Planchart, Alejandro Enrique. 2018. Guillaume Du Fay.  Cambridge: CUP.

Bent, Margaret. 2015. Orfeo: dominus presbiter Orpheus de Padua. ‘Qui musicam in se habet’: Studies in Honor of Alejandro Enrique Planchart, edited by Bonnie J Blackburn, Anna Zayaruznaya,  and Stanley Boorman, 231-256. American Institute of Musicology.

Planchart, Alejandro Enrique (ed.) 2011. New Du Fay edition.  <a href="http://www.diamm.ac.uk/resources/planchartdufay.html"target="_blank">http://www.diamm.ac.uk/resources/planchartdufay.html</a>.

Planchart, Alejandro Enrique (ed.) 2009. Guillaume Du Fay, Opera Omnia.  Grove online.

Planchart, Alejandro Enrique. 2008. The Polyphonic Proses of Guillaume Du Fay. 'Uno gentile et subtile ingenio': Studies in Renaissance Music in Honour of Bonnie Blackburn, edited by Mary Jennifer Bloxam, Gioia Filocamo,  and Leofranc Holford-Strevens,  Tours.

Planchart, Alejandro Enrique. 2008. Four Motets of Guillaume Du Fay in Context. Sleuthing the Muse: Essays in Honor of William F. Prizer, edited by Kristine K. Forney and Derek Katz,  New York: Stuyvesant.

Planchart, Alejandro Enrique. 2004. Problems of Authenticity, Transmission, and Performance in Morales. The echo of music: Essays in honor of Marie Louise Göllner, 125-141. Detroit: Harmonie Park Press.

Planchart, Alejandro Enrique. 1998. Music for the Papal Chapel in the Early Fifteenth Century. Papal Music and Musicians in Medieval and Renaissance Rome, edited by Richard Jonathan Sherr, 93-124. Oxford.

Planchart, Alejandro Enrique. 1997. Guillaume Du Fay's Second Style. Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, edited by Jessie Ann Owens and Anthony M Cummings, 307-40. Warren, Michigan.

Planchart, Alejandro Enrique. 1993. The Early Career of Guillaume Du Fay. Journal of the American Musicological Society, 46: 341-68.

Planchart, Alejandro Enrique. 1989. Tempo and Proportions. Performance Practice: 1. Music Before 1600, edited by Howard Mayer Brown and Stanley Sadie, 126–44. London: Macmillan Press.

Planchart, Alejandro Enrique. 1988. Fragments, Palimpsests, and Marginalia. The Journal of Musicology, 6: 293–339.

Planchart, Alejandro Enrique. 1988. Guillaume Du Fay's Benefices and his Relationship to the Court of Burgundy. Early Music History, 8: 117-71.

Planchart, Alejandro Enrique. 1988. What's in a Name? Reflections on Some Works of Guillaume Du Fay. Early Music, 16: 165-75.

Herlinger, Jan, None Marchettus of Padua [theorist], and Alejandro Enrique Planchart. 1985. The Lucidarium of Marchetto of Padua: A Critical Edition, Translation and Commentary. edited by Jan Herlinger,  Chicago: University of Chicago Press.

Planchart, Alejandro Enrique. 1981. Fifteenth-Century Masses: Notes on Performance and Chronology. Studi Musicali, 10: 3-29.

Planchart, Alejandro Enrique. 1976. Guillaume Dufay's Masses: A View of the Manuscript Traditions. Papers read at the Dufay Quincentenary Conference, Brooklyn College, December 6-7, 1974, 26-60,150-1. Brooklyn.

Planchart, Alejandro Enrique. 1972. Guillaume Dufay's Masses: Notes and Revisions. The Musical Quarterly, 58: 1-23.

Planchart, Alejandro Enrique (ed.) 1964. Missae Caput. Collegium Musicum.  New Haven.