GB-Lbl Royal Appendix 53

British Library, London, England

partbook: c. 1565-80

Archive British Library, London, England (GB-Lbl)
Shelfmark Royal Appendix 53
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 152 x 257 mm
Other Identifiers
  • CCM: LonBLR A49-54
Copyists
Relationships
External Links
Provenance
Contents 44 pieces from 17 composers
General Description

One of six partbooks, each containing various voice-parts. Probably copied by Dericke Gerarde, composer and music director for Henry Fitzalan, Earl of Arundel. Probably copied at Nonesuch Palace (Cheam, Surrey), for use in household of Henry Fitzalan, 12th Earl of Arundel (d. 1580). Later passed to Arundel's son-in-law, John, 6th Baron Lumley (d. 1609). Arundel-Lumley collection became part of Old Royal Library, which passed to newly founded British Museum in 1757.

DIAMM, 2017
Binding

Modern covers of tan cloth on boards; original parchment covers (with inscription 'Lumley') now bound in at beginning of each book

DIAMM, 2017
Watermark

Only portions of one watermark (Briquet #5304?) visible

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

New ink foliation in each book

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Surface

ii paper + ii parchment [= original covers] + 24 paper + ii paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

13 motets, 22 French secular pieces = 35

Clemens non Papa-1, Crecquillon-1, D. Gerarde-8, Gombert-9, Gombert/(Josquin)-1, Havericq-2, (Josquin/Verdelot)-1, Latfeur-2, [Clément?]* Morel-1, (Moulu)-1, Paon-1, Phinot-2, Truie-1, Wismes-1, anon-3

*EppsDG: Clément Morel; BernsCE: another "Morel."

6 paper partbooks (various voice parts in each book; all have ii paper + ii parchment [= original covers] + 24 paper + ii paper folios, except MS 52, with 23 original folios), 152 x 257. New ink foliation in each book. Modern covers of tan cloth on boards; original parchment covers (with inscription "Lumley") now bound in at beginning of each book. No index. Probably copied by Dericke Gerarde, composer and music director for Henry Fitzalan, Earl of Arundel; Gerarde also copied LonBLR A57 and several other manuscripts not within scope of this catalogue (see EppsDG, BernsCE for list and discussion). No initials or decoration. Only portions of one watermark (Briquet #5304?) visible on some folios.

Ca. 1565-80 (BernsCE). Probably copied at Nonesuch Palace (Cheam, Surrey), for use in household of Henry Fitzalan, 12th Earl of Arundel (d. 1580). Later passed to Arundel's son-in-law, John, 6th Baron Lumley (d. 1609). Arundel-Lumley collection became part of Old Royal Library, which passed to newly founded British Museum in 1757.

Vol 4

Composers: Change "(Moulu)-1" to "(Descaudain/Moulu)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

9v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v J'attens secours de ma seulle pensee -
Appears on: 1v
Genres: Chanson
1v Bon jour bon an et bone vie Morel
Appears on: 1v
Genres: Chanson
Source Attribution: Morel
2 C'est grand plaisir d'être amoureux D Havericq
Appears on: 2
Genres: Chanson
Source Attribution: D Havericq
2v Domine quinque talenta tradidisti mihi George Paon
Appears on: 2v
Genres: Motet
Source Attribution: George Paon
3 Sancta Maria virgo virginum 25.7 -
Appears on: 3
Genres: Motet
General Note

copied out of sequence (compared to other books in set) to allow the two Bassus parts of Bauldeweyn's 'Hodie nobis' to be on the same opening

3v–4 Hodie nobis caelorum rex - 1a pars (of 2): Hodie nobis caelorum rex de virgine Noe Truie
Appears on: 3v–4
Genres: Motet
Source Attribution: Noe Truie
General Note

Bassus 1 & 2

4v–5 Hodie nobis caelorum rex - 2a pars (of 2): Gloria in excelsis deo et in terra Noe Truie
Appears on: 4v–5
Genres: Motet
Source Attribution: Noe Truie
General Note

