GB-Och Mus. 984 (Dow Partbooks)

Christ Church, Oxford, England

partbook: 1581-8

Archive	Christ Church, Oxford, England (GB-Och)
Shelfmark	Mus. 984 (Dow Partbooks)
Surface	Paper
Numbering System	None / Unknown
Format	landscape
Measurements	c. 200 x 150 mm
Other Identifiers	CCM: OxfC 984-8
Notations	black full mensural black void mensural
Copyists	Baldwin, John (ca. 1560–1615) Music ? Dow, Robert (the Younger) (1554–1588) Music
Relationships	Aldrich, Henry (1647–1710) (owner)
External Links	Christ Church Library online catalogue entry
Provenance	Christ Church Cathedral , Windsor, England
Contents	126 pieces from 28 composers

General Description

A Discantus partbook from a set of five volumes. Copied by Robert Dow (1553-88), fellow of All Souls College, Oxford, except for nos. 53-4, which were copied by John Baldwin, and nos. 99-100, which were copied by an unidentified person. At Dow's death the partbooks passed to Giles Thomson, a former colleague of Dow's at All Souls, and later Dean of St George's Chapel, Windsor; he died in 1612. The Windsor connection helps explain the additions made to the partbooks by John Baldwin (d. 1615), who was a singing-man at St George's Chapel. From Thomson, the books passed to Gregory Baker (d. 1637), then to his son Giles Baker (d. c. 1661). The next trace of the set is as part of the Aldrich bequest, where it is listed in Dowding at position N.2.4 as 'Latin Psalms / By Tallis &c MS. 5 voc. 1581'. Possibly the set was acquired by Aldrich together with Mus. 979-83, copied wholly by John Baldwin, which is also of Windsor provenance.

John Milsom, 2010

Binding

Early l7th-century covers of brown leather on cardboard, tooled in gold with decorative borders and initials 'G.T.'

John Milsom, 2010

Notation

Black void mensural; cantus firmus in some pieces in black mensural

John Milsom, 2010

Ruling

printed red staves

John Milsom, 2010

Foliation

Other numberings: Dow himself numbered items 1-52. Baldwin numbered items 53-4 (also adding '55' in error in Mus. 984-5). The remaining contents were left unnumbered until the 19th century. Various later hands (including that of Havergal) continued the numbering system, in sequences that do not always agree with one another

John Milsom, 2010

Foliation

No foliation or pagination

John Milsom, 2010

Decoration

No initials, but some text incipits copied in ornamental script. Latin epigrams on various folios include comments on the art of music and evaluations of particular composers (see BoydE).

John Milsom, 2010

Index

Modern index on flyleaves at beginning of Discantus book lists pieces alphabetically by composer (R. White works listed first, out of order).

John Milsom, 2010

Surface

paper

John Milsom, 2010

DIAMM Note

There were some exposure problems in photographing the first two books. This has largely been corrected in processing, but there may be some residual over-exposure.

Digitized with funding from the Arts and Humanities Research Council (UK) and included in the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat section, 5 hymns, 1 set of Lamentations, 49 motets, 22 anthems and English sacred pieces, 28 English secular pieces, 4 French secular pieces, 3 Italian secular pieces, 1 textless canon, 13 instrumental pieces = 127

Bruster-1, Bull-1, Byrd-56, (Edwards?)-1, R. Farrant/(Byrd/R. Parsons 1)-1, A. Ferrabosco I-2, N. Giles-1, (Hunnis?)-1, R. Johnson I-1, Lassus-3, Mallorie-1, Mocheni-2, W. Mundy-1, R. Parsons I-6, R. Parsons I/(Byrd)-1, R. Parsons I/(Wilder)-1, Shepherd-1, Strogers-6, J. Tailer [Mr. Tayler; Tailer]-1, Tallis-6, Taverner-1, Tye-4, Tye/(Maillard?)-1, Tye/(Verdelot/Wilder)-1, R. White-13, R. White/(M. White)-1, Wilder [Phillips]-1, Woodcocke-2, anon-9

5 paper partbooks (D-ii + i + 93 folios, Medius-ii + 93 + i, AT-ii + 95 + i folios each, B-ii + 89 + i), 142 x 194. No foliation or pagination. Original numbering of Latin pieces at beginning, 1-54; modern ink and pencil numbering of pieces in remainder of manuscript, 55-99 + 99b-133 ("133" applied to three different pieces; some partes counted separately). Early l7th-century covers of brown leather on cardboard, tooled in gold with decorative borders and initials "G.T." Modern index on flyleaves at beginning of D lists pieces alphabetically by composer (R. White works listed first, out of order). Black void mensural notation on orange staves; cantus firmus in some pieces in black mensural notation.

The main scribe was probably Robert Dow the Younger. Pieces #53-54 are slightly later additions in the hand of John Baldwin (see below), who also copied LonBLM 24 d.2, OxfC 979-83, part of OxfBMS e.376-81, and "My Ladye Nevells Booke" (last-named manuscript not within scope of this catalogue). #98-99 possibly copied by Dow, using less formal hand, or may be work of a third, unidentified scribe. No initials, but some text incipits copied in ornamental script. Latin epigrams on various folios include comments on the art of music and evaluations of particular composers (see BoydE).

