GB-DORmcghie McGhie manuscript

Private collection of David McGhie, London, England

partbook: c. 1595-1613

Archive	Private collection of David McGhie, London, England (GB-DORmcghie)
Shelfmark	McGhie manuscript
Surface	Paper
Numbering System	Pagination
Format	portrait
Measurements	137 x 196 mm
Other Identifiers	CCM: WimbDM s.s.
Notations	black void mensural
Relationships	? Este, Thomas (owner) McGhie, David (owner) McGhie, P. E. M. (owner) James, Michael (1951–1981) (borrowed the MS)
Provenance	England
Contents	213 pieces from 38 composers

General Description

A Discantus partbook, consisting of the print RISM 1575/3, with manuscript additions. The original set would have comprised six partbooks: another surviving volume of the set is Ob Tenbury 389. Copied by several scribes. Some pieces have text incipits or titles only. Copied in England. The original owner was apparently 'TE' (monogram on covers and p. 5); 'TE' probably not Thomas Este. Acquired ca. 1950 by P. E. M. McGhie; now owned by latter's son, David McGhie, of Wimborne. Borrowed during late 1970s by the organist and conductor Michael James (1951-81); returned to present location in Wimborne following Mr. James' death.

DIAMM, 2019

Physical Description

Gathering Diagrams click here to download excel file of these diagrams

enter image description here

DIAMM, 2019

Binding

Original limp vellum covers of beige parchment stiffened with cardboard, inscribed with voice designation 'SVPERIVS' and monogram 'TE'; two string ties

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

C. 1595-1613 (BernsCE); 1580s/1590s (Edwards)

DIAMM, 2022

Ruling

Staff height 12-13mm

DIAMM, 2017

Foliation

Original ink pagination, 1-179; remaining pages unnumbered.

DIAMM, 2017

Decoration

No initials or decoration

DIAMM, 2017

Index

Original index on first two folios of manuscript section lists pieces in order of appearance.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Please contact DIAMM for information regarding the owner, who does not wish to have his details published online.

Digitized with funding from the Arts and Humanities Research Council (UK) for the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2020

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat section, 2 Lamentations, 60 motets, 12 anthems, 1 English sacred piece, 12 English secular pieces, 4 French secular pieces, 4 Italian secular pieces, 2 Dutch? secular pieces, 1 Latin secular piece, 23 instrumental pieces (In nomines, fantasias, etc.) = 122*

*Above summary excludes later additions on pp. [206-223].

Blancks-4, Bruster-1, Byrd-35, (Byrd/Coste)-1, Byrd/(R. Farrant/R. Parsons I)-1, (Byrd/R. Parsons I/Strogers/R. White)-1, Byrd/(Strogers)-1, (Clemens non Papa)-2, Cobbold-1, Douglas-1, A. Ferrabosco I-17, (N. Giles)-1, (Gombert/Wilder)-1, Hawkes-1, R. Johnson I-2, Lassus-2, Philippe de Monte-1, More-2, Morley-1, H. Mudd or T. Mudd I? [Mr. Mud]-1, Parsley-1, R. Parsons I-8, (P. Philips/Wilder)-1, Redford-1, (Rore)-1, Shepherd-3, Strogers-4, Strogers/(R. Parsons I)-1, Tallis-4, Taverner -1, (Tye)-1, Tye/(Taverner)-1, (Weelkes)-2, R. White-3, Wilder [Mr. Phillips]-4, Wilder/(Tye/Verdelot)-1, anon-8

1 paper partbook, consisting of the print RISM 1575/3, with manuscript additions (Dl-iv + 116 + i folios), 137 x 196. OxfBT 389 is D2 book from same original set; other books apparently lost. Original ink pagination, 1-179; remaining pages unnumbered. Original covers of beige parchment on cardboard, inscribed with voice designation "SVPERIVS" and monogram "TE"; two string ties. Original index on first two folios of manuscript section lists pieces in order of appearance. Copied by several scribes. Staff height 12-13. No initials or decoration. Some pieces have text incipits or titles only.