Bassus 1 & 2

5v Laudem dicite deo nostro - 1a pars (of 2): Laudem dicite deo nostro omnes sancti - Anonymous
Appears on: 5v
Genres: Motet
6 Laudem dicite deo nostro - 2a pars (of 2): Memores nostri estote O patroni - Anonymous
Appears on: 6
Genres: Motet
6v Sancta Trinitas unus Deus miserere nobis (8vv) Phinot
Appears on: 6v
Genres: Motet
Source Attribution: Phinot
7 Estote fortes - 1a pars (of 2): Estote fortes in bello -
Appears on: 7
Genres: Motet
7v Estote fortes - 2a pars (of 2): Vos amici mei -
Appears on: 7v
Genres: Motet
8 Stella ista sicut flamma - 1a pars (of 2): Stella ista sicut flamma coruscat -
Appears on: 8
Genres: Motet
8v Stella ista sicut flamma - 2a pars (of 2): Apertis thesauris suis obtulerunt -
Appears on: 8v
Genres: Motet
9 Gabriel angelus aparuit - 1a pars (of 2): Gabriel angelus aparuit Zacharie dicens -
Appears on: 9
Genres: Motet
9v Gabriel angelus aparuit - 2a pars (of 2): Erit enim magnus coram Domino -
Appears on: 9v
Genres: Motet
10 Si mon traveil vous puisse donner plaisir D H[avericq]
Appears on: 10
Genres: Chanson
Source Attribution: D H[avericq]
10v Au joli bois je rencontrai mamie N Gombert
Appears on: 10v
Genres: Chanson
Source Attribution: N Gombert
11 Changeons propos cest trop parler d'amour N Gombert
Appears on: 11
Genres: Chanson
Source Attribution: N Gombert
11v Raison le veult que ie mefforce Gombert
Appears on: 11v
Genres: Chanson
Source Attribution: Gombert
12 Mon petit coeur helas qui nuit et jour Gombert
Appears on: 12
Genres: Chanson
Source Attribution: Gombert
12v Comme le cerf cornu plaisant desire Jacobus Clemens
Appears on: 12v
Genres: Chanson
Source Attribution: Jacobus Clemens
13 Retirer il me fault voyant vostre voloir Thomas Criquillion
Appears on: 13
Genres: Chanson
Source Attribution: Thomas Criquillion
13v Paine et traveil me font incessament Gombert
Appears on: 13v
Genres: Chanson
Source Attribution: Gombert
14 Qui pouldroit dire ou croire le grand mal Gombert
Appears on: 14
Genres: Chanson
Source Attribution: Gombert
14v J'ai mis mon coeur en un lieu seulement -
Appears on: 14v
Genres: Chanson
15 Jouissance vous donnerai, mon ami Gombert
Appears on: 15
Genres: Chanson
Source Attribution: Gombert
15v Mille regrets de vous abandonner Gombert
Appears on: 15v
Genres: Chanson
Source Attribution: Gombert
16 Si mon traveil vous peult donner secours Gombert
Appears on: 16
Genres: Chanson
Source Attribution: Gombert
16v Je prends congie de mes amours (= Lugebat David Absalon 14.7) Gombert
Appears on: 16v
Genres: Chanson
Source Attribution: Gombert
17 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena D Gerarde
Appears on: 17
Genres: Motet
Source Attribution: D Gerarde
17v Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt D Gerarde
Appears on: 17v
Genres: Motet
Source Attribution: D Gerarde
18 Vivre ne puis sur terre car mort N de Wismes
Appears on: 18
Genres: Chanson
Source Attribution: N de Wismes
18v Magi veniunt ab oriente - 1a pars (of 2): Magi veniunt ab oriente Jerosolimam -
Appears on: 18v
Genres: Motet
19 Magi veniunt ab oriente - 2a pars (of 2): Interrogabat magos Herodes quod signum -
Appears on: 19
Genres: Motet
19v Versa est in luctum - 1a pars (of 2): Versa est in luctum cithara mea -
Appears on: 19v
Genres: Motet
General Note