1581-8, with slightly later additions (BernsCE). Copied in Oxford. The compiler and original owner was Robert Dow the Younger (ca. 1554-1588), fellow of All Souls College, Oxford. Later owned by John Baldwin, a singer and clerk at St. George's Chapel, Windsor, and gentleman of the Chapel Royal from 1594; Baldwin added two pieces. Later owner "G.T." added present bindings stamped with his initials. Acquired by Henry Aldrich (1647-1710), Dean of Christ Church, Oxford; bequeathed to Christ Church Library in 1710.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3–8	Lamentations (I) a5	Robert White	White, Robert (ca. 1538–1574)
Lamentations (I) a5 White, Robert (ca. 1538–1574) Appears on: 3–8 Genres: Lamentations, Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin, Hebrew Voice Text: [Lamentations] Heth. Peccatum peccavit
9–14	Miserere mei Deus [2p: Cor mundum crea]	Robert White	White, Robert (ca. 1538–1574)
Miserere mei Deus [2p: Cor mundum crea] White, Robert (ca. 1538–1574) Appears on: 9–14 Genres: Miserere mei Deus, Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: Miserere mei, Deus
15	[Christe qui lux es (I)] Precamur sancte Domine	Robert White	White, Robert (ca. 1538–1574)
[Christe qui lux es (I)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 15 Genres: Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: [Christe, qui lux es (I)] Precamur
16	[Christe qui lux es (II)] Precamur sancte Domine	Robert White	White, Robert (ca. 1538–1574)
[Christe qui lux es (II)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 16 Genres: Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: [Christe, qui lux es (II)] Precamur
17	[Christe qui lux es (III)] Precamur sancte Domine	Robert White	White, Robert (ca. 1538–1574)
[Christe qui lux es (III)] Precamur sancte Domine White, Robert (ca. 1538–1574) Appears on: 17 Genres: Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: [Christe, qui lux es (III)] Precamur
18–21	Manus tuae fecerunt me [2p. Veniant mihi]	Robert White	White, Robert (ca. 1538–1574)
Manus tuae fecerunt me [2p. Veniant mihi] White, Robert (ca. 1538–1574) Appears on: 18–21 Genres: Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: Manus tuae fecerunt me
22–24	Portio mea, Domine [2p. Media nocte]	Robert White	White, Robert (ca. 1538–1574)
Portio mea, Domine [2p. Media nocte] White, Robert (ca. 1538–1574) Appears on: 22–24 Genres: Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: Portio mea, Domine
25–27	Justus es, Domine	Robert White	White, Robert (ca. 1538–1574)
Justus es, Domine White, Robert (ca. 1538–1574) Appears on: 25–27 Genres: Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: Justus es, Domine
28–30	Ne irascaris Domine [2p. Civitas sancti tui]	William Byrd	Byrd, William (ca. 1540–1623)
Ne irascaris Domine [2p. Civitas sancti tui] Byrd, William (ca. 1540–1623) Appears on: 28–30 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Ne irascaris
30–31	O Domine adjuva me	William Byrd	Byrd, William (ca. 1540–1623)
O Domine adjuva me Byrd, William (ca. 1540–1623) Appears on: 30–31 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: O Domine adjuva me
32–34	Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	William Byrd	Byrd, William (ca. 1540–1623)
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] Byrd, William (ca. 1540–1623) Appears on: 32–34 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Tribulationes civitatum
34–36	Domine exaudi orationem meam (2p. Et non intres)	William Byrd	Byrd, William (ca. 1540–1623)
Domine exaudi orationem meam (2p. Et non intres) Byrd, William (ca. 1540–1623) Appears on: 34–36 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Domine exaudi
37–39	Domine praestolamur [2p. Veni domine]	William Byrd	Byrd, William (ca. 1540–1623)
Domine praestolamur [2p. Veni domine] Byrd, William (ca. 1540–1623) Appears on: 37–39 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Domine praestolamur
39	Ad te clamamus	Christopher Tye	Tye, Christopher (ca. 1505–ca. 1573)
Ad te clamamus Tye, Christopher (ca. 1505–ca. 1573) Appears on: 39 Genres: Motet Source Attribution: Christopher Tye Voice: [no designation] Languages: Latin Voice Text: Ad te clamamus
40–41	Omnes gentes plaudite [2p. Psallite de nostro]	Christopher Tye	Tye, Christopher (ca. 1505–ca. 1573)
Omnes gentes plaudite [2p. Psallite de nostro] Tye, Christopher (ca. 1505–ca. 1573) Appears on: 40–41 Genres: Motet Source Attribution: Christopher Tye Voice: [no designation] Languages: Latin Voice Text: Omnes gentes plaudite manibus
42	Magnificat a6: (exc) Esurientes	John Sheppard	Sheppard, John (ca. 1515–1558)
Magnificat a6: (exc) Esurientes Sheppard, John (ca. 1515–1558) Appears on: 42 Genres: BVM, Canticle, Magnificat Source Attribution: John Sheppard Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Esurientes
43	Angelus ad pastores ait annuntio vobis	Orlande de Lassus	Lassus, Orlande de (ca. 1532–1594)
Angelus ad pastores ait annuntio vobis Lassus, Orlande de (ca. 1532–1594) Appears on: 43 Genres: Motet Source Attribution: Orlande de Lassus Voice: [no designation] Languages: Latin Voice Text: Angelus ad pastores ait
44–45	Veni in hortum meum	Orlande de Lassus	Lassus, Orlande de (ca. 1532–1594)
Veni in hortum meum Lassus, Orlande de (ca. 1532–1594) Appears on: 44–45 Genres: Motet Source Attribution: Orlande de Lassus Voice: [no designation] Languages: Latin Voice Text: Veni in hortum meum
45	O salutaris hostia	Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
O salutaris hostia Tallis, Thomas (ca. 1505–1585) Appears on: 45 Genres: Motet Source Attribution: Thomas Tallis Voice: [no designation] Languages: Latin Voice Text: O salutaris hostia
46	Salvator mundi (I)	Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (I) Tallis, Thomas (ca. 1505–1585) Appears on: 46 Genres: Motet Source Attribution: Thomas Tallis Voice: [no designation] Languages: Latin Voice Text: Salvator mundi (I)
47	Candidi Facti sunt = Facti sunt Nazarei eius candidi	Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Candidi Facti sunt = Facti sunt Nazarei eius candidi Tallis, Thomas (ca. 1505–1585) Appears on: 47 Genres: Motet Source Attribution: Thomas Tallis Voice: [no designation] Languages: Latin Voice Text: [Candidi] Facti sunt
48	Dum transisset sabbatum Maria Magdalena	Robert Johnson (i)	Johnson (I), Robert (ca. 1500–ca. 1560)
Dum transisset sabbatum Maria Magdalena Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 48 Genres: Motet Source Attribution: Robert Johnson (i) Voice: [no designation] Languages: Latin Voice Text: [Dum transisset] Sabbatum
49–52	Exaudiat te Dominus in die tribulationis	Robert White	White, Robert (ca. 1538–1574)
Exaudiat te Dominus in die tribulationis White, Robert (ca. 1538–1574) Appears on: 49–52 Genres: Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: Exaudiat te Dominus
53	Tribulationem et dolorem inveni (C63)	Alfonso Ferrabosco (i)	Ferrabosco, Alfonso (the elder) (1543–1588)
Tribulationem et dolorem inveni (C63) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53 Genres: Motet Source Attribution: Alfonso Ferrabosco (i) Voice: [no designation] Languages: Latin Voice Text: Tribulationem et dolorem inveni
54–55	Non me vincat Deus	Nicholas Strogers	Strogers, Nicholas
Non me vincat Deus Strogers, Nicholas Appears on: 54–55 Genres: Motet Source Attribution: Nicholas Strogers Voice: [no designation] Languages: Latin Voice Text: Non me vincat Deus
56	Dum transisset sabbatum [I - 5vv]	John Taverner	Taverner, John
Dum transisset sabbatum [I - 5vv] Taverner, John Appears on: 56 Genres: Motet Source Attribution: John Taverner Voice: [no designation] Languages: Latin Voice Text: Dum transisset sabbatum (I)
57–58	Tribulatio proxima est [2p. Contumelias et terrores]	William Byrd	Byrd, William (ca. 1540–1623)
Tribulatio proxima est [2p. Contumelias et terrores] Byrd, William (ca. 1540–1623) Appears on: 57–58 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Tribulatio proxima est
59–63	Appropinquet deprecatio mea	Robert White	White, Robert (ca. 1538–1574)
Appropinquet deprecatio mea White, Robert (ca. 1538–1574) Appears on: 59–63 Genres: Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: Appropinquet deprecatio mea
