GB-Lbl Add. MS 30482 (Hamond Partbooks)

British Library, London, England

partbook: c. 1560-90

Archive	British Library, London, England (GB-Lbl)
Shelfmark	Add. MS 30482 (Hamond Partbooks)
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Format	landscape
Measurements	145-55 x 195-205 mm
Other Identifiers	CCM: LonBL 30480-4
Relationships	Smith, John Stafford (1750–1836) (owner) British Museum (owner) Sotheby's auctioneers (owner) Hamond, Thomas (–1662) (owner)
External Links	British Library online catalogue entry
Provenance	Suffolk? England
Contents	Contains 87 compositions, 68 from 28 composers, 19 are anonymous.

General Description

A Tenor partbook from a set of five volumes. Copied by several scribes. Service music and anthems generally have full text underlaid; other pieces generally have text incipits or titles only. Of English origin; perhaps copied in Suffolk. Belonged in 1615 to Thomas Hamond (d. 1662), of Hawkedon, Suffolk; owned in 1776 by John Stafford Smith. Purchased by British Museum at a Sotheby's sale in 1877.

DIAMM, 2017

Binding

New covers of maroon leather and cloth on boards, but original limp vellum covers retained (now bound in as flyleaves)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Printed staves and decorative margins in each book (except Quintus), identical to those in LonBL 15166, similar to those in LonBLR A57.

DIAMM, 2017

Foliation

New pencil foliation 1-87 (begins with original parchment flyleaf and includes original paper flyleaf at back, but omits one leaf with blank staves following f. 61)

DIAMM, 2017

Surface

i paper + i parchment + 86 paper + i paper + i paper

DIAMM, 2017

DIAMM Note

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 2 Mass Ordinary sections, 20 motets, 11 Services or Service sections, 27 anthems, 12 English secular pieces, 8 French secular pieces, 2 Italian secular pieces, 1 In nomine, 1 dance, 2 textless pieces = 87

Adams-2, Bullmann-1, Byrd-4, Caustun-1, (Clemens non Papa)-1, (A. Ferrabosco I)-1, Ferynge-1, Franctynge-1, (C. Hollander/S. Hollander/Lassus)-1, E. Johnson-2, R. Johnson I-5, More-1, W. Mundy-2, Parsley-3, R. Parsons I-3, Partyne-1, Shepherd-5, Tallis-8, (Tallis/Weelkes)-1, Taverner-1, Tye-10, Weelkes-1, W. White-1, Whytbroke-1, Wilder [Phillip de Wildro]/(P. Philips)-1, (Wilder)-1, anon-27

5 partbooks (D-ii paper + i parchment + i paper + 89 paper + i parchment + i paper folios, A-i paper + i parchment + i paper + 93 paper + i paper + i paper, T-i paper + i parchment + 86 paper + i paper + i paper, B-i paper + i parchment + ii paper + 86 paper + i paper + i parchment + i paper, Q-i paper + i parchment + 19 paper + ii parchment + xxxiv paper), 145-55 x 195-205. New pencil foliation —D: 1-89 (begins with original paper flyleaf and omits one leaf with blank staves following f. 40); A: 1-94 (includes original paper flyleaves in front and back, but omits one leaf with blank staves following f. 67); T: 1-87 (begins with original parchment flyleaf and includes original paper flyleaf at back, but omits one leaf with blank staves following f. 61); B: 1-91 (includes all original folios); Q; 1-22 (includes all original folios). New covers of maroon leather and cloth on boards, but original parchment covers retained (now bound in as flyleaves). No index.

Copied by several scribes. Printed staves and decorative margins in each book (except Q), identical to those in LonBL 15166, similar to those in LonBLR A57. Service music and anthems generally have full text underlaid; other pieces generally have text incipits or titles only.