Ca. 1595-1613. Copied in England. The original owner was apparently "TE" (monogram on covers and p. 5); "TE" probably not Thomas Este. Acquired ca. 1950 by P. E. M. McGhie; now owned by latter's son, David McGhie, of Wimborne. Borrowed during late 1970's by the organist and conductor Michael James (1951-81); returned to present location in Wimborne following Mr. James' death.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
Ai_r–Aiii_v	Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims	-	-
Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims Appears on: Ai_r–Aiii_v
Aiv_r	Salvator mundi (I)	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: Aiv_r Genres: Motet Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: SAluator mu[n]di salua nos General Note Annotations/Corrections: at top: 'V. Voc.', bar lines added by hand;
Aiv_v–Bi_r	Absterge Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Absterge Domine Tallis, Thomas (ca. 1505–1585) Appears on: Aiv_v–Bi_r Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: ABsterge Domine General Note Annotations/Corrections: at top: 'V. Voc.' some 'barlines' added by hand;
Bi_v	In manus tuas Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
In manus tuas Domine Tallis, Thomas (ca. 1505–1585) Appears on: Bi_v Genres: Motet Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: In manus tuas Domine General Note Annotations/Corrections: at top: 'V. Voc.' a few some 'barlines' added by hand;
Bii_r	Emendemus - 1a pars (of 2): Emendemus in melius	W. Birdi.	Byrd, William (ca. 1540–1623)
Emendemus - 1a pars (of 2): Emendemus in melius Byrd, William (ca. 1540–1623) Appears on: Bii_r Genres: Motet Source Attribution: W. Birdi. Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Emendemus in melius General Note Annotations/Corrections: at top: 'V. Voc.'; 'Secunda pars' in penultimate line;
Bii_r	Emendemus - 2a pars (of 2): Adiuva nos Deus	-	Byrd, William (ca. 1540–1623)
Emendemus - 2a pars (of 2): Adiuva nos Deus Byrd, William (ca. 1540–1623) Appears on: Bii_r Genres: Motet Number of voices: 5
Bii_v	Libera me Domine et pone - 1a pars (of 2): Libera me domine et pone me	W. Birdi.	Byrd, William (ca. 1540–1623)
Libera me Domine et pone - 1a pars (of 2): Libera me domine et pone me Byrd, William (ca. 1540–1623) Appears on: Bii_v Genres: Anthem Source Attribution: W. Birdi. Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: LIbera me Domine General Note Annotations/Corrections: at top: 'V. Voc.'; in penultimate line of p. 314: 'Secunda pars';
Bii_v–Biii_r	Libera me Domine et pone - 2a pars (of 2): Dies mei transierunt	-	Byrd, William (ca. 1540–1623)
Libera me Domine et pone - 2a pars (of 2): Dies mei transierunt Byrd, William (ca. 1540–1623) Appears on: Bii_v–Biii_r Genres: Anthem
Biii_v–Biv_r	Peccantem me quotidie	W. Birdi.	Byrd, William (ca. 1540–1623)
Peccantem me quotidie Byrd, William (ca. 1540–1623) Appears on: Biii_v–Biv_r Source Attribution: W. Birdi. Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Peccante[m] me quotidie General Note Annotations/Corrections: at top: 'V. Voc.';
Biv_v	Mihi autem nimis honorati sunt	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Mihi autem nimis honorati sunt Tallis, Thomas (ca. 1505–1585) Appears on: Biv_v Genres: Motet Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: MIhi aute[m] nimishonorati sunt General Note Annotations/Corrections: at top: 'V. Voc.';
Ci_r	O nata lux de lumine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
O nata lux de lumine Tallis, Thomas (ca. 1505–1585) Appears on: Ci_r Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: g2 Voice Text: O nata lux de lumine General Note Annotations/Corrections: at top: 'V. Voc.';
Ci_v–Cii_r	O sacrum convivium in quo Christus sumitur	T. Tallis	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: Ci_v–Cii_r Genres: Motet Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: O Sacru[m] co[n]uiuium General Note Annotations/Corrections: at top: 'V. Voc.';
Cii_v–Ciii_r	Aspice Domine quia facta est (6vv)	W. Birdi.	Byrd, William (ca. 1540–1623)
Aspice Domine quia facta est (6vv) Byrd, William (ca. 1540–1623) Appears on: Cii_v–Ciii_r Genres: Motet Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: ASpice Domine General Note Annotations/Corrections: at top: 'VI. Voc.';
Ciii_v–Civ_r	Attollite portas	W. Birdi.	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: Ciii_v–Civ_r Genres: Psalm Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: ATtolite portas General Note Annotations/Corrections: at top: 'VI. Voc.'; signum congruentiae in third line on p. 325 and at end, with beginning of repeat written out;
Civ_v	O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli)	W. Birdi.	Byrd, William (ca. 1540–1623)
O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli) Byrd, William (ca. 1540–1623) Appears on: Civ_v Genres: Motet Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: O Lux beata trinitas General Note Annotations/Corrections: at top: 'HYMNVS. VI. Voc.';
Di_r	Deo Patri sit gloria	W. Birdi.	Byrd, William (ca. 1540–1623)
Deo Patri sit gloria Byrd, William (ca. 1540–1623) Appears on: Di_r Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Deo Patri sit gloria General Note Annotations/Corrections: at top: 'CANON. VI. Voc.';
Di_v–Dii_r	Derelinquit impius viam suam	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Derelinquit impius viam suam Tallis, Thomas (ca. 1505–1585) Appears on: Di_v–Dii_r Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Dereli[n]quit impius viam suam General Note Annotations/Corrections: at top: 'V. Voc.';
Dii_v	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: Dii_v Genres: Motet Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Sabbathum Maria Magdalena General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in third and fourth line;
Diii_r–Diii_d	Honor, virtus et potestas	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Honor, virtus et potestas Tallis, Thomas (ca. 1505–1585) Appears on: Diii_r–Diii_d Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Virtus, Honor, virtus [...] & potestas General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in fourth line;
Diii_v–Div_r	Sermone blando Illae dum pergunt concitae Apostolis	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Sermone blando Illae dum pergunt concitae Apostolis Tallis, Thomas (ca. 1505–1585) Appears on: Diii_v–Div_r Genres: Motet Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c1 Voice Text: ILlae du[m] pergu[n]t co[n]citae Apostolis General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
Div_v	Laudate pueri Dominum	W. Birdi.	Byrd, William (ca. 1540–1623)
Laudate pueri Dominum Byrd, William (ca. 1540–1623) Appears on: Div_v Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Laudate pueri Dominum General Note Annotations/Corrections: at top: 'VI. Voc.';
Ei_r–Ei_v	Memento homo quod cinis es	W. Birdi.	Byrd, William (ca. 1540–1623)
Memento homo quod cinis es Byrd, William (ca. 1540–1623) Appears on: Ei_r–Ei_v Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: MEmento homo quod cinis es General Note Annotations/Corrections: at top: 'VI. Voc.';
Eii_r	Siderum rector Deus alme	W. Birdi.	Byrd, William (ca. 1540–1623)
Siderum rector Deus alme Byrd, William (ca. 1540–1623) Appears on: Eii_r Source Attribution: W. Birdi. Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Siderum rector Deus alme General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
Eii_v	Procul recedant omnia	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Procul recedant omnia Tallis, Thomas (ca. 1505–1585) Appears on: Eii_v Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c1 Voice Text: Procul recedant somnia General Note Annotations/Corrections: at top: 'HYMNVS. V. Voc.';
Eiii_r	Salvator mundi (II)	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (II) Tallis, Thomas (ca. 1505–1585) Appears on: Eiii_r Genres: Motet Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Saluator mu[n]di salua nos General Note Annotations/Corrections: at top: 'V. Voc.';
Eiii_v–Eiv_r	Candidi Facti sunt = Facti sunt Nazarei eius candidi	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Candidi Facti sunt = Facti sunt Nazarei eius candidi Tallis, Thomas (ca. 1505–1585) Appears on: Eiii_v–Eiv_r Genres: Motet Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: FActi sunt nazarei eius candidi General Note Annotations/Corrections: at top: 'V. Voc.'; signum congruentiae in fourth line of p. 340 and at the end;
Eiv_v–Fi_r	De Tribulatione	W. Birdi.	Byrd, William (ca. 1540–1623)
De Tribulatione Byrd, William (ca. 1540–1623) Appears on: Eiv_v–Fi_r Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Da mihi auxilium General Note Annotations/Corrections: at top: 'VI. Voc.'; Notes: Does not appear in Grove or CMM Opera Omnia?;
Fi_v–Fii_r	Domine secundum actum meum	W. Birdi.	Byrd, William (ca. 1540–1623)
Domine secundum actum meum Byrd, William (ca. 1540–1623) Appears on: Fi_v–Fii_r Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: DOmine, secundu[m] actum meum General Note Annotations/Corrections: at top: 'VI. Voc.'; on top of p. 345 'SECVNDA PARS' ('IDeo de precor); at bottom of p. 344, at end of last line, a flower - matching with the same flower at the beginning of the bottom line on the following page: the music continues over the page break;
Fii_v–Fiii_r	Diliges Dominum Deum	W. Birdi.	Byrd, William (ca. 1540–1623)
Diliges Dominum Deum Byrd, William (ca. 1540–1623) Appears on: Fii_v–Fiii_r Source Attribution: W. Birdi. Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: DIliges Dominu[m] Deum General Note Annotations/Corrections: at top: 'CANON. VIII. Voc.'; before first line of music: 'Duae partes in vna recte & retro.' - text is entered under the staves and (upside down) on top of the staves;
Fiii_v–Fiv_r	In ieiunio et fletu	T. Tallis	Tallis, Thomas (ca. 1505–1585)
In ieiunio et fletu Tallis, Thomas (ca. 1505–1585) Appears on: Fiii_v–Fiv_r Source Attribution: T. Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: In ieiunio & fletu General Note Annotations/Corrections: at top: 'V. Voc.';
Fiv_v–Gi_v	Miserere mihi Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Miserere mihi Domine Tallis, Thomas (ca. 1505–1585) Appears on: Fiv_v–Gi_v Source Attribution: T. Tallis Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: S Suscipe quaeso Domine vocem confitentis General Note Annotations/Corrections: at top: 'VII. Voc.'; on top of p. 352, SECVNDA PARS' ('SI enim iniquitates'); Notes: SECVNDA PARS' ('SI enim iniquitates') on p. 352;
Gii_r	Miserere mihi Domine	W. Birdi.	Byrd, William (ca. 1540–1623)
Miserere mihi Domine Byrd, William (ca. 1540–1623) Appears on: Gii_r Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: MIserere mihi Domine General Note Annotations/Corrections: at top: 'VI. Voc.'; in middle of second line 'CANON.';
Gii_v	Tribue Domine	W. Birdi.	Byrd, William (ca. 1540–1623)
Tribue Domine Byrd, William (ca. 1540–1623) Appears on: Gii_v Genres: Motet Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: LAudet te cor meu[m] General Note Annotations/Corrections: at top: 'VI. Voc.';
Giii_r	Te Deprecor	W. Birdi.	Byrd, William (ca. 1540–1623)