64	Christus resurgens	'Mr Tayler'	Tailer, John (?) Taylor, Robert (–ca. 1637) (?)
Christus resurgens Tailer, John (?) Taylor, Robert (–ca. 1637) (?) Appears on: 64 Genres: Motet Source Attribution: 'Mr Tayler' Voice: [no designation] Languages: Latin Voice Text: Christus resurgens
65–67	O quam gloriosum est regnum (2p. Benedictio et claritas)	William Byrd	Byrd, William (ca. 1540–1623)
O quam gloriosum est regnum (2p. Benedictio et claritas) Byrd, William (ca. 1540–1623) Appears on: 65–67 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: O quam gloriosum est regnum
67–69	Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine)	William Byrd	Byrd, William (ca. 1540–1623)
Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine) Byrd, William (ca. 1540–1623) Appears on: 67–69 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Tristitia et anxietas
70–71	Apparebit in finem	William Byrd	Byrd, William (ca. 1540–1623)
Apparebit in finem Byrd, William (ca. 1540–1623) Appears on: 70–71 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Apparebit in finem
71–72	Audivi vocem de caelo	William Byrd	Byrd, William (ca. 1540–1623)
Audivi vocem de caelo Byrd, William (ca. 1540–1623) Appears on: 71–72 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Audivi vocem de caelo
72–73	In resurrectione tua	William Byrd	Byrd, William (ca. 1540–1623)
In resurrectione tua Byrd, William (ca. 1540–1623) Appears on: 72–73 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: In resurrectione tua
73–76	Retribue servo tuo	Robert Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Retribue servo tuo Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 73–76 Genres: Motet Source Attribution: Robert Parsons Voice: [no designation] Languages: Latin Voice Text: Retribue servo tuo
76–77	Fac cum servo tuo	William Byrd	Byrd, William (ca. 1540–1623)
Fac cum servo tuo Byrd, William (ca. 1540–1623) Appears on: 76–77 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Fac cum servo tuo
78–79	Sive vigilem	William Mundy	Mundy, William (ca. 1528–ca. 1591)
Sive vigilem Mundy, William (ca. 1528–ca. 1591) Appears on: 78–79 Genres: Motet Source Attribution: William Mundy Voice: [no designation] Languages: Latin Voice Text: Sive vigilem
79–80	[Christe, qui lux es (IV)] Precamur sancte Domine (2p. Oculi somnum; 3p. Memento nostri Domine)	Robert White	White, Robert (ca. 1538–1574)
[Christe, qui lux es (IV)] Precamur sancte Domine (2p. Oculi somnum; 3p. Memento nostri Domine) White, Robert (ca. 1538–1574) Appears on: 79–80 Genres: Motet Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: [Christe, qui lux es (IV)] Precamur
80–82	Deus venerunt gentes: 1a/2a partes (of 4): Deus venerunt gentes / Posuerunt morticinia	William Byrd	Byrd, William (ca. 1540–1623)
Deus venerunt gentes: 1a/2a partes (of 4): Deus venerunt gentes / Posuerunt morticinia Byrd, William (ca. 1540–1623) Appears on: 80–82 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Deus venerunt gentes (parts I and II)
82–83	Domine tu jurasti	William Byrd	Byrd, William (ca. 1540–1623)
Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 82–83 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Domine tu jurasti
84–85	Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	William Byrd	Byrd, William (ca. 1540–1623)
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) Byrd, William (ca. 1540–1623) Appears on: 84–85 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Exsurge Domine
86–87	O sacrum convivium in quo Christus sumitur	Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
O sacrum convivium in quo Christus sumitur Tallis, Thomas (ca. 1505–1585) Appears on: 86–87 Genres: Motet Source Attribution: Thomas Tallis Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium
87	Salvator mundi (II)	Thomas Tallis	Tallis, Thomas (ca. 1505–1585)
Salvator mundi (II) Tallis, Thomas (ca. 1505–1585) Appears on: 87 Genres: Motet Source Attribution: Thomas Tallis Voice: [no designation] Languages: Latin Voice Text: Salvator mundi (II)
88	Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	William Byrd	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem Byrd, William (ca. 1540–1623) Appears on: 88 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: [Deus venerunt gentes (part III)] Effuderunt
89–90	[Christe qui lux es (I)] Precamur, sancte Domine	William Byrd	Byrd, William (ca. 1540–1623)
[Christe qui lux es (I)] Precamur, sancte Domine Byrd, William (ca. 1540–1623) Appears on: 89–90 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: [Christe qui lux es] Precamur
90–91	Laetentur caeli (2p. Orietur in diebus)	William Byrd	Byrd, William (ca. 1540–1623)
Laetentur caeli (2p. Orietur in diebus) Byrd, William (ca. 1540–1623) Appears on: 90–91 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Laetentur coeli
92–93	Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	William Byrd	Byrd, William (ca. 1540–1623)
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus Byrd, William (ca. 1540–1623) Appears on: 92–93 Genres: Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: [Deus venerunt gentes (part IV)] Facti sumus
93–94	Ave Maria gratia plena	Robert Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Ave Maria gratia plena Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 93–94 Genres: Ave Maria, Motet Source Attribution: Robert Parsons Voice: [no designation] Languages: Latin Voice Text: Ave Maria
94–95	Dum transisset sabbatum Maria Magdalena	['Roose']3	Roose
Dum transisset sabbatum Maria Magdalena Roose Appears on: 94–95 Genres: Motet Source Attribution: ['Roose']3 Voice: [no designation] Languages: Latin Voice Text: Dum transisset sabbatum
96–97	Decantabat populus in Israel	-	Byrd, William (ca. 1540–1623) (?)
Decantabat populus in Israel Byrd, William (ca. 1540–1623) (?) Appears on: 96–97 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Decantabat populus in Israel
97–99	Mirabile mysterium (C47)	Alfonso Ferrabosco (i)	Ferrabosco, Alfonso (the elder) (1543–1588)
Mirabile mysterium (C47) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 97–99 Genres: Motet Source Attribution: Alfonso Ferrabosco (i) Voice: [no designation] Languages: Latin Voice Text: Mirabile mysterium
99	Miserere mei Deus	William Byrd	Byrd, William (ca. 1540–1623)
Miserere mei Deus Byrd, William (ca. 1540–1623) Appears on: 99 Genres: Miserere mei Deus, Motet Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: Miserere mei Deus
100–104	O bone Jesu	Robert Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
O bone Jesu Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 100–104 Genres: Motet Source Attribution: Robert Parsons Voice: [no designation] Languages: Latin Voice Text: O bone Jesu
104–106	Vestigia mea dirige	Nathaniel Giles	Giles, Nathaniel (ca. 1558–1634)
Vestigia mea dirige Giles, Nathaniel (ca. 1558–1634) Appears on: 104–106 Genres: Motet Source Attribution: Nathaniel Giles Voice: [no designation] Languages: Latin Voice Text: Vestigia mea dirige
107–108	[blank staves]	-	-
[blank staves] Appears on: 107–108
109–111	Lord who shall dwell	Robert White	White, Robert (ca. 1538–1574)
Lord who shall dwell White, Robert (ca. 1538–1574) Appears on: 109–111 Genres: Anthem Source Attribution: Robert White Voice: [no designation] Languages: English Voice Text: Lord who shall dwell
111–112	The Lord bless us and keep us	Robert White	White, Robert (ca. 1538–1574)
The Lord bless us and keep us White, Robert (ca. 1538–1574) Appears on: 111–112 Genres: Anthem Source Attribution: Robert White Voice: [no designation] Languages: English Voice Text: The Lord bless us and keep us
113–114	O Lord, make thy servant, Elizabeth [or James, or King Charles]	William Byrd	Byrd, William (ca. 1540–1623)
O Lord, make thy servant, Elizabeth [or James, or King Charles] Byrd, William (ca. 1540–1623) Appears on: 113–114 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: O Lord, make thy servant, Elizabeth
114–115	Prevent us, O Lord	William Byrd	Byrd, William (ca. 1540–1623)
Prevent us, O Lord Byrd, William (ca. 1540–1623) Appears on: 114–115 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Prevent us, O Lord