Ca. 1560-90 (ByrdW). Of English origin; perhaps copied in Suffolk. Belonged in 1615 to Thomas Hamond (d. 1662), of Hawkedon, Suffolk; owned in 1776 by John Stafford Smith. Purchased by British Museum at a Sotheby's sale in 1877.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v	[Statement of ownership by Thomas Hamond, witnessed]	-	Anonymous
[Statement of ownership by Thomas Hamond, witnessed] Anonymous Appears on: 1v
2r–5r	First, Flat, Short Service: Te Deum	Parcele	Parsley [Percely], Osbert
First, Flat, Short Service: Te Deum Parsley [Percely], Osbert Appears on: 2r–5r Genres: Liturgical work, Te Deum Source Attribution: Parcele Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: We knowledge the to be the lord General Note Annotations/Corrections: Fol.5r is a later insertion, possibly copying out an earlier now-lost pastedown on the facing page; Notes: Morning Prayer;
5v–7r	Venite [English]	Robart Adams	Adams, Robert
Venite [English] Adams, Robert Appears on: 5v–7r Source Attribution: Robart Adams Number of voices: 3 Voice: [no designation] Languages: English Clef: c4 Voice Text: O com let vs syng vnto the lord General Note Notes: Morning Prayer;
7v–9r	Benedictus [English]	-	Anonymous
Benedictus [English] Anonymous Appears on: 7v–9r Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: Blessed be the lord god of Israell General Note Notes: Morning Prayer;
9v–11r	First, Flat, Short Service: Benedictus (Canticle)	Parselye	Parsley [Percely], Osbert
First, Flat, Short Service: Benedictus (Canticle) Parsley [Percely], Osbert Appears on: 9v–11r Genres: Canticle Source Attribution: Parselye Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: Blessed be ye lord god of Israell General Note Annotations/Corrections: Later hand -Persley's Benedictus; Notes: Morning Prayer;
11v–14r	Morning Service for Men: Te Deum	Mr Moondaye	Mundy, William (ca. 1528–ca. 1591)
Morning Service for Men: Te Deum Mundy, William (ca. 1528–ca. 1591) Appears on: 11v–14r Source Attribution: Mr Moondaye Number of voices: 4 Voice: [no designation] Languages: English Clef: c3 Voice Text: We knowledge the to be the lord General Note Notes: Morning Prayer;
14v–15v	Jubilate Deo (English)	-	Anonymous
Jubilate Deo (English) Anonymous Appears on: 14v–15v Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: O be ioyfull in the lord all ye lands General Note Notes: Morning Prayer;
16r–17r	O God, be merciful unto us	-	Tye, Christopher (ca. 1505–ca. 1573)
O God, be merciful unto us Tye, Christopher (ca. 1505–ca. 1573) Appears on: 16r–17r Genres: Anglican Service Music, Anthem, Deus misereatur [Anglican = 2nd canticle at Evensong] Number of voices: 4 Voice: [no designation] Languages: English Clef: c5 Voice Text: O god be mercyfull vnto vs General Note Notes: Evening Prayer;
17v–18r	Nunc Dimittis	R Adamas	Adams, Robert
Nunc Dimittis Adams, Robert Appears on: 17v–18r Source Attribution: R Adamas Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: Lord nowe leteste yu thy sarvante departe in peace General Note Notes: Evening Prayer;
18v–19r	[Evening Service]: Nunc dimittis	-	Tye, Christopher (ca. 1505–ca. 1573)
[Evening Service]: Nunc dimittis Tye, Christopher (ca. 1505–ca. 1573) Appears on: 18v–19r Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: Lord let thy servant nowe depart in peace General Note Notes: Evening Prayer;
19v–21r	Evening Service: Magnificat [English]	Mr Whit brok	Whytbroke, William
Evening Service: Magnificat [English] Whytbroke, William Appears on: 19v–21r Source Attribution: Mr Whit brok Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: My soule dothe magnify the lorde General Note Notes: Evening Prayer;
21v–22r	Give alms of thy goods	-	Tye, Christopher (ca. 1505–ca. 1573)
Give alms of thy goods Tye, Christopher (ca. 1505–ca. 1573) Appears on: 21v–22r Genres: Anthem Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: Geue allmes of thi goods General Note Notes: Offertory Sentence from Communion;
22r–23r	O praise God in his holiness (I)	Mr Whyt	White, Robert (ca. 1538–1574) (?) White, William
O praise God in his holiness (I) White, Robert (ca. 1538–1574) (?) White, William Appears on: 22r–23r Genres: Anthem Source Attribution: Mr Whyt Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: O prays God in his holynese
23v–25r	Praise the lord ye servants [= Praise ye the Lord ye children]	-	Tye, Christopher (ca. 1505–ca. 1573)
Praise the lord ye servants [= Praise ye the Lord ye children] Tye, Christopher (ca. 1505–ca. 1573) Appears on: 23v–25r Genres: Anthem Number of voices: 4 Voice: [no designation] Languages: English Clef: c5 Voice Text: Prayes ye ye lord ye children
25r–26v	Christ rising again	-	Sheppard, John (ca. 1515–1558)
Christ rising again Sheppard, John (ca. 1515–1558) Appears on: 25r–26v Genres: Anthem Number of voices: 4 Voice: [no designation] Languages: English Clef: c5 Voice Text: Christe rysyng agayne from the deade
26v–27v	O merciful father, we beseech thee	Feryng	Feryng
O merciful father, we beseech thee Feryng Appears on: 26v–27v Source Attribution: Feryng Number of voices: 4 Voice: [no designation] Languages: English Clef: c5 Voice Text: O mercyfull father we beseche ye
27v–28v	O God for thy name's sake save me	John Ffranclynge	Frankling, John
O God for thy name's sake save me Frankling, John Appears on: 27v–28v Source Attribution: John Ffranclynge Number of voices: 4 Voice: [no designation] Languages: English Clef: c5 Voice Text: O god for yi nam sake saue me
29r–29v	I give you a new commandment	-	Sheppard, John (ca. 1515–1558)
I give you a new commandment Sheppard, John (ca. 1515–1558) Appears on: 29r–29v Genres: Anthem Number of voices: 4 Voice: [no designation] Languages: English Clef: c5 Voice Text: I geue yow a newe com[m]andement
30r–30v	In judgement, Lord	-	Anonymous
In judgement, Lord Anonymous Appears on: 30r–30v Number of voices: 4 Voice: [no designation] Languages: English Clef: c5 Voice Text: In iudgemente lorde do yu note procede
31r–32r	Service for Children: Venite	Thomas Caustune	Caustun, Thomas (ca. 1520–1569)
