Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1 | [blank staves] | - | - |
[blank staves]
Appears on:
1
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| 1v–2 | Christus factus est - 1a pars (orf 2): Christus factus est | - | |
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Appears on:
1v–2
Genres:
Motet
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| 2v–3 | Christus factus est - 2a pars (orf 2): Propter quod et Deus | - | |
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Appears on:
2v–3
Genres:
Motet
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| 3v–4 | Fortem vocemus (5vv) - 1a pars (of 2): Fortem vocemus cuius ex humeris leo | - | |
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Appears on:
3v–4
Genres:
Motet
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| 4v–5 | Fortem vocemus (5vv) - 2a pars (of 2): Fortem vocemus cuius horrentes comae | - | |
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Appears on:
4v–5
Genres:
Motet
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| 5v–6 | Vivre ne puis sur terre (I) | - | |
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Appears on:
5v–6
Genres:
Chanson
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| 6v–7 | Se dire je l'osoie | - | |
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Appears on:
6v–7
Genres:
Chanson
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| 7v–8 | Je ne sais pas comment (II) | - | |
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Appears on:
7v–8
Genres:
Chanson
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| 8v–9 | Benedictus Dominus - 1a pars (of 2): Benedictus Dominus Deus Israel | - | |
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Appears on:
8v–9
Genres:
Motet
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| 9v–10 | Benedictus Dominus - 2a pars (of 2): Honor virtus et potestas | - | |
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Appears on:
9v–10
Genres:
Motet
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| 10v–11 | Miserere mei Domine - 1a pars (of 2): Miserere mei Domine quoniam infirmus sum | - | |
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Appears on:
10v–11
Genres:
Motet
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| 11–11v | Miserere mei Domine - 2a pars (of 2): Convertere Domine | - | |
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Appears on:
11–11v
Genres:
Motet
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| 11v | O Maria vernans rosa | - | |
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Appears on:
11v
Genres:
Motet
General Notethe part consists of a single repeated line of music |
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| 11v–12 | Levavi oculos meos | - | |
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Appears on:
11v–12
Genres:
Motet
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| 12v–13 | Dites pourquoi votre amitie s'efface | - | |
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Appears on:
12v–13
Genres:
Chanson
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| 13v | Vivons joyeusement | - | |
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Appears on:
13v
Genres:
Chanson
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| 14 | Adieu l'espoir | - | |
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Appears on:
14
Genres:
Chanson
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| 14v | Adieu mon esperance (5vv) | - | |
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Appears on:
14v
Genres:
Chanson
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| 15 | Hodie nobis de caelo | - | |
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Appears on:
15
Genres:
Motet
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| 15v–15* | Aspice Domine | - | |
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Appears on:
15v–15*
Genres:
Motet
LayoutQuintus & Bassus 2 parts copied. This first version was then abandoned by pasting ff. 15-15* together; a new version was copied at ff. 27v-28 |
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| 15*v | Vivere vis recte | - | |
|
Appears on:
15*v
Genres:
Motet
General Notemarked "Canon" the Quintus also provides a second Bassus part |
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| 16 | Ego autem cantabo (5vv) | - | |
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Appears on:
16
Genres:
Motet
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| 16v, 17* | Derelinquat impius viam (I) | - | |
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Appears on:
16v, 17*
Genres:
Motet
LayoutTwo voice parts, Quintus (f. 16v) & Bassus 2 (f. 17*). This version was abandoned and hidden by pasting a bifolio (ff. 16*-17) onto the two pages 16v-17*, In the middle fo the enw bifolio "Oncques amour2 was copied; the outside faces of the bifolio (pasted down) are blank. |
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| 16* | [blank staves] | - | - |
[blank staves]
Appears on:
16*
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| 16*v–17 | Onques amour ne fut sans grand langueur (6vv) | - | |
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Appears on:
16*v–17
Genres:
Chanson
LayoutTwo voice parts, Quintus (verso) & Bassus 2 (recto). |
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| 17v | [blank staves] | - | - |
[blank staves]
Appears on:
17v
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| 17*v | Amour au coeur me point (II) | - | |
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Appears on:
17*v
Genres:
Chanson
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| 18 | Tu Bethlehem terra Juda | - | |
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Appears on:
18
Genres:
Motet
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| 18v–19 | J'ay si tort bataillez | - | |
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Appears on:
18v–19
Genres:
Chanson
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| 19v–20 | En attendant secours | - | |
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Appears on:
19v–20
Genres:
Chanson
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| 20–20v | Congregati sunt inimici nostri | - | |
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Appears on:
20–20v
Genres:
Motet
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| 20v–21v | Tua est potentia | - | |
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Appears on:
20v–21v
Genres:
Motet
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| 21v–22 | Misericordia et veritas | - | |
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Appears on:
21v–22
Genres:
Motet
LayoutTwo voice parts copied, Quintus (ff. 21v-22) & Bassus (f. 22) |
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| 22v–23 | Je ne suis pas de ces gens la (5vv) | - | |
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Appears on:
22v–23
Genres:
Chanson
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| 23–23v | Pour une seule que j'aime tant | - | |
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Appears on:
23–23v
Genres:
Chanson
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| 23v–24 | Ce mois de may (5vv) | - | |
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Appears on:
23v–24
Genres:
Chanson
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| 24v–25 | Puis qu'elle a mis | - | |
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Appears on:
24v–25
Genres:
Chanson
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| 25v–26 | Mon coeur chante (5vv) | - | |
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Appears on:
25v–26
Genres:
Chanson
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| 26v–27 | If Phoebus storms | - | |
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Appears on:
26v–27
Genres:
Madrigal (English)
Layouta first version was copied on f. 26v; this was then abandoned and a new leaf pasted over f. 26v (hence f. 26* is blank); the final version of the piece was then copied on the new verso (f. 26*v), running on to the opposite recto (f. 27) |
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| 27v–28 | Aspice Domine | - | |
|
Appears on:
27v–28
Genres:
Motet
General NoteThis is the revised version of the piece, replacing the abandoned version at ff. 15v-15*. Bassus 2 (verso) and Quintus (recto) parts copied. |
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| 28v | Le bergier et la bergiere | - | |
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Appears on:
28v
Genres:
Chanson
|
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| 29 | Ayez pitie | - | |
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Appears on:
29
Genres:
Chanson
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| 29v–30v | Pere eternel | - | |
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Appears on:
29v–30v
Genres:
Hymn
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| 31 | Vivre ne puis sur terre (II) | - | |
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Appears on:
31
Genres:
Chanson
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| 31v | Je ne me puis tenir d'aimer | - | |
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Appears on:
31v
Genres:
Chanson
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| 32 | Derelinquat impius viam (II) | - | |
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Appears on:
32
Genres:
Motet
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| 32v | Adhesit pavimento - 1a pars (of 2): Adhesit pavimento anima mea | - | |
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Appears on:
32v
Genres:
Motet
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| 33–33v | Adhesit pavimento - 2a pars (of 2): Dormitavit anima mea praesedio | - | |
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Appears on:
33–33v
Genres:
Motet
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| 33v–34 | Laudate Dominum omnes gentes (5vv) | - | |
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Appears on:
33v–34
Genres:
Motet
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| 34, 34*v | Tous mes amis | - | |
|
Appears on:
34, 34*v
Genres:
Chanson
LayoutThe copying is now 'interrupted' by the blank ff. 34v-34*; these pages were previously stuck together, presumably after copyist (Gerarde) turned 2 pages instead of one leaving the blank opening in the middle of "Tous mes amis" |
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| 34v–34* | [blank staves] | - | - |
[blank staves]
Appears on:
34v–34*
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| 35 | Voce mea - 1a pars (of 2): Voce mea ad Dominum clamavi | - | |
|
Appears on:
35
Genres:
Motet
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| 35v | Voce mea - 2a pars (of 2): In die tribulationis meae | - | |
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Appears on:
35v
Genres:
Motet
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| 36–36v | O souverain pasteur et maitre | - | |
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Appears on:
36–36v
Genres:
Hymn
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| 37 | Je suis amoureux | - | |
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Appears on:
37
Genres:
Chanson
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| 37v | Sic Deus dilexit - 1a pars (of 2): Sic Deus dilexit | - | |
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Appears on:
37v
Genres:
Motet
|
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| 38 | Le souvenir d'amour me tient | - | |
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Appears on:
38
Genres:
Chanson
|
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| 38v–39 | Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum | - | |
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Appears on:
38v–39
Genres:
Motet
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| 39v–40 | Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet | - | |
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Appears on:
39v–40
Genres:
Motet
|
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| 40v–41 | Domine clamavi - 1a pars (of 2): Domine clamavi | - | |
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Appears on:
40v–41
Genres:
Motet
LayoutTwo voice parts copied, Altus (verso) and Tenor (in baritone range, recto) |
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| 41v–42 | Domine clamavi - 2a pars (of 2): Vide humilitatem | - | |
|
Appears on:
41v–42
Genres:
Motet
LayoutTwo voice parts copied, Altus (verso) and Tenor (in baritone range, recto) |
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| 42v–43 | Peccantem me - 1a pars (of 2): Peccantem me quotidie | - | |
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Appears on:
42v–43
Genres:
Motet
LayoutTwo voice parts copied, Quintus (verso) and Tenor 2 (recto) |
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| 43v–44 | Peccantem me - 2a pars (of 2): Deus in nomine tuo | - | |
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Appears on:
43v–44
Genres:
Motet
LayoutTwo voice parts copied, Quintus (verso) and Tenor 2 (recto) |
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| 44v–45 | Resveillez vous tous | - | |
|
Appears on:
44v–45
Genres:
Chanson
LayoutTwo voice parts copied, Bassus 2 (verso) and Quintus (recto) |
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| 45v–46 | Je suis desheritee | - | |
|
Appears on:
45v–46
Genres:
Chanson
LayoutTwo voice parts copied, Contra Tenor (Altus) 2 and Tenor 2 (recto) |
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| 46v–47 | Puis que fortune | - | |
|
Appears on:
46v–47
Genres:
Chanson
LayoutTwo voice parts copied, Contra Tenor (Altus) 2 and Tenor 2 (recto) |
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| 47v–48 | Pour une las j'endure | - | |
|
Appears on:
47v–48
Genres:
Chanson
LayoutTwo voice parts copied, Contra Tenor (Altus) 2 and Tenor 2 (recto) |
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| 48v–50 | Resjouissons nous | - | |
|
Appears on:
48v–50
Genres:
Chanson
LayoutTwo voice parts copied, Quintus (versos) and Tenor (rectos) |
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| 50v–52 | Plaisir n'ay plus | - | |
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Appears on:
50v–52
Genres:
Chanson
LayoutTwo voice parts copied, Quintus (versos) and Bassus (rectos) |
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| 52v–54 | Tant ai souffert | - | |
|
Appears on:
52v–54
Genres:
Chanson
LayoutTwo voice parts copied, Quintus (versos) and Bassus (rectos) |
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| 54v–55 | Sic Deus dilexit - 2a pars (of 2): Venite ad me | - | |
|
Appears on:
54v–55
Genres:
Motet
LayoutTwo voice parts copied, Contra tenor 2 (verso) and Bassus 2 (recto) |
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| 55v–56 | Tribulationem nostram | - | |
|
Appears on:
55v–56
Genres:
Motet
LayoutTwo voice parts copied, Quintus (verso) and Bassus 2 (recto) |
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| 56v–57 | Domine ne memineris - 1a pars (of 2): Domine ne memineris | - | |
|
Appears on:
56v–57
Genres:
Motet
LayoutTwo voice parts copied, Quintus (verso) and Bassus 2 (recto) |
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| 57v–58 | Domine ne memineris - 2a pars (of 2): Adjuva nos | - | |
|
Appears on:
57v–58
Genres:
Motet
LayoutTwo voice parts copied, Quintus (verso) and Bassus 2 (recto) |
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| 58v–59 | Mon coeur chante (6vv) | - | |
|
Appears on:
58v–59
Genres:
Chanson
|
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| 59v–60 | [blank staves] | - | - |
[blank staves]
Appears on:
59v–60
|
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| 60v–61 | Helas quel jour seray-je à mon vouloir | - | |
|
Appears on:
60v–61
Genres:
Chanson
LayoutTwo voice parts copied, Sexta (verso) and Quintus (recto) |
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| 61v–62 | Le rossignol plaisant et gratieux | - | |
|
Appears on:
61v–62
Genres:
Chanson
LayoutTwo voice parts copied, both in Altus range |
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| 62v–63 | [blank staves] | - | - |
[blank staves]
Appears on:
62v–63
|
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| 63v–64 | Laudemus omnes | - | |
|
Appears on:
63v–64
Genres:
Motet
LayoutTwo voice parts copied, Quintus (verso) and Sextus (recto) |
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| 64v–65 | Noe noe exultemus | - | |
|
Appears on:
64v–65
Genres:
Motet
LayoutTwo voice parts copied, Quintus (verso) and Altus (recto) |
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| 65v–66 | Laudate Dominum in sanctis eius | - | |
|
Appears on:
65v–66
Genres:
Motet
LayoutTwo voice parts copied, Tenor 2 (verso) and Contra tenor 2 (in baritone range) (recto) |
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| 66v–67 | In tribulatione mea | - | |
|
Appears on:
66v–67
Genres:
Motet
LayoutTwo voice parts copied, Tenor 2 (verso) and Contra tenor 2 (recto) |
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| 67v–68 | Hodie Christus natus est | - | |
|
Appears on:
67v–68
Genres:
Motet
LayoutTwo voice parts copied, Contra tenor 1 (verso) and Contra tenor 2 (recto) |
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| 68v–69 | Avecques vous mon amour finira | - | |
|
Appears on:
68v–69
Genres:
Chanson
LayoutTwo voice parts copied, Quintus (verso) and Superius 2 (recto) |
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| 69v–70 | Murus aeneus | - | |
|
Appears on:
69v–70
Genres:
Motet
LayoutTwo voice parts copied, Quinta (verso) and Superius 2 (recto) |
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| 70v–71 | Soyons joyeux sur la plaisant verdure | - | |
|
Appears on:
70v–71
Genres:
Chanson
LayoutTwo voice parts copied, Quintus (verso) and Superius 2 (recto) |
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| 71v–72 | J'ay tant chasse | - | |
|
Appears on:
71v–72
Genres:
Chanson
LayoutTwo voice parts copied, Quintus (verso) and Superius 2 (recto) |
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| 72v–72* | En attendant d'amour (8vv) | - | |
|
Appears on:
72v–72*
Genres:
Chanson
LayoutTwo voice parts copied, Contra tenor 2 (verso) and Tenor 2 (recto) LayoutTwo voice parts copied, Contra tenor 2 (verso) and Tenor 2 (recto) General NoteAfter copying the piece was rejected, and the two sides on which it was copied pasted together |
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| 72*v | Ego autem cantabo (7vv) | - | |
|
Appears on:
72*v
Genres:
Motet
|
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| 73–73v | [blank staves] | - | - |
[blank staves]
Appears on:
73–73v
|
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