115–117	How long shall mine enemies triumph	William Byrd	Byrd, William (ca. 1540–1623)
How long shall mine enemies triumph Byrd, William (ca. 1540–1623) Appears on: 115–117 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: How long shall mine enemies?
117–119	O that most rare breast	William Byrd	Byrd, William (ca. 1540–1623)
O that most rare breast Byrd, William (ca. 1540–1623) Appears on: 117–119 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: O that most rare breast
120–121	Come to me, grief, for ever	William Byrd	Byrd, William (ca. 1540–1623)
Come to me, grief, for ever Byrd, William (ca. 1540–1623) Appears on: 120–121 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Come to me, grief, for ever
121	In fields abroad	William Byrd	Byrd, William (ca. 1540–1623)
In fields abroad Byrd, William (ca. 1540–1623) Appears on: 121 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: In fields abroad
122	Where fancy fond	William Byrd	Byrd, William (ca. 1540–1623)
Where fancy fond Byrd, William (ca. 1540–1623) Appears on: 122 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Where Fancy fond
123	Susanna fair sometime assaulted was (2p. And if I grant)	William Byrd	Byrd, William (ca. 1540–1623)
Susanna fair sometime assaulted was (2p. And if I grant) Byrd, William (ca. 1540–1623) Appears on: 123 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Susanna fair
124	While Phoebus used to dwell	William Byrd	Byrd, William (ca. 1540–1623)
While Phoebus used to dwell Byrd, William (ca. 1540–1623) Appears on: 124 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: While Phoebus us'd to dwell
125	Why do I use my paper, ink and pen?	William Byrd	Byrd, William (ca. 1540–1623)
Why do I use my paper, ink and pen? Byrd, William (ca. 1540–1623) Appears on: 125 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Why do I use my paper, ink and pen?
126	La verginella	William Byrd	Byrd, William (ca. 1540–1623)
La verginella Byrd, William (ca. 1540–1623) Appears on: 126 Genres: Italian secular Source Attribution: William Byrd Voice: [no designation] Languages: Italian Voice Text: La verginella
127	I joy not in no earthly bliss	William Byrd	Byrd, William (ca. 1540–1623)
I joy not in no earthly bliss Byrd, William (ca. 1540–1623) Appears on: 127 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: I joy not in no earthly bliss
128	Ah, golden hairs	William Byrd	Byrd, William (ca. 1540–1623)
Ah, golden hairs Byrd, William (ca. 1540–1623) Appears on: 128 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Ah, golden hairs
129	Lord in thy wrath reprove me not	William Byrd	Byrd, William (ca. 1540–1623)
Lord in thy wrath reprove me not Byrd, William (ca. 1540–1623) Appears on: 129 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Lord in thy wrath
130	Care for thy soule as thing of greatest price	William Byrd	Byrd, William (ca. 1540–1623)
Care for thy soule as thing of greatest price Byrd, William (ca. 1540–1623) Appears on: 130 Genres: Sacred Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Care for thy soul
131–132	Browning = The leaves be green	William Byrd	Byrd, William (ca. 1540–1623)
Browning = The leaves be green Byrd, William (ca. 1540–1623) Appears on: 131–132 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Browning
133	Browning	Clement Woodcock	Woodcock, Clement (ca. 1540–1590)
Browning Woodcock, Clement (ca. 1540–1590) Appears on: 133 Genres: Song Source Attribution: Clement Woodcock Voice: [no designation] Languages: English Voice Text: Browning
134	Miserere	Mallorie	Mallorie
Miserere Mallorie Appears on: 134 Genres: Miserere mei Deus, Motet Source Attribution: Mallorie Voice: [no designation] Languages: Latin Voice Text: Miserere
135	Ascendo ad patrem meum et patrem vestrum	'D. Tie' [Jean Maillard (i)]	Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?)
Ascendo ad patrem meum et patrem vestrum Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 135 Genres: Motet Source Attribution: 'D. Tie' [Jean Maillard (i)] Voice: [no designation] Languages: Latin Voice Text: Ascendo ad patrem meum et patrem vestrum
136	Rubum quem (A Singing Song)	Christopher Tye	Tye, Christopher (ca. 1505–ca. 1573)
Rubum quem (A Singing Song) Tye, Christopher (ca. 1505–ca. 1573) Appears on: 136 Genres: Motet Source Attribution: Christopher Tye Voice: [no designation] Languages: Latin Voice Text: Rubum quem
136–137	Susanne un jour d'amour solicitée par deux viellards	Orlande de Lassus	Lassus, Orlande de (ca. 1532–1594)
Susanne un jour d'amour solicitée par deux viellards Lassus, Orlande de (ca. 1532–1594) Appears on: 136–137 Genres: Chanson Source Attribution: Orlande de Lassus Voice: [no designation] Languages: French Voice Text: Susanne un jour d'amour solicitée par deux viellards
137	Madonna somm' acorto	'D. Tie' [Philippe Verdelot?]	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Madonna somm' acorto Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 137 Genres: Motet Source Attribution: 'D. Tie' [Philippe Verdelot?] Voice: [no designation] Languages: Italian Voice Text: Madonna somm' acorto
137	Pour vous aimer	Philippe van Wilder	Van Wilder, Phillip
Pour vous aimer Van Wilder, Phillip Appears on: 137 Genres: Chanson Source Attribution: Philippe van Wilder Voice: [no designation] Languages: French Voice Text: Pour vous aymer
138–139	De la court - 1a pars	Robert Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
De la court - 1a pars Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 138–139 Genres: Chanson Source Attribution: Robert Parsons Voice: [no designation] Languages: French Voice Text: De la court
140	Je file quand Dieu me donne de quoi	'Parsons' [Philippe van Wilder]	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Van Wilder, Phillip (?)
Je file quand Dieu me donne de quoi Parsons (I), Robert (ca. 1535–ca. 1572) (?) Van Wilder, Phillip (?) Appears on: 140 Genres: Chanson Source Attribution: 'Parsons' [Philippe van Wilder] Voice: [no designation] Languages: French Voice Text: Je file quand Dieu
141	In nomine (III)	Robert Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
In nomine (III) Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 141 Genres: In nomine Source Attribution: Robert Parsons Voice: [no designation] Languages: Latin Voice Text: In nomine III
142–143	In nomine (V) a5	William Byrd	Byrd, William (ca. 1540–1623)
In nomine (V) a5 Byrd, William (ca. 1540–1623) Appears on: 142–143 Genres: In nomine, Viol piece Source Attribution: William Byrd Voice: [no designation] Languages: Latin Voice Text: In nomine V
143	In nomine (I)	Nicholas Strogers	Strogers, Nicholas
In nomine (I) Strogers, Nicholas Appears on: 143 Genres: Motet Source Attribution: Nicholas Strogers Voice: [no designation] Languages: Latin Voice Text: In nomine I
144	In nomine (III)	Nicholas Strogers	Strogers, Nicholas
In nomine (III) Strogers, Nicholas Appears on: 144 Genres: Motet Source Attribution: Nicholas Strogers Voice: [no designation] Languages: Latin Voice Text: In nomine III
145–146	In nomine (II)	Nicholas Strogers	Strogers, Nicholas
In nomine (II) Strogers, Nicholas Appears on: 145–146 Genres: Motet Source Attribution: Nicholas Strogers Voice: [no designation] Languages: Latin Voice Text: In nomine II
146	In nomine	John Bull	Bull, John (ca. 1562–1628)
In nomine Bull, John (ca. 1562–1628) Appears on: 146 Genres: In nomine, Viol piece Source Attribution: John Bull Voice: [no designation] Languages: Latin Voice Text: In nomine
147	In nomine (V)	Robert White	White, Robert (ca. 1538–1574)
In nomine (V) White, Robert (ca. 1538–1574) Appears on: 147 Genres: In nomine Source Attribution: Robert White Voice: [no designation] Languages: Latin Voice Text: In nomine V
147–148	In nomine XIV: 'Follow me'	Christopher Tye	Tye, Christopher (ca. 1505–ca. 1573)
In nomine XIV: 'Follow me' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 147–148 Genres: Motet Source Attribution: Christopher Tye Voice: [no designation] Languages: Latin, English Voice Text: In nomine XIV ('Follow me')
148–149	In nomine I	Clement Woodcock	Woodcock, Clement (ca. 1540–1590)
In nomine I Woodcock, Clement (ca. 1540–1590) Appears on: 148–149 Genres: Motet Source Attribution: Clement Woodcock Voice: [no designation] Languages: Latin Voice Text: In nomine I