Service for Children: Venite Caustun, Thomas (ca. 1520–1569) Appears on: 31r–32r Source Attribution: Thomas Caustune Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: O come let vs singe vnto ye lord General Note Notes: Morning Prayer;
33r–35r	Service for Children: Te Deum	Thomas caustune	Caustun, Thomas (ca. 1520–1569)
Service for Children: Te Deum Caustun, Thomas (ca. 1520–1569) Appears on: 33r–35r Source Attribution: Thomas caustune Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: We knowledge ye to be ye lord General Note Notes: Morning Prayer;
35r–37r	Service for Children: Benedictus (Canticle)	Thomas Caustune	Caustun, Thomas (ca. 1520–1569)
Service for Children: Benedictus (Canticle) Caustun, Thomas (ca. 1520–1569) Appears on: 35r–37r Source Attribution: Thomas Caustune Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: Blessed be ye lord god of Israell General Note Notes: Morning Prayer;
37v–38r	Service for Children: Gloria	-	Caustun, Thomas (ca. 1520–1569)
Service for Children: Gloria Caustun, Thomas (ca. 1520–1569) Appears on: 37v–38r Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: And in earth peace good will towardes men General Note Notes: Communion;
38v	O death rock me asleep	-	Anonymous
O death rock me asleep Anonymous Appears on: 38v Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: O deathe O deathe rocke me a sleepe
39r	O come pale-faced death	-	Johnson (I), Robert (ca. 1500–ca. 1560)
O come pale-faced death Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 39r Number of voices: 4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Com pale faced death General Note Annotations/Corrections: An attempted correction crossed out with label 'right';
39v–40v	Prepare you time weareth away	-	Mundy, William (ca. 1528–ca. 1591)
Prepare you time weareth away Mundy, William (ca. 1528–ca. 1591) Appears on: 39v–40v Number of voices: 4 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: Prepare yow p[re]oare yowe tyme weareth awaye General Note Annotations/Corrections: Att he end:' therbe .3. versus more that be not heere sett downe.';
41r	When Jesus went (adaptation of motet Salvator Mundi II)	-	Tallis, Thomas (ca. 1505–1585)
When Jesus went (adaptation of motet Salvator Mundi II) Tallis, Thomas (ca. 1505–1585) Appears on: 41r Genres: Anthem, Contrafactum Number of voices: 5 Voice: [no designation] Languages: English Clef: c5 Voice Text: When Jesus went into Simon ye pharisyes house
41v–42r	Save me, O God, for thy name's sake	-	Tye, Christopher (ca. 1505–ca. 1573)
Save me, O God, for thy name's sake Tye, Christopher (ca. 1505–ca. 1573) Appears on: 41v–42r Genres: Anthem Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: Save me O god for thy names sake
42v	-	-	Anonymous
[Unknown Title] Appears on: 42v
43r–44v	From the depth I call on ye O Lord [de profundis]	Tye	Tye, Christopher (ca. 1505–ca. 1573)
From the depth I call on ye O Lord [de profundis] Tye, Christopher (ca. 1505–ca. 1573) Appears on: 43r–44v Source Attribution: Tye Number of voices: 4 Voice: [no designation] Languages: English Clef: c3 Voice Text: Ffrom the detpth I called on ye o lord
45r–46r	Wipe away my sins [=Absterge Domine]	-	Tallis, Thomas (ca. 1505–1585)
Wipe away my sins [=Absterge Domine] Tallis, Thomas (ca. 1505–1585) Appears on: 45r–46r Number of voices: 5 Voice: [no designation] Languages: English Clef: c4 Voice Text: Wype away my synnes
46v–47r	Blessed art thou that fearest God and walkest in his ways	-	Van Wilder, Phillip (?) Philips, Peter (ca. 1560–1628) (?)
Blessed art thou that fearest God and walkest in his ways Van Wilder, Phillip (?) Philips, Peter (ca. 1560–1628) (?) Appears on: 46v–47r Genres: Motet Number of voices: 5 Voice: [no designation] Languages: English Clef: c4 Voice Text: Blessed art thou that feareste God
47r–48r	My trust, O Lord, in thee is grounded	-	Tye, Christopher (ca. 1505–ca. 1573)
My trust, O Lord, in thee is grounded Tye, Christopher (ca. 1505–ca. 1573) Appears on: 47r–48r Number of voices: 5 Voice: [no designation] Languages: English Clef: c3 Voice Text: My trust o lord o lord in he is grounded
48v–49r	With all our hearts and mouth (= Salvator mundi (I))	-	Tallis, Thomas (ca. 1505–1585)
With all our hearts and mouth (= Salvator mundi (I)) Tallis, Thomas (ca. 1505–1585) Appears on: 48v–49r Genres: Anthem, Contrafactum Number of voices: 5 Voice: [no designation] Languages: English Clef: c4 Voice Text: Wyth all our harte & mouth we confes
49r–49v	Deliver us good Lord from eternal death	-	Tye, Christopher (ca. 1505–ca. 1573)
Deliver us good Lord from eternal death Tye, Christopher (ca. 1505–ca. 1573) Appears on: 49r–49v Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: Deliver vs good lord from eternall death
50r–51r	When shall my sorrowful sighing slake	tallys	Tallis, Thomas (ca. 1505–1585) (?)
When shall my sorrowful sighing slake Tallis, Thomas (ca. 1505–1585) (?) Appears on: 50r–51r Genres: Song Source Attribution: tallys Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: When shall my sorowfull syghing slake
51v	Deliver us Lord both night and day	-	Anonymous
Deliver us Lord both night and day Anonymous Appears on: 51v Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: delyver vs lord Bothe nyght and daye
52r–52v	I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight	-	Sheppard, John (ca. 1515–1558)
I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight Sheppard, John (ca. 1515–1558) Appears on: 52r–52v Genres: Song Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: I wyll geue thanks vnto ye lord
52v–53v	Defiled is my name	Johnsone	Johnson (I), Robert (ca. 1500–ca. 1560)
Defiled is my name Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 52v–53v Source Attribution: Johnsone Number of voices: 4 Voice: [no designation] Languages: English Clef: c3 Voice Text: Deffyled ys my name
54r–54v	Lord thou has commanded by thy holy apostle	Baruch Bulman	Bullmann, Baruch
Lord thou has commanded by thy holy apostle Bullmann, Baruch Appears on: 54r–54v Genres: none Source Attribution: Baruch Bulman Number of voices: 4 Voice: [no designation] Languages: English Clef: c3 Voice Text: lord thou hast commaunded by thy holy apostell