heavily corrected

20 Versa est in luctum - 2a pars (of 2): Cutis mea denigrata est super me -
Appears on: 20
Genres: Motet
General Note

heavily corrected

20v Las voulez vous quune personne chante D G
Appears on: 20v
Genres: Chanson
Source Attribution: D G
21 C'est grand plaisir d'être amoureux D G
Appears on: 21
Genres: Chanson
Source Attribution: D G
21v Hatez vous de me faire grace sans point D G
Appears on: 21v
Genres: Chanson
Source Attribution: D G
22 Or est venu le printemps gracieux - 1a pars (of 2): Or est venu le printemps gracieux D G
Appears on: 22
Genres: Chanson
Source Attribution: D G
22v Or est venu le printemps gracieux - 2a pars (of 2): Car ce jour dhuy chacun de nous D G
Appears on: 22v
Genres: Chanson
Source Attribution: D G
23 Laetare Jerusalem et conventum facite omnes -
Appears on: 23
Genres: Motet
23v Deus qui superbis resistis et gratiam D G
Appears on: 23v
Genres: Motet
Source Attribution: D G
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Bauldeweyn, Noel (ca. 1480–1529)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Descaudain, Johannes
Despres, Josquin (ca. 1450–1521)
Gerarde, Derrick (fl. c1540–1580)
Gombert, Nicolas (ca. 1495–ca. 1560)
Havericq, Damien
Laffeur
Morel, [not Clement]
Moulu, Pierre (ca. 1484–ca. 1550)
Paon, George
Phinot, Dominique
Verdelot, Philippe (ca. 1480–ca. 1532)
Wisme (Vuismes), Nicholas de
Composition Composers (? Uncertain) Folios / Pages
Au joli bois je rencontrai mamie 10v
Bon jour bon an et bone vie 1v
C'est grand plaisir d'être amoureux 2
C'est grand plaisir d'être amoureux 21
Changeons propos cest trop parler d'amour 11
Comme le cerf cornu plaisant desire 12v
Deus qui superbis resistis et gratiam 23v
Domine quinque talenta tradidisti mihi 2v
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 17
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt 17v
Estote fortes - 1a pars (of 2): Estote fortes in bello 7
Estote fortes - 2a pars (of 2): Vos amici mei 7v
Gabriel angelus aparuit - 1a pars (of 2): Gabriel angelus aparuit Zacharie dicens 9
Gabriel angelus aparuit - 2a pars (of 2): Erit enim magnus coram Domino 9v
Hatez vous de me faire grace sans point 21v
Hodie nobis caelorum rex - 1a pars (of 2): Hodie nobis caelorum rex de virgine 3v–4
Hodie nobis caelorum rex - 2a pars (of 2): Gloria in excelsis deo et in terra 4v–5
J'ai mis mon coeur en un lieu seulement 14v
J'attens secours de ma seulle pensee 1v
Je prends congie de mes amours (= Lugebat David Absalon 14.7) 16v
Jouissance vous donnerai, mon ami 15
Laetare Jerusalem et conventum facite omnes 23
Las voulez vous quune personne chante 20v
Laudem dicite deo nostro - 1a pars (of 2): Laudem dicite deo nostro omnes sancti Anonymous 5v
Laudem dicite deo nostro - 2a pars (of 2): Memores nostri estote O patroni Anonymous 6
Magi veniunt ab oriente - 1a pars (of 2): Magi veniunt ab oriente Jerosolimam 18v
Magi veniunt ab oriente - 2a pars (of 2): Interrogabat magos Herodes quod signum 19
Mille regrets de vous abandonner 15v
Mon petit coeur helas qui nuit et jour 12
Or est venu le printemps gracieux - 1a pars (of 2): Or est venu le printemps gracieux 22
Or est venu le printemps gracieux - 2a pars (of 2): Car ce jour dhuy chacun de nous 22v
Paine et traveil me font incessament 13v
Qui pouldroit dire ou croire le grand mal 14
Raison le veult que ie mefforce 11v
Retirer il me fault voyant vostre voloir 13
Sancta Maria virgo virginum 25.7 3
Sancta Trinitas unus Deus miserere nobis (8vv) 6v
Si mon traveil vous peult donner secours 16
Si mon traveil vous puisse donner plaisir 10
Stella ista sicut flamma - 1a pars (of 2): Stella ista sicut flamma coruscat 8
Stella ista sicut flamma - 2a pars (of 2): Apertis thesauris suis obtulerunt 8v
Versa est in luctum - 1a pars (of 2): Versa est in luctum cithara mea 19v
Versa est in luctum - 2a pars (of 2): Cutis mea denigrata est super me 20
Vivre ne puis sur terre car mort 18

Images © The British Library

Set: TUDOR PARTBOOKS

Type: Project Collection

No images available

GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

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GB-Lbl Royal Appendix 57

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

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GB-Lcm [pr. bk.] B190 [Tenor]

No images available

GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

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GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

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GB-Och Mus. 45

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IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

US-NYp Mus. Res. Drexel 4182

denotes primary source study

Milledge, Anthony. 2001. The music of Dyricke Gerarde. Durham University, Ph.D. Pages: 59-70.

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 91-2, 98-9, 108-57. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Slim, H Colin. 1972. A Gift of Madrigals and Motets.  Chicago and London. Pages: I, 10, 223. Notes: mention of MS; contents list (partial); concordances (partial).

Dobbins, Frank. 1971. The Chanson at Lyons in the Sixteenth Century. Oxford University (New College), Unpublished Ph.D. dissertation. Pages: I, 320. Notes: contents list (partial); concordances (partial).

Epps, David. 1964. Dericke Gerarde: A study of the British Museum manuscripts Royal Appendix 17-22, 23-25, 26-30, 31-35, 49-54 & 57 with particular reference to the life and works ofthat composer. Edinburgh University, Unpublished D.Mus. thesis. Notes: physical description (partial); contents list; concordances; mention of MS; discussion.

Brown, Howard Mayer. 1963. Music in the French Secular Theater, 1400-1550.  Cambridge, Massachusetts. Pages: 233, 245. Notes: mention of MS; contents list (partial); concordances (partial).

Cazeaux, Isabelle Anne-Marie. 1961. The Secular Music of Claudin de Sermisy. Columbia University, Unpublished Ph.D. dissertation. Pages: I, 117, 192, 210, 281, 319. Notes: contents list (partial); concordances (partial).

Jayne, Sears, and Francis R Johnson (editors). 1956. The Lumley Library: The Catalogue of 1609.  London. Pages: 286. Notes: mention of MS.

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge.  Cambridge. Pages: I, 142, 270; II, 134-5. Notes: physical description (partial); contents list.

Schmidt-Görg, Joseph. 1938. Nicolas Gombert, Kapellmeister Kaiser Karls V.: Leben und Werk.  Bonn. Pages: 368-70. Notes: contents list (partial); concordances (partial).

Warner, Sir George F, and Julius P Gilson. 1921. Catalogue of Western Manuscripts in the Old Royal and King's Collections.  London. Pages: II, 394. Notes: physical description.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description