Te Deprecor Byrd, William (ca. 1540–1623) Appears on: Giii_r Genres: Motet Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: FAc nos per ipsa[m] gratiam tuam General Note Annotations/Corrections: at top: 'VI. Voc.'; Notes: Secunda pars of 'Tribue, Domine';
Giii_v–Giv_r	Gloria Patri qui creavit nos	W. Birdi.	Byrd, William (ca. 1540–1623)
Gloria Patri qui creavit nos Byrd, William (ca. 1540–1623) Appears on: Giii_v–Giv_r Source Attribution: W. Birdi. Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: GLoria Spiritui sancto General Note Annotations/Corrections: at top: 'VI. Voc.'; Notes: Tertia pars of 'Tribue, Domine';
Giv_v	Libera me domine de morte aeterna	W. Birdi.	Byrd, William (ca. 1540–1623)
Libera me domine de morte aeterna Byrd, William (ca. 1540–1623) Appears on: Giv_v Source Attribution: W. Birdi. Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: LIbera me Domine General Note Annotations/Corrections: at top: 'V. Voc.';
Hi_r	Miserere nostri Domine	T. Tallis	Tallis, Thomas (ca. 1505–1585)
Miserere nostri Domine Tallis, Thomas (ca. 1505–1585) Appears on: Hi_r Source Attribution: T. Tallis Number of voices: 7 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: MIserere nostri Domine General Note Annotations/Corrections: at top: 'VII. Voc.'; at beginning (before first line): 'Due partes in vna, Canon in vnisonus.'; signum congruentiae in top and in bottom line;
Hi_v	[blank page]	-	-
[blank page] Appears on: Hi_v
Hii_r	Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims	-	-
Tallis and Byrd, 'Cantiones Sacrae' (1575), title page and prelims Appears on: Hii_r
Hii_v–Hiii_r	Index for printed items	-	-
Index for printed items Appears on: Hii_v–Hiii_r
Hiii_v	[blank page]	-	-
[blank page] Appears on: Hiii_v
Hiv_r	Extract of letters patents to Tallis and Byrd	-	Anonymous
Extract of letters patents to Tallis and Byrd Anonymous Appears on: Hiv_r
Hiv_v	[blank page]	-	-
[blank page] Appears on: Hiv_v
Index 1–Index 4	Handwritten index for the following MS part	-	-
Handwritten index for the following MS part Appears on: Index 1–Index 4
Index 5	blank ruled for index	-	-
blank ruled for index Appears on: Index 5
Index 6–Index 8	[blank page]	-	-
[blank page] Appears on: Index 6–Index 8
1	Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	-	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta Byrd, William (ca. 1540–1623) Appears on: 1 Genres: Motet
1–2	Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	-	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine Byrd, William (ca. 1540–1623) Appears on: 1–2 Genres: Motet
2–3	Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Mr BIrd	Byrd, William (ca. 1540–1623)
Ne irascaris - 1a pars (of 2): Ne irascaris Domine Byrd, William (ca. 1540–1623) Appears on: 2–3 Genres: Motet Source Attribution: Mr BIrd
3	Ne irascaris - 2a pars (of 2): Civitatis sancti tui	-	Byrd, William (ca. 1540–1623)
Ne irascaris - 2a pars (of 2): Civitatis sancti tui Byrd, William (ca. 1540–1623) Appears on: 3 Genres: Motet
4	Domine praestolamur - 1a pars (of 2): Domine praestolamur	Mr Bird	Byrd, William (ca. 1540–1623)
Domine praestolamur - 1a pars (of 2): Domine praestolamur Byrd, William (ca. 1540–1623) Appears on: 4 Genres: Motet Source Attribution: Mr Bird
4–5	Domine praestolamur - 2a pars (of 2): Veni Domine	-	Byrd, William (ca. 1540–1623)
Domine praestolamur - 2a pars (of 2): Veni Domine Byrd, William (ca. 1540–1623) Appears on: 4–5 Genres: Motet
5–6	A woeful heart	R Parsons	Fogliano, Giacomo (1468–1548) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
A woeful heart Fogliano, Giacomo (1468–1548) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 5–6 Source Attribution: R Parsons
6–7	In nomine (III)	Mr Robert Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine (III) Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 6–7 Genres: In nomine Source Attribution: Mr Robert Parsons
7–8	De la court - 1a pars	Mr Robert Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 7–8 Genres: Chanson Source Attribution: Mr Robert Parsons
8–10	De la court - 2a pars	-	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 2a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 8–10 Genres: Chanson
10–12	Hey down	Mr Cobbould	Cobbold, William (ca. 1560–1639)
Hey down Cobbold, William (ca. 1560–1639) Appears on: 10–12 Source Attribution: Mr Cobbould
12–13	In nomine (III)	Strogers	Strogers, Nicholas
In nomine (III) Strogers, Nicholas Appears on: 12–13 Genres: Motet Source Attribution: Strogers
13–14	The song called trumpets = Lusty Gallant	-	Parsons (I), Robert (ca. 1535–ca. 1572)
The song called trumpets = Lusty Gallant Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 13–14 Genres: Motet
14–15	Mine heart	-	Anonymous
Mine heart Anonymous Appears on: 14–15
15	[Christe, qui lux es (IV)] - 1a pars (of 3): [Christe...] Precamur sancte Domine	Robert White	White, Robert (ca. 1538–1574)
[Christe, qui lux es (IV)] - 1a pars (of 3): [Christe...] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 15 Genres: Motet Source Attribution: Robert White
16	[Christe, qui lux es (IV)] - 2a pars (of 3): Oculi somnum	-	White, Robert (ca. 1538–1574)
[Christe, qui lux es (IV)] - 2a pars (of 3): Oculi somnum White, Robert (ca. 1538–1574) Appears on: 16 Genres: Motet
16	[Christe, qui lux es (IV)] - 3a pars (of 3): Memento nostri Domine	-	White, Robert (ca. 1538–1574)
[Christe, qui lux es (IV)] - 3a pars (of 3): Memento nostri Domine White, Robert (ca. 1538–1574) Appears on: 16 Genres: Motet
17	Magnificat a6: (exc) Esurientes	-	Sheppard, John (ca. 1515–1558)
Magnificat a6: (exc) Esurientes Sheppard, John (ca. 1515–1558) Appears on: 17 Genres: BVM, Canticle, Magnificat
18	This world is a world	Strogers	Strogers, Nicholas
This world is a world Strogers, Nicholas Appears on: 18 Source Attribution: Strogers
19–20	Quis te victorem dicat	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Quis te victorem dicat Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 19–20 General Note marked 'Triplex'
20–21	Deliver me from mine enemies	-	Byrd, William (ca. 1540–1623) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)
Deliver me from mine enemies Byrd, William (ca. 1540–1623) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Appears on: 20–21 Genres: Quodlibet
21–22	Blessed art thou that fearest God and walkest in his ways	-	Philips, Peter (ca. 1560–1628) (?) Van Wilder, Phillip (?)
Blessed art thou that fearest God and walkest in his ways Philips, Peter (ca. 1560–1628) (?) Van Wilder, Phillip (?) Appears on: 21–22 Genres: Motet General Note marked 'Triplex'
22–23	O Lord, that heaven doth possess	-	Anonymous
O Lord, that heaven doth possess Anonymous Appears on: 22–23 General Note marked 'Triplex'
24–25	Qui consolabatur me recessit a me	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Qui consolabatur me recessit a me Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 24–25 Genres: Motet
25–26	Non te hostis	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Non te hostis Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 25–26 General Note marked 'Triplex'
26–27	Lombany [L'homme banni de sa plaisance?]	Mr Phillips	Van Wilder, Phillip
Lombany [L'homme banni de sa plaisance?] Van Wilder, Phillip Appears on: 26–27 Source Attribution: Mr Phillips
27–28	Madonna somm' accorto ch' havete pur gran torto	-	Van Wilder, Phillip (?)
Madonna somm' accorto ch' havete pur gran torto Van Wilder, Phillip (?) Appears on: 27–28 Genres: Madrigal (Italian)
28	In nomine IX: 'Re la re'	-	Tye, Christopher (ca. 1505–ca. 1573)
In nomine IX: 'Re la re' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 28
29–31	Blessed are those that be undefiled (=Beati immaculati)	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Blessed are those that be undefiled (=Beati immaculati) Tallis, Thomas (ca. 1505–1585) Appears on: 29–31 Genres: Anthem, Contrafactum Source Attribution: Mr Tallis
32–39	[blank staves]	-	-
[blank staves] Appears on: 32–39
40	Salva nos Domine (C54)	Alfonso ferabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Salva nos Domine (C54) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 40 Source Attribution: Alfonso ferabosco
41–42	Da pacem Domine (II) (C28)	Alfonso ferabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Da pacem Domine (II) (C28) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 41–42 Source Attribution: Alfonso ferabosco
42–43	Timor et tremor - 1a pars (of 2): Timor et tremor (C61)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Timor et tremor - 1a pars (of 2): Timor et tremor (C61) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 42–43 Genres: Motet
43–44	Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 43–44 Genres: Motet
44–46	Heu mihi Domine (II) (C38)	Alfonsus ferabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Heu mihi Domine (II) (C38) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 44–46 Source Attribution: Alfonsus ferabosco
46–47	Virgo per incertos casus (C80)	Alfonsus ferabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Virgo per incertos casus (C80) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 46–47 Genres: Motet Source Attribution: Alfonsus ferabosco
47–49	Domine non secundum peccata nostra (C32)	Alfon: [Ferrabosco]	Ferrabosco, Alfonso (the elder) (1543–1588)
Domine non secundum peccata nostra (C32) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 47–49 Genres: Motet Source Attribution: Alfon: [Ferrabosco]
49–51	Afflictus sum - 1a pars (of 2): Afflictus sum et humiliatus	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Afflictus sum - 1a pars (of 2): Afflictus sum et humiliatus Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 49–51 Genres: Motet General Note The instruction 'verte' is added at the end of 1a pars - though there is no need to 'turn [the page]' as the 2a pars continues immediately below.
51–52	Afflictus sum - 2a pars (of 2): Ne derelinquas me, Domine	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Afflictus sum - 2a pars (of 2): Ne derelinquas me, Domine Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 51–52 Genres: Motet
52–53	Credo quod redemptor (C26)	Alfonsus [Ferrabosco]	Ferrabosco, Alfonso (the elder) (1543–1588)
Credo quod redemptor (C26) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 52–53 Source Attribution: Alfonsus [Ferrabosco]
53–54	Sponsus amat sponsam	Mr Bird	Byrd, William (ca. 1540–1623)
Sponsus amat sponsam Byrd, William (ca. 1540–1623) Appears on: 53–54 Source Attribution: Mr Bird General Note 2 voice parts
55–56	Domine tu jurasti	-	Byrd, William (ca. 1540–1623)
Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 55–56 Genres: Motet
56–58	Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Mr William Byrde	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore Byrd, William (ca. 1540–1623) Appears on: 56–58 Genres: Motet Source Attribution: Mr William Byrde
58–59	Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	-	Byrd, William (ca. 1540–1623)
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare Byrd, William (ca. 1540–1623) Appears on: 58–59 Genres: Motet
60	[blank staves]	-	-
[blank staves] Appears on: 60