54v–55v	O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas	Mr Taverner	Taverner, John
O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas Taverner, John Appears on: 54v–55v Source Attribution: Mr Taverner Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: O geue thankes vnto the lord
55v–57r	I have loved	-	Tye, Christopher (ca. 1505–ca. 1573)
I have loved Tye, Christopher (ca. 1505–ca. 1573) Appears on: 55v–57r Genres: Anthem Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: I have loued I haue loved for ye lord will here ye voyce
57v–59r	O Lord, rebuke me not in thine indignation	-	Tye, Christopher (ca. 1505–ca. 1573)
O Lord, rebuke me not in thine indignation Tye, Christopher (ca. 1505–ca. 1573) Appears on: 57v–59r Number of voices: 4 Voice: [no designation] Languages: English Clef: c4 Voice Text: O lord Rebuke me not in thin Indignacion
59v–60v	Ut re mi fa	Mr Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Ut re mi fa Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 59v–60v Source Attribution: Mr Parsons Number of voices: 4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Ut re mi fa
61r–61v	Jesum Nazarenum	-	Byrd, William (ca. 1540–1623)
Jesum Nazarenum Byrd, William (ca. 1540–1623) Appears on: 61r–61v Number of voices: 3 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Jesum nazarenum
62r–62v	Triumph with pleasant melody	Mr Byrd	Byrd, William (ca. 1540–1623)
Triumph with pleasant melody Byrd, William (ca. 1540–1623) Appears on: 62r–62v Genres: Song Source Attribution: Mr Byrd Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: Triumphe Triumphe
63r	Lachrimae	Weelkes	Weelkes, Thomas (ca. 1576–1623)
Lachrimae Weelkes, Thomas (ca. 1576–1623) Appears on: 63r Source Attribution: Weelkes Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: Lachrimae / Lachrimae Mr Weelks General Note Annotations/Corrections: A 5. voc:v' added in different ink;
63v	Eliza is the fairest queen	-	Johnson, Edward
Eliza is the fairest queen Johnson, Edward Appears on: 63v Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: Elisa
63v	Come again fair nature's treasure	Mr Phillipes	Johnson, Edward
Come again fair nature's treasure Johnson, Edward Appears on: 63v Source Attribution: Mr Phillipes Number of voices: 5 Voice: [no designation] Languages: none Mensuration: o-dot-3 Clef: c4 Voice Text: Com Agine General Note Annotations/Corrections: At end 'Finis Mr Phillipes a fine setter of songes';
63v–64r	Candidi Facti sunt = Facti sunt Nazarei eius candidi	-	Tallis, Thomas (ca. 1505–1585)
Candidi Facti sunt = Facti sunt Nazarei eius candidi Tallis, Thomas (ca. 1505–1585) Appears on: 63v–64r Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ffacti sunt nazarei eius
64r–64v	Levavi oculos	William More	More, William
Levavi oculos More, William Appears on: 64r–64v Genres: Motet Source Attribution: William More Number of voices: 4 Voice: [no designation] Languages: none Clef: c4 Voice Text: Levavy occilose
64bisr–65v	-	-	Anonymous
[Unknown Title] Appears on: 64bisr–65v
65v	Sermone blando Illae dum pergunt concitae Apostolis	-	Tallis, Thomas (ca. 1505–1585)
Sermone blando Illae dum pergunt concitae Apostolis Tallis, Thomas (ca. 1505–1585) Appears on: 65v Genres: Motet Number of voices: 5 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice Text: Ille du[m] p[er]gunt
65v–66r	In manus tuas Domine	-	Tallis, Thomas (ca. 1505–1585)
In manus tuas Domine Tallis, Thomas (ca. 1505–1585) Appears on: 65v–66r Genres: Motet Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: In manus tuas domine
66r	O sacrum convivium in quo Christus sumitur	-	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 66r Genres: Motet Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: O sacru[m] conviuiu[m] General Note Notes: Hand-ruled paper;
66v	Emendemus - 1a pars (of 2): Emendemus in melius	-	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: 66v Genres: Motet Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Emende mus General Note Notes: Hand-ruled paper;
66v	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: 66v Genres: Motet Number of voices: 5
67r	[Christe qui lux es (II)] Precamur sancte Domine	-	White, Robert (ca. 1538–1574)
[Christe qui lux es (II)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 67r Genres: Motet Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Peckamur [different hand: peccamur] General Note Notes: Hand-ruled paper;
67r–67v	Kyrie Paschali	-	Sheppard, John (ca. 1515–1558)
Kyrie Paschali Sheppard, John (ca. 1515–1558) Appears on: 67r–67v Genres: Kyrie eleison, Mass Ordinary Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Kiry leson General Note Notes: Hand-ruled paper;
67v	Haec dies	-	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 67v Genres: Motet Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [(Haec) dies quam fecit Dominus]
67v–68r	De la court - 1a pars	Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 67v–68r Genres: Chanson Source Attribution: Parsons Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: delaycourt General Note Notes: Hand-ruled paper for first page;
68v–69r	Ne irascaris Domine [2p. Civitas sancti tui]	-	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 68v–69r Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice Text: Ne irascaris General Note Annotations/Corrections: At end: 'good songe';
69v–70r	[Christe qui lux es (II)] Precamur, sancte Domine	Mr Bird	Byrd, William (ca. 1540–1623)
[Christe qui lux es (II)] Precamur, sancte Domine Byrd, William (ca. 1540–1623) Appears on: 69v–70r Source Attribution: Mr Bird Number of voices: 4 Voice: [no designation] Languages: none Clef: c3 Voice Text: Precamor Mr Bird General Note Notes: starts at bottom of page;
70v	Ut re fa so la upon the dial = Parsley's clock	-	Parsley [Percely], Osbert
Ut re fa so la upon the dial = Parsley's clock Parsley [Percely], Osbert Appears on: 70v Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled] General Note Notes: Large dial draw across the top two and a half staves;
