GB-Lbl Royal Appendix 18

British Library, London, England

partbook: c. 1565-1580

Archive British Library, London, England (GB-Lbl)
Shelfmark Royal Appendix 18
Surface Paper
Numbering System Foliation
Measurements 255 x 201 mm
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 62 pieces from 2 composers
General Description

An Altus partbook from a set of 6, containing 40 motets for 6-10 voices. Although unattributed, many are known from concordances to be by Dyricke Gerarde. Copied mostly by Gerarde, although in a few places the hand of an assistant can be discerned, Some of the books bear Gerarde's name; the same books carry the ownership stamp of John Lumley. The books were probably copied late in Gerarde's career; though intended as a 'fair copy', there are a number of errors and omissions, and on several occasions (especially in Quintus) a 2a pars precedes the 1a, presumably owing to turning 2 pages at once, then turning back to copy the 2a pars.

DIAMM, 2017
Extent

53 ff.

DIAMM, 2022
Physical Description

First 10 folios have been lost from Sextus (which is numbered from the first remaining folio); also lost is the first folio of the Bassus, which now starts st f.2.

DIAMM, 2022
Watermark

A cup or shield surmounted by a crown, over a scroll with the inscription "Nicolas Lebé" (c. 1560-90)

DIAMM, 2022
Liminary Note

Flyleaves of Altus, Tenor and Quintus carry the name "Dyricke Gerard(e)", and ownership stamp of John Lumley.

DIAMM, 2022
Ruling

5 staves per page

DIAMM, 2022
Foliation

original foliation top right

DIAMM, 2022
Index

Original index at back of book (missing in Bassus and Sextus)

DIAMM, 2022

rear endpaper 3r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Derelinquat impius viam (III) -
Appears on: 1–1v
Genres: Motet
2 Gloria tibi trinitas -
Appears on: 2
Genres: Motet
2v–3 Nunquid adheret - 1a pars (of 2): Nunquid adheret tibi -
Appears on: 2v–3
Genres: Motet
3v–4 Nunquid adheret - 2a pars (of 2): Et factus est -
Appears on: 3v–4
Genres: Motet
4v–5 Puer qui natus est - 1a pars (of 2): Puer qui natus est -
Appears on: 4v–5
Genres: Motet
5v–6 Puer qui natus est - 2a pars (of 2): Hic precursor dilectus -
Appears on: 5v–6
Genres: Motet
6v–7 Domine clamavi - 1a pars (of 2): Domine clamavi -
Appears on: 6v–7
Genres: Motet
7v–8 Domine clamavi - 2a pars (of 2): Vide humilitatem -
Appears on: 7v–8
Genres: Motet
8v–9 Animam meam dilectam - 1a pars (of 2): Animam meam dilectam -
Appears on: 8v–9
Genres: Motet
9v–10 Animam meam dilectam - 2a pars (of 2): Congregamini -
Appears on: 9v–10
Genres: Motet
10v–11 Laetare Jerusalem et conventum facite omnes -
Appears on: 10v–11
Genres: Motet
11v–12 Aspice Domine -
Appears on: 11v–12
Genres: Motet
12v–13 Quare Tristis es anima mea -
Appears on: 12v–13
13v–14 Versa est in luctum - 1a pars (of 2): Versa est in luctum cithara mea -
Appears on: 13v–14
Genres: Motet
14v–15 Versa est in luctum - 2a pars (of 2): Cutis mea denigrata est super me -
Appears on: 14v–15
Genres: Motet
15v–16 Da mihi Domine -
Appears on: 15v–16
Genres: Motet
16 Occurrerunt Maria et Martha - 1a pars (of 2): Occurrerunt Maria et Martha -
Appears on: 16
Genres: Motet
General Note

the paet consists of a short repeated 'motto' statement in breves, and is fitted in at the bottomof f. 16

16 Occurrerunt Maria et Martha - 2a pars (of 2): Videns Jesus -
Appears on: 16
Genres: Motet
General Note

'secunda pars ut supra', fitted in at bottom of f. 16

16v–17 Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena -
Appears on: 16v–17
Genres: Motet
17v–18 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt -
Appears on: 17v–18
Genres: Motet
18v–19 Tribulationem nostram -
Appears on: 18v–19
Genres: Motet
19v–20 Sic Deus dilexit - 2a pars (of 2): Venite ad me -
Appears on: 19v–20
Genres: Motet
General Note