61–62	Domine in virtute tua (I) - 1a pars (of 2): Domine in virtute tua	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (I) - 1a pars (of 2): Domine in virtute tua Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 61–62 Genres: Motet
62–64	Domine in virtute tua (I) - 2a pars (of 2): Magna gloria eius	-	Johnson (I), Robert (ca. 1500–ca. 1560)
Domine in virtute tua (I) - 2a pars (of 2): Magna gloria eius Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 62–64 Genres: Motet
65–72	[blank staves]	-	-
[blank staves] Appears on: 65–72
73	In nomine (V) a5	Mr Byrde	Byrd, William (ca. 1540–1623)
In nomine (V) a5 Byrd, William (ca. 1540–1623) Appears on: 73 Genres: In nomine, Viol piece Source Attribution: Mr Byrde General Note marked 'Triplex'
74	In nomine	Mr Taverner	Taverner, John
In nomine Taverner, John Appears on: 74 Source Attribution: Mr Taverner
75	In nomine	Mr Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
In nomine Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 75 Source Attribution: Mr Johnson
76	In nomine à5	Mr Bird	Byrd, William (ca. 1540–1623)
In nomine à5 Byrd, William (ca. 1540–1623) Appears on: 76 Source Attribution: Mr Bird
76–77	In nomine (II)	Tallis	Tallis, Thomas (ca. 1505–1585)
In nomine (II) Tallis, Thomas (ca. 1505–1585) Appears on: 76–77 Source Attribution: Tallis
78	In nomine	Hake	Hake, John
In nomine Hake, John Appears on: 78 Source Attribution: Hake
79–80	A solis ortus cardine	-	Strogers, Nicholas Parsons (II) 'of Exeter', Robert (1596–1676) Parsons (I), Robert (ca. 1535–ca. 1572)
A solis ortus cardine Strogers, Nicholas Parsons (II) 'of Exeter', Robert (1596–1676) Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 79–80
80	In nomine De Profundis	-	Mudd (I), Thomas (ca. 1550–ca. 1619) Mudd (II), Thomas (?) Mudde, Henry
In nomine De Profundis Mudd (I), Thomas (ca. 1550–ca. 1619) Mudd (II), Thomas (?) Mudde, Henry Appears on: 80
81	O salutaris hostia	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 81 Genres: Motet Source Attribution: Mr Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: O salutaris hostia: Mr Tallis / O O salutaris hostia General Note marked 'Triplex'
82	Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Mr Tallis	Tallis, Thomas (ca. 1505–1585)
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt Tallis, Thomas (ca. 1505–1585) Appears on: 82 Genres: Motet Source Attribution: Mr Tallis Number of voices: 5 Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Sabatu[m]: Mr Tallis / Sabatum maria magdalene
83–85	Tota pulchra es amica mea et macula	Mr White	White, Robert (ca. 1538–1574)
Tota pulchra es amica mea et macula White, Robert (ca. 1538–1574) Appears on: 83–85 Genres: Motet Source Attribution: Mr White Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Tota pulcra: Mr White / Tota pulchra es General Note Annotations/Corrections: '1573' at end;
85–86	Sint lumbi vesti praecincti	-	Redford, John (–1547)
Sint lumbi vesti praecincti Redford, John (–1547) Appears on: 85–86 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Vestre precincti: Mr Redford / Vestre presincti General Note Annotations/Corrections: 'cor' at end plus sign indicating repeat;
87–89	Browning = The leaves be green	Mr Bird	Byrd, William (ca. 1540–1623)
Browning = The leaves be green Byrd, William (ca. 1540–1623) Appears on: 87–89 Genres: Song Source Attribution: Mr Bird Number of voices: 5 Voice: [no designation] Languages: none Clef: c1 Voice Text: Browning: or the leaues be greene / Byrds The Leaves be greene General Note Annotations/Corrections: 'cor' at end;
89–90	Peccantem me quotidie	Robert persons	Parsons (I), Robert (ca. 1535–ca. 1572)
Peccantem me quotidie Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 89–90 Genres: Motet Source Attribution: Robert persons Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Peccante me: R. parsons / Peccantem me quotidie General Note Annotations/Corrections: 'cor' at end;
90–91	Veni sponsa Christi	-	Lassus, Orlande de (ca. 1532–1594)
Veni sponsa Christi Lassus, Orlande de (ca. 1532–1594) Appears on: 90–91 Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Veni sponsa: Orlando / Veni sponsa christi General Note Annotations/Corrections: 'cor' at end; Notes: Not listed in Grove workslist;
91–92	Ut re fa so la upon the dial = Parsley's clock	p[ar]sley	Parsley [Percely], Osbert
Ut re fa so la upon the dial = Parsley's clock Parsley [Percely], Osbert Appears on: 91–92 Source Attribution: p[ar]sley Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Vt re me fa sol la vpo[n] the diall in Canon Mr Parsley / vpon the diall: in canon General Note Notes: Does not in fact contain a canon;
92–93	Miserere	-	Douglas, Patrick
Miserere Douglas, Patrick Appears on: 92–93 Number of voices: 7 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Miserere: patrick douglas / Miserere, 7. p[ar]ts: vpon .5. mini[m]s [and] a crochet General Note Annotations/Corrections: 'cor' at end;
93–94	Deus in adjutorium - 1a pars (of 5): Deus in adjutorium meum	Mr William Bird	Byrd, William (ca. 1540–1623)
Deus in adjutorium - 1a pars (of 5): Deus in adjutorium meum Byrd, William (ca. 1540–1623) Appears on: 93–94 Genres: Motet Source Attribution: Mr William Bird Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Deus in adiutoriu[m]: Mr B. / Deus in adiutorium meum [2p. Averta[n]tur retrorsum; 3p. Exvltent et lete[n]tur; 4p. Et dicu[n]t semper; 5p. Ego vero egen[us]] General Note Annotations/Corrections: 'cor' at end;
94	Deus in adjutorium - 2a pars (of 5): Avertantur retrorsum	-	Byrd, William (ca. 1540–1623)
Deus in adjutorium - 2a pars (of 5): Avertantur retrorsum Byrd, William (ca. 1540–1623) Appears on: 94 Genres: Motet
94–95	Deus in adjutorium - 3a pars (of 5): Exsultent et laetentur	-	Byrd, William (ca. 1540–1623)
Deus in adjutorium - 3a pars (of 5): Exsultent et laetentur Byrd, William (ca. 1540–1623) Appears on: 94–95 Genres: Motet
95	Deus in adjutorium - 4a pars (of 5): Et dicunt semper	-	Byrd, William (ca. 1540–1623)
Deus in adjutorium - 4a pars (of 5): Et dicunt semper Byrd, William (ca. 1540–1623) Appears on: 95 Genres: Motet
95–96	Deus in adjutorium - 5a pars (of 5): Adjutor meus	-	Byrd, William (ca. 1540–1623)
Deus in adjutorium - 5a pars (of 5): Adjutor meus Byrd, William (ca. 1540–1623) Appears on: 95–96 Genres: Motet
97	When weary bones	Mr White	White, Robert (ca. 1538–1574)
When weary bones White, Robert (ca. 1538–1574) Appears on: 97 Source Attribution: Mr White Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: When weary bones: Mr White / When weary bones General Note Notes: Not listed in Grove worklists for either. William most likely?;
98	If trickling tears of mine	Mr Byrd	Byrd, William (ca. 1540–1623)
If trickling tears of mine Byrd, William (ca. 1540–1623) Appears on: 98 Source Attribution: Mr Byrd Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: If trickling teares: Mr B. / If trickling teares of mine
99	Mistrust not truth	Strogers	Strogers, Nicholas (?)
Mistrust not truth Strogers, Nicholas (?) Appears on: 99 Genres: Song Source Attribution: Strogers Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: Mistrust not truth: Strogers / Mistrust not truth General Note Annotations/Corrections: G2 clefs crossed out and replaced with G1;
99	What is the cause	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
What is the cause Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 99 Source Attribution: Alfonsus Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: What is the cause: Alfonsus / What is [th]e cause
100–101	Come tread the paths	Mr Byrde	Byrd, William (ca. 1540–1623) (?)
Come tread the paths Byrd, William (ca. 1540–1623) (?) Appears on: 100–101 Source Attribution: Mr Byrde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: c-dot Clef: g2 Voice Text: Cum tread the path: Mr B: / Come tread the pathe
101	O trifling toys	Mr Byrde	Byrd, William (ca. 1540–1623)
O trifling toys Byrd, William (ca. 1540–1623) Appears on: 101 Source Attribution: Mr Byrde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: O tryfling toyes: M. B/ / O tryflinge toyes
101–102	Ah, alas, you salt sea gods	-	Farrant, Richard (ca. 1525–1580) (?) Byrd, William (ca. 1540–1623) (?)
Ah, alas, you salt sea gods Farrant, Richard (ca. 1525–1580) (?) Byrd, William (ca. 1540–1623) (?) Appears on: 101–102 Genres: Song Number of voices: 5 Voice: [no designation] Languages: English Mensuration: c-dot Clef: g1 Voice Text: Abradat: Mr. B. / Abradat ah ah alas [th]e salt sea godes [2p. Yo[u] godds [tha]t guyd [th]e ghosts] General Note Annotations/Corrections: Numerous word insertions within the lyrics;
103	Pour down thy powers divine	-	Strogers, Nicholas (?)
Pour down thy powers divine Strogers, Nicholas (?) Appears on: 103 Number of voices: 4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: g1 Voice Text: porore downe downe: Strogers / Powre downe
103–104	O heavenly God	-	Strogers, Nicholas
O heavenly God Strogers, Nicholas Appears on: 103–104 Genres: Anthem Number of voices: 5 Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: O heauenly God: Mr. B. / O heauenly God [and] father deare General Note Annotations/Corrections: Lines to clarify text setting. Note crossed out on top stave of p.104;
105–106	O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Mr W Bird	Byrd, William (ca. 1540–1623)
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum Byrd, William (ca. 1540–1623) Appears on: 105–106 Genres: Motet Source Attribution: Mr W Bird Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: O qua[m] gloriosu[m]: Mr. B. / O qua[m] gloriosu[m] [2p. Benedictio et claritas] General Note Annotations/Corrections: Notes crossed out onlast stave of p.105 and corrections to text on p.106;
106	O quam gloriosum - 2a pars (of 2): Benedictio et claritas	-	Byrd, William (ca. 1540–1623)
O quam gloriosum - 2a pars (of 2): Benedictio et claritas Byrd, William (ca. 1540–1623) Appears on: 106 Genres: Motet
107	O Lord, within thy tabernacle	Mr Bird	Byrd, William (ca. 1540–1623)
O Lord, within thy tabernacle Byrd, William (ca. 1540–1623) Appears on: 107 Genres: Anthem Source Attribution: Mr Bird Number of voices: 5 Voice: [no designation] Languages: English Clef: g2 Voice Text: O Lord w[ith]in thy tabernakle: Mr. B. / O Lord with in thy tabernackle General Note Annotations/Corrections: Stave two extended;
108–109	Susanne un jour	-	Rore, Cipriano de (ca. 1515–1565)
Susanne un jour Rore, Cipriano de (ca. 1515–1565) Appears on: 108–109 Number of voices: 5 Voice: [no designation] Languages: French Mensuration: cut-c Clef: g2 Voice Text: Susana vn iour / Susanne 'vng iour d'amour sollicitée
109–110	In resurrectione tua	Mr William Bird	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 109–110 Genres: Motet Source Attribution: Mr William Bird Number of voices: 5 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: In resurrectione tua: Mr B. / In resurrexione tua d[omi]ne
110–111	Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Mr Wm Bird	Byrd, William (ca. 1540–1623)
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou Byrd, William (ca. 1540–1623) Appears on: 110–111 Genres: Anthem Source Attribution: Mr Wm Bird Number of voices: 5 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: Aryse O Lord: Mr. B. / Aryse O Lord why sleepest [tho]u [2p. Help us O god] General Note Annotations/Corrections: Corrections to text on stave 4 of p.111 and slur markings in several places.;
