Brown, Howard Mayer

Brown, Howard Mayer. 1991. Notes Towards a Definition of Personal Style: Conflicting Attributions and the Six-part Motets of Josquin and Mouton. Proceedings of the International Josquin Symposium Utrecht 1986, edited by Willem Elders and Frits de Haen, 185-207. Utrecht.

Brown, Howard Mayer, and Jaap van Benthem. 1991. Secular Works for Three Voices: Critical Commentary. New Josquin Edition.  Utrecht.

Page, Christopher. 1990. Polyphony before 1400. Performance Practice: Music before 1600, Norton/Grove Handbooks in Music. edited by Howard Mayer Brown, 79-104. New York and London: Norton.

Planchart, Alejandro Enrique. 1989. Tempo and Proportions. Performance Practice: 1. Music Before 1600, edited by Howard Mayer Brown and Stanley Sadie, 126–44. London: Macmillan Press.

Brown, Howard Mayer (ed.) 1988. Cambridge, Magdalen College, Pepys MS 1760. Renaissance Music in Facsimile.  New York.

Brown, Howard Mayer (ed.) 1987. Milan, Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale (Librone 1-3). Renaissance Music in Facsimile.  New York.

Brown, Howard Mayer (ed.) 1987. Verona, Biblioteca Capitolare, MS DCCLVII. Renaissance Music in Facsimile.  New YOrk.

Brown, Howard Mayer. 1987. A Ballade for Mathieu de Foix: Style and Structure in a Composition by Trebor. Musica Disciplina, 41: 75-107.

Brown, Howard Mayer (ed.) 1987. London, British Library, MS Royal 20 A.XVI. Renaissance Music in Facsimile.  New York.

Brown, Howard Mayer (ed.) 1987. Florenz, Biblioteca Nationale Centrale, Mss Magliabechi XIX, 164-167. Renaissance Music in Facsimile.  New York.

Brown, Howard Mayer (ed.) 1987. Uppsala Universitetsbiblioteket, vokalmusik I handskrift 76a. Renaissance Music in Facsimile.  New York.

Brown, Howard Mayer. 1987. Florence MS Magl. IXI. 164, Facsimile reproduction, with introduction. Renaissance Music in Facsimile.  Garland.

Brown, Howard Mayer (ed.) 1986. Munich, Bayerische Staatsbibliothek, Musica MS 10. Renaissance Music in Facsimile.  New York.

Brown, Howard Mayer (ed.) 1986. Novum et insigne opus musicum. Renaissance Music in Facsimile.  New York.

Brown, Howard Mayer. 1986. Trium vocum cantiones centum, a praestantissimis diversarum nationum ac linguarum musicis compositae. Renaissance Music in Facsimile.  New York.

Brown, Howard Mayer. 1985. Music for a Town Official in Sixteenth-Century Zwickau. Musica Antiqua: Acta Scientifica [Bydgoszcz, Poland], Musica Antiqua: Acta Scientifica [Bydgoszcz, Poland]. 479-91.

Brown, Howard Mayer. 1985. Ambivalent Trecento Attitudes Toward Music: An Iconographical View. Music and Context: Essays for John M. Ward, edited by Anne Dhu Shapiro, 79–107. Cambridge, Mass.: Harvard University Press.

Brown, Howard Mayer. 1983. A 'New' Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report. Musica Disciplina, 37: 171-233.

Brown, Howard Mayer (ed.) 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music.  Chicago and London.

Brown, Howard Mayer. 1983. The Trecento Harp. Studies in the performance of late mediaeval music,  Cambridge: Cambridge University Press.

Brown, Howard Mayer. 1983. In Alamire's Workshop. Notes on Scribal Practice in the Early Sixteenth Century. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 15-63. Wiesbaden.

Brown, Howard Mayer (ed.) 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music.  Chicago and London.

Brown, Howard Mayer. 1982. Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance. Journal of the American Musicological Society, 35: 1-48.

Brown, Howard Mayer. 1981. Words and Music in Early loth-Century Chansons: Text Underlay in Florence, Biblioteca del Conservatorio, Ms Basevi 2442. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. 7-141. Munich.

Brown, Howard Mayer. 1978. A Guardian God for a Garden of Music. Essays Presented to Myron P. Gilmore,  Florence.

Brown, Howard Mayer. 1977. Fantasia on a Theme by Boccaccio. Early Music, 5: 324–39.

Brown, Howard Mayer. 1976. Instruments and Voices in the Fifteenth-Century Chanson. Current Thought in Musicology, 89-137. Austin.

Brown, Howard Mayer. 1976. The Performance and Interpretation of Josquin's Secular Music [Workshop]. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971,  London, New York, and Toronto.

Brown, Howard Mayer. 1976. Accidentals and Ornamentation in Sixteenth-Century Intabulations of Josquin's Motets. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971,  London, New York, and Toronto.

Brown, Howard Mayer, and Edward E. Lowinsky (eds.) 1975. Eustachio Romano: Musica Duorum Rome, 1521. Monuments of Renaissance Music.  Chicago and London.

Brown, Howard Mayer (ed.) 1973-. Early Music Series.  London.

Brown, Howard Mayer. 1973. On the performance of fifteenth-century chansons. Early Music, 1: 3-8.

Brown, Howard Mayer. 1971. Improvised Ornamentation in the Fifteenth-Century Chanson. Quadrivium, 12: 235-58.

Brown, Howard Mayer. 1971. Improvised ornamentation in fifteenth-century chanson. Quadrivium, 12/1: 235ff.

Brown, Howard Mayer. 1968. The Music of the Strozzi Chansonnier (Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442). Acta Musicologica, 40: 115-29.

Brown, Howard Mayer. 1968. The music of the Strozzi Chansonnier (Florence, Biblioteca del Conservatorio di musica, ms. Basevi 2442). Acta Musicologica, 40 fasc. 2-3: 115ff.

Brown, Howard Mayer. 1967. The Transformation of the Chanson at the End of the Fifteenth Century. International Musicological Society: Report, 78-94.

Brown, Howard Mayer, Frank A D'Accone, and Miroslaw Perz. 1967. Critical Years in European Musical History 1500-1530. International Musicological Society: Report of the Tenth Congress Lubljana, 1967, 77-114.

Brown, Howard Mayer. 1966. Chansons for the pleasure of a Florentine patrician: Florence, Biblioteca del Conservatorio di musica, ms. Basevi 2442. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, 56ff. New York.

Brown, Howard Mayer. 1966. Chansons for the Pleasure of a Florentine Patrician: Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese,  New York.

Brown, Howard Mayer. 1964. The Genesis of a Style: The Parisian Chanson, 1500-1530. Chanson & Madrigal 1480-1530: Studies in Comparison and Contrast, 1-50,141-72. Cambridge, Massachusetts.

Brown, Howard Mayer. 1963. Music in the French secular theater 1400-1550.  Cambridge, Mass..

Brown, Howard Mayer. 1963. Theatrical chansons of the fifteenth- and early sixteenth centuries.  Cambridge, Mass.: Harvard University Press.

Brown, Howard Mayer. 1963. Music in the French Secular Theater, 1400-1550.  Cambridge, Massachusetts.

Brown, Howard Mayer. 1959. The Chanson Rustique: Popular Elements in the 15th- and 16th-Century Chanson. Journal of the American Musicological Society, 12: 16-26.