Planchart, Alejandro Enrique

Planchart, Alejandro Enrique. 2018. Guillaume Du Fay.  Cambridge: CUP.

Bent, Margaret. 2015. Orfeo: dominus presbiter Orpheus de Padua. ‘Qui musicam in se habet’: Studies in Honor of Alejandro Enrique Planchart, edited by Bonnie J Blackburn, Anna Zayaruznaya,  and Stanley Boorman, 231-256. American Institute of Musicology.

Planchart, Alejandro Enrique (ed.) 2011. New Du Fay edition.  <a href="http://www.diamm.ac.uk/resources/planchartdufay.html"target="_blank">http://www.diamm.ac.uk/resources/planchartdufay.html</a>.

Planchart, Alejandro Enrique (ed.) 2009. Guillaume Du Fay, Opera Omnia.  Grove online.

Planchart, Alejandro Enrique. 2008. The Polyphonic Proses of Guillaume Du Fay. 'Uno gentile et subtile ingenio': Studies in Renaissance Music in Honour of Bonnie Blackburn, edited by Mary Jennifer Bloxam, Gioia Filocamo,  and Leofranc Holford-Strevens,  Tours.

Planchart, Alejandro Enrique. 2008. Four Motets of Guillaume Du Fay in Context. Sleuthing the Muse: Essays in Honor of William F. Prizer, edited by Kristine K. Forney and Derek Katz,  New York: Stuyvesant.

Planchart, Alejandro Enrique. 1998. Music for the Papal Chapel in the Early Fifteenth Century. Papal Music and Musicians in Medieval and Renaissance Rome, edited by Richard Jonathan Sherr, 93-124. Oxford.

Planchart, Alejandro Enrique. 1997. Guillaume Du Fay's Second Style. Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, edited by Jessie Ann Owens and Anthony M Cummings, 307-40. Warren, Michigan.

Planchart, Alejandro Enrique. 1993. The Early Career of Guillaume Du Fay. Journal of the American Musicological Society, 46: 341-68.

Planchart, Alejandro Enrique. 1989. Tempo and Proportions. Performance Practice: 1. Music Before 1600, edited by Howard Mayer Brown and Stanley Sadie, 126–44. London: Macmillan Press.

Planchart, Alejandro Enrique. 1988. Fragments, Palimpsests, and Marginalia. The Journal of Musicology, 6: 293–339.

Planchart, Alejandro Enrique. 1988. Guillaume Du Fay's Benefices and his Relationship to the Court of Burgundy. Early Music History, 8: 117-71.

Planchart, Alejandro Enrique. 1988. What's in a Name? Reflections on Some Works of Guillaume Du Fay. Early Music, 16: 165-75.

Herlinger, Jan, None Marchettus of Padua [theorist], and Alejandro Enrique Planchart. 1985. The Lucidarium of Marchetto of Padua: A Critical Edition, Translation and Commentary. edited by Jan Herlinger,  Chicago: University of Chicago Press.

Planchart, Alejandro Enrique. 1981. Fifteenth-Century Masses: Notes on Performance and Chronology. Studi Musicali, 10: 3-29.

Planchart, Alejandro Enrique. 1976. Guillaume Dufay's Masses: A View of the Manuscript Traditions. Papers read at the Dufay Quincentenary Conference, Brooklyn College, December 6-7, 1974, 26-60,150-1. Brooklyn.

Planchart, Alejandro Enrique. 1972. Guillaume Dufay's Masses: Notes and Revisions. The Musical Quarterly, 58: 1-23.

Planchart, Alejandro Enrique (ed.) 1964. Missae Caput. Collegium Musicum.  New Haven.