111–112	Arise O Lord - 2a pars (of 2): Help us, O God	-	Byrd, William (ca. 1540–1623)
Arise O Lord - 2a pars (of 2): Help us, O God Byrd, William (ca. 1540–1623) Appears on: 111–112 Genres: Anthem
112–114	Super flumina Babylonis	-	Monte, Philippe de
Super flumina Babylonis Monte, Philippe de Appears on: 112–114 Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sup[er] flumina: p. de monte: / Super: illic sedimus et flevimus General Note Annotations/Corrections: Some lines to indicate text underlay;
114–115	Quomodo cantabimus - 1a pars (of 2): Quomodo cantabimus	Mr Wm Byrd	Byrd, William (ca. 1540–1623)
Quomodo cantabimus - 1a pars (of 2): Quomodo cantabimus Byrd, William (ca. 1540–1623) Appears on: 114–115 Genres: Motet Source Attribution: Mr Wm Byrd Number of voices: 8 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Quomodo cantabim[us]: Mr. B. / Quomodo cantabimus [2p. Si non propsuero Hierusalem] General Note Canon/Gimels: Canon;
115–117	Quomodo cantabimus - 2a pars (of 2): Si non proposuero Jersualem	-	Byrd, William (ca. 1540–1623)
Quomodo cantabimus - 2a pars (of 2): Si non proposuero Jersualem Byrd, William (ca. 1540–1623) Appears on: 115–117 Genres: Motet
117–118	Sana me Domine - 1a pars (of 2): Sana me Domine (C55)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Sana me Domine - 1a pars (of 2): Sana me Domine (C55) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 117–118 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sana me domine: Alfonsus / Sana me domine [2p. Ne derelinquas me Domine
118–119	Sana me Domine - 2a pars (of 2): Ne derelinquas me, Domine (C56)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Sana me Domine - 2a pars (of 2): Ne derelinquas me, Domine (C56) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 118–119 Genres: Motet Source Attribution: Alfonsus Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ne derelinquas me: Alfonsus / Ne derelinquas me domine General Note Annotations/Corrections: Labelled as the second part of 'Sana me Domine';
119–120	Tribulationem et dolorem inveni (C63)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Tribulationem et dolorem inveni (C63) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 119–120 Genres: Motet Source Attribution: Alfonsus Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tribulationem: Alfonsus / Tribulationem et dolorem inueni
120–123	Lamentations [...] Aleph (5vv - C65)	-	Ferrabosco, Alfonso (the elder) (1543–1588)
Lamentations [...] Aleph (5vv - C65) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 120–123 Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Incipit Lame[n]tatio:A lfonsus / Incipit lamentatio Heremie prophete General Note Annotations/Corrections: Correction to text on p.121 2nd stave.; Notes: Lamentations 1:1-3;
123–126	De Lamentatione Jeremiae (C64)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
De Lamentatione Jeremiae (C64) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 123–126 Genres: Lamentations, Motet Source Attribution: Alfonsus Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: De lamentatione Hieremie profete General Note Notes: Lamentations 1:4, 12;
126–128	Mirabile mysterium (C47)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Mirabile mysterium (C47) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 126–128 Genres: Motet Source Attribution: Alfonsus Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Myrabilia misteriu[m]: Alfonsus / Mirabile misterium declaratur hodie
128–129	Ingemuit Susanna (C43)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
Ingemuit Susanna (C43) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 128–129 Source Attribution: Alfonsus Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Ingemuit Susana: Alfonsus / Ingemuit Susana et ait
130–131	Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	W.B.	Byrd, William (ca. 1540–1623)
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) Byrd, William (ca. 1540–1623) Appears on: 130–131 Genres: Motet Source Attribution: W.B. Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ex vurge: Mr. B. / Exvurge exvurge quare obdormis domine
132	Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Mr Byrde	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis Byrd, William (ca. 1540–1623) Appears on: 132 Genres: Motet Source Attribution: Mr Byrde Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Hec dicit domin[us]: Mr B. / Hec dicit dominus vox in excelsis [2p. Hec dicit dominus Quiescat]
132–133	Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	-	Byrd, William (ca. 1540–1623)
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox Byrd, William (ca. 1540–1623) Appears on: 132–133 Genres: Motet
134	Audivi vocem de caelo	-	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 134 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Audiui vocem: Mr. B. / Audiui audiui vocem de celo
135	Apparebit in finem	-	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 135 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Aparabit in fine[m]: Mr. B. / Apparebit in finem
136	Fac cum servo tuo	W.B.	Byrd, William (ca. 1540–1623)
Fac cum servo tuo Byrd, William (ca. 1540–1623) Appears on: 136 Genres: Motet Source Attribution: W.B. Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Fac cu[m] seruo tuo: Mr B. / Fac su[m] seruo tuo General Note Annotations/Corrections: Correction in the margin for stave 2 on p.136;
137–138	Laetentur caeli - 1a pars (of 2): Laetentur caeli	-	Byrd, William (ca. 1540–1623)
Laetentur caeli - 1a pars (of 2): Laetentur caeli Byrd, William (ca. 1540–1623) Appears on: 137–138 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Letentur celi: Mr. B. / Laetentur coeli coeli et exultet exultet terra [2p. Orietur in diebus tuis]
138–139	Laetentur caeli - 2a pars (of 2): Orietur in diebus	-	Byrd, William (ca. 1540–1623)
Laetentur caeli - 2a pars (of 2): Orietur in diebus Byrd, William (ca. 1540–1623) Appears on: 138–139 Genres: Motet
139–140	Circumdederunt me dolores mortis	Mr William Byrde	Byrd, William (ca. 1540–1623)
Circumdederunt me dolores mortis Byrd, William (ca. 1540–1623) Appears on: 139–140 Genres: Motet Source Attribution: Mr William Byrde Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Circu[m] de deru[n]t me: M.r B. / Circumdederu[n]t me dolores mortis
141	Care for thy soule as thing of greatest price	Mr Byrde	Byrd, William (ca. 1540–1623)
Care for thy soule as thing of greatest price Byrd, William (ca. 1540–1623) Appears on: 141 Genres: Sacred Song Source Attribution: Mr Byrde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Care for thy soule: Mr. B / Care for thy soule General Note Annotations/Corrections: Sign for repeat on stave 3;
142	Vide Domine quoniam - 1a pars (of 2): Vide Domine quoniam tribulor	Mr Byrd	Byrd, William (ca. 1540–1623)
Vide Domine quoniam - 1a pars (of 2): Vide Domine quoniam tribulor Byrd, William (ca. 1540–1623) Appears on: 142 Genres: Motet Source Attribution: Mr Byrd Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Vide domine quoniam: Mr B. / Vide domine quoniuam tribulor [2p. Quoniam amaritudine]
142–143	Vide Domine quoniam - 2a pars (of 2): Quoniam amaritudine plena sum	-	Byrd, William (ca. 1540–1623)
Vide Domine quoniam - 2a pars (of 2): Quoniam amaritudine plena sum Byrd, William (ca. 1540–1623) Appears on: 142–143 Genres: Motet
143–144	Domine exaudi - 1a pars (of 2): Domine exaudi orationem meam	Mr Byrd	Byrd, William (ca. 1540–1623)
Domine exaudi - 1a pars (of 2): Domine exaudi orationem meam Byrd, William (ca. 1540–1623) Appears on: 143–144 Genres: Motet Source Attribution: Mr Byrd Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Domine exaudi: Mr. B. / Domine exaudi exaudi domine exaudi prationem mean
144–145	Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Mr B.	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum Byrd, William (ca. 1540–1623) Appears on: 144–145 Genres: Motet Source Attribution: Mr B. Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Tribulationes: Mr. B. / Tribulationes ciuitatu[m] [2p. Timor et hebitudo; 3p. Nos enim pro peccatis]
145–146	Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo Byrd, William (ca. 1540–1623) Appears on: 145–146 Genres: Motet
146–147	Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	-	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis Byrd, William (ca. 1540–1623) Appears on: 146–147 Genres: Motet
148–149	Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Mr W.B.	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 148–149 Genres: Motet Source Attribution: Mr W.B. Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Tristicia: Mr. B / Tristicia tristicia et anxietas [2p. Sed tu domine qui no[n] derelinquas]
149–150	Tristitia et anxietas - 2a pars (of 2): Sed tu domine	-	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 2a pars (of 2): Sed tu domine Byrd, William (ca. 1540–1623) Appears on: 149–150 Genres: Motet
151	Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Mr W. Byrd	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes Byrd, William (ca. 1540–1623) Appears on: 151 Genres: Motet Source Attribution: Mr W. Byrd Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Deus deus veneru[n]t: mr. B / Deus, deus vereu[n]t gentes [2p. Posueru[n]t morticinia]
151–153	Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	-	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia Byrd, William (ca. 1540–1623) Appears on: 151–153 Genres: Motet
153–154	O salutaris hostia I	Mr byrde	Byrd, William (ca. 1540–1623)
O salutaris hostia I Byrd, William (ca. 1540–1623) Appears on: 153–154 Genres: Motet Source Attribution: Mr byrde Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: O salutaris hostia. Mr. B. / O salutaris hostia
154	Omni tempore - 1a pars (of 2): Omni tempore benedic Deum	Mr byrde	Byrd, William (ca. 1540–1623)
Omni tempore - 1a pars (of 2): Omni tempore benedic Deum Byrd, William (ca. 1540–1623) Appears on: 154 Genres: Motet Source Attribution: Mr byrde Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Omni tempore be: Mr. B. / Omni tempore Benedic deum [2p. Memor esto fili]
155	Omni tempore - 2a pars (of 2): Memor esto fili	-	Byrd, William (ca. 1540–1623)
Omni tempore - 2a pars (of 2): Memor esto fili Byrd, William (ca. 1540–1623) Appears on: 155 Genres: Motet
156–157	Domine quis habitabit	Mr p[ar]sons	Parsons (I), Robert (ca. 1535–ca. 1572)
Domine quis habitabit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 156–157 Genres: Motet Source Attribution: Mr p[ar]sons Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Domine quis habitab. Mr p[ar]sons / Domine quis habitabit
158	Credo quod redemptor meus vivit	Mr p[ar]sons	Parsons (I), Robert (ca. 1535–ca. 1572)
Credo quod redemptor meus vivit Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 158 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Mr p[ar]sons Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Credo q[uo]d rede[m]ptor meus. Mr p[ar]sons / Credo quod redemptor meus vivit