150	If that a sinner's sighs	William Byrd	Byrd, William (ca. 1540–1623)
If that a sinner's sighs Byrd, William (ca. 1540–1623) Appears on: 150 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: If that a sinner's sighs
151	If women could be fair	William Byrd	Hooper, Edmund (?) Byrd, William (ca. 1540–1623) (?)
If women could be fair Hooper, Edmund (?) Byrd, William (ca. 1540–1623) (?) Appears on: 151 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: If women could be fair
152	Prostrate, O Lord, I lie	William Byrd	Byrd, William (ca. 1540–1623)
Prostrate, O Lord, I lie Byrd, William (ca. 1540–1623) Appears on: 152 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Prostrate, O Lord, I lie
153	Even from the depth unto thee	William Byrd	Byrd, William (ca. 1540–1623)
Even from the depth unto thee Byrd, William (ca. 1540–1623) Appears on: 153 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Even from the depth unto thee
154	When I was otherwise than now	William Byrd	Byrd, William (ca. 1540–1623)
When I was otherwise than now Byrd, William (ca. 1540–1623) Appears on: 154 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: When I was otherwise than now
155–156	In nomine (I) a4, with added part	Brewster	Brewster
In nomine (I) a4, with added part Brewster Appears on: 155–156 Genres: In nomine, Viol piece Source Attribution: Brewster Voice: [no designation] Languages: Latin Voice Text: In nomine I (a4, with added part)
157–160	O God, wherefore art thou absent	-	Anonymous
O God, wherefore art thou absent Anonymous Appears on: 157–160 Genres: Sacred Song Voice: [no designation] Languages: English Voice Text: O God, wherefore art thou absent
161–164	[blank staves]	-	-
[blank staves] Appears on: 161–164
165	Come, Holy Ghost / In nomine	-	Anonymous
Come, Holy Ghost / In nomine Anonymous Appears on: 165 Genres: Anglican Service Music, Veni sancte spiritus Voice: [no designation] Languages: English Voice Text: Come, Holy Ghost/In nomine
165–166	O Lord of whom I do depend / In nomine	-	Anonymous
O Lord of whom I do depend / In nomine Anonymous Appears on: 165–166 Genres: Sacred Song Voice: [no designation] Languages: English Voice Text: O Lord of whom I do depend/In nomine
166	O Lord, turn not away thy face / In nomine	-	Anonymous
O Lord, turn not away thy face / In nomine Anonymous Appears on: 166 Genres: Sacred Song Voice: [no designation] Languages: English Voice Text: O Lord, turn not away thy face/In nomine
166–170	When May is in his prime [2p. May maketh; 3p. All thee that live]	-	Edwards, Richard (?)
When May is in his prime [2p. May maketh; 3p. All thee that live] Edwards, Richard (?) Appears on: 166–170 Genres: Song Voice: [no designation] Languages: English Voice Text: When May is in his prime
170–171	Ah, alas, you salt sea gods	Richard Farrant	Byrd, William (ca. 1540–1623) (?) Farrant, Richard (ca. 1525–1580) (?)
Ah, alas, you salt sea gods Byrd, William (ca. 1540–1623) (?) Farrant, Richard (ca. 1525–1580) (?) Appears on: 170–171 Genres: Song Source Attribution: Richard Farrant Voice: [no designation] Languages: English Voice Text: Ah, alas, you salt sea gods
172	A doleful deadly pang	Nicholas Strogers	Strogers, Nicholas
A doleful deadly pang Strogers, Nicholas Appears on: 172 Genres: Song Source Attribution: Nicholas Strogers Voice: [no designation] Languages: English Voice Text: A doleful deadly pang
172–173	My little sweet darling		Anonymous
My little sweet darling Anonymous Appears on: 172–173 Genres: Song Source Attribution: Voice: [no designation] Languages: English Voice Text: My little sweet darling
173	Ah, silly poor Joas		Anonymous
Ah, silly poor Joas Anonymous Appears on: 173 Genres: Song Source Attribution: Voice: [no designation] Languages: English Voice Text: Ah, silly poor Joas
173–174	In terrors trapp'd		Anonymous
In terrors trapp'd Anonymous Appears on: 173–174 Genres: Song Source Attribution: Voice: [no designation] Languages: Latin Voice Text: In terrors trapp'd
174	The saint I serve		Anonymous
The saint I serve Anonymous Appears on: 174 Genres: Song Source Attribution: Voice: [no designation] Languages: English Voice Text: The saint I serve
174	How can the tree		Anonymous
How can the tree Anonymous Appears on: 174 Genres: Song Source Attribution: Voice: [no designation] Languages: English Voice Text: How can the tree
175	Alas, alack, my heart is woe		Anonymous
Alas, alack, my heart is woe Anonymous Appears on: 175 Genres: Song Source Attribution: Voice: [no designation] Languages: English Voice Text: Alas, alack, my heart is woe
176	Lullaby, my sweet little baby [2p. Be still)	William Byrd	Byrd, William (ca. 1540–1623)
Lullaby, my sweet little baby [2p. Be still) Byrd, William (ca. 1540–1623) Appears on: 176 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Lullaby, my sweet little baby
177	O Lord, how vain	William Byrd	Byrd, William (ca. 1540–1623)
O Lord, how vain Byrd, William (ca. 1540–1623) Appears on: 177 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: O Lord, how vain
178	My mind to me a kingdom is	William Byrd	Byrd, William (ca. 1540–1623)
My mind to me a kingdom is Byrd, William (ca. 1540–1623) Appears on: 178 Genres: Sacred Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: My mind to me a kingdom is
178–179	Who likes to love	William Byrd	Byrd, William (ca. 1540–1623)
Who likes to love Byrd, William (ca. 1540–1623) Appears on: 178–179 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Who likes to love
179	Enforc'd by love and fear	Robert Parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Enforc'd by love and fear Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 179 Genres: Song Source Attribution: Robert Parsons Voice: [no designation] Languages: English Voice Text: Enforc'd by love and fear
180	Mistrust not truth		Strogers, Nicholas (?)
Mistrust not truth Strogers, Nicholas (?) Appears on: 180 Genres: Song Source Attribution: Voice: [no designation] Languages: English Voice Text: Mistrust not truth
180	The day delay'd	-	Anonymous
The day delay'd Anonymous Appears on: 180 Genres: Song Voice: [no designation] Languages: English Voice Text: The day delay'd
180–181	Come tread the paths [2p. Farewell, my lords and friends]		Anonymous
Come tread the paths [2p. Farewell, my lords and friends] Anonymous Appears on: 180–181 Genres: Song Source Attribution: Voice: [no designation] Languages: English Voice Text: Come tread the paths
182–184	Triumph with pleasant melody	William Byrd	Byrd, William (ca. 1540–1623)
Triumph with pleasant melody Byrd, William (ca. 1540–1623) Appears on: 182–184 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Triumph with pleasant melody
185	Blessed is he that fears the Lord	William Byrd	Byrd, William (ca. 1540–1623)
Blessed is he that fears the Lord Byrd, William (ca. 1540–1623) Appears on: 185 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Blessed is he that fears the Lord
185	Blame I confess	William Byrd	Byrd, William (ca. 1540–1623)
Blame I confess Byrd, William (ca. 1540–1623) Appears on: 185 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Blame I confess
186	O Lord, within thy tabernacle	William Byrd	Byrd, William (ca. 1540–1623)
O Lord, within thy tabernacle Byrd, William (ca. 1540–1623) Appears on: 186 Genres: Anthem Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: O Lord, within thy tabernacle
186–187	How shall a young man?	William Byrd	Byrd, William (ca. 1540–1623)
How shall a young man? Byrd, William (ca. 1540–1623) Appears on: 186–187 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: How shall a young man?
187	Though Amaryllis dance in green	William Byrd	Byrd, William (ca. 1540–1623)
Though Amaryllis dance in green Byrd, William (ca. 1540–1623) Appears on: 187 Genres: Song Source Attribution: William Byrd Voice: [no designation] Languages: English Voice Text: Though Amaryllis dance in green
188–189	La gamba	'Francesco Mocheni' [Vincenzo Ruffo]	Ruffo, Vincenzo (ca. 1508–1587)
La gamba Ruffo, Vincenzo (ca. 1508–1587) Appears on: 188–189 Genres: Italian secular Source Attribution: 'Francesco Mocheni' [Vincenzo Ruffo] Voice: [no designation] Languages: Italian Voice Text: La gamba

