A single Bassus partbook. Copied by a scribe employed by Edward Paston (1550-1630), a collector of musical prints and manuscripts. The manuscript may have been a gift from Paston to Sir John Petre (1549-1613), of Ingatestone, Essex County (BrettEP). Petre was a neighbour and patron of Byrd.
| Archive | Essex Record Office, Chelmsford, England (GB-CF) |
|---|---|
| Shelfmark | MS D/DP Z6/1 |
| Surface | Paper |
| Numbering System | Foliation |
| Format | landscape |
| Measurements | 208 x 280 mm |
| Other Identifiers |
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| Relationships |
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| External Authorities | |
| Provenance |
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| Contents | Contains 104 compositions, 103 from 25 composers, 1 is anonymous. |
General Description
Binding
Original covers of brown tooled leather on boards, with remnants of two string ties.
Liminary Note
Inscription on cover: 'lohn Petre.'
Notation
not indicated
Date
Ca. 1590 (FelAP)
Ruling
In red ink, now faded to light brown.
Foliation
Original foliation, 1-71
Decoration
Scattered initials, in simple penned style
Index
Original index on ff. i-i', arranged alphabetically by title of piece, listing 59 of the 72 pieces
Surface
paper
DIAMM Note
Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Mass, 1 Magnificat, 2 Lamentations, 66 motets, 2 fantasias = 72 (some pieces have text incipits only; may be instrumental)
Bacchius-1, Byrd-20, Crecquillon-4, Fayrfax-2, A. Ferrabosco I-1, Formellis-1, Gombert-1, R. Johnson-2, Lassus-1, Meiland-1, Philippe de Monte-2, W. Mundy-1, Palestrina-2, Parsley-1, Rivulo-2, Shepherd-2, Strogers-2, Tallis-8, Taverner-6, Tye-1, Vaet-3, R. White-2, Wilder-1, Wood-1, anon-4
1 paper partbook (B-i + 71 folios), 208 x 280. Original foliation, 1-71. Original covers of brown tooled leather on boards, with remnants of two string ties. Original index on ff. i-i', arranged alphabetically by title of piece, listing 59 of the 72 pieces. Scattered initials, in simple penned style. Staves are in red ink, now faded to light brown. Inscription on cover: "lohn Petre."
Ca. 1590 (FelAP). The scribe was in the employ of Edward Paston (1550-1630), a collector of musical prints and manuscripts, whose estate was located near Norwich, Norfolk County.
The manuscript may have been a gift from Paston to Sir John Petre (1549-1613), of Ingatestone, Essex County (BrettEP). Petre was a neighbor and patron of Byrd.
22v
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Sets
Paston Manuscripts
Linked by Origin or Contents · 97 sources
TUDOR PARTBOOKS
Project Collection · 170 sources
‡ denotes primary source study
Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents, vol. 22. American Institute of Musicology. Pages: 56.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 131.
Brett, Philip. 1964-68. Edward Paston (1550-1630): A Norfolk Gentleman and His Musical Collection. Transactions of the Cambridge Bibliographical Society, 4: 51-69.
Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXV, 171, 175, 178, 183 XXVIII, 124, 130; XXX,75-90,177,186. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae, vol. 17. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, 86.
Hughes, Dom Anselm. 1952. An Introduction to Fayrfax. Musica Disciplina, 6: 83-104. Pages: 92.
Fellowes, Edmund H. 1948. Tudor Church Music: Appendix with Supplementary Notes. London. Pages: 6-7.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Liminary Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description