GB-Cqcl Old Library G.4.17

Queens' College Library, Cambridge, England

non-music MS with added polyphony: c. 1636

Archive Queens' College Library, Cambridge, England (GB-Cqcl)
Shelfmark Old Library G.4.17
Format portrait
Measurements 360 mm
Notations
  • black void mensural
External Links
Provenance
  • England
Contents Contains 98 compositions, 85 from 24 composers, 13 are anonymous.
General Description

An Early 17th century partbook with a 'Tenor Decani' part noted on fly leaf. Probably not an orphan from another set, since the Tenor parts are interleaved with a 1636 edition of the Book of Common Prayer with the items inserted where they would appear liturgically. This is therefore most likely to have been a personal copy of the tenor part made from one or more sets of music-only partbooks. The librarian (Tim Eggington) believes it constitutes a Queens' counterpart to the Peterhouse partbooks. It contains some otherwise unknown music by known composers of the period. It is believed to have been assembled and copied c. 1640.

Tim Eggington & DIAMM, 2013
Liminary Note

'Tenor Decani' noted on fly leaf

Tim Eggington & DIAMM, 2013
DIAMM Note

Early 17th century choir part book recently found in the College Library. 102 leaves, 36 cm high; collection of services and anthems.

Because the music is clearly intended to be integral with the book, all the pages of the Book of Common Prayer have been photographed and are shown in the order in which they appear with the music pages. A representative sample of watermark images was also taken.

Tim Eggington & DIAMM, 2013
DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

28v

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Public Comments

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Jason Smart

Saturday, 8 October, 2022

Tye's 'I am well pleased' (f.77) is a contrafact of his anthem 'I have loved'

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Ben Byram-Wigfield

Wednesday, 4 September, 2019

Annotated the item to include information about similarities to Stone's setting of the Lord's Prayer; and added a link between this composition & Stone's (leaving open the question of whether the two are the same piece or similar)

Ben Byram-Wigfield

Friday, 5 April, 2019

Setting of "Preserve Me, O Lord" on f 86 now attr. to Thomas Wilkinson (concordant with GB-Lbl Add. MS 29374, f.103)

Julia Craig-McFeely

Monday, 12 November, 2018

Images now linked to compositions

Tim Eggington & DIAMM, 2013

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Liminary Note; DIAMM Note