Composer	Compositions
Anonymous	Ah, silly poor Joas – 173 Alas, alack, my heart is woe – 175 Come tread the paths [2p. Farewell, my lords and friends] – 180–181 Come, Holy Ghost / In nomine – 165 How can the tree – 174 In terrors trapp'd – 173–174 My little sweet darling – 172–173 O God, wherefore art thou absent – 157–160 O Lord of whom I do depend / In nomine – 165–166 O Lord, turn not away thy face / In nomine – 166 The day delay'd – 180 The saint I serve – 174 [No description] – 107–108 [No description] – 161–164
Brewster	In nomine (I) a4, with added part – 155–156
Bull, John (ca. 1562–1628)	In nomine – 146
Byrd, William (ca. 1540–1623)	(?) Ah, alas, you salt sea gods – 170–171 Ah, golden hairs – 128 Apparebit in finem – 70–71 Audivi vocem de caelo – 71–72 Blame I confess – 185 Blessed is he that fears the Lord – 185 Browning = The leaves be green – 131–132 Care for thy soule as thing of greatest price – 130 Come to me, grief, for ever – 120–121 (?) Decantabat populus in Israel – 96–97 Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem – 88 Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus – 92–93 Deus venerunt gentes: 1a/2a partes (of 4): Deus venerunt gentes / Posuerunt morticinia – 80–82 Domine exaudi orationem meam (2p. Et non intres) – 34–36 Domine praestolamur [2p. Veni domine] – 37–39 Domine tu jurasti – 82–83 Even from the depth unto thee – 153 Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine) – 84–85 Fac cum servo tuo – 76–77 How long shall mine enemies triumph – 115–117 How shall a young man? – 186–187 I joy not in no earthly bliss – 127 If that a sinner's sighs – 150 (?) If women could be fair – 151 In fields abroad – 121 In nomine (V) a5 – 142–143 In resurrectione tua – 72–73 La verginella – 126 Laetentur caeli (2p. Orietur in diebus) – 90–91 Lord in thy wrath reprove me not – 129 Lullaby, my sweet little baby [2p. Be still) – 176 Miserere mei Deus – 99 My mind to me a kingdom is – 178 Ne irascaris Domine [2p. Civitas sancti tui] – 28–30 O Domine adjuva me – 30–31 O Lord, how vain – 177 O Lord, make thy servant, Elizabeth [or James, or King Charles] – 113–114 O Lord, within thy tabernacle – 186 O quam gloriosum est regnum (2p. Benedictio et claritas) – 65–67 O that most rare breast – 117–119 Prevent us, O Lord – 114–115 Prostrate, O Lord, I lie – 152 Susanna fair sometime assaulted was (2p. And if I grant) – 123 Though Amaryllis dance in green – 187 Tribulatio proxima est [2p. Contumelias et terrores] – 57–58 Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis] – 32–34 Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine) – 67–69 Triumph with pleasant melody – 182–184 When I was otherwise than now – 154 Where fancy fond – 122 While Phoebus used to dwell – 124 Who likes to love – 178–179 Why do I use my paper, ink and pen? – 125 [Christe qui lux es (I)] Precamur, sancte Domine – 89–90
Edwards, Richard	(?) When May is in his prime [2p. May maketh; 3p. All thee that live] – 166–170
Farrant, Richard (ca. 1525–1580)	(?) Ah, alas, you salt sea gods – 170–171
Ferrabosco, Alfonso (the elder) (1543–1588)	Mirabile mysterium (C47) – 97–99 Tribulationem et dolorem inveni (C63) – 53
Giles, Nathaniel (ca. 1558–1634)	Vestigia mea dirige – 104–106
Hooper, Edmund	(?) If women could be fair – 151
Johnson (I), Robert (ca. 1500–ca. 1560)	Dum transisset sabbatum Maria Magdalena – 48
Lassus, Orlande de (ca. 1532–1594)	Angelus ad pastores ait annuntio vobis – 43 Susanne un jour d'amour solicitée par deux viellards – 136–137 Veni in hortum meum – 44–45
Maillard, Jean (fl. c1538–1570)	Ascendo ad patrem meum et patrem vestrum – 135
Mallorie	Miserere – 134
Mundy, William (ca. 1528–ca. 1591)	Sive vigilem – 78–79
Parsons (I), Robert (ca. 1535–ca. 1572)	Ave Maria gratia plena – 93–94 De la court - 1a pars – 138–139 Enforc'd by love and fear – 179 In nomine (III) – 141 (?) Je file quand Dieu me donne de quoi – 140 O bone Jesu – 100–104 Retribue servo tuo – 73–76
Roose	Dum transisset sabbatum Maria Magdalena – 94–95
Ruffo, Vincenzo (ca. 1508–1587)	La gamba – 188–189
Sheppard, John (ca. 1515–1558)	Magnificat a6: (exc) Esurientes – 42
Strogers, Nicholas	A doleful deadly pang – 172 In nomine (I) – 143 In nomine (II) – 145–146 In nomine (III) – 144 (?) Mistrust not truth – 180 Non me vincat Deus – 54–55
Tailer, John	(?) Christus resurgens – 64
Tallis, Thomas (ca. 1505–1585)	Candidi Facti sunt = Facti sunt Nazarei eius candidi – 47 O sacrum convivium in quo Christus sumitur – 86–87 O salutaris hostia – 45 Salvator mundi (I) – 46 Salvator mundi (II) – 87
Taverner, John	Dum transisset sabbatum [I - 5vv] – 56
Taylor, Robert (–ca. 1637)	(?) Christus resurgens – 64
Tye, Christopher (ca. 1505–ca. 1573)	Ad te clamamus – 39 (?) Ascendo ad patrem meum et patrem vestrum – 135 In nomine XIV: 'Follow me' – 147–148 Omnes gentes plaudite [2p. Psallite de nostro] – 40–41 Rubum quem (A Singing Song) – 136
Van Wilder, Phillip	(?) Je file quand Dieu me donne de quoi – 140 Pour vous aimer – 137
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Madonna somm' acorto – 137
White, Robert (ca. 1538–1574)	Appropinquet deprecatio mea – 59–63 Exaudiat te Dominus in die tribulationis – 49–52 In nomine (V) – 147 Justus es, Domine – 25–27 Lamentations (I) a5 – 3–8 Lord who shall dwell – 109–111 Manus tuae fecerunt me [2p. Veniant mihi] – 18–21 Miserere mei Deus [2p: Cor mundum crea] – 9–14 Portio mea, Domine [2p. Media nocte] – 22–24 The Lord bless us and keep us – 111–112 [Christe qui lux es (I)] Precamur sancte Domine – 15 [Christe qui lux es (II)] Precamur sancte Domine – 16 [Christe qui lux es (III)] Precamur sancte Domine – 17 [Christe, qui lux es (IV)] Precamur sancte Domine (2p. Oculi somnum; 3p. Memento nostri Domine) – 79–80
Woodcock, Clement (ca. 1540–1590)	Browning – 133 In nomine I – 148–149