159	Haec dies	Mr Sheppard	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 159 Genres: Motet Source Attribution: Mr Sheppard Number of voices: 6 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Hec dies est. Mr Shep[ar]d / Hec dies est qua[m] fecit dominus
160–161	Spem in alium	-	Anonymous
Spem in alium Anonymous Appears on: 160–161 Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Spem in alium / Spem in alium
162	[blank staves]	-	-
[blank staves] Appears on: 162
163–164	Vidi civitatem sanctam Jerusalem novam	-	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Van Wilder, Phillip (?)
Vidi civitatem sanctam Jerusalem novam Gombert, Nicolas (ca. 1495–ca. 1560) (?) Van Wilder, Phillip (?) Appears on: 163–164 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Vidi ciuitatem / Vidi ciuitatem sanctam Jherusalem meam General Note Annotations/Corrections: Correction to text on fourth stave;
164–166	Quemadmodum	-	Taverner, John
Quemadmodum Taverner, John Appears on: 164–166 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Quem admodum: d. Tye / Que[m] admodu[m]
166	Je dis adieu de tout plaisir	-	Anonymous
Je dis adieu de tout plaisir Anonymous Appears on: 166 Number of voices: 7 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Je sick adieu / Je sick adieu
167–168	Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est	-	Van Wilder, Phillip
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est Van Wilder, Phillip Appears on: 167–168 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Aspice domine: Mr philips / Aspice Domine.. quia facta est
168–169	Verbum caro factum est	Mr blanks	Blancks (Blankes), Edward
Verbum caro factum est Blancks (Blankes), Edward Appears on: 168–169 Source Attribution: Mr blanks Number of voices: 5 Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Verbu[m] caro factu[m] est: Mr Bla[n]cks / Verbum caro factu[m] est
169–170	Libera nos, salva nos [II]	Mr Sheppard	Sheppard, John (ca. 1515–1558)
Libera nos, salva nos [II] Sheppard, John (ca. 1515–1558) Appears on: 169–170 Genres: Motet Source Attribution: Mr Sheppard Number of voices: 7 Voice: [no designation] Languages: none Clef: c2 Voice Text: Libra nos: Mr Shep[ar]d / Libera nos
170–171	In manus tuas Domine	Mr Morley	Morley, Thomas (ca. 1557–1602)
In manus tuas Domine Morley, Thomas (ca. 1557–1602) Appears on: 170–171 Source Attribution: Mr Morley Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In manus tuas domine: Morley / In manus tuas domine
171–172	Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte	Mr Phillipps	Van Wilder, Phillip
Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte Van Wilder, Phillip Appears on: 171–172 Genres: Motet Source Attribution: Mr Phillipps Number of voices: 6 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Plorans plorauit. Mr Philips / Plorans ploravit in nocte General Note Notes: 2nd part of Aspice Domine;
172–174	Peccavi super numerum	Mr Byrde	Byrd, William (ca. 1540–1623)
Peccavi super numerum Byrd, William (ca. 1540–1623) Appears on: 172–174 Genres: Motet Source Attribution: Mr Byrde Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Peccavi pccavi sup[er] numeru[m]
174–177	Retribue servo tuo	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Retribue servo tuo Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 174–177 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Retribue seruo tuo
177–178	Opprobrium facti sumus	Mr bird	Byrd, William (ca. 1540–1623)
Opprobrium facti sumus Byrd, William (ca. 1540–1623) Appears on: 177–178 Source Attribution: Mr bird Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Opprobriu[m] facti sum[us] General Note Notes: Fourth part of Deus venerunt gentes;
178–179	Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Mr bird	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Byrd, William (ca. 1540–1623) Appears on: 178–179 Genres: Motet Source Attribution: Mr bird Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Infelix ego omniu[m] [2p. Misericors est deus; 3p. tu solus refugiu[m]
180	Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam Byrd, William (ca. 1540–1623) Appears on: 180 Genres: Motet
180–182	Infelix ego omnium - 3a pars (of 3): Ad te igitur	-	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 3a pars (of 3): Ad te igitur Byrd, William (ca. 1540–1623) Appears on: 180–182 Genres: Motet
182–183	In nomine	E Blankes	Blancks (Blankes), Edward
In nomine Blancks (Blankes), Edward Appears on: 182–183 Genres: In nomine, Viol piece Source Attribution: E Blankes Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: In nomine
184–185	Mr Blancks His Farewell	-	Blancks (Blankes), Edward
Mr Blancks His Farewell Blancks (Blankes), Edward Appears on: 184–185 Number of voices: 5 Voice: [no designation] Languages: none Clef: c1 Voice Text: Mr Blankes his Ffarwell
185	Bella Signora	-	Anonymous
Bella Signora Anonymous Appears on: 185 Number of voices: 6 Voice: [no designation] Languages: none Clef: c1 Voice Text: Bella Seignora
186	Dulce Madonna	-	Anonymous
Dulce Madonna Anonymous Appears on: 186 Number of voices: 6 Voice: [no designation] Languages: none Clef: c1 Voice Text: Dulce madona
187	Phyllis hath stolen my heart away	-	Anonymous
Phyllis hath stolen my heart away Anonymous Appears on: 187 Voice: [no designation] Languages: English Clef: g2 Voice Text: Phillis hath stolne my hart away
188–189	In nomine (F85)	Alfonsus	Ferrabosco, Alfonso (the elder) (1543–1588)
In nomine (F85) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 188–189 Genres: In nomine Source Attribution: Alfonsus Number of voices: 5 Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine Alfons[us]
190	Mr Blanck's Fantasy	Mr Blankes	Blancks (Blankes), Edward
Mr Blanck's Fantasy Blancks (Blankes), Edward Appears on: 190 Source Attribution: Mr Blankes Number of voices: 5 Voice: [no designation] Languages: none Clef: c1 Voice Text: Mr Blankes fantasye
191	Vita della mia vita	Orlando	Lassus, Orlande de (ca. 1532–1594) (?)
Vita della mia vita Lassus, Orlande de (ca. 1532–1594) (?) Appears on: 191 Source Attribution: Orlando Voice: [no designation] Languages: none Clef: c1 Voice Text: Vita della mea vita General Note Notes: Concordance in US-Ws:V.a.408; Not in Grove works list;
192	Une nonnain refraite et en bon point	Phillips	Van Wilder, Phillip
Une nonnain refraite et en bon point Van Wilder, Phillip Appears on: 192 Source Attribution: Phillips Number of voices: 5 Voice: [no designation] Languages: none Clef: c1 Voice Text: Vne Nonayne
193	Une jour un moine	Mr Phillipes	Van Wilder, Phillip
Une jour un moine Van Wilder, Phillip Appears on: 193 Source Attribution: Mr Phillipes Number of voices: 5 Voice: [no designation] Languages: none Clef: c1 Voice Text: Vne iour vne moine
194–195	Fye then why sit we musing	-	Anonymous
Fye then why sit we musing Anonymous Appears on: 194–195 Voice: [no designation] Languages: English Clef: g2 Voice Text: Ffye then why syt wee musinge General Note Notes: [Not Morley's melody];
196–197	In nomine a 5	Brewster	Brewster
In nomine a 5 Brewster Appears on: 196–197 Genres: In nomine, Viol piece Source Attribution: Brewster Number of voices: 5 Voice: [no designation] Languages: none Clef: g2 Voice Text: Innomine Brewsters
198–199	Save me, O God, for thy name's sake	-	Byrd, William (ca. 1540–1623) (?) Coste, Richard
Save me, O God, for thy name's sake Byrd, William (ca. 1540–1623) (?) Coste, Richard Appears on: 198–199 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: English Clef: c1 Voice Text: Save mee o god for thy names sake
200–201	O give thanks unto the Lord for he is gracious	-	Giles, Nathaniel (ca. 1558–1634)
O give thanks unto the Lord for he is gracious Giles, Nathaniel (ca. 1558–1634) Appears on: 200–201 Genres: Anthem Voice: [no designation] Languages: English Clef: c2 Voice Text: O giue thankes vnto [th]e lord
202	When David heard - 2a pars (of 2): O my son Absalom	-	Weelkes, Thomas (ca. 1576–1623)
When David heard - 2a pars (of 2): O my son Absalom Weelkes, Thomas (ca. 1576–1623) Appears on: 202 Genres: Anthem Number of voices: 6 Voice: [no designation] Languages: English Clef: g2 Voice Text: O, o my sonne Absolon
203	[blank staves]	-	-
[blank staves] Appears on: 203
204–205	Alleluia. I heard a voice	-	Weelkes, Thomas (ca. 1576–1623)
Alleluia. I heard a voice Weelkes, Thomas (ca. 1576–1623) Appears on: 204–205 Genres: Alleluia, Motet Number of voices: 5 Voice: [no designation] Languages: English Clef: g2 Voice Text: Alleluya alleluya Saluation [and] glorye, and honor and power
206–207	A la guerra	-	Anonymous
A la guerra Anonymous Appears on: 206–207 Number of voices: 2 Voice: [no designation] Languages: Italian Mensuration: 3 Clef: c4 Voice Text: A la guerra
208–209	Pensieri quietate	-	Anonymous
Pensieri quietate Anonymous Appears on: 208–209 Number of voices: 2 Voice: [no designation] Languages: Italian Mensuration: 3 Clef: c1 Voice Text: Pensieri quietate
210	In silentio mi seraggo	-	Anonymous
In silentio mi seraggo Anonymous Appears on: 210 Voice: [no designation] Languages: Italian Mensuration: 3 Clef: c1 Voice Text: In silentio mi seraggo
211–212	Allo strale d'Amor	-	Anonymous
Allo strale d'Amor Anonymous Appears on: 211–212 Voice: [no designation] Languages: Italian Mensuration: 3 Clef: c4 Voice Text: Allo stale d'amor
213–214	Amor se cieco	-	Anonymous
Amor se cieco Anonymous Appears on: 213–214 Genres: Madrigal (Italian) Voice: [no designation] Languages: Italian Mensuration: 3 Clef: c1 Voice Text: Amor se cieco
215–217	All'erta mio core	-	Anonymous
All'erta mio core Anonymous Appears on: 215–217 Genres: Madrigal (Italian) Voice: [no designation] Languages: Italian Mensuration: 3 Clef: c1 Voice Text: All erta mio core
218–220	Tra montagne di foco	-	Anonymous
Tra montagne di foco Anonymous Appears on: 218–220 Genres: Madrigal (Italian) Voice: [no designation] Languages: Italian Mensuration: 3 Clef: c1 Voice Text: Tra montagne di foco General Note Annotations/Corrections: At the end 'il Principe di Colle Anchiso';
221	Il mio strano	-	Anonymous
Il mio strano Anonymous Appears on: 221 Genres: Madrigal (Italian) Voice: [no designation] Languages: Italian Mensuration: 3 Clef: c1 Voice Text: Il mio strano
222–223	Delizie contente, che l'alma beate	-	Cavalli, Francesco (1602–1676)
Delizie contente, che l'alma beate Cavalli, Francesco (1602–1676) Appears on: 222–223 Genres: Madrigal (Italian) Number of voices: 2 Voice: [no designation] Languages: Italian Clef: c1 Voice Text: Delice contenti che l'ama beate General Note Annotations/Corrections: Corrections to text (first stave) and notation (3rd stave);
224–229	[blank staves]	-	-
[blank staves] Appears on: 224–229
230	Miserere I	Mr More of [th]e Queenes Chapp	More, William
Miserere I More, William Appears on: 230 Genres: Motet Source Attribution: Mr More of [th]e Queenes Chapp Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Miserere
230	Miserere II	Mr More of the Queenes Chapell	More, William
Miserere II More, William Appears on: 230 Genres: Motet Source Attribution: Mr More of the Queenes Chapell Number of voices: 5 Voice: [no designation] Languages: none Clef: g2 Voice Text: Miserere