70v	Galliard	-	Anonymous
Galliard Anonymous Appears on: 70v Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled]
71r–71v	Deus misereatur nostri et benedicat nobis	Robart Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Deus misereatur nostri et benedicat nobis Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 71r–71v Genres: Motet Source Attribution: Robart Johnson Number of voices: 4 Voice: [no designation] Languages: none Clef: c4 Voice Text: Deus misereatur
72r	In nomine	-	Anonymous
In nomine Anonymous Appears on: 72r Number of voices: 4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Innomine
72v	-	-	Anonymous
[Unknown Title] Appears on: 72v Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled]
72v–73r	Non e amo	-	Anonymous
Non e amo Anonymous Appears on: 72v–73r Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: No[n] neamo
73r–73v	O salutaris hostia	-	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 73r–73v Genres: Motet Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: O o salutaris hostia
73v	Without redress I waste my mind	-	Anonymous
Without redress I waste my mind Anonymous Appears on: 73v Number of voices: 4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Without redrosse
74r–74v	Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis]	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis] Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 74r–74v Number of voices: 4 Voice: [no designation] Languages: none Clef: c4 Voice Text: Cor mu[n]du[m] crea
75r–75v	Deus in nomine tuo	-	Anonymous
Deus in nomine tuo Anonymous Appears on: 75r–75v Number of voices: 5 Voice: [no designation] Languages: none Clef: c3 Voice Text: Deus in no[mi]ne tu
75v–76v	Domine in virtute tua (II) [2a pars: Magna gloria eius]	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (II) [2a pars: Magna gloria eius] Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 75v–76v Genres: Motet Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: Deus in vertute tua [2p. Magna gl[or]ia eius]
77r	Amy tu te plaisir	-	Anonymous
Amy tu te plaisir Anonymous Appears on: 77r Number of voices: 4 Voice: [no designation] Languages: none Clef: c3 Voice Text: Amytute planis
77r–77v	Vostre jamais pas eritage	-	P, W
Vostre jamais pas eritage P, W Appears on: 77r–77v Number of voices: 5 Voice: [no designation] Languages: none Clef: c3 Voice Text: Vostre iamais p[ar] heritage
77v–78r	D'un nouveau dart je suis frappe	-	Anonymous
D'un nouveau dart je suis frappe Anonymous Appears on: 77v–78r Number of voices: 5 Voice: [no designation] Languages: none Clef: c3 Voice Text: Dung noueau dart ie suis frape
78r	D'un nouveau dart je suis frappe	-	Van Wilder, Phillip
D'un nouveau dart je suis frappe Van Wilder, Phillip Appears on: 78r Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: Dunge noueau dart ie suis General Note Annotations/Corrections: Correction added at bottom of page;
78v–79r	Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine)	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 78v–79r Genres: Motet Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Venit vox Decelo [2p. Respondit milis]
79r–80r	Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt)	-	Hollander, Sebastian (?) Hollander, Christian (?)
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) Hollander, Sebastian (?) Hollander, Christian (?) Appears on: 79r–80r Genres: Motet Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Dum trassisset sabatum
80v–81v	Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans)	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 80v–81v Genres: Motet Number of voices: 4 Voice: [no designation] Languages: none Clef: c3 Voice Text: Cecilia virgo
81v–83v	Domine in virtute tua (I) (2p: Magna gloria eius)	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (I) (2p: Magna gloria eius) Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 81v–83v Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Domine in vertute tua letabite Rex [2p. Magna gloria eius in salutari tuo]
83v	Quel foco che tanti anni in tutto	-	Rore, Cipriano de (ca. 1515–1565)
Quel foco che tanti anni in tutto Rore, Cipriano de (ca. 1515–1565) Appears on: 83v Genres: Italian secular Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: Quell foco che
84r	Or il ne m'est possible d'avoir quelque confort	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Or il ne m'est possible d'avoir quelque confort Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 84r Genres: Chanson Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Or il ne mest possibele
84v–85r	Si je me plains	-	Anonymous
Si je me plains Anonymous Appears on: 84v–85r Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: Cy Je me plains de mo[n]
85r–85v	A che cercar	-	Anonymous
A che cercar Anonymous Appears on: 85r–85v Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled]
85v	O Lord, turn not away your face	-	Anonymous
O Lord, turn not away your face Anonymous Appears on: 85v Number of voices: 4 Voice: [no designation] Languages: none Clef: c3 Voice Text: O lord turne not awaye y[our] face
86r	Mistrust oft times amiss	-	Anonymous
Mistrust oft times amiss Anonymous Appears on: 86r Number of voices: 5 Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled]
86r–86v	extract from unidentified Gloria: cum sancto	-	Anonymous
extract from unidentified Gloria: cum sancto Anonymous Appears on: 86r–86v Number of voices: 4 Voice: [no designation] Languages: none Mensuration: o Clef: c4 Voice Text: Com sancto General Note Notes: Library examination notes in pencil and library stamp.;
86v	extract from unidentified Credo: et vitam venturi	-	Anonymous
extract from unidentified Credo: et vitam venturi Anonymous Appears on: 86v Number of voices: 4 Voice: [no designation] Languages: none Mensuration: o Clef: c4 Voice Text: Et vytam benenry
87r	-	-	Anonymous
[Unknown Title] Appears on: 87r
87v	[library stamp]	-	-
[library stamp] Appears on: 87v