Composition	Composers (? Uncertain)	Folios / Pages
[Christe qui lux es (I)] Precamur, sancte Domine	Byrd, William (ca. 1540–1623)	89–90
[Christe qui lux es (I)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	15
[Christe qui lux es (II)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	16
[Christe qui lux es (III)] Precamur sancte Domine	White, Robert (ca. 1538–1574)	17
[Christe, qui lux es (IV)] Precamur sancte Domine (2p. Oculi somnum; 3p. Memento nostri Domine)	White, Robert (ca. 1538–1574)	79–80
A doleful deadly pang	Strogers, Nicholas	172
Ad te clamamus	Tye, Christopher (ca. 1505–ca. 1573)	39
Ah, alas, you salt sea gods	Byrd, William (ca. 1540–1623) (?) Farrant, Richard (ca. 1525–1580) (?)	170–171
Ah, golden hairs	Byrd, William (ca. 1540–1623)	128
Ah, silly poor Joas	Anonymous	173
Alas, alack, my heart is woe	Anonymous	175
Angelus ad pastores ait annuntio vobis	Lassus, Orlande de (ca. 1532–1594)	43
Apparebit in finem	Byrd, William (ca. 1540–1623)	70–71
Appropinquet deprecatio mea	White, Robert (ca. 1538–1574)	59–63
Ascendo ad patrem meum et patrem vestrum	Maillard, Jean (fl. c1538–1570) Tye, Christopher (ca. 1505–ca. 1573) (?)	135
Audivi vocem de caelo	Byrd, William (ca. 1540–1623)	71–72
Ave Maria gratia plena	Parsons (I), Robert (ca. 1535–ca. 1572)	93–94
Blame I confess	Byrd, William (ca. 1540–1623)	185
Blessed is he that fears the Lord	Byrd, William (ca. 1540–1623)	185
Browning	Woodcock, Clement (ca. 1540–1590)	133
Browning = The leaves be green	Byrd, William (ca. 1540–1623)	131–132
Candidi Facti sunt = Facti sunt Nazarei eius candidi	Tallis, Thomas (ca. 1505–1585)	47
Care for thy soule as thing of greatest price	Byrd, William (ca. 1540–1623)	130
Christus resurgens	Tailer, John (?) Taylor, Robert (–ca. 1637) (?)	64
Come to me, grief, for ever	Byrd, William (ca. 1540–1623)	120–121
Come tread the paths [2p. Farewell, my lords and friends]	Anonymous	180–181
Come, Holy Ghost / In nomine	Anonymous	165
De la court - 1a pars	Parsons (I), Robert (ca. 1535–ca. 1572)	138–139
Decantabat populus in Israel	Byrd, William (ca. 1540–1623) (?)	96–97
Deus venerunt gentes - 3a pars (of 4): Effuderunt sanguinem	Byrd, William (ca. 1540–1623)	88
Deus venerunt gentes - 4a pars (of 4): Opprobrium facti sumus	Byrd, William (ca. 1540–1623)	92–93
Deus venerunt gentes: 1a/2a partes (of 4): Deus venerunt gentes / Posuerunt morticinia	Byrd, William (ca. 1540–1623)	80–82
Domine exaudi orationem meam (2p. Et non intres)	Byrd, William (ca. 1540–1623)	34–36
Domine praestolamur [2p. Veni domine]	Byrd, William (ca. 1540–1623)	37–39
Domine tu jurasti	Byrd, William (ca. 1540–1623)	82–83
Dum transisset sabbatum [I - 5vv]	Taverner, John	56
Dum transisset sabbatum Maria Magdalena	Johnson (I), Robert (ca. 1500–ca. 1560)	48
Dum transisset sabbatum Maria Magdalena	Roose	94–95
Enforc'd by love and fear	Parsons (I), Robert (ca. 1535–ca. 1572)	179
Even from the depth unto thee	Byrd, William (ca. 1540–1623)	153
Exaudiat te Dominus in die tribulationis	White, Robert (ca. 1538–1574)	49–52
Exsurge Domine quare obdormis? (or, Exsurge quare obdormis Domine)	Byrd, William (ca. 1540–1623)	84–85
Fac cum servo tuo	Byrd, William (ca. 1540–1623)	76–77
How can the tree	Anonymous	174
How long shall mine enemies triumph	Byrd, William (ca. 1540–1623)	115–117
How shall a young man?	Byrd, William (ca. 1540–1623)	186–187
I joy not in no earthly bliss	Byrd, William (ca. 1540–1623)	127
If that a sinner's sighs	Byrd, William (ca. 1540–1623)	150
If women could be fair	Hooper, Edmund (?) Byrd, William (ca. 1540–1623) (?)	151
In fields abroad	Byrd, William (ca. 1540–1623)	121
In nomine	Bull, John (ca. 1562–1628)	146
In nomine (I)	Strogers, Nicholas	143
In nomine (I) a4, with added part	Brewster	155–156
In nomine (II)	Strogers, Nicholas	145–146
In nomine (III)	Parsons (I), Robert (ca. 1535–ca. 1572)	141
In nomine (III)	Strogers, Nicholas	144
In nomine (V)	White, Robert (ca. 1538–1574)	147
In nomine (V) a5	Byrd, William (ca. 1540–1623)	142–143
In nomine I	Woodcock, Clement (ca. 1540–1590)	148–149
In nomine XIV: 'Follow me'	Tye, Christopher (ca. 1505–ca. 1573)	147–148
In resurrectione tua	Byrd, William (ca. 1540–1623)	72–73
In terrors trapp'd	Anonymous	173–174
Je file quand Dieu me donne de quoi	Parsons (I), Robert (ca. 1535–ca. 1572) (?) Van Wilder, Phillip (?)	140
Justus es, Domine	White, Robert (ca. 1538–1574)	25–27
La gamba	Ruffo, Vincenzo (ca. 1508–1587)	188–189
La verginella	Byrd, William (ca. 1540–1623)	126
Laetentur caeli (2p. Orietur in diebus)	Byrd, William (ca. 1540–1623)	90–91
Lamentations (I) a5	White, Robert (ca. 1538–1574)	3–8
Lord in thy wrath reprove me not	Byrd, William (ca. 1540–1623)	129
Lord who shall dwell	White, Robert (ca. 1538–1574)	109–111
Lullaby, my sweet little baby [2p. Be still)	Byrd, William (ca. 1540–1623)	176
Madonna somm' acorto	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	137
Magnificat a6: (exc) Esurientes	Sheppard, John (ca. 1515–1558)	42
Manus tuae fecerunt me [2p. Veniant mihi]	White, Robert (ca. 1538–1574)	18–21
Mirabile mysterium (C47)	Ferrabosco, Alfonso (the elder) (1543–1588)	97–99
Miserere	Mallorie	134
Miserere mei Deus	Byrd, William (ca. 1540–1623)	99
Miserere mei Deus [2p: Cor mundum crea]	White, Robert (ca. 1538–1574)	9–14
Mistrust not truth	Strogers, Nicholas (?)	180
My little sweet darling	Anonymous	172–173
My mind to me a kingdom is	Byrd, William (ca. 1540–1623)	178
Ne irascaris Domine [2p. Civitas sancti tui]	Byrd, William (ca. 1540–1623)	28–30
Non me vincat Deus	Strogers, Nicholas	54–55
O bone Jesu	Parsons (I), Robert (ca. 1535–ca. 1572)	100–104
O Domine adjuva me	Byrd, William (ca. 1540–1623)	30–31
O God, wherefore art thou absent	Anonymous	157–160
O Lord of whom I do depend / In nomine	Anonymous	165–166
O Lord, how vain	Byrd, William (ca. 1540–1623)	177
O Lord, make thy servant, Elizabeth [or James, or King Charles]	Byrd, William (ca. 1540–1623)	113–114
O Lord, turn not away thy face / In nomine	Anonymous	166
O Lord, within thy tabernacle	Byrd, William (ca. 1540–1623)	186
O quam gloriosum est regnum (2p. Benedictio et claritas)	Byrd, William (ca. 1540–1623)	65–67
O sacrum convivium in quo Christus sumitur	Tallis, Thomas (ca. 1505–1585)	86–87
O salutaris hostia	Tallis, Thomas (ca. 1505–1585)	45
O that most rare breast	Byrd, William (ca. 1540–1623)	117–119
Omnes gentes plaudite [2p. Psallite de nostro]	Tye, Christopher (ca. 1505–ca. 1573)	40–41
Portio mea, Domine [2p. Media nocte]	White, Robert (ca. 1538–1574)	22–24
Pour vous aimer	Van Wilder, Phillip	137
Prevent us, O Lord	Byrd, William (ca. 1540–1623)	114–115
Prostrate, O Lord, I lie	Byrd, William (ca. 1540–1623)	152
Retribue servo tuo	Parsons (I), Robert (ca. 1535–ca. 1572)	73–76
Rubum quem (A Singing Song)	Tye, Christopher (ca. 1505–ca. 1573)	136
Salvator mundi (I)	Tallis, Thomas (ca. 1505–1585)	46
Salvator mundi (II)	Tallis, Thomas (ca. 1505–1585)	87
Sive vigilem	Mundy, William (ca. 1528–ca. 1591)	78–79
Susanna fair sometime assaulted was (2p. And if I grant)	Byrd, William (ca. 1540–1623)	123
Susanne un jour d'amour solicitée par deux viellards	Lassus, Orlande de (ca. 1532–1594)	136–137
The day delay'd	Anonymous	180
The Lord bless us and keep us	White, Robert (ca. 1538–1574)	111–112
The saint I serve	Anonymous	174
Though Amaryllis dance in green	Byrd, William (ca. 1540–1623)	187
Tribulatio proxima est [2p. Contumelias et terrores]	Byrd, William (ca. 1540–1623)	57–58
Tribulationem et dolorem inveni (C63)	Ferrabosco, Alfonso (the elder) (1543–1588)	53
Tribulationes civitatum [2p. Timor et hebitudo, 3p. Nos enim pro peccatis]	Byrd, William (ca. 1540–1623)	32–34
Tristitia et anxietas, Domine tu jurasti (2p. Sed tu domine)	Byrd, William (ca. 1540–1623)	67–69
Triumph with pleasant melody	Byrd, William (ca. 1540–1623)	182–184
Veni in hortum meum	Lassus, Orlande de (ca. 1532–1594)	44–45
Vestigia mea dirige	Giles, Nathaniel (ca. 1558–1634)	104–106
When I was otherwise than now	Byrd, William (ca. 1540–1623)	154
When May is in his prime [2p. May maketh; 3p. All thee that live]	Edwards, Richard (?)	166–170
Where fancy fond	Byrd, William (ca. 1540–1623)	122
While Phoebus used to dwell	Byrd, William (ca. 1540–1623)	124
Who likes to love	Byrd, William (ca. 1540–1623)	178–179
Why do I use my paper, ink and pen?	Byrd, William (ca. 1540–1623)	125