2a pars copied first

20v–21 Sic Deus dilexit - 1a pars (of 2): Sic Deus dilexit -
Appears on: 20v–21
Genres: Motet
21v–22 Peccantem me - 1a pars (of 2): Peccantem me quotidie -
Appears on: 21v–22
Genres: Motet
22v–23 Peccantem me - 2a pars (of 2): Deus in nomine tuo -
Appears on: 22v–23
Genres: Motet
23v–24 Domine ne memineris - 1a pars (of 2): Domine ne memineris -
Appears on: 23v–24
Genres: Motet
24v–25 Domine ne memineris - 2a pars (of 2): Adjuva nos -
Appears on: 24v–25
Genres: Motet
25v–26 Ad te levavi - 1a pars (of 2): Ad te levavi oculos meos -
Appears on: 25v–26
Genres: Motet
26v–27 Ad te levavi - 2a pars (of 2): Miserere nostri Domine -
Appears on: 26v–27
Genres: Motet
27v–28 Viri Galilei - 1a pars (of 2): Viri Galilei quid admiramini aspicientes -
Appears on: 27v–28
Genres: Motet
28v–29 Viri Galilei - 2a pars (of 2): Cumque intuerentur -
Appears on: 28v–29
Genres: Motet
29v–30 Non me vincat Deus -
Appears on: 29v–30
Genres: Motet
30v–31 Omnis caro - 1a pars (of 2): Omnis caro -
Appears on: 30v–31
Genres: Motet
31v–32 Omnis caro - 2a pars (of 2): Vere foenum est -
Appears on: 31v–32
Genres: Motet
32v–33 Magi veniunt ab oriente - 1a pars (of 2): Magi veniunt ab oriente Jerosolimam -
Appears on: 32v–33
Genres: Motet
33v–34 Magi veniunt ab oriente - 2a pars (of 2): Interrogabat magos Herodes quod signum -
Appears on: 33v–34
Genres: Motet
34v–35 Domine da mihi animum purum -
Appears on: 34v–35
Genres: Motet
35v–36 Honor virtus - 1a pars (of 2): Honor virtus et potestas -
Appears on: 35v–36
Genres: Motet
36v–37 Honor virtus - 2a pars (of 2): Trinitati lux -
Appears on: 36v–37
Genres: Motet
37v–38 In monte Oliveti - 1a pars (of 2): In monte Oliveti -
Appears on: 37v–38
Genres: Motet
38v In monte Oliveti - 1a pars (of 2): Verumtamen non sicut ego -
Appears on: 38v
Genres: Motet
39–39v Deus qui superbis resistis et gratiam -
Appears on: 39–39v
Genres: Motet
39v–40 Ego autem cantabo (7vv) -
Appears on: 39v–40
Genres: Motet
40v Timor et tremor (II) - 1a pars (of 2): Timor et tremor -
Appears on: 40v
Genres: Motet
41 Timor et tremor (II) - 2a pars (of 2): Exaudi Deus deprecationem meam -
Appears on: 41
Genres: Motet
41v–42 Hodie nobis - 1a pars (of 2): Hodie nobis caelorum Rex -
Appears on: 41v–42
Genres: Motet
42v Hodie nobis - 2a pars (of 2): Gloria in excelsis -
Appears on: 42v
Genres: Motet
43–43v Angelus ad pastores ait -
Appears on: 43–43v
Genres: Motet
43v–44 Hodie Christus natus est -
Appears on: 43v–44
Genres: Motet
44v–45 Murus aeneus -
Appears on: 44v–45
Genres: Motet
45v In tribulatione mea -
Appears on: 45v
Genres: Motet
46 Laudate Dominum in sanctis eius -
Appears on: 46
Genres: Motet
46v Noe noe exultemus -
Appears on: 46v
Genres: Motet
47 Laudemus omnes -
Appears on: 47
Genres: Motet
47v Illuminare Jerusalem -
Appears on: 47v
Genres: Motet
48 Cognovi Domine - 1a pars (of 2): Cognovi Domine -
Appears on: 48
Genres: Motet
48v Cognovi Domine - 2a pars (of 2): Veniant mihi -
Appears on: 48v
Genres: Motet
49–50 Gratia vobis (9vv) -
Appears on: 49–50
Genres: Motet
General Note

Altus & Tenor 2 voice parts: opening of both on f.49, then one part on each of f.49v & f.50

50v–51 Laus Deo (10vv) -
Appears on: 50v–51
Genres: Motet
General Note

Medius & Altus voice parts

51v [blank staves] - -

[blank staves]

Appears on: 51v
52–52v [blank pages] - -

[blank pages]

Appears on: 52–52v
General Note

f. 52 is the 'title page': "CONTRA / Dyricke Gerarde: / Lumley"

