GB-Lbl Royal Appendix 27

British Library, London, England

partbook: late 16th century

Archive British Library, London, England (GB-Lbl)
Shelfmark Royal Appendix 27
Surface Paper
Numbering System None / Unknown
Measurements c. 152 x 203 mm
Copyists
Relationships
External Links
Contents Contains 42 compositions, 41 from 5 composers, 1 is anonymous.
General Description

A Contratenor (& Medius) partbook from a set of five volumes. Belonged to John, Lord Lumley. Collection of motets and madrigals for 4, 5, 6 and 8 voices, apparently all (or most) by Derick Gerarde although most are unattributed; possibly autograph. (Several pieces have amended sections pasted over, in original hand.)

DIAMM, 2019
Surface

paper

DIAMM, 2017

front endpaper 2r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
1 Die lume - 1a pars (of 2): Die lume un tempo 5 -
Appears on: 1
Genres: Madrigal (Italian)
Number of voices: 5
1v Die lume - 2a pars (of 2): Questi ad un col 5 -
Appears on: 1v
Genres: Madrigal (Italian)
Number of voices: 5
1v–217 Amor piangeva - 1a pars (of 2): Amor piangeva 5 -
Appears on: 1v–217
Genres: Madrigal (Italian)
Number of voices: 5
2v Amor piangeva - 2a pars (of 2): E la banda 5 -
Appears on: 2v
Genres: Madrigal (Italian)
Number of voices: 5
3 Gia pansi - 1a pars (of 2): Gia pansi, hor piango ancor 5 -
Appears on: 3
Genres: Madrigal (Italian)
Number of voices: 5
General Note

some changes to the music can be seen

3v Gia pansi - 2a pars (of 2): E si miseramente 5 -
Appears on: 3v
Genres: Madrigal (Italian)
Number of voices: 5
4 Quare fremuerunt gentes 5 -
Appears on: 4
Genres: Motet
Number of voices: 5
4–4v Egrediente Domino 5 -
Appears on: 4–4v
Genres: Motet
Number of voices: 5
General Note

2 versions, the later (4*v) pasted over the earlier (4v) - see images

5 Dulces exuviae - 1a pars (of 2): Dulces exuviae 5 -
Appears on: 5
Genres: Motet
Number of voices: 5
5v Dulces exuviae - 2a pars (of 2): Urbem praeclaram 5 -
Appears on: 5v
Genres: Motet
Number of voices: 5
6 Multiplicati sunt qui tribulant 5 -
Appears on: 6
Genres: Motet
Number of voices: 5
6v Ne quando dicat inimicus 5 -
Appears on: 6v
Genres: Motet
Number of voices: 5
7–8 Timor et tremor (I) - 1a pars (of 2): Timor et tremor 8 -
Appears on: 7–8
Genres: Motet
Number of voices: 8
General Note

Contra & Medius parts

7v–9 Timor et tremor (I) - 2a pars (of 2): Exaudi Deus deprecationem 8 -
Appears on: 7v–9
Genres: Motet
Number of voices: 8
General Note

Contra & Medius parts

8v–9* Il foco ch'io sentia - 1a pars (of 2): Il foco ch'io sentia 4 -
Appears on: 8v–9*
Genres: Madrigal (Italian)
Number of voices: 4
General Note

changes made on slip of paper pasted over - see images of ff. 9/9*

9v Il foco ch'io sentia - 2a pars (of 2): E quando io spero 4 -
Appears on: 9v
Genres: Madrigal (Italian)
Number of voices: 4
10 Hodie nobis - 1a pars (of 2): Hodie nobis caelorum Rex 8 -
Appears on: 10
Genres: Motet
Number of voices: 8
10v Hodie nobis - 2a pars (of 2): Gloria in excelsis 8 -
Appears on: 10v
Genres: Motet
Number of voices: 8
10v–11 Ascendens Christus - 1a pars (of 2): Ascendens Christus 5 -
Appears on: 10v–11
Genres: Motet
Number of voices: 5
11v–12 Ascendens Christus - 2a pars (of 2): Ascendo ad Patrem 5 -
Appears on: 11v–12
Genres: Motet
Number of voices: 5
12v Ami souffrez que je vous aime 5 -
Appears on: 12v
Genres: Chanson
Number of voices: 5
13 Puer qui natus est - 1a pars (of 2): Puer qui natus est 5 -
Appears on: 13
Genres: Motet
Number of voices: 5
13v Puer qui natus est - 2a pars (of 2): Hic precursor dilectus 5 -
Appears on: 13v
Genres: Motet
Number of voices: 5
14 Petitte fleur 6 -
Appears on: 14
Genres: Chanson
Number of voices: 6
14v–15 Ceste belle petite bouche 6 -
Appears on: 14v–15
Genres: Chanson
Number of voices: 6
General Note

Contra & Medius

15v Bon jour, m'amye 5 -
Appears on: 15v
Genres: Chanson
Number of voices: 5
15v–16 Jay veu le temps 5 -
Appears on: 15v–16
Genres: Chanson
Number of voices: 5
16 Est il possible 5 -
Appears on: 16
Genres: Chanson
Number of voices: 5
16v J'attens secours 6 -
Appears on: 16v
Genres: Chanson
Number of voices: 6
16v–17 Adieu mon esperance (6vv) 6 -
Appears on: 16v–17
Genres: Chanson
Number of voices: 6
17v–18* Animam meam dilectam - 1a pars (of 2): Animam meam dilectam 6 -
Appears on: 17v–18*
Genres: Motet
Number of voices: 6
General Note

Contra & Medius parts. 2 versions with changes on a pasted-down piece of paper: see iamges of 17v/17*v & 18/18*

18v–19 Animam meam dilectam - 2a pars (of 2): Congregamini 6 -
Appears on: 18v–19
Genres: Motet
Number of voices: 6
General Note

Contra & Medius

19v Illuminare Jerusalem 8 -
Appears on: 19v
Genres: Motet
Number of voices: 8
20 Cognovi Domine - 1a pars (of 2): Cognovi Domine 8 -
Appears on: 20
Genres: Motet
Number of voices: 8
General Note

Contra only - though 2a pars has 2 voice parts?

20v–21 Cognovi Domine - 2a pars (of 2): Veniant mihi 8 -
Appears on: 20v–21
Genres: Motet
Number of voices: 8
General Note

contra & medius

21v Da pacem Domine 5 -
Appears on: 21v
Genres: Motet
Number of voices: 5
21v–22 Je l'aime bien 5 -
Appears on: 21v–22
Genres: Chanson
Number of voices: 5
22*v Quare Tristis es anima mea 6 -
Appears on: 22*v
Number of voices: 6
22v–24r Occurrerunt Maria et Martha - 1a pars (of 2): Occurrerunt Maria et Martha 6 -
Appears on: 22v–24r
Genres: Motet
Number of voices: 6
General Note

Contra & Medius. Both parts re-written and new bifolio pasted in over first version

23 Occurrerunt Maria et Martha - 2a pars (of 2): Videns Jesus 6 -
Appears on: 23
Genres: Motet
Number of voices: 6
General Note

single voice only, though 2 voice-parts of 1a pars?

24v Ad te levavi - 1a pars (of 2): Ad te levavi oculos meos 6 -
Appears on: 24v
Genres: Motet
Number of voices: 6
25 Ad te levavi - 2a pars (of 2): Miserere nostri Domine 6 -
Appears on: 25
Genres: Motet
Number of voices: 6
Composer Compositions
Gerarde, Derrick (c1540–1580)
Heurteur, Guillaume le (1530-1545)
Isaac, Heinrich (ca. 1450-1517)
Moulu, Pierre (ca. 1484-ca. 1550)
Sermisy, Claudin de (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
Ad te levavi - 1a pars (of 2): Ad te levavi oculos meos 24v
Ad te levavi - 2a pars (of 2): Miserere nostri Domine 25
Adieu mon esperance (6vv) 16v–17
Ami souffrez que je vous aime 12v
Amor piangeva - 1a pars (of 2): Amor piangeva 1v–217
Amor piangeva - 2a pars (of 2): E la banda 2v
Animam meam dilectam - 1a pars (of 2): Animam meam dilectam 17v–18*
Animam meam dilectam - 2a pars (of 2): Congregamini 18v–19
Ascendens Christus - 1a pars (of 2): Ascendens Christus 10v–11
Ascendens Christus - 2a pars (of 2): Ascendo ad Patrem 11v–12
Bon jour, m'amye 15v
Ceste belle petite bouche 14v–15
Cognovi Domine - 1a pars (of 2): Cognovi Domine 20
Cognovi Domine - 2a pars (of 2): Veniant mihi 20v–21
Da pacem Domine 21v
Die lume - 1a pars (of 2): Die lume un tempo 1
Die lume - 2a pars (of 2): Questi ad un col 1v
Dulces exuviae - 1a pars (of 2): Dulces exuviae 5
Dulces exuviae - 2a pars (of 2): Urbem praeclaram 5v
Egrediente Domino 4–4v
Est il possible 16
Gia pansi - 1a pars (of 2): Gia pansi, hor piango ancor 3
Gia pansi - 2a pars (of 2): E si miseramente 3v
Hodie nobis - 1a pars (of 2): Hodie nobis caelorum Rex 10
Hodie nobis - 2a pars (of 2): Gloria in excelsis 10v
Il foco ch'io sentia - 1a pars (of 2): Il foco ch'io sentia 8v–9*
Il foco ch'io sentia - 2a pars (of 2): E quando io spero 9v
Illuminare Jerusalem 19v
J'attens secours 16v
Jay veu le temps 15v–16
Je l'aime bien 21v–22
Multiplicati sunt qui tribulant 6
Ne quando dicat inimicus 6v
Occurrerunt Maria et Martha - 1a pars (of 2): Occurrerunt Maria et Martha 22v–24r
Occurrerunt Maria et Martha - 2a pars (of 2): Videns Jesus 23
Petitte fleur 14
Puer qui natus est - 1a pars (of 2): Puer qui natus est 13
Puer qui natus est - 2a pars (of 2): Hic precursor dilectus 13v
Quare fremuerunt gentes 4
Quare Tristis es anima mea 22*v
Timor et tremor (I) - 1a pars (of 2): Timor et tremor 7–8
Timor et tremor (I) - 2a pars (of 2): Exaudi Deus deprecationem 7v–9

Images © The British Library

Set: TUDOR PARTBOOKS

Type: Project Collection

No images available

GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

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GB-Lbl Royal Appendix 57

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

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GB-Lcm [pr. bk.] B190 [Bassus]

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GB-Lcm [pr. bk.] B190 [Discantus]

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GB-Lcm [pr. bk.] B190 [Tenor]

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GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

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GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

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GB-Och Mus. 45

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IRL-Dm [pr. bk.] Z4. 3. 1-5

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US-NYp Mus. Res. Drexel 4182

denotes primary source study

Milledge, Anthony. 2001. The music of Dyricke Gerarde. Durham University, Ph.D. Pages: 50-59.

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