Composer	Compositions
Anonymous	A la guerra – 206–207 All'erta mio core – 215–217 Allo strale d'Amor – 211–212 Amor se cieco – 213–214 Bella Signora – 185 Dulce Madonna – 186 Extract of letters patents to Tallis and Byrd – Hiv_r Fye then why sit we musing – 194–195 Il mio strano – 221 In silentio mi seraggo – 210 Je dis adieu de tout plaisir – 166 Mine heart – 14–15 O Lord, that heaven doth possess – 22–23 Pensieri quietate – 208–209 Phyllis hath stolen my heart away – 187 Spem in alium – 160–161 Tra montagne di foco – 218–220 [No description] – 162 [No description] – 32–39 [No description] – Hi_v [No description] – 60 [No description] – 65–72 [No description] – Index 6–Index 8 [No description] – Hiii_v [No description] – Hii_r [No description] – Ai_r–Aiii_v [No description] – 203 [No description] – 224–229 [No description] – Hii_v–Hiii_r [No description] – Index 1–Index 4 [No description] – Hiv_v [No description] – Index 5
Blancks (Blankes), Edward	In nomine – 182–183 Mr Blanck's Fantasy – 190 Mr Blancks His Farewell – 184–185 Verbum caro factum est – 168–169
Brewster	In nomine a 5 – 196–197
Byrd, William (ca. 1540-1623)	(?) Ah, alas, you salt sea gods – 101–102 Apparebit in finem – 135 Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou – 110–111 Arise O Lord - 2a pars (of 2): Help us, O God – 111–112 Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta – 1 Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine – 1–2 Aspice Domine quia facta est (6vv) – Cii_v–Ciii_r Attollite portas – Ciii_v–Civ_r Audivi vocem de caelo – 134 Browning = The leaves be green – 87–89 Care for thy soule as thing of greatest price – 141 Circumdederunt me dolores mortis – 139–140 (?) Come tread the paths – 100–101 De Tribulatione – Eiv_v–Fi_r (?) Deliver me from mine enemies – 20–21 Deo Patri sit gloria – Di_r Deus in adjutorium - 1a pars (of 5): Deus in adjutorium meum – 93–94 Deus in adjutorium - 2a pars (of 5): Avertantur retrorsum – 94 Deus in adjutorium - 3a pars (of 5): Exsultent et laetentur – 94–95 Deus in adjutorium - 4a pars (of 5): Et dicunt semper – 95 Deus in adjutorium - 5a pars (of 5): Adjutor meus – 95–96 Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes – 151 Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia – 151–153 Diliges Dominum Deum – Fii_v–Fiii_r Domine exaudi - 1a pars (of 2): Domine exaudi orationem meam – 143–144 Domine praestolamur - 1a pars (of 2): Domine praestolamur – 4 Domine praestolamur - 2a pars (of 2): Veni Domine – 4–5 Domine secundum actum meum – Fi_v–Fii_r Domine tu jurasti – 55–56 Emendemus - 1a pars (of 2): Emendemus in melius – Bii_r Emendemus - 2a pars (of 2): Adiuva nos Deus – Bii_r Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) – 130–131 Fac cum servo tuo – 136 Gloria Patri qui creavit nos – Giii_v–Giv_r Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis – 132 Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox – 132–133 If trickling tears of mine – 98 In nomine à5 – 76 In nomine (V) a5 – 73 In resurrectione tua – 109–110 Infelix ego omnium - 1a pars (of 3): Infelix ego omnium – 178–179 Infelix ego omnium - 2a pars (of 3): Quid igitur faciam – 180 Infelix ego omnium - 3a pars (of 3): Ad te igitur – 180–182 Laetentur caeli - 1a pars (of 2): Laetentur caeli – 137–138 Laetentur caeli - 2a pars (of 2): Orietur in diebus – 138–139 Laudate pueri Dominum – Div_v Libera me Domine et pone - 1a pars (of 2): Libera me domine et pone me – Bii_v Libera me Domine et pone - 2a pars (of 2): Dies mei transierunt – Bii_v–Biii_r Libera me domine de morte aeterna – Giv_v Memento homo quod cinis es – Ei_r–Ei_v Miserere mihi Domine – Gii_r Ne irascaris - 1a pars (of 2): Ne irascaris Domine – 2–3 Ne irascaris - 2a pars (of 2): Civitatis sancti tui – 3 O Lord, within thy tabernacle – 107 O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli) – Civ_v O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum – 105–106 O quam gloriosum - 2a pars (of 2): Benedictio et claritas – 106 O salutaris hostia I – 153–154 O trifling toys – 101 Omni tempore - 1a pars (of 2): Omni tempore benedic Deum – 154 Omni tempore - 2a pars (of 2): Memor esto fili – 155 Opprobrium facti sumus – 177–178 Peccantem me quotidie – Biii_v–Biv_r Peccavi super numerum – 172–174 Quomodo cantabimus - 1a pars (of 2): Quomodo cantabimus – 114–115 Quomodo cantabimus - 2a pars (of 2): Si non proposuero Jersualem – 115–117 (?) Save me, O God, for thy name's sake – 198–199 Siderum rector Deus alme – Eii_r Sponsus amat sponsam – 53–54 Te Deprecor – Giii_r Tribue Domine – Gii_v Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum – 144–145 Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo – 145–146 Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis – 146–147 Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti – 148–149 Tristitia et anxietas - 2a pars (of 2): Sed tu domine – 149–150 Vide Domine quoniam - 1a pars (of 2): Vide Domine quoniam tribulor – 142 Vide Domine quoniam - 2a pars (of 2): Quoniam amaritudine plena sum – 142–143 Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore – 56–58 Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare – 58–59
Cavalli, Francesco (1602-1676)	Delizie contente, che l'alma beate – 222–223
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Non te hostis – 25–26 Qui consolabatur me recessit a me – 24–25 Quis te victorem dicat – 19–20
Cobbold, William (ca. 1560-1639)	Hey down – 10–12
Coste, Richard	Save me, O God, for thy name's sake – 198–199
Douglas, Patrick	Miserere – 92–93
Farrant, Richard (ca. 1525-1580)	(?) Ah, alas, you salt sea gods – 101–102
Ferrabosco, Alfonso (the elder) (1543-1588)	Afflictus sum - 1a pars (of 2): Afflictus sum et humiliatus – 49–51 Afflictus sum - 2a pars (of 2): Ne derelinquas me, Domine – 51–52 Credo quod redemptor (C26) – 52–53 Da pacem Domine (II) (C28) – 41–42 De Lamentatione Jeremiae (C64) – 123–126 Domine non secundum peccata nostra (C32) – 47–49 Heu mihi Domine (II) (C38) – 44–46 In nomine (F85) – 188–189 Ingemuit Susanna (C43) – 128–129 Lamentations [...] Aleph (5vv - C65) – 120–123 Mirabile mysterium (C47) – 126–128 Salva nos Domine (C54) – 40 Sana me Domine - 1a pars (of 2): Sana me Domine (C55) – 117–118 Sana me Domine - 2a pars (of 2): Ne derelinquas me, Domine (C56) – 118–119 Timor et tremor - 1a pars (of 2): Timor et tremor (C61) – 42–43 Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) – 43–44 Tribulationem et dolorem inveni (C63) – 119–120 Virgo per incertos casus (C80) – 46–47 What is the cause – 99
Fogliano, Giacomo (1468-1548)	(?) A woeful heart – 5–6
Giles, Nathaniel (ca. 1558-1634)	O give thanks unto the Lord for he is gracious – 200–201
Gombert, Nicolas (ca. 1495-ca. 1560)	(?) Vidi civitatem sanctam Jerusalem novam – 163–164
Hake, John	In nomine – 78
Johnson (I), Robert (ca. 1500-ca. 1560)	Domine in virtute tua (I) - 1a pars (of 2): Domine in virtute tua – 61–62 Domine in virtute tua (I) - 2a pars (of 2): Magna gloria eius – 62–64 In nomine – 75
Lassus, Orlande de (ca. 1532-1594)	Veni sponsa Christi – 90–91 (?) Vita della mia vita – 191
Monte, Philippe de	Super flumina Babylonis – 112–114
More, William	Miserere I – 230 Miserere II – 230
Morley, Thomas (ca. 1557-1602)	In manus tuas Domine – 170–171
Mudd (I), Thomas (ca. 1550-ca. 1619)	In nomine De Profundis – 80
Mudd (II), Thomas	(?) In nomine De Profundis – 80
Mudde, Henry	In nomine De Profundis – 80
Parsley [Percely], Osbert	Ut re fa so la upon the dial = Parsley's clock – 91–92
Parsons (I), Robert (ca. 1535-ca. 1572)	A solis ortus cardine – 79–80 (?) A woeful heart – 5–6 Credo quod redemptor meus vivit – 158 De la court - 1a pars – 7–8 De la court - 2a pars – 8–10 (?) Deliver me from mine enemies – 20–21 Domine quis habitabit – 156–157 In nomine (III) – 6–7 Peccantem me quotidie – 89–90 Retribue servo tuo – 174–177 The song called trumpets = Lusty Gallant – 13–14
Parsons (II) 'of Exeter', Robert (1596-1676)	A solis ortus cardine – 79–80
Philips, Peter (ca. 1560-1628)	(?) Blessed art thou that fearest God and walkest in his ways – 21–22
Redford, John (-1547)	Sint lumbi vesti praecincti – 85–86
Rore, Cipriano de (ca. 1515-1565)	Susanne un jour – 108–109
Sheppard, John (ca. 1515-1558)	Haec dies – 159 Libera nos, salva nos [II] – 169–170 Magnificat a6: (exc) Esurientes – 17
Strogers, Nicholas	A solis ortus cardine – 79–80 In nomine (III) – 12–13 (?) Mistrust not truth – 99 O heavenly God – 103–104 (?) Pour down thy powers divine – 103 This world is a world – 18
Tallis, Thomas (ca. 1505-1585)	Absterge Domine – Aiv_v–Bi_r Blessed are those that be undefiled (=Beati immaculati) – 29–31 Candidi Facti sunt = Facti sunt Nazarei eius candidi – Eiii_v–Eiv_r Derelinquit impius viam suam – Di_v–Dii_r Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – Dii_v Dum transisset sabbatum, Maria Magdalene / Aromata emerunt – 82 Honor, virtus et potestas – Diii_r–Diii_d In ieiunio et fletu – Fiii_v–Fiv_r In manus tuas Domine – Bi_v In nomine (II) – 76–77 Mihi autem nimis honorati sunt – Biv_v Miserere mihi Domine – Fiv_v–Gi_v Miserere nostri Domine – Hi_r O nata lux de lumine – Ci_r O sacrum convivium in quo Christus sumitur – Ci_v–Cii_r O salutaris hostia – 81 Procul recedant omnia – Eii_v Salvator mundi (I) – Aiv_r Salvator mundi (II) – Eiii_r Sermone blando Illae dum pergunt concitae Apostolis – Diii_v–Div_r
Taverner, John	In nomine – 74 Quemadmodum – 164–166
Tye, Christopher (ca. 1505-ca. 1573)	In nomine IX: 'Re la re' – 28
Van Wilder, Phillip	Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est – 167–168 Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte – 171–172 (?) Blessed art thou that fearest God and walkest in his ways – 21–22 Lombany [L'homme banni de sa plaisance?] – 26–27 (?) Madonna somm' accorto ch' havete pur gran torto – 27–28 Une jour un moine – 193 Une nonnain refraite et en bon point – 192 (?) Vidi civitatem sanctam Jerusalem novam – 163–164
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) A woeful heart – 5–6
Weelkes, Thomas (ca. 1576-1623)	Alleluia. I heard a voice – 204–205 When David heard - 2a pars (of 2): O my son Absalom – 202
White, Robert (ca. 1538-1574)	Tota pulchra es amica mea et macula – 83–85 When weary bones – 97 [Christe, qui lux es (IV)] - 1a pars (of 3): [Christe...] Precamur sancte Domine – 15 [Christe, qui lux es (IV)] - 2a pars (of 3): Oculi somnum – 16 [Christe, qui lux es (IV)] - 3a pars (of 3): Memento nostri Domine – 16

