Page, Christopher. 2010. The Carol in Anglo-Saxon Canterbury? Essays on the History of English Music: sources, style, performance, historiography, edited by Emma Hornby and David Maw,  Woodbridge: Boydell.

Page, Christopher. 1997. Latin Poetry and Conductus Rhythm in Medieval France. Royal Musical Association Monographs.  London.

Page, Christopher. 1996. Marian Texts and Themes in an English Manuscript; a Miscellany in Two Parts. Plainsong and Medieval Music, 5: 23-44.

Page, Christopher. 1993. Discarding Images: Reflections on Music and Culture in Medieval France.  Oxford: Clarendon.

Page, Christopher. 1993. The Rise of the Vernacular Motet. Discarding Images. Reflection on Music and Culture in Medieval France, edited by Christopher Page, 43-64. Oxford.

Page, Christopher. 1990. Polyphony before 1400. Performance Practice: Music before 1600, Norton/Grove Handbooks in Music. edited by Howard Mayer Brown, 79-104. New York and London: Norton.

Page, Christopher. 1989. The Owl and the Nightingale: Musical Life and Ideas in France 1100-1300.  London.

Page, Christopher. 1988. The Cambridge Guide to the Arts in Britain, vol.2: The Middle Ages . edited by Boris Ford,  Cambridge.

Page, Christopher. 1983. 'Angelus ad virginem': A new work by Philippe the Chancellor? Early Music, 11/1: 69-70.

Page, Christopher. 1976. A Catalogue and Bibliography of English Song from Its Beginnings to c1300. Royal Musical Association Research Chronicle, 13: 67-83.