Composer	Compositions
Adams, Robert	Nunc Dimittis – 17v–18r Venite [English] – 5v–7r
Anonymous	A che cercar – 85r–85v Amy tu te plaisir – 77r Benedictus [English] – 7v–9r D'un nouveau dart je suis frappe – 77v–78r Deliver us Lord both night and day – 51v Deus in nomine tuo – 75r–75v Galliard – 70v In judgement, Lord – 30r–30v In nomine – 72r Jubilate Deo (English) – 14v–15v Mistrust oft times amiss – 86r Non e amo – 72v–73r O Lord, turn not away your face – 85v O death rock me asleep – 38v Si je me plains – 84v–85r Without redress I waste my mind – 73v [Statement of ownership by Thomas Hamond, witnessed] – 1v extract from unidentified Credo: et vitam venturi – 86v extract from unidentified Gloria: cum sancto – 86r–86v [No description] – 72v [No description] – 87v [No description] – 87r [No description] – 42v [No description] – 64bisr–65v
Bullmann, Baruch	Lord thou has commanded by thy holy apostle – 54r–54v
Byrd, William (ca. 1540-1623)	Emendemus - 1a pars (of 2): Emendemus in melius – 66v Emendemus - 2a pars (of 2): Adiuva nos Deus – 66v Jesum Nazarenum – 61r–61v Ne irascaris Domine [2p. Civitas sancti tui] – 68v–69r Triumph with pleasant melody – 62r–62v [Christe qui lux es (II)] Precamur, sancte Domine – 69v–70r
Caustun, Thomas (ca. 1520-1569)	Service for Children: Benedictus (Canticle) – 35r–37r Service for Children: Gloria – 37v–38r Service for Children: Te Deum – 33r–35r Service for Children: Venite – 31r–32r
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans) – 80v–81v Or il ne m'est possible d'avoir quelque confort – 84r Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) – 78v–79r
Crecquillon, Thomas (ca. 1505-ca. 1557)	Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis] – 74r–74v
Feryng	O merciful father, we beseech thee – 26v–27v
Frankling, John	O God for thy name's sake save me – 27v–28v
Hollander, Christian	(?) Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) – 79r–80r
Hollander, Sebastian	(?) Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) – 79r–80r
Johnson (I), Robert (ca. 1500-ca. 1560)	Defiled is my name – 52v–53v Deus misereatur nostri et benedicat nobis – 71r–71v Domine in virtute tua (I) (2p: Magna gloria eius) – 81v–83v Domine in virtute tua (II) [2a pars: Magna gloria eius] – 75v–76v O come pale-faced death – 39r
Johnson, Edward	Come again fair nature's treasure – 63v Eliza is the fairest queen – 63v
More, William	Levavi oculos – 64r–64v
Mundy, William (ca. 1528-ca. 1591)	Morning Service for Men: Te Deum – 11v–14r Prepare you time weareth away – 39v–40v
P, W	Vostre jamais pas eritage – 77r–77v
Parsley [Percely], Osbert	First, Flat, Short Service: Benedictus (Canticle) – 9v–11r First, Flat, Short Service: Te Deum – 2r–5r Ut re fa so la upon the dial = Parsley's clock – 70v
Parsons (I), Robert (ca. 1535-ca. 1572)	De la court - 1a pars – 67v–68r Ut re mi fa – 59v–60v
Philips, Peter (ca. 1560-1628)	(?) Blessed art thou that fearest God and walkest in his ways – 46v–47r
Rore, Cipriano de (ca. 1515-1565)	Quel foco che tanti anni in tutto – 83v
Sheppard, John (ca. 1515-1558)	Christ rising again – 25r–26v Haec dies – 67v I give you a new commandment – 29r–29v I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight – 52r–52v Kyrie Paschali – 67r–67v
Tallis, Thomas (ca. 1505-1585)	Candidi Facti sunt = Facti sunt Nazarei eius candidi – 63v–64r In manus tuas Domine – 65v–66r O sacrum convivium in quo Christus sumitur – 66r O salutaris hostia – 73r–73v Sermone blando Illae dum pergunt concitae Apostolis – 65v When Jesus went (adaptation of motet Salvator Mundi II) – 41r (?) When shall my sorrowful sighing slake – 50r–51r Wipe away my sins [=Absterge Domine] – 45r–46r With all our hearts and mouth (= Salvator mundi (I)) – 48v–49r
Taverner, John	O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas – 54v–55v
Tye, Christopher (ca. 1505-ca. 1573)	Deliver us good Lord from eternal death – 49r–49v From the depth I call on ye O Lord [de profundis] – 43r–44v Give alms of thy goods – 21v–22r I have loved – 55v–57r My trust, O Lord, in thee is grounded – 47r–48r O God, be merciful unto us – 16r–17r O Lord, rebuke me not in thine indignation – 57v–59r Praise the lord ye servants [= Praise ye the Lord ye children] – 23v–25r Save me, O God, for thy name's sake – 41v–42r [Evening Service]: Nunc dimittis – 18v–19r
Van Wilder, Phillip	(?) Blessed art thou that fearest God and walkest in his ways – 46v–47r D'un nouveau dart je suis frappe – 78r
Weelkes, Thomas (ca. 1576-1623)	Lachrimae – 63r
White, Robert (ca. 1538-1574)	(?) O praise God in his holiness (I) – 22r–23r [Christe qui lux es (II)] Precamur sancte Domine – 67r
White, William	O praise God in his holiness (I) – 22r–23r
Whytbroke, William	Evening Service: Magnificat [English] – 19v–21r