Composition	Composers (? Uncertain)	Folios / Pages
[Christe, qui lux es (IV)] - 1a pars (of 3): [Christe...] Precamur sancte Domine	White, Robert (ca. 1538–1574)	15
[Christe, qui lux es (IV)] - 2a pars (of 3): Oculi somnum	White, Robert (ca. 1538–1574)	16
[Christe, qui lux es (IV)] - 3a pars (of 3): Memento nostri Domine	White, Robert (ca. 1538–1574)	16
A la guerra	Anonymous	206–207
A solis ortus cardine	Strogers, Nicholas Parsons (II) 'of Exeter', Robert (1596–1676) Parsons (I), Robert (ca. 1535–ca. 1572)	79–80
A woeful heart	Fogliano, Giacomo (1468–1548) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	5–6
Absterge Domine	Tallis, Thomas (ca. 1505–1585)	Aiv_v–Bi_r
Afflictus sum - 1a pars (of 2): Afflictus sum et humiliatus	Ferrabosco, Alfonso (the elder) (1543–1588)	49–51
Afflictus sum - 2a pars (of 2): Ne derelinquas me, Domine	Ferrabosco, Alfonso (the elder) (1543–1588)	51–52
Ah, alas, you salt sea gods	Farrant, Richard (ca. 1525–1580) (?) Byrd, William (ca. 1540–1623) (?)	101–102
All'erta mio core	Anonymous	215–217
Alleluia. I heard a voice	Weelkes, Thomas (ca. 1576–1623)	204–205
Allo strale d'Amor	Anonymous	211–212
Amor se cieco	Anonymous	213–214
Apparebit in finem	Byrd, William (ca. 1540–1623)	135
Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou	Byrd, William (ca. 1540–1623)	110–111
Arise O Lord - 2a pars (of 2): Help us, O God	Byrd, William (ca. 1540–1623)	111–112
Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est	Van Wilder, Phillip	167–168
Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte	Van Wilder, Phillip	171–172
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Byrd, William (ca. 1540–1623)	1
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	Byrd, William (ca. 1540–1623)	1–2
Aspice Domine quia facta est (6vv)	Byrd, William (ca. 1540–1623)	Cii_v–Ciii_r
Attollite portas	Byrd, William (ca. 1540–1623)	Ciii_v–Civ_r
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	134
Bella Signora	Anonymous	185
Blessed are those that be undefiled (=Beati immaculati)	Tallis, Thomas (ca. 1505–1585)	29–31
Blessed art thou that fearest God and walkest in his ways	Philips, Peter (ca. 1560–1628) (?) Van Wilder, Phillip (?)	21–22
Browning = The leaves be green	Byrd, William (ca. 1540–1623)	87–89
Candidi Facti sunt = Facti sunt Nazarei eius candidi	Tallis, Thomas (ca. 1505–1585)	Eiii_v–Eiv_r
Care for thy soule as thing of greatest price	Byrd, William (ca. 1540–1623)	141
Circumdederunt me dolores mortis	Byrd, William (ca. 1540–1623)	139–140
Come tread the paths	Byrd, William (ca. 1540–1623) (?)	100–101
Credo quod redemptor (C26)	Ferrabosco, Alfonso (the elder) (1543–1588)	52–53
Credo quod redemptor meus vivit	Parsons (I), Robert (ca. 1535–ca. 1572)	158
Da pacem Domine (II) (C28)	Ferrabosco, Alfonso (the elder) (1543–1588)	41–42
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	7–8
De la court - 2a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	8–10
De Lamentatione Jeremiae (C64)	Ferrabosco, Alfonso (the elder) (1543–1588)	123–126
De Tribulatione	Byrd, William (ca. 1540–1623)	Eiv_v–Fi_r
Deliver me from mine enemies	Byrd, William (ca. 1540–1623) (?) Parsons (I), Robert (ca. 1535–ca. 1572) (?)	20–21
Delizie contente, che l'alma beate	Cavalli, Francesco (1602–1676)	222–223
Deo Patri sit gloria	Byrd, William (ca. 1540–1623)	Di_r
Derelinquit impius viam suam	Tallis, Thomas (ca. 1505–1585)	Di_v–Dii_r
Deus in adjutorium - 1a pars (of 5): Deus in adjutorium meum	Byrd, William (ca. 1540–1623)	93–94
Deus in adjutorium - 2a pars (of 5): Avertantur retrorsum	Byrd, William (ca. 1540–1623)	94
Deus in adjutorium - 3a pars (of 5): Exsultent et laetentur	Byrd, William (ca. 1540–1623)	94–95
Deus in adjutorium - 4a pars (of 5): Et dicunt semper	Byrd, William (ca. 1540–1623)	95
Deus in adjutorium - 5a pars (of 5): Adjutor meus	Byrd, William (ca. 1540–1623)	95–96
Deus venerunt gentes - 1a pars (of 4): Deus venerunt gentes	Byrd, William (ca. 1540–1623)	151
Deus venerunt gentes - 2a pars (of 4): Posuerunt morticinia	Byrd, William (ca. 1540–1623)	151–153
Diliges Dominum Deum	Byrd, William (ca. 1540–1623)	Fii_v–Fiii_r
Domine exaudi - 1a pars (of 2): Domine exaudi orationem meam	Byrd, William (ca. 1540–1623)	143–144
Domine in virtute tua (I) - 1a pars (of 2): Domine in virtute tua	Johnson (I), Robert (ca. 1500–ca. 1560)	61–62
Domine in virtute tua (I) - 2a pars (of 2): Magna gloria eius	Johnson (I), Robert (ca. 1500–ca. 1560)	62–64
Domine non secundum peccata nostra (C32)	Ferrabosco, Alfonso (the elder) (1543–1588)	47–49
Domine praestolamur - 1a pars (of 2): Domine praestolamur	Byrd, William (ca. 1540–1623)	4
Domine praestolamur - 2a pars (of 2): Veni Domine	Byrd, William (ca. 1540–1623)	4–5
Domine quis habitabit	Parsons (I), Robert (ca. 1535–ca. 1572)	156–157
Domine secundum actum meum	Byrd, William (ca. 1540–1623)	Fi_v–Fii_r
Domine tu jurasti	Byrd, William (ca. 1540–1623)	55–56
Dulce Madonna	Anonymous	186
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	Dii_v
Dum transisset sabbatum, Maria Magdalene / Aromata emerunt	Tallis, Thomas (ca. 1505–1585)	82
Emendemus - 1a pars (of 2): Emendemus in melius	Byrd, William (ca. 1540–1623)	Bii_r
Emendemus - 2a pars (of 2): Adiuva nos Deus	Byrd, William (ca. 1540–1623)	Bii_r
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	Byrd, William (ca. 1540–1623)	130–131
Extract of letters patents to Tallis and Byrd	Anonymous	Hiv_r
Fac cum servo tuo	Byrd, William (ca. 1540–1623)	136
Fye then why sit we musing	Anonymous	194–195
Gloria Patri qui creavit nos	Byrd, William (ca. 1540–1623)	Giii_v–Giv_r
Haec dicit Dominus - 1a pars (of 2): Haec dicit Dominus vox in excelsis	Byrd, William (ca. 1540–1623)	132
Haec dicit Dominus - 2a pars (of 2): Haec dicit Dominus quiescat vox	Byrd, William (ca. 1540–1623)	132–133
Haec dies	Sheppard, John (ca. 1515–1558)	159
Heu mihi Domine (II) (C38)	Ferrabosco, Alfonso (the elder) (1543–1588)	44–46
Hey down	Cobbold, William (ca. 1560–1639)	10–12
Honor, virtus et potestas	Tallis, Thomas (ca. 1505–1585)	Diii_r–Diii_d
If trickling tears of mine	Byrd, William (ca. 1540–1623)	98
Il mio strano	Anonymous	221
In ieiunio et fletu	Tallis, Thomas (ca. 1505–1585)	Fiii_v–Fiv_r
In manus tuas Domine	Tallis, Thomas (ca. 1505–1585)	Bi_v
In manus tuas Domine	Morley, Thomas (ca. 1557–1602)	170–171
In nomine	Taverner, John	74
In nomine	Johnson (I), Robert (ca. 1500–ca. 1560)	75
In nomine	Hake, John	78
In nomine	Blancks (Blankes), Edward	182–183
In nomine à5	Byrd, William (ca. 1540–1623)	76
In nomine (F85)	Ferrabosco, Alfonso (the elder) (1543–1588)	188–189
In nomine (II)	Tallis, Thomas (ca. 1505–1585)	76–77
In nomine (III)	Parsons (I), Robert (ca. 1535–ca. 1572)	6–7
In nomine (III)	Strogers, Nicholas	12–13
In nomine (V) a5	Byrd, William (ca. 1540–1623)	73
In nomine a 5	Brewster	196–197
In nomine De Profundis	Mudd (I), Thomas (ca. 1550–ca. 1619) Mudd (II), Thomas (?) Mudde, Henry	80
In nomine IX: 'Re la re'	Tye, Christopher (ca. 1505–ca. 1573)	28
In resurrectione tua	Byrd, William (ca. 1540–1623)	109–110
In silentio mi seraggo	Anonymous	210
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Byrd, William (ca. 1540–1623)	178–179
Infelix ego omnium - 2a pars (of 3): Quid igitur faciam	Byrd, William (ca. 1540–1623)	180
Infelix ego omnium - 3a pars (of 3): Ad te igitur	Byrd, William (ca. 1540–1623)	180–182
Ingemuit Susanna (C43)	Ferrabosco, Alfonso (the elder) (1543–1588)	128–129
Je dis adieu de tout plaisir	Anonymous	166
Laetentur caeli - 1a pars (of 2): Laetentur caeli	Byrd, William (ca. 1540–1623)	137–138
Laetentur caeli - 2a pars (of 2): Orietur in diebus	Byrd, William (ca. 1540–1623)	138–139
Lamentations [...] Aleph (5vv - C65)	Ferrabosco, Alfonso (the elder) (1543–1588)	120–123
Laudate pueri Dominum	Byrd, William (ca. 1540–1623)	Div_v
Libera me domine de morte aeterna	Byrd, William (ca. 1540–1623)	Giv_v
Libera me Domine et pone - 1a pars (of 2): Libera me domine et pone me	Byrd, William (ca. 1540–1623)	Bii_v
Libera me Domine et pone - 2a pars (of 2): Dies mei transierunt	Byrd, William (ca. 1540–1623)	Bii_v–Biii_r
Libera nos, salva nos [II]	Sheppard, John (ca. 1515–1558)	169–170
Lombany [L'homme banni de sa plaisance?]	Van Wilder, Phillip	26–27
Madonna somm' accorto ch' havete pur gran torto	Van Wilder, Phillip (?)	27–28
Magnificat a6: (exc) Esurientes	Sheppard, John (ca. 1515–1558)	17
Memento homo quod cinis es	Byrd, William (ca. 1540–1623)	Ei_r–Ei_v
Mihi autem nimis honorati sunt	Tallis, Thomas (ca. 1505–1585)	Biv_v
Mine heart	Anonymous	14–15
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	126–128
Miserere	Douglas, Patrick	92–93
Miserere I	More, William	230
Miserere II	More, William	230
Miserere mihi Domine	Tallis, Thomas (ca. 1505–1585)	Fiv_v–Gi_v
Miserere mihi Domine	Byrd, William (ca. 1540–1623)	Gii_r
Miserere nostri Domine	Tallis, Thomas (ca. 1505–1585)	Hi_r
Mistrust not truth	Strogers, Nicholas (?)	99
Mr Blanck's Fantasy	Blancks (Blankes), Edward	190
Mr Blancks His Farewell	Blancks (Blankes), Edward	184–185
Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Byrd, William (ca. 1540–1623)	2–3
Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Byrd, William (ca. 1540–1623)	3
Non te hostis	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	25–26
O give thanks unto the Lord for he is gracious	Giles, Nathaniel (ca. 1558–1634)	200–201
O heavenly God	Strogers, Nicholas	103–104
O Lord, that heaven doth possess	Anonymous	22–23
O Lord, within thy tabernacle	Byrd, William (ca. 1540–1623)	107
O lux beata trinitas et principalis (2p.Te mane laudum carmine te deprecamur; 3p. Deo patri sit gloria eiusque soli)	Byrd, William (ca. 1540–1623)	Civ_v
O nata lux de lumine	Tallis, Thomas (ca. 1505–1585)	Ci_r
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Byrd, William (ca. 1540–1623)	105–106
O quam gloriosum - 2a pars (of 2): Benedictio et claritas	Byrd, William (ca. 1540–1623)	106
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	Ci_v–Cii_r
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	81
O salutaris hostia I	Byrd, William (ca. 1540–1623)	153–154
O trifling toys	Byrd, William (ca. 1540–1623)	101
Omni tempore - 1a pars (of 2): Omni tempore benedic Deum	Byrd, William (ca. 1540–1623)	154
Omni tempore - 2a pars (of 2): Memor esto fili	Byrd, William (ca. 1540–1623)	155
Opprobrium facti sumus	Byrd, William (ca. 1540–1623)	177–178
Peccantem me quotidie	Byrd, William (ca. 1540–1623)	Biii_v–Biv_r
Peccantem me quotidie	Parsons (I), Robert (ca. 1535–ca. 1572)	89–90
Peccavi super numerum	Byrd, William (ca. 1540–1623)	172–174
Pensieri quietate	Anonymous	208–209
Phyllis hath stolen my heart away	Anonymous	187
Pour down thy powers divine	Strogers, Nicholas (?)	103
Procul recedant omnia	Tallis, Thomas (ca. 1505–1585)	Eii_v
Quemadmodum	Taverner, John	164–166
Qui consolabatur me recessit a me	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	24–25
Quis te victorem dicat	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	19–20
Quomodo cantabimus - 1a pars (of 2): Quomodo cantabimus	Byrd, William (ca. 1540–1623)	114–115
Quomodo cantabimus - 2a pars (of 2): Si non proposuero Jersualem	Byrd, William (ca. 1540–1623)	115–117
Retribue servo tuo	Parsons (I), Robert (ca. 1535–ca. 1572)	174–177
Salva nos Domine (C54)	Ferrabosco, Alfonso (the elder) (1543–1588)	40
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	Aiv_r
Salvator mundi (II)	Tallis, Thomas (ca. 1505–1585)	Eiii_r
Sana me Domine - 1a pars (of 2): Sana me Domine (C55)	Ferrabosco, Alfonso (the elder) (1543–1588)	117–118
Sana me Domine - 2a pars (of 2): Ne derelinquas me, Domine (C56)	Ferrabosco, Alfonso (the elder) (1543–1588)	118–119
Save me, O God, for thy name's sake	Byrd, William (ca. 1540–1623) (?) Coste, Richard	198–199
Sermone blando Illae dum pergunt concitae Apostolis	Tallis, Thomas (ca. 1505–1585)	Diii_v–Div_r
Siderum rector Deus alme	Byrd, William (ca. 1540–1623)	Eii_r
Sint lumbi vesti praecincti	Redford, John (–1547)	85–86
Spem in alium	Anonymous	160–161
Sponsus amat sponsam	Byrd, William (ca. 1540–1623)	53–54
Super flumina Babylonis	Monte, Philippe de	112–114
Susanne un jour	Rore, Cipriano de (ca. 1515–1565)	108–109
Te Deprecor	Byrd, William (ca. 1540–1623)	Giii_r
The song called trumpets = Lusty Gallant	Parsons (I), Robert (ca. 1535–ca. 1572)	13–14
This world is a world	Strogers, Nicholas	18
Timor et tremor - 1a pars (of 2): Timor et tremor (C61)	Ferrabosco, Alfonso (the elder) (1543–1588)	42–43
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62)	Ferrabosco, Alfonso (the elder) (1543–1588)	43–44
Tota pulchra es amica mea et macula	White, Robert (ca. 1538–1574)	83–85
Tra montagne di foco	Anonymous	218–220
Tribue Domine	Byrd, William (ca. 1540–1623)	Gii_v
Tribulationem et dolorem inveni (C63)	Ferrabosco, Alfonso (the elder) (1543–1588)	119–120
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Byrd, William (ca. 1540–1623)	144–145
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	Byrd, William (ca. 1540–1623)	145–146
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	Byrd, William (ca. 1540–1623)	146–147
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Byrd, William (ca. 1540–1623)	148–149
Tristitia et anxietas - 2a pars (of 2): Sed tu domine	Byrd, William (ca. 1540–1623)	149–150
Une jour un moine	Van Wilder, Phillip	193
Une nonnain refraite et en bon point	Van Wilder, Phillip	192
Ut re fa so la upon the dial = Parsley's clock	Parsley [Percely], Osbert	91–92
Veni sponsa Christi	Lassus, Orlande de (ca. 1532–1594)	90–91
Verbum caro factum est	Blancks (Blankes), Edward	168–169
Vide domine afflictionem - 1a pars (of 2): Vide domine afflictionem nostram et in tempore	Byrd, William (ca. 1540–1623)	56–58
Vide domine afflictionem - 2a pars (of 2): Sed veni domine et noli tardare	Byrd, William (ca. 1540–1623)	58–59
Vide Domine quoniam - 1a pars (of 2): Vide Domine quoniam tribulor	Byrd, William (ca. 1540–1623)	142
Vide Domine quoniam - 2a pars (of 2): Quoniam amaritudine plena sum	Byrd, William (ca. 1540–1623)	142–143
Vidi civitatem sanctam Jerusalem novam	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Van Wilder, Phillip (?)	163–164
Virgo per incertos casus (C80)	Ferrabosco, Alfonso (the elder) (1543–1588)	46–47
Vita della mia vita	Lassus, Orlande de (ca. 1532–1594) (?)	191
What is the cause	Ferrabosco, Alfonso (the elder) (1543–1588)	99
When David heard - 2a pars (of 2): O my son Absalom	Weelkes, Thomas (ca. 1576–1623)	202
When weary bones	White, Robert (ca. 1538–1574)	97

Images © Private Library of David McGhie

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

Set: Tenbury389-McGhie set

Type: Partbooks

GB-DORmcghie McGhie manuscript

GB-Ob MS. Tenbury 389

‡ denotes primary source study

Charteris, Richard (editor). 1984. Alfonso Ferrabosco the Elder (1543-1588): Opera Omnia. Corpus mensurabilis musicae, vol. 96. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiv, xvi-xviii; II, xii-xiii; III, xiv-xv,47. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 58ff, 195. Notes: contents list (partial); concordances (partial).

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 37: 139-63. Pages: 149, 163. Notes: physical description (partial).

Charteris, Richard. 1983. The English Songs of Alfonso Ferrabosco the Elder. Studies in Music [Nedlands, Australia], 17: 79-86. Pages: 79-80. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 33: 55-75. Pages: 71, 73-5. Notes: contents list (partial); concordances (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXV, xiii, 163, 183 XXIX, 128, 140. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XLIV, 184-6,189-91,193-4. Notes: contents list (partial); concordances (partial).

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Julia Craig-McFeely

Monday, 16 May, 2022

missing inventory 1-80 added

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description