Images © The Governing Body of Christ Church, Oxford

Set: Dow Partbooks (Christ Church Mus. 984-988)

Type: Partbooks

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

‡ Milsom, John. 2010. The Dow Partbooks, Facsimile with introductory study. Oxford: DIAMM Publications. Notes: Full colour facsimile, introductory study with finding lists by title, composer and clef combination.

Boydell, Barra. 1999. Music at Christ Church before 1800: documents and selected anthems. Four Courts Press.

Milsom, John. 1995. Sacred Songs in the Chamber. English Choral Practice, 1400-1650, edited by John Milsom, 165-6. Cambridge.

Mateer, David G. 1986-7. Oxford, Christ Church Music MSS 984-8: An Index and Commentary. Royal Musical Association Research Chronicle, 1-18.

Charteris, Richard. 1984. Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar. New York. Pages: 83,91,192. Notes: contents list (partial); concordances (partial).

Fenlon, Iain, and John Milsom. 1984. 'Ruled Paper Imprinted': Music Paper and Patents in Sixteenth-Century England. Journal of the American Musicological Society, 139-63.

Bernstein, Jane Agar. 1979. Philip van Wilder and the Netherlandish Chanson in England. Musica Disciplina, 55-75. Pages: 66,71-2. Notes: mention of MS; contents list (partial); concordances (partial).

Bernstein, Jane Agar. 1974. The Chanson in England 1530-1640: A Study of Sources and Styles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 286-98. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music. London. Notes: contents list (partial); concordances (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 169-84, 234-6, passim; II, 80-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brett, Philip (editor). 1967. Consort Songs. Musica Britannica. London.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 18-24, 110-1, 126-34, 228-31. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: XXVIII, 124,128,130,133-4,137-8; XXX,109-18,176,189-90.

Kerman, Joseph. 1961. Byrd's Motets: Chronology and Canon. Journal of the American Musicological Society, 359-82. Pages: 364-6, 368-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Brett, Philip, and Thurston Dart. 1960. Songs by William Byrd in Manuscripts at Harvard. Harvard Library Bulletin, 343-65. Pages: 360-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: IX, 223; XXII, xx, 2ff, passim; XLIV,74-5,184,186,188-9,191-3. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Kerman, Joseph. 1950. Review of Fellowes' Byrd edition. Journal of the American Musicological Society, 273-7. Pages: 277. Notes: contents list (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: X, 515; XIII, 53-4. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

Fellowes, Edmund H. 1948. William Byrd. London, New York, and Toronto. Pages: 99-100, 109, 112, 141-3, 170-1, 193, 235-6. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Boyd, Morrison Comegys. 1940. Elizabethan Music and Musical Criticism. Philadelphia. Pages: 360-4. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: XV, passim; XVII, 155, 162. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, xxx, lix; II, xxii, xxxiv-xxxvi, 242-7, 266-70, 277-81; III, xvi; V, xx-xxv, passim; VI, xxx-xxxii; IX, xii, xiv. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Arkwright, G E P. 1915-23. Catalogue of Music in the Library of Christ Church Oxford. Oxford University Press. Pages: I, passim; II, 154-62. Notes: contents list; concordances (partial); incipits (partial).

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

Timothy Ochala-Greenough

Friday, 13 October, 2017

'My little sweet darling' is a play song from Oedipus, in a MS in Yale, where it has a second verse and a further refrain. Unusually, the voice part with the melody is written within the main play text (1560s?). The play was attended by the Selby family at a grammar school. The In nomine psalm consort songs in Dow have a closely related psalm/In nomine song in Ten389/McGhie, where it is attributed to Mudd (Henry?). Pity attributions in Ten389 so unreliable.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description