Composition	Composers (? Uncertain)	Folios / Pages
[Christe qui lux es (II)] Precamur, sancte Domine	Byrd, William (ca. 1540–1623)	69v–70r
[Christe qui lux es (II)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	67r
[Evening Service]: Nunc dimittis	Tye, Christopher (ca. 1505–ca. 1573)	18v–19r
[Statement of ownership by Thomas Hamond, witnessed]	Anonymous	1v
A che cercar	Anonymous	85r–85v
Amy tu te plaisir	Anonymous	77r
Benedictus [English]	Anonymous	7v–9r
Blessed art thou that fearest God and walkest in his ways	Van Wilder, Phillip (?) Philips, Peter (ca. 1560–1628) (?)	46v–47r
Caecilia virgo gloriosa semper evangelium (2p. Biduanis ac triduanis ieiuniis orans)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	80v–81v
Candidi Facti sunt = Facti sunt Nazarei eius candidi	Tallis, Thomas (ca. 1505–1585)	63v–64r
Christ rising again	Sheppard, John (ca. 1515–1558)	25r–26v
Come again fair nature's treasure	Johnson, Edward	63v
Cor mundum crea in me deus et spiritum [2a pars: Averte faciem tuam a peccatis meis]	Crecquillon, Thomas (ca. 1505–ca. 1557)	74r–74v
D'un nouveau dart je suis frappe	Anonymous	77v–78r
D'un nouveau dart je suis frappe	Van Wilder, Phillip	78r
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	67v–68r
Defiled is my name	Johnson (I), Robert (ca. 1500–ca. 1560)	52v–53v
Deliver us good Lord from eternal death	Tye, Christopher (ca. 1505–ca. 1573)	49r–49v
Deliver us Lord both night and day	Anonymous	51v
Deus in nomine tuo	Anonymous	75r–75v
Deus misereatur nostri et benedicat nobis	Johnson (I), Robert (ca. 1500–ca. 1560)	71r–71v
Domine in virtute tua (I) (2p: Magna gloria eius)	Johnson (I), Robert (ca. 1500–ca. 1560)	81v–83v
Domine in virtute tua (II) [2a pars: Magna gloria eius]	Johnson (I), Robert (ca. 1500–ca. 1560)	75v–76v
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt)	Hollander, Sebastian (?) Hollander, Christian (?)	79r–80r
Eliza is the fairest queen	Johnson, Edward	63v
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	66v
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	66v
Evening Service: Magnificat [English]	Whytbroke, William	19v–21r
extract from unidentified Credo: et vitam venturi	Anonymous	86v
extract from unidentified Gloria: cum sancto	Anonymous	86r–86v
First, Flat, Short Service: Benedictus (Canticle)	Parsley [Percely], Osbert	9v–11r
First, Flat, Short Service: Te Deum	Parsley [Percely], Osbert	2r–5r
From the depth I call on ye O Lord [de profundis]	Tye, Christopher (ca. 1505–ca. 1573)	43r–44v
Galliard	Anonymous	70v
Give alms of thy goods	Tye, Christopher (ca. 1505–ca. 1573)	21v–22r
Haec dies	Sheppard, John (ca. 1515–1558)	67v
I give you a new commandment	Sheppard, John (ca. 1515–1558)	29r–29v
I have loved	Tye, Christopher (ca. 1505–ca. 1573)	55v–57r
I will give thanks unto the Lord = O happy dames that may embrace the fruit of your delight	Sheppard, John (ca. 1515–1558)	52r–52v
In judgement, Lord	Anonymous	30r–30v
In manus tuas Domine	Tallis, Thomas (ca. 1505–1585)	65v–66r
In nomine	Anonymous	72r
Jesum Nazarenum	Byrd, William (ca. 1540–1623)	61r–61v
Jubilate Deo (English)	Anonymous	14v–15v
Kyrie Paschali	Sheppard, John (ca. 1515–1558)	67r–67v
Lachrimae	Weelkes, Thomas (ca. 1576–1623)	63r
Levavi oculos	More, William	64r–64v
Lord thou has commanded by thy holy apostle	Bullmann, Baruch	54r–54v
Mistrust oft times amiss	Anonymous	86r
Morning Service for Men: Te Deum	Mundy, William (ca. 1528–ca. 1591)	11v–14r
My trust, O Lord, in thee is grounded	Tye, Christopher (ca. 1505–ca. 1573)	47r–48r
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	68v–69r
Non e amo	Anonymous	72v–73r
Nunc Dimittis	Adams, Robert	17v–18r
O come pale-faced death	Johnson (I), Robert (ca. 1500–ca. 1560)	39r
O death rock me asleep	Anonymous	38v
O give thanks unto the Lord = in nomine section from Missa Gloria tibi trinitas	Taverner, John	54v–55v
O God for thy name's sake save me	Frankling, John	27v–28v
O God, be merciful unto us	Tye, Christopher (ca. 1505–ca. 1573)	16r–17r
O Lord, rebuke me not in thine indignation	Tye, Christopher (ca. 1505–ca. 1573)	57v–59r
O Lord, turn not away your face	Anonymous	85v
O merciful father, we beseech thee	Feryng	26v–27v
O praise God in his holiness (I)	White, Robert (ca. 1538–1574) (?) White, William	22r–23r
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	66r
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	73r–73v
Or il ne m'est possible d'avoir quelque confort	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	84r
Praise the lord ye servants [= Praise ye the Lord ye children]	Tye, Christopher (ca. 1505–ca. 1573)	23v–25r
Prepare you time weareth away	Mundy, William (ca. 1528–ca. 1591)	39v–40v
Quel foco che tanti anni in tutto	Rore, Cipriano de (ca. 1515–1565)	83v
Save me, O God, for thy name's sake	Tye, Christopher (ca. 1505–ca. 1573)	41v–42r
Sermone blando Illae dum pergunt concitae Apostolis	Tallis, Thomas (ca. 1505–1585)	65v
Service for Children: Benedictus (Canticle)	Caustun, Thomas (ca. 1520–1569)	35r–37r
Service for Children: Gloria	Caustun, Thomas (ca. 1520–1569)	37v–38r
Service for Children: Te Deum	Caustun, Thomas (ca. 1520–1569)	33r–35r
Service for Children: Venite	Caustun, Thomas (ca. 1520–1569)	31r–32r
Si je me plains	Anonymous	84v–85r
Triumph with pleasant melody	Byrd, William (ca. 1540–1623)	62r–62v
Ut re fa so la upon the dial = Parsley's clock	Parsley [Percely], Osbert	70v
Ut re mi fa	Parsons (I), Robert (ca. 1535–ca. 1572)	59v–60v
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	78v–79r
Venite [English]	Adams, Robert	5v–7r
Vostre jamais pas eritage	P, W	77r–77v
When Jesus went (adaptation of motet Salvator Mundi II)	Tallis, Thomas (ca. 1505–1585)	41r
When shall my sorrowful sighing slake	Tallis, Thomas (ca. 1505–1585) (?)	50r–51r
Wipe away my sins [=Absterge Domine]	Tallis, Thomas (ca. 1505–1585)	45r–46r
With all our hearts and mouth (= Salvator mundi (I))	Tallis, Thomas (ca. 1505–1585)	48v–49r
Without redress I waste my mind	Anonymous	73v

