Digital Image Archive of Medieval Music

Galliculus, Johannes

External identifiers	RISM Online (people/30008848) GND (Gemeinsame Normdatei) (123952239) VIAF (57533702)
Variant names	Alectorius, Hähnel
Uninventoried Source Relationships	D-B Sammlung Bohn Mus. MS 92 [Discantus] D-B Sammlung Bohn Mus. MS 93 [Discantus] D-B Sammlung Bohn Mus. MS 95

Compositions

