GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

Peterhouse, Perne Library, Cambridge, England

partbook: 1539-41

Archive Peterhouse, Perne Library, Cambridge, England (GB-Cp)
Shelfmark MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)
Surface Paper
Numbering System Foliation
Format portrait
Measurements 286 x 198 mm
Other Identifiers
  • CCM: CambriU Peter. 471-4
  • olim (Former shelfmark): photocopy 472
Relationships
External Links
Provenance
Contents Contains 148 compositions, 142 from 31 composers, 6 are anonymous.
General Description

A Medius partbook from a set originally of five volumes. Copied by a single scribe, probably a younger member of the staff of a large secular religious establishment (SandonH). The repertory consists mainly of music in use at Magdalen College, Oxford, during the 1530's. However, the books were not copied at, nor used by, Magdalen College. Rather, they are probably copies of the Magdalen College repertory made for use at one of the New Foundation cathedrals such as Canterbury or Durham (SandonH). It is quite probable that the books came to Peterhouse College in Cambridge through the efforts of John Cosin, Master of Peterhouse from 1634, whose High Church-oriented liturgical innovations aroused vigorous controversy. The books were later transferred to the Cambridge University Library.

The Peterhouse Partbooks are not numbered consecutively as they were not all discovered and included in the library's collection at the same time. For some years they were also referred to by the numbers given to a set of photocopies of the books (which still exist), while three newly-discovered books did not have shelf-marks. The list below gives the sets in order, including the new MSS, and with the photocopy numbers for ease of cross-reference.

Henrician Set
Triplex - MS. 40 - photocopy 471
Medius - MS. 41 - photocopy 472
Contratenor - MS. 31 - photocopy 473 [Note: f. 81 is present but numbered 80 (as well as the preceding folio). Folio 135 is numbered 134 (as well as the preceding folio)]
Bassus - MS. 32 - photocopy 474 [Note: three consecutive folios are numbered '78' and three '79' between fols 77 and 80]

JCM, 2014
Physical Description

Ff. 1-12 of this book are missing

JCM, 2014
Binding

Sometime between 1856 and 1883, the books were rebound; the original limp vellum covers were replaced by new covers of brown leather on boards

JCM, 2014
Watermark

Four different watermarks appear in the manuscript; these are similar or identical to Briquet #12668 [flyleaves only], 12502, 13526, and 1048. These marks indicate that the paper comes from France, more particularly from Normandy and Champagne.

JCM, 2014
Notation

not indicated

JCM, 2014
Foliation

Original foliation

JCM, 2014
Index

Original indices at the beginning of all books except the Triplex, on thinner paper than that used for the music.

JCM, 2014
Surface

paper

JCM, 2014
DIAMM Note

The leaves showing folios 36v to 37r were stuck together, and the photographer did not attempt to separate them in order to shoot them. These are therefore not included in the image collection.

Included in the Tudor Partbooks project at the Universities of Oxford and Newcastle.

JCM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

The leaves showing folios 36v to 37r were stuck together, and the photographer did not attempt to separate them in order to shoot them. These are therefore not included in the image collection.

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

JCM, 2023

98v

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Sets

Select a set to see its sources.

denotes primary source study

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Payne, Ian. 1993. The provision and practice of sacred music at Cambridge colleges and selected cathedrals, c. 1547-c. 1646: a comparative study of the archival evidence.  Garland.

Sandon, Nicholas. 1983. The Henrician Partbooks Belonging to Peterhouse: A Study, with Restorations of the Incomplete Compositions Contained in Them. University of Exeter, PhD dissertation.

Sandon, Nicholas. 1976-77. The Henrician Partbooks at Peterhouse, Cambridge. Proceedings of the Royal Musical Association, 103: 106-40. Pages: 106-40.

Sandon, Nicholas. 1976. Fragments of Medieval Polyphony at Canterbury Cathedral. Musica Disciplina, 30: 37-53. Pages: 48.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 143.

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 365, passim.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents, vol. 22.  American Institute of Musicology. Pages: 52, 59-60.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 129.

Lockwood, Lewis Henry. 1961. A Continental Mass and Motet in a Tudor Manuscript. Music and Letters, 42: 336-47.

Bergsagel, John D. 1960. An Introduction to Ludford (c. 1485-c. 1557). Musica Disciplina, 14: 105-30. Pages: 110-1.

Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae, vol. 17.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, Critical Notes; II,85ff.

Stevens, Denis W. 1959. The Manuscript Edinburgh, National Library of Scotland, Adv. Ms. 5. 1. 15. Musica Disciplina, 13: 155-67. Pages: 167.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 273-4,336,341.

Baillie, Hugh. 1958. Nicholas Ludford (c. 1485-c. 1557). The Musical Quarterly, 44: 196ff. Pages: 202.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge.  Cambridge. Pages: viii-ix,2-6.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music.  London, Oxford et al. Pages: I,lix-lx, passim; see also Vols. Ill, VI, and X); BlackLP:MCp(365, passim.

Davey, Henry. 1921. History of English Music.  London. Pages: 90-1.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Foliation Note; Contents Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description