Images © The British Library

Set: MSS Additional 30480–4 (Hamond Partbooks)

Type: Partbooks

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

‡ Butler, Katherine. 2019. From Liturgy and the Education of Choirboys to Protestant Domestic Music-Making: The History of the ‘Hamond’ Partbooks (GB-Lbl: Add. MSS 30480-4). Royal Musical Association Research Chronicle, 50/1: 29–93.

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 37: 139-63. Pages: 146-7,161. Notes: physical description (partial); mention of MS; discussion.

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 263-83. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Blezzard, Judith H. 1972. The Sacred Music of the Lumley Books (British Museum Royal Appendix Manuscripts 74-76): An Edition and Critical Study. University of Leeds, Unpublished Ph.D. dissertation. Pages: I, 59-63, 73; II, Appendix I. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1. London. Notes: contents list (partial); concordances (partial).

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 18, 34, 110, 232. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XII, 118, 121-2, 124; XVII, 157; XIX, 324ff. Notes: contents list (partial); concordances (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 99-100, 218, 221, 224. Notes: physical description (partial); contents list (partial); concordances (partial).

King, William Joseph. 1962. The English Anthem from the Early Tudor Period through the Restoration Era. Boston University, Unpublished Ph.D. dissertation. Pages: II, 11-8, 29-34. Notes: transcription (partial).

Hughes, Dom Anselm. 1953. Catalogue of the Musical Manuscripts at Peterhouse, Cambridge. Cambridge. Pages: I, 3-4, 265, 397-8; II, 139; III, 202, 219, 232.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XV, 149, 165-6, 209, 212-3; XXII, 1-2, 36, 45, 58-9, 173ff; XLIV,xxviii,20-5,78,177,183-4,186-7,189,196. Notes: mention of MS; contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, 166, 171; XVII, 149, 163. Notes: mention of MS; contents list (partial); concordances (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xi; III, xxi; V, xxv, 207-10; VI, xviii, xxix, xxxii; X, 235, 256-70. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Madden, F. 1843-. Catalogue of Additions to the Manuscripts in the British Museum. Pages: [1876-81], 82. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description