A Discantus partbook (without voice designation) from a set of four volumes. Copied by one main scribe, who also wrote BolC Q26 and LeuvK 4 (Call); English pieces by Ford are later additions by second scribe. Main corpus copied in Low Countries; perhaps commissioned as gift for Elizabeth I, Queen of England. Ford pieces added after manuscript reached England. Probably acquired by Winchester College during 18th century.
GB-WCc MS 153 Discantus (Winchester Partbooks)
Winchester College, Warden and Fellows Library, Winchester, England
partbook: 1564-6
| Archive | Winchester College, Warden and Fellows Library, Winchester, England (GB-WCc) |
|---|---|
| Shelfmark | MS 153 Discantus (Winchester Partbooks) |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 170 x 235-9 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 107 compositions, 100 from 22 composers, 7 are anonymous. |
General Description
Binding
Original covers of red leather over cardboard, tooled in blue, red, and gold with Tudor arms, ornamental designs, and voice designations
Notation
black void mensural
Ruling
Staff height 13
Foliation
Original ink foliation, 1-111, beginning on fifth folio. First four folios have modern pencil foliation, 1-4, as are ff. 112-121
Foliation
Other numberings: Pieces unnumbered in main corpus; original numbering of English pieces, 1-10.
Decoration
Large calligraphic style initials, some in black ink, others painted in red, blue, and yellow; some attributions and text incipits in red ink; edges of folios gilded.
Index
Original index on new ff. l'-3' in each book lists Italian pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance; French pieces listed in order of appearance.
Surface
parchment
DIAMM Note
Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
81 Italian secular pieces, 16 French secular pieces, 10 English secular pieces = 107
Arcadelt-1, (Azzaiolo)-14, (Briaco)-1, (Caldarino)-1, (Certon)-1, (Crecquillon/Sandrin/Sermisy)-1, (Donato)-5, Ford-10, (Alfonso Ganassi)-1, (Jacotin/Sermisy)-1, Jonckers [Gosse]-1, (Lambertini)-1, Lassus-7, (Nasco)-2, Passereau/(Marle)-1, Sandrin/(Manchicourt)-1, (Sermisy)-5, Sermisy [Claudin]/(Sandrin)-1, Tubal-5, Verdelot-1, Waelrant-35, Willaert-3, Willaert/(Fabrianese)-1, anon-7
4 parchment partbooks (D-125 + i folios, A-125, T-119 + i, B-i + 125), 170 x 235-9. Each book has original ink foliation, 1-111, beginning on fifth folio of DAT, sixth folio of B (ff. 86-91 missing in T book); first four folios in each book have modern pencil foliation, 1-4 (excludes front flyleaf in B book); ff. 112-121 also foliated in modern pencil. Pieces unnumbered in main corpus; original numbering of English pieces, 1-10. Blank folios or blank staves only—DA: 77'-92, 105'-121'; T: 77'-85', 92, 105'-121'; B: 6, 77'-92, 105'-421'. Original covers of red leather over cardboard, tooled in blue, red, and gold with Tudor arms, ornamental designs, and voice designations. Original index on new ff. l'-3' in each book lists Italian pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance; French pieces listed in order of appearance.
Copied by one main scribe, who also wrote BolC Q26 and LeuvK 4 (Call); English pieces by Ford are later additions by second scribe. Staff height 13. Large calligraphic style initials, some in black ink, others painted in red, blue, and yellow; some attributions and text incipits in red ink; edges of folios gilded.
1564-6 (dates in manuscript), with additions in first half of 17th century. Main corpus copied in Low Countries; perhaps commissioned as gift for Elizabeth I, Queen of England. Ford pieces added after manuscript reached England. Probably acquired by Winchester College during 18th century.
90v
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Sets
TUDOR PARTBOOKS
Project Collection · 170 sources
Winchester Partbooks
Partbooks · 4 sources
‡ denotes primary source study
Forney, Kristine K. 1999. A Gift of Madrigals and Chansons: The Winchester Part Books and the Courtship of Elizabeth I by Erik XIV of Sweden. The Journal of Musicology, 17: 50-75.
Ritterman, Janet. 1977. The Winchester College Part Books: A study of the manuscript with a transcription of the French chansons. King's College (London), Unpublished M.Mus. thesis. Notes: physical description; contents list; concordances; transcription (partial); texts (partial); mention of MS; discussion.
Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 43-52. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Weaver, Robert Lee. 1971. The Motets of Hubert Waelrant (c. 1517-1595). Syracuse University, Unpublished Ph.D. dissertation. Pages: I, 54-9 II, 75-6 [referred to as MS Appendix No. i]. Notes: physical description (partial); contents list (partial); mention of MS; discussion.
Allaire, Gaston Georges, and Isabelle Anne-Marie Cazeaux (editors). 1970. Claudin de Sermisy: Opera Omnia. Corpus mensurabilis musicae, vol. 52. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xi. Notes: contents list (partial); concordances (partial).
Piel, Walter. 1969. Studien zum Leben und Schaffen Hubert Waelrants. Marburger Beiträge zur Musikforschung, vol. 3. Marburg. Pages: 79-80, 258 [referred to as MS 121.43]. Notes: contents list (partial); mention of MS; discussion.
Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I. Kassel and Basel. Pages: 837. Notes: physical description (partial).
Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: IV, 83-4. Notes: mention of MS.
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Loose Arnold
Monday, 15 April, 2024
Pointed out that 'E quando ha fato l'ovo la mattina' (Adrian Willaert) is ascribed to Tiberio Fabrianese in *Il primo libro di canzon villanesche alla Napolitana* (Venice, 1551).
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description