53–53v index - -

index

Appears on: 53–53v
Composer Compositions
Anonymous
Gerarde, Derrick (fl. c1540–1580)
Composition Composers (? Uncertain) Folios / Pages
Ad te levavi - 1a pars (of 2): Ad te levavi oculos meos 25v–26
Ad te levavi - 2a pars (of 2): Miserere nostri Domine 26v–27
Angelus ad pastores ait 43–43v
Animam meam dilectam - 1a pars (of 2): Animam meam dilectam 8v–9
Animam meam dilectam - 2a pars (of 2): Congregamini 9v–10
Aspice Domine 11v–12
Cognovi Domine - 1a pars (of 2): Cognovi Domine 48
Cognovi Domine - 2a pars (of 2): Veniant mihi 48v
Da mihi Domine 15v–16
Derelinquat impius viam (III) 1–1v
Deus qui superbis resistis et gratiam 39–39v
Domine clamavi - 1a pars (of 2): Domine clamavi 6v–7
Domine clamavi - 2a pars (of 2): Vide humilitatem 7v–8
Domine da mihi animum purum 34v–35
Domine ne memineris - 1a pars (of 2): Domine ne memineris 23v–24
Domine ne memineris - 2a pars (of 2): Adjuva nos 24v–25
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 16v–17
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una sabbatorum veniunt 17v–18
Ego autem cantabo (7vv) 39v–40
Gloria tibi trinitas 2
Gratia vobis (9vv) 49–50
Hodie Christus natus est 43v–44
Hodie nobis - 1a pars (of 2): Hodie nobis caelorum Rex 41v–42
Hodie nobis - 2a pars (of 2): Gloria in excelsis 42v
Honor virtus - 1a pars (of 2): Honor virtus et potestas 35v–36
Honor virtus - 2a pars (of 2): Trinitati lux 36v–37
Illuminare Jerusalem 47v
In monte Oliveti - 1a pars (of 2): In monte Oliveti 37v–38
In monte Oliveti - 1a pars (of 2): Verumtamen non sicut ego 38v
In tribulatione mea 45v
Laetare Jerusalem et conventum facite omnes 10v–11
Laudate Dominum in sanctis eius 46
Laudemus omnes 47
Laus Deo (10vv) 50v–51
Magi veniunt ab oriente - 1a pars (of 2): Magi veniunt ab oriente Jerosolimam 32v–33
Magi veniunt ab oriente - 2a pars (of 2): Interrogabat magos Herodes quod signum 33v–34
Murus aeneus 44v–45
Noe noe exultemus 46v
Non me vincat Deus 29v–30
Nunquid adheret - 1a pars (of 2): Nunquid adheret tibi 2v–3
Nunquid adheret - 2a pars (of 2): Et factus est 3v–4
Occurrerunt Maria et Martha - 1a pars (of 2): Occurrerunt Maria et Martha 16
Occurrerunt Maria et Martha - 2a pars (of 2): Videns Jesus 16
Omnis caro - 1a pars (of 2): Omnis caro 30v–31
Omnis caro - 2a pars (of 2): Vere foenum est 31v–32
Peccantem me - 1a pars (of 2): Peccantem me quotidie 21v–22
Peccantem me - 2a pars (of 2): Deus in nomine tuo 22v–23
Puer qui natus est - 1a pars (of 2): Puer qui natus est 4v–5
Puer qui natus est - 2a pars (of 2): Hic precursor dilectus 5v–6
Quare Tristis es anima mea 12v–13
Sic Deus dilexit - 1a pars (of 2): Sic Deus dilexit 20v–21
Sic Deus dilexit - 2a pars (of 2): Venite ad me 19v–20
Timor et tremor (II) - 1a pars (of 2): Timor et tremor 40v
Timor et tremor (II) - 2a pars (of 2): Exaudi Deus deprecationem meam 41
Tribulationem nostram 18v–19
Versa est in luctum - 1a pars (of 2): Versa est in luctum cithara mea 13v–14
Versa est in luctum - 2a pars (of 2): Cutis mea denigrata est super me 14v–15
Viri Galilei - 1a pars (of 2): Viri Galilei quid admiramini aspicientes 27v–28
Viri Galilei - 2a pars (of 2): Cumque intuerentur 28v–29

Images © The British Library

Set: TUDOR PARTBOOKS

Type: Project Collection

No images available

GB-Lbl Royal Appendix 41

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GB-Lbl Royal Appendix 42

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GB-Lbl Royal Appendix 43

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GB-Lbl Royal Appendix 44

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GB-Lbl Royal Appendix 57

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GB-Lbl Royal Appendix 59

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GB-Lbl Royal Appendix 60

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GB-Lbl Royal Appendix 61

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GB-Lbl Royal Appendix 62

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GB-Lcm [pr. bk.] B187

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GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

No images available

GB-Ob MS. Tenbury 807

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GB-Ob MS. Tenbury 808

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GB-Ob MS. Tenbury 809

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GB-Ob MS. Tenbury 810

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GB-Ob MS. Tenbury 811

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GB-Och Mus. 45

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IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

US-NYp Mus. Res. Drexel 4182

denotes primary source study

Milledge, Anthony. 2001. The music of Dyricke Gerarde. Durham University, Ph.D. Pages: 70-78. Notes: contents; description; discussion.

Epps, David. 1964. Dericke Gerarde: A study of the British Museum manuscripts Royal Appendix 17-22, 23-25, 26-30, 31-35, 49-54 & 57 with particular reference to the life and works ofthat composer. Edinburgh University, Unpublished D.Mus. thesis. Notes: contents; description; discussion.

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