Bent, Margaret, and Andrew B Wathey. 2022. Fragments of English Polyphonic Music ca. 1390–1475: A Facsimile Edition.

Wathey, Andrew B. 2005. Auctoritas and the motets of Philippe de Vitry. Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned. Essays in Honour of Margaret Bent, Studies in Medieval and Renaissance Music. edited by Elizabeth Eva Leach and Suzannah Clark,  Woodbridge, Suffolk: Boydell and Brewer.

Bent, Margaret, Julia Craig-McFeely, and Andrew B Wathey. 2001. The Art of Virtual Restoration: Creating the Digital Image Archive of Medieval Music (DIAMM). The Virtual Score: Representation, Retrieval, Restoration, Computing in Musicology. edited by Walter B Hewlett and Eleanor Selfridge-Field, 227-240.

Bent, Margaret, and Andrew B Wathey (eds.) 1998. Fauvel Studies: Allegory, Chronicle, Music and Image in Paris, Bibliothèque nationale de France, MS français 146.  Oxford: Clarendon Press.

Leech-Wilkinson, Daniel, Andrew B Wathey, and Jean Widaman. 1995. The structure and copying of the manuscript Torino J.II.9. The Cypriot-French Repertory of the Manuscript Torino J.II.9, 95-116. Hänssler.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Wathey, Andrew B. 1993. The motets of Philippe de Vitry and the fourteenth-century Renaissance. Early Music History, 12: 119-150.

Wathey, Andrew B. 1993. Répertoire international des sources musicales. Series B IV. 

Wathey, Andrew B. 1993. Manuscripts of Polyphonic Music: The British Isles, 1100-1400, Répertoire international des sources musicales, B IV 1-2, Supplement.  Munich: G. Henle.

Wathey, Andrew B. 1992. The Marriage of Edward III and the Transmission of French Motets to England. Journal of the American Musicological Society, 45: .

Wathey, Andrew B (ed.) 1991. Berkeley Castle, Select Roll 55: Motets and Sequences from the Early Fourteenth Century. Antico Church Music.  Newton Abbott.

Wathey, Andrew B. 1989. Review of: R. Strohm, Music in Late Medieval Bruges. Music and Letters, 70: 81.

Wathey, Andrew B. 1989. The Peace of 1360-1369 and Anglo French Musical Relations. Early Music History, 9: 150.

Wathey, Andrew B. 1989. The Production of Books of Liturgical Polyphony. Book Production and Publishing in Britain 1375-1475, edited by J. Griffiths and D. Pearsall, 143-161. Cambridge.

Wathey, Andrew B. 1988. Lost Books of Polyphony in England: A List to 1500. Royal Musical Association Research Chronicle, 21: 1-19.

Wathey, Andrew B. 1986. Dunstable in France. Music and Letters, 67: 1-36.

[No Author] 1984. New Sources of English Fifteenth- and Sixteenth-Century Polyphony. Early Music History, 4: 299-349.

Bowers, Roger, and Andrew B Wathey. 1983. New Sources of English Fourteenth- and Fifteenth-Century Polyphony. Early Music History, 3: 123-73.

Wathey, Andrew B. 1983. Newly Discovered Fifteenth-Century English Polyphony at Oxford. Music and Letters, 64: 58-66.

Trowell, Brian, and Andrew B Wathey. 1982. John Benet's Lux fulget ex Anglia- O Pater pietatis- Salve Thoma. St Thomas Cantilupe, Bishop of Hereford: Essays in his Honour, edited by Meryl Jancey, 159-180.

Wathey, Andrew B. 1982. New sources of English thirteenth- and fourteenth-century polyphony. Early Music History, 2: 323-329.

Lefferts, Peter M, and Andrew B Wathey. 1982. New sources of English thirteenth- and fourteenth-century polyphony. Early Music History, 2: 321-323.