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
be not Aferd / Et in terra pax
General NoteAnnotations/Corrections: 3' in bottom outer corner of fols 62 and 63; note/stem corr. in third line of f. 63; |
|||
| 64r–66r | Mass 'Be not afraid': Credo | - | |
|
Appears on:
64r–66r
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
patrem / Patre[m] o[m]nipotentem
General NoteAnnotations/Corrections: note/stem corr. in bottom line of f. 64v; corr. in second line of f. 65; |
|||
| 66r–67v | Mass 'Be not afraid': Sanctus | - | |
|
Appears on:
66r–67v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
sanctus / Sanct[us] sanct[us] sanct[us]
General NoteAnnotations/Corrections: 3' in bottom outer corner of f. 67 (also seemingly on f. 66, but there cut); |
|||
| 67v–69r | Mass 'Be not afraid': Benedictus | - | |
|
Appears on:
67v–69r
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
Benedictus / Benedict[us] [...] qui venit
General NoteAnnotations/Corrections: 3' in outer bottom corner of f. 68 (partially cut off); |
|||
| 69r–70v | Mass 'Be not afraid': Agnus dei | - | |
|
Appears on:
69r–70v
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
Agn[us] / Agn[us] dei
General NoteNotes: title before first line of f. 69, although the first notes still belong to the Benedictus: thus no actual gap before the Agnus (only a barline); |
|||
| 71r–73r | Mass for Four Voices: Gloria | mr talles | |
|
Appears on:
71r–73r
Genres:
Gloria (et in terra pax), Mass Ordinary
Source Attribution:
mr talles
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f3
Voice Text:
Et in terra pax
General NoteAnnotations/Corrections: 3' in outer bottom corner of fols 72 and 73; note/stave corr. at end of bottom line of f. 72; |
|||
| 72v–76r | Mass for Four Voices: Credo | - | |
|
Appears on:
72v–76r
Genres:
Credo (patrem omnipotentem), Mass Ordinary
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
patrem / Patrem o[m]nipote[n]tem
General NoteAnnotations/Corrections: corr. in third line of f. 73v and at end of bottom line of f. 74; '3' in bottom outer corner of f. 75 (possibly on f. 74, but there mostly torn off); Notes: title actually at bottom of f. 73; |
|||
| 76v–77r | Mass for Four Voices: Sanctus | - | |
|
Appears on:
76v–77r
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
SancTus / Sanct[us] sanct[us] sanct[us]
|
|||
| 77v–78r | Mass for Four Voices: Benedictus | - | |
|
Appears on:
77v–78r
Genres:
Mass Ordinary, Sanctus [& Benedictus]
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Benedictus / Benedictus q[u]i venit
General NoteAnnotations/Corrections: 3' in outer bottom corner of f. 78; Notes: title actually on bottom of fl 77; |
|||
| 78v–79v | Mass for Four Voices: Agnus dei | at end: 'M talles' | |
|
Appears on:
78v–79v
Genres:
Agnus Dei, Mass Ordinary
Source Attribution:
at end: 'M talles'
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Agn[us] / Agn[us] dei
General NoteAnnotations/Corrections: seemingly '3' in bottom outer corner of f.79, but mostly cut off; Notes: title actually at bottom of f. 78; |
|||
| 80r–81r | Plainsong Mass: Gloria | master Tauerner | |
|
Appears on:
80r–81r
Source Attribution:
master Tauerner
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
playnsong masse / Et in terra pax
General NoteAnnotations/Corrections: 3' in outer bottom corner of fols 80 and 81; |
|||
| 81v–83v | Plainsong Mass: Credo | - | |
|
Appears on:
81v–83v
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
patrem / Patre[m] o[m]nipote[n]te[m]
General NoteAnnotations/Corrections: signum congruentiae in fourth line of f. 82; something written in outer bottom corner of f. 82 (mostly cut off); major corr. in third line of f. 83; '3' in outer bottom corner of fols 83 and 84; Notes: title actually at bottom of f. 81v; |
|||
| 83v–86r | Plainsong Mass: Sanctus | - | |
|
Appears on:
83v–86r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Sanctus / Sanct[us] sanct[us] sanct[us]
General NoteAnnotations/Corrections: signum congruentiae at end of penultimate line of f. 83v; '3' in outer bottom corner of f. 85; |
|||
| 86r–86v | Plainsong Mass: Benedictus | - | |
|
Appears on:
86r–86v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Benedict[us] / Benedictus qui venit
|
|||
| 87r–88r | Plainsong Mass: Agnus dei | at end: 'finis mr Tauerner' | |
|
Appears on:
87r–88r
Source Attribution:
at end: 'finis mr Tauerner'
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Agnu[us] / Agn[us] dei
General NoteNotes: title actually at bottom of f. 86v; final note split (D and F-sharp); |
|||
| 88v | Plainsong Mass for a Mean: Kyrie | mr shep[er]de | |
|
Appears on:
88v
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
playnsong masse for A Mene / Kyri e leyson
General NoteNotes: notation distinctly different to previously, more like plainchant; |
|||
| 88v–89v | Plainsong Mass for a Mean: Gloria | - | |
|
Appears on:
88v–89v
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
laudma[us] te
General NoteAnnotations/Corrections: two corr. in bottom line of f. 89; some number in outer bottom corner of f. 89 (but mostly cut off); |
|||
| 89v–91r | Plainsong Mass for a Mean: Credo | - | |
|
Appears on:
89v–91r
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
patre[m] / Et in vnu[m] dominu[m]
|
|||
| 91r–91v | Plainsong Mass for a Mean: Sanctus | - | |
|
Appears on:
91r–91v
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
sanctus / Pleni su[n]t celi
|
|||
| 91v–92r | Plainsong Mass for a Mean: Benedictus | - | |
|
Appears on:
91v–92r
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Benedict[us] [...] q[u]i venit
General NoteNotes: not separated from Sanctus except for by a barline (NB neither the Sanctus nor the Benedictus has an Osanna); |
|||
| 92r–92v | Plainsong Mass for a Mean: Agnus dei | at end: 'mr Jhon shep[er]de' | |
|
Appears on:
92r–92v
Source Attribution:
at end: 'mr Jhon shep[er]de'
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Agn[us] / Agn[us] dei
General NoteAnnotations/Corrections: 3' in bottom outer corner of f. 92; |
|||
| 92v–93r | Mass for a Mean: Kyrie | mr applebye | |
|
Appears on:
92v–93r
Source Attribution:
mr applebye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
for a mene / kyrye leyson
|
|||
| 93r | Mass for a Mean: Alleluia | - | |
|
Appears on:
93r
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Alleluya / Alleluya
|
|||
| 93r–96r | Mass for a Mean: Gloria | - | |
|
Appears on:
93r–96r
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Et in terra pax
General NoteAnnotations/Corrections: text corr. in top lines of f. 93v and f. 95; |
|||
| 96r–99r | Mass for a Mean: Credo | - | |
|
Appears on:
96r–99r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
patrem / Patrem o[m]nipotente[m]
General NoteAnnotations/Corrections: 3' in bottom outer corner of f. 97 (and seemingly also on f. 98); |
|||
| 99r–100v | Mass for a Mean: Sanctus | - | |
|
Appears on:
99r–100v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Sanctus / Sanct[us] sanct[us] Sanct[us]
General NoteAnnotations/Corrections: 3' in bottom outer corner of f. 99 and f. 100; |
|||
| 100v–101v | Mass for a Mean: Benedictus | - | |
|
Appears on:
100v–101v
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Benedict[us] / Benedict[us] [...] In no[m]i[n]e
General NoteAnnotations/Corrections: 2' or '3' in outer bottom corner of f. 101; |
|||
| 101v–103r | Mass for a Mean: Agnus dei | at end: 'finis mr Appelbye' | |
|
Appears on:
101v–103r
Source Attribution:
at end: 'finis mr Appelbye'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Agn[us] / Agn[us] dei
General NoteAnnotations/Corrections: in bottom outer corner of f. 103 a big '1'; Notes: writing seems different on last page; |
|||
| 103v–104r | Audivi vocem de caelo | mr tanerner | |
|
Appears on:
103v–104r
Source Attribution:
mr tanerner
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
In die o[m]niu[m] sanctoru[m] Audiui / Audivi / medianocte
General NoteAnnotations/Corrections: at end: 'pars ad placitu[m] to whitbroke fecit'; '31.' under note in final line.; '3' in bottom outer corner of f. 104; Notes: 8th Respond at Matins, All Saints; |
|||
| 104v–105r | Audivi vocem de caelo | Mr Talles | |
|
Appears on:
104v–105r
Source Attribution:
Mr Talles
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Audivi Mr Talles / Audivi / medianocte
General NoteAnnotations/Corrections: 2' or '3' in outer bottom corner of f. 105; Notes: C-clef is just semi-circle; lots of blank space on f. 104v; 8th Respond at Matins, All Saints; |
|||
| 105v–106r | Audivi vocem de caelo | mr shep[e]rde | |
|
Appears on:
105v–106r
Source Attribution:
mr shep[e]rde
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Audiui / Audivi / medianocte
General NoteAnnotations/Corrections: 3' in outer bottom corner of f. 106; Notes: 8th Respond at Matins, All Saints; |
|||
| 106v–107r | [Hodie] Gloria in excelsis | docter Cooper | |
|
Appears on:
106v–107r
Source Attribution:
docter Cooper
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
In die Natalis d[omi]ni / gloria In exelsis deo
General NoteAnnotations/Corrections: possibly '3' inouterbottom corner of f. 107 (cut off); Notes: 1st Respond at Matins, Christmas; |
|||
| 107v | [Hodie] Gloria in excelsis | mr tauerner | |
|
Appears on:
107v
Source Attribution:
mr tauerner
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
g2
Voice Text:
gloria In exelsis deo
General NoteNotes: last stave on page is blank-ruled but has clef; 1st Respond at Matins, Christmas; |
|||
| 108r | [Hodie] Gloria in excelsis | mr talles | |
|
Appears on:
108r
Source Attribution:
mr talles
Voice:
[no designation]
Languages:
Latin
Clef:
f5
Voice Text:
hodie / gloria In excelsis
General NoteAnnotations/Corrections: half-cut number in outer bottom corner of f. 108; Notes: 1st Respond at Matins, Christmas; |
|||
| 108v–109r | [Hodie] Gloria in excelsis | mr shep[e]rde | |
|
Appears on:
108v–109r
Source Attribution:
mr shep[e]rde
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
gloria In exelsis deo
General NoteAnnotations/Corrections: note/stem corr. in second line of f. 108v; Notes: C-clef is just semi-circle; time signature is entered on top of space (not on stave, as in other pieces); 1st Respond at Matins, Christmas; |
|||
| 109r–111r | In pace in idipsum | Mr tanener | |
|
Appears on:
109r–111r
Source Attribution:
Mr tanener
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Mr tanener for iij men & a childe / In pace / sidedero
General NoteAnnotations/Corrections: 3' in outer bottom corner of f. 109; Notes: Respond at Compline, Lent I to Passion Sunday; |
|||
| 111r–112r | In pace in idipsum | Mr talles | |
|
Appears on:
111r–112r
Source Attribution:
Mr talles
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c1
Voice Text:
In pace / Sidedero
General NoteAnnotations/Corrections: 3' in outer bottom corner of f. 109 and f. 112; Notes: C-clef is just semi-circle; Respond at Compline, Lent I to Passion Sunday; |
|||
| 112v–113r | In pace in idipsum | mr shep[e]rde | |
|
Appears on:
112v–113r
Source Attribution:
mr shep[e]rde
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
In pace / sidedero
General NoteAnnotations/Corrections: 3' in outer bottom corner of f. 113; Notes: Respond at Compline, Lent I to Passion Sunday; |
|||
| 114r | In pace in idipsum | master Blytheman | |
|
Appears on:
114r
Source Attribution:
master Blytheman
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
In pace / sidedero
General NoteAnnotations/Corrections: 3' in outer bottom corner of f. 114; Notes: Respond at Compline, Lent I to Passion Sunday; |
|||
| 114v–115r | In pace in idipsum | docter tye | |
|
Appears on:
114v–115r
Source Attribution:
docter tye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
In pa In pacece / Sidedero
General NoteAnnotations/Corrections: 3' (and a big ink stain) in bottom outer corner of f. 115; Notes: Respond at Compline, Lent I to Passion Sunday; |
|||
| 115v–116r | In manus tuas I | mr shep[e]rde | |
|
Appears on:
115v–116r
Source Attribution:
mr shep[e]rde
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
In man[us] / In man[us] tuas
General NoteNotes: C-clef is just semi-circle; Respond at Compline, Passion Sunday to Maundy Thursday; |
|||
| 116r | In manus tuas II | shep[er]de | |
|
Appears on:
116r
Source Attribution:
shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
In man[us] Corus / Domine Comme[n]do
General NoteAnnotations/Corrections: 3' in bottom outer corner of f. 116; Notes: Respond at Compline, Passion Sunday to Maundy Thursday; |
|||
| 116v | In manus tuas III | mr shep[er]d | |
|
Appears on:
116v
Source Attribution:
mr shep[er]d
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
In man[us] Corus / Domine Comme[n]do
General NoteNotes: final note split (C-E); Respond at Compline, Passion Sunday to Maundy Thursday; |
|||
| 117r | Exsurge Christe | - | |
|
Appears on:
117r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Exurge xpe [= Christe abbrev.]
General NoteAnnotations/Corrections: 3' in outer bottom corner of f. 117; Notes: slightly different writitng to previous pieces; big gap before first line of musi, so as for title or similar; |
|||
| 117v–119r | Nos alium Deum nescimus | - | Anonymous |
Nos alium Deum nescimusAnonymous
Appears on:
117v–119r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f5
Voice Text:
Nos aliu[m] / deu[m] nescim[us]
General NoteAnnotations/Corrections: signum congruentiae in bottom line of f. 118 and at end (second line of f. 119); Notes: Nos aliu[m] in plainchant notation with F4-clef; 8th Respond for Sundays in Historia Tobit; |
|||
| 119r–119v | O Salutaris hostia | - | Anonymous |
O Salutaris hostiaAnonymous
Appears on:
119r–119v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
O salutaris hostia
General NoteAnnotations/Corrections: 3' in bottom outer corner of f. 119; Notes: followed by two unnumbered folios with blank staves on both sides (with a '3' in the bottom outer corners of the versos); |
|||
| 120r–121r | Libera me Domine | mr white (at end) | |
|
Appears on:
120r–121r
Source Attribution:
mr white (at end)
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
libera me / domine de morte eterna
General NoteAnnotations/Corrections: signum congruentia in fifth line of f. 120; Notes: distinctly different notation to previous items, rather like plainchant notation; 'libera me' at beginning separated; big gap before first line of music, so as for title or similar; 9th Respond at Matins for the Dead; |
|||
| 121v–122r | Gloria laus | Doctor Tye | |
|
Appears on:
121v–122r
Source Attribution:
Doctor Tye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Gloria laus et honor tibi
General NoteNotes: at end of fourth line of f. 122 semi-circle open to the left; Processional Hymn, Palm Sunday; |
|||
| 122r–129v | Passion [St Matthew] | - | Anonymous |
Passion [St Matthew]Anonymous
Appears on:
122r–129v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
The Passion / Passio d[o]m[ini] nostri Jhesu cristi de mu dum Maheum.
General NoteAnnotations/Corrections: C2 clef and one flat before title; corr. in forth line of f. 123 and in second line of f. 123v; syllabe-note clarification in fourth line of f. 124v; Notes: writing different to before; followed by two unnumbered folios with blank staves on both sides; |
|||
| 130r–131v | Gloria laus I | - | |
|
Appears on:
130r–131v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Glorialaus / gloria laus et honor tibi
General NoteAnnotations/Corrections: 3' in bottom outer corner of folio 130; Notes: Processional Hymn, Palm Sunday; |
|||
| 132r–134r | Gloria laus II | - | |
|
Appears on:
132r–134r
Voice:
[no designation]
Languages:
Latin
Clef:
c2
Voice Text:
Glorialaus / gloria laus et honor tibi
General NoteCanon/Gimels: twice 'gimell' in fofirth line of f. 132; then 'gimell' at top of f. 132v and in fourth line of that page; again 'gimell' at end of third line of f. 133 and at bottom of that page; 'gimell' in second line of f. 133v; Annotations/Corrections: some half-cut number in bottom outer corner of f. 132; in fourth line of f. 132: 'Torn Over the leffe', also both times 'Israell' under the 'gimell'; Notes: in plainchant notation; Processional Hymn, Palm Sunday; |
|||
| 134r–135r | Alleluia [Verse: Confitemini] | - | |
|
Appears on:
134r–135r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
Victim[e] pasce / Alleluya / Confitemini domino
General NoteAnnotations/Corrections: 3' in bottom outer corner of f. 134; Notes: time-signature on stop of stave, not on stave as otherwise; Alleluya, Easter Eve; |
|||
| 135r–136v | Christus resurgens | - | |
|
Appears on:
135r–136v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
f4
Voice Text:
In die pasce / Ex mortuis Ja[m] no[n] moritur
General NoteAnnotations/Corrections: 3' in bottom outer corner of f. 135 of f. 136; Notes: Processional Antiphon, Easter Day; |
|||
| 136v–138r | Christus resurgens | mast Redfurde; at end 'mr redforde' | |
|
Appears on:
136v–138r
Source Attribution:
mast Redfurde; at end 'mr redforde'
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
In die pasce / Cristus resurgens
General NoteAnnotations/Corrections: 3' in bottom outer corner of f. 137; Notes: Processional Antiphon, Easter Day; |
|||
| 138v–139r | Dum transisset Sabbatum | mr barber; at end 'bar bar' | |
|
Appears on:
138v–139r
Source Attribution:
mr barber; at end 'bar bar'
Voice:
[no designation]
Languages:
Latin
Clef:
f3
Voice Text:
In die pasce / Sabatu[m] maria magdalene
General NoteAnnotations/Corrections: signum congruentiae in bottom line of f. 138v and top line of 139; clef. corr. in second line of f. 139 (final line of piece); Notes: in plainchant notation; 3rd Respond at Matins, Easter Day; |
|||
| 139r–139v | Dum transisset Sabbatum | mr Jhonson | |
|
Appears on:
139r–139v
Source Attribution:
mr Jhonson
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
In die pasce / Sabatu[m] maria magdalene
General NoteAnnotations/Corrections: signum congruentiae in top line and second line of f. 139v; note corr. in third line of f. 139v?; Notes: in plainchant notation; 3rd Respond at Matins, Easter Day; |
|||
| 139v–140r | Dum transisset sabbatum [I - 5vv] | mr Jhon Taneenor; at end 'mr taverner' | |
|
Appears on:
139v–140r
Genres:
Motet
Source Attribution:
mr Jhon Taneenor; at end 'mr taverner'
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
dn[m] tra[n]sisset Sabatu[m]
General NoteNotes: C-clef merely a semi-circle for 'dn[m] tra[n]sisset', changing to usual C-clef at 'Sabatu[m]'; 3rd Respond at Matins, Easter Day; |
|||
| 140v–141r | Vidi aquam egredientem | - | Anonymous |
Vidi aquam egredientemAnonymous
Appears on:
140v–141r
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Vidi aqua / Egredientem
General NoteAnnotations/Corrections: some corr. at end of second line of fo 140v and in top line of f. 141; signum congruentiae in third line of f. 140v and in final line towards the end; Notes: in plainchant notation; C-clef just semi-circle; Antiphon before Mass, Paschal time; |
|||
| 141v | Salve festa dies | Master shep[er]de | |
|
Appears on:
141v
Source Attribution:
Master shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
Salve festa dies
General NoteNotes: Processional Prose, Easter; |
|||
| 142r–144r | Sedit angelus | - | Anonymous |
Sedit angelusAnonymous
Appears on:
142r–144r
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
In die pasce / Sedit angelus / Ad sepulcru[m] domini
General NoteAnnotations/Corrections: corr. in fourth line of f. 142v; Notes: Sedit angelus' in plainchant notation; final note split (G-C); Processional Antiphon, Easter II and Sunday before Ascension Day; |
|||
| 144r–145v | Viri Galilei | - | Anonymous |
Viri GalileiAnonymous
Appears on:
144r–145v
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
In die ascensionis / viri galilei / quid admiramini
General NoteAnnotations/Corrections: signum congruentiae in second line of f. 145 and in top line of f. 145v; Notes: Viri galilei' in plainchant notation with C4-clef; Processional Antiphon, Ascension Day; |
|||
| 146r–147v | Spiritus Sanctus procedens | - | Anonymous |
Spiritus Sanctus procedensAnonymous
Appears on:
146r–147v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
In die penthecostes / Spirit[us] sanctus / Spirit[us] sanct[us]
General NoteAnnotations/Corrections: note corr. in second line of f. 147; signum congruentiae in second line of f. 147 and in second line of f. 147v; Notes: initial 'Spirit[us] sanctus' in plainchant notation; 3re Respond at Matins, Whitsunday; |
|||
| 147v–149v | Alma chorus Domini | - | Anonymous |
Alma chorus DominiAnonymous
Appears on:
147v–149v
Voice:
[no designation]
Languages:
Latin
Mensuration:
c
Clef:
c4
Voice Text:
Alma chorus domini / Messias sothere
General NoteNotes: initial 'Alma chorus domini' in plainchant notation with C5-clef; on top of f. 149, at end of both first lines, both times note split (E-C); also final note split (G-C); Hymn at Compline, Whitsunday; |
|||
| 149v | Kyrie | John mu[n]dye | |
|
Appears on:
149v
Source Attribution:
John mu[n]dye
Voice:
[no designation]
Languages:
Latin
Clef:
c3
Voice Text:
In die pasce / Kyrie leson
General NoteNotes: C-clef just semi-circle; almost completely in plainchant notation; (for Easter Day); |
|||
| 150r–150v | Haec dies quam fecit | John ensdale | |
|
Appears on:
150r–150v
Source Attribution:
John ensdale
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
In die pasce / hec / Dies qua[m] fecit domin[us]
General NoteNotes: hec' at beginning in plainchant notation with C4-clef (which looks, however, like an F-clef); followed by three folios with blank stave on both sides; Gradual, Easter Day; |
|||
| 151r–152v | Laudate pueri [beginning at 'Sit nomen'] | mr sheparde; at end 'shep[er]de | |
|
Appears on:
151r–152v
Source Attribution:
mr sheparde; at end 'shep[er]de
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
Laudate pueri / Sit nome[n] D[omi]ni
General NoteAnnotations/Corrections: text cerr. in fourth line of f. 152; Notes: 3' in bottom outer corner of f. 151 and f. 152; Processional Psalm (cxii) Easter Day; |
|||
| 152v–157v | In exitu Israel [starts 'Facta est'] | mr sheparde | |
|
Appears on:
152v–157v
Source Attribution:
mr sheparde
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
In exitu Israell / ffacta est iudea sanctification eius
General NoteAnnotations/Corrections: corr in middle of fourth line of f. 154v; 'mr birde' at top of f. 155; 'mr mu[n]dye' on f. 156; Notes: followed by an unnumbered folio with blank staves on both sides; Processional Psalm (cxii) Easter Day; |
|||
| 158r–159r | In nomine Jesu omne genuflectatur | - | Anonymous |
In nomine Jesu omne genuflectaturAnonymous
Appears on:
158r–159r
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
In nomine Jh[es]u. Omne genuflectatur
General NoteAnnotations/Corrections: at bottom of f. 158v: 'In no[m]i[n]e vt sup[r]a'; end (fourth line of f. 159): beginning of repeat noted, then 'vt sup[r]a'; Notes: C-clef just semi-circle; almost completely in plainchant notation; Introit for Jesus Mass; |
|||
| 159r–161r | Constituit Deus pater | - | Anonymous |
Constituit Deus paterAnonymous
Appears on:
159r–161r
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
grale / Constituit deus pater
General NoteAnnotations/Corrections: at bottom of f.160: 'Adiuua nos The verse'; of f. 160v, at end of second line 'Alleluya' and at end of fourth line 'dulce nome[n]'; Notes: C-clef just semi-circle; throughout in plainchant notation; Gradual for Jesus Mass; |
|||
| 161r–162r | Dulcis Jesus Nazarenus | - | Anonymous |
Dulcis Jesus NazarenusAnonymous
Appears on:
161r–162r
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
dulcis Jhesus nazeren[us]
General NoteNotes: C-clef just semi-circle; throughout in plainchant notation; Sequence for Jesus Mass; |
|||
| 162v–164r | Mass 'Apon the square': Kyrie | mr Whitbroke | |
|
Appears on:
162v–164r
Source Attribution:
mr Whitbroke
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c3
Voice Text:
Apon ye square mayde by mr Whitbroke / Kyrie Kyrie ley leyson
General NoteAnnotations/Corrections: thoughout this mass, at end of sections a continuation mark (wrigly line going up) - not just at end of lines; in bottom line line of f. 163v and top line of f. 164, dots over notes; Notes: first 'Kyrie' is just under pauses; at end of second line of f. 163v (end of a phrase/section) note split (A-D); |
|||
| 164r–166v | Mass 'Apon the square': Gloria | - | |
|
Appears on:
164r–166v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Et in terra pax
General NoteAnnotations/Corrections: in bottom outer corner of f. 166 a half-cut off number; Notes: at end of third line of f. 145v (end of a section), note split (A-D); |
|||
| 166v–170r | Mass 'Apon the square': Credo | - | |
|
Appears on:
166v–170r
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
c3
Voice Text:
Et in vnu[m] dominu[m]
General NoteAnnotations/Corrections: in third line and bottom line of f. 166v, dots over notes; dots over notes also in two bottom lines of f. 167v and throughout on f. 168 (some on f. 168v to f. 169v); |
|||
| 170r–171r | Mass 'Apon the square': Sanctus | - | |
|
Appears on:
170r–171r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
pleni su[n]t pleni su[n]t celi
General NoteAnnotations/Corrections: corr. in fourth line of f. 170v; Notes: No clear gap between end of Credo and Sanctus, just two barlines; at beginning of Sanctus actually cut full circle and many pauses; |
|||
| 171r–172r | Mass 'Apon the square': Benedictus | - | |
|
Appears on:
171r–172r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Benedictus q[u]i venit
General NoteAnnotations/Corrections: signum congruentiae in third line of f. 171v; |
|||
| 172v–174r | Mass 'Apon the square': Agnus | - | |
|
Appears on:
172v–174r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c3
Voice Text:
Agn[us] dei / Qui tollis
General NoteNotes: Agn[us] dei' at beginning in plainchant notation with C5-clef; polyphony beginning with 'Qui tollis'; |
|||
| 174v–175v | Mass 'Apon the square' (I): Kyrie | - | |
|
Appears on:
174v–175v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c3
Voice Text:
Apon the square by mr mu[n]daye / kyrie leyson
|
|||
| 175v–179r | Mass 'Apon the square' (I): Gloria | - | |
|
Appears on:
175v–179r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Et in terra pax
General NoteAnnotations/Corrections: on f. 178 stave line correction (only second line of stave in one short place); |
|||
| 179r–183r | Mass 'Apon the square' (I): Credo | - | |
|
Appears on:
179r–183r
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
c3
Voice Text:
patre[m] o[m]nipote[n]tem / ffactorem celi
General NoteNotes: patr[m] o[m]nipote[n]tem at beginning in plainchant notation with Ce-clef and one flat; |
|||
| 183r–184v | Mass 'Apon the square' (I): Sanctus | - | |
|
Appears on:
183r–184v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c3
Voice Text:
sanctus / Sanctus Sanctus [Sanc]t[us]
|
|||
| 184v–185v | Mass 'Apon the square' (I): Benedictus | - | |
|
Appears on:
184v–185v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Benedictus / Benedict[us] [...] qui venit
|
|||
| 185v–187r | Mass 'Apon the square' (I): Agnus | - | |
|
Appears on:
185v–187r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c3
Voice Text:
Agn[us] dei / Qui tollis
General NoteAnnotations/Corrections: on f. 186v, penultimate line, '3' under cut full circle; Notes: Agn[us] dei' at beginning in plainchant notation with C5-clef; polyphony beginning with 'Qui tollis'; |
|||
| 187v–188r | Mass 'Apon the square' (II): Kyrie | - | |
|
Appears on:
187v–188r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c3
Voice Text:
Apo[n] ye square by mr mondye / kyrieleyson
|
|||
| 188r–190v | Mass 'Apon the square' (II): Gloria | - | |
|
Appears on:
188r–190v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Et in terra pax
General NoteAnnotations/Corrections: note corr. in third line of f. 188v; |
|||
| 190v–194v | Mass 'Apon the square' (II): Credo | - | |
|
Appears on:
190v–194v
Voice:
[no designation]
Languages:
Latin
Mensuration:
c-dot
Clef:
c3
Voice Text:
ffactorem celi et terre
|
|||
| 194v–195v | Mass 'Apon the square' (II): Sanctus | - | |
|
Appears on:
194v–195v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c3
Voice Text:
Sanctus / Sanctus sanctus sanctus sanctus
General NoteNotes: first 'Sanctus' in plainchant notation with C5-clef; |
|||
| 195v–196v | Mass 'Apon the square' (II): Benedictus | - | |
|
Appears on:
195v–196v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Benedict[us] / Benedict[us] q[u]i venit
|
|||
| 196v–197v | Mass 'Apon the square' (II): Agnus | - | |
|
Appears on:
196v–197v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c3
Voice Text:
Agn[us] dei / Qui tollis
General NoteAnnotations/Corrections: two note corr. in bottom line of f. 196v; Notes: initial 'Agn[us] dei' in plainchant notation with C5-clef; |
|||
| 198r–200r | Magnificat | Mr Mu[n]dye | |
|
Appears on:
198r–200r
Source Attribution:
Mr Mu[n]dye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Et exultanit spiritus meus
General NoteNotes: gap before first line of music, so as for title or similar; |
|||
| 200r–203r | Magnificat | mr talles | |
|
Appears on:
200r–203r
Source Attribution:
mr talles
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c3
Voice Text:
Et exultavit spirit[us] meus
|
|||
| 203v–206r | Magnificat | Mraster sheperde | |
|
Appears on:
203v–206r
Source Attribution:
Mraster sheperde
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c5
Voice Text:
Et exultavit spiritus meu[us]
General NoteAnnotations/Corrections: in fourth line of f. 203v (at end of section) note split (D-A); same in top line of fo. 205 (E-G-sharp); note corr. on top of f. 205?; |
|||
| 206v–208v | Magnificat a4 | master Tan[er]ner | |
|
Appears on:
206v–208v
Source Attribution:
master Tan[er]ner
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Et exultavit spiritus mevs
General NoteAnnotations/Corrections: corr. in top line and third line of f. 207; text corr. in third line of f. 208; there also '2' under ligature; |
|||
| 208v–210v | Magnificat | stenings | |
|
Appears on:
208v–210v
Source Attribution:
stenings
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Et exultavit spiritu[s] meus
|
|||
| 210v–213r | Sancte Deus | Master phillippes | |
|
Appears on:
210v–213r
Source Attribution:
Master phillippes
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c2
Voice Text:
Sancte Deus sancte fortis
|
|||
| 213v | [blank staves] | - | - |
[blank staves]
Appears on:
213v
|
|||
| 214r–215v | Sancte Deus | mr talles | |
|
Appears on:
214r–215v
Source Attribution:
mr talles
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c3
Voice Text:
Sancte deu[us] sancte fortis
General NoteAnnotations/Corrections: in second line of f. 215, sharp added later under note (just as a reminder); |
|||
| 215v–216v | Recordare Domine | Master Bramston; at end 'mr bra[m]ston" | |
|
Appears on:
215v–216v
Source Attribution:
Master Bramston; at end 'mr bra[m]ston"
Voice:
[no designation]
Languages:
Latin
Clef:
c5
Voice Text:
Recordare d[omi]ni testame[n]ti tui
General NoteAnnotations/Corrections: signum congruentiae in second line of f. 216; at beginning of last line of f. 216, 'vt non desoletur' entered into stave - the same at the very end; |
|||
| 216v–217v | Suub tuam protectionem | doctor Tye | |
|
Appears on:
216v–217v
Source Attribution:
doctor Tye
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Sub tua[m] / Sub tuam protectione[m]
General NoteAnnotations/Corrections: in bottom line of f. 271, '3' under cut full circle; Notes: at end, blank stave beneath last line of music, but with barline in the same place as the final barline; |
|||
| 218r–219v | Gaude Maria Virgo | mr Johnson pryste | |
|
Appears on:
218r–219v
Source Attribution:
mr Johnson pryste
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Gaude maria virgo
General NoteNotes: Marian Antiphon; |
|||
| 220r–221v | Salve Regina | pilyp alcoke | |
|
Appears on:
220r–221v
Source Attribution:
pilyp alcoke
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Salve regina
General NoteAnnotations/Corrections: on f. 220v, the last two and a half lines (with music and text) crossed out; corr. in fourth line of f. 221; Notes: Marian Antiphon; |
|||
| 222r–222v | Sancta Maria Virgo | - | Anonymous |
Sancta Maria VirgoAnonymous
Appears on:
222r–222v
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Sancta maria virgo et mater
General NoteAnnotations/Corrections: note/stem corr. in fourth line of f. 222v; Notes: Marian Antiphon; |
|||
| 223r–224v | Gaudete caelicolae | mr shep[er]de | |
|
Appears on:
223r–224v
Source Attribution:
mr shep[er]de
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-o
Clef:
c4
Voice Text:
Gaudete celicole omnes
General NoteNotes: Jesus Antiphon; |
|||
| 225r–226r | Et portae inferi | - | Anonymous |
Et portae inferiAnonymous
Appears on:
225r–226r
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Et porte inferi
General NoteNotes: gap before first line of music, so as for title or similar; St Peter Antiphon; |
|||
| 226r–226v | Sancta Maria Virgo | - | |
|
Appears on:
226r–226v
Voice:
[no designation]
Languages:
Latin
Clef:
c1
Voice Text:
Sancta Maria virgo intercede
General NoteAnnotations/Corrections: in bottom stave of f. 226v, bottom line corr.; Notes: throughout in plainchant notation; C-clef mere semi-circle: initial 'Sancta' in blackened notation, rest in open notation; Marian Antiphon; |
|||
| 227r–227v | Speciosa facta es | hoskins (at end) | |
|
Appears on:
227r–227v
Source Attribution:
hoskins (at end)
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Speciosa facta es
General NoteNotes: throughout in plainchant notation, but with 'normal' C-clef (i.e. not the one used with plainchant for other pieces here); Marian Antiphon; |
|||
| 227v–228r | Nesciens Mater | mr Wrighte | |
|
Appears on:
227v–228r
Source Attribution:
mr Wrighte
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
Nesciens mater v[i]rgo viru[m] / Peperit sine dolore
General NoteNotes: throughout in plainchant notation; 'Nesciens mater v[i]rgo viru[m]' in blackened notation with semi-circle as C-clef, rest in open notation with usual C-clef; Marian Antiphon; |
|||
| 228r–228v | Ave Maria | - | Anonymous |
Ave MariaAnonymous
Appears on:
228r–228v
Voice:
[no designation]
Languages:
Latin
Clef:
c4
Voice Text:
Ave / Ave maria
General NoteNotes: Marian Antiphon; |
|||
| 228v–231v | O Bone Jesu | - | Anonymous |
O Bone JesuAnonymous
Appears on:
228v–231v
Voice:
[no designation]
Languages:
Latin
Mensuration:
cut-c
Clef:
c4
Voice Text:
O bone Jesu
General NoteAnnotations/Corrections: text corr. in secon line of f. 230; followed by two folios with blank staves on both sides; Notes: at end, last stave slightly extended into the margin; at the same time, the blank stave beneath last line of music has a barline (not corresponding with the music), as though the end of the piece was initially meant to go one line down: Jesus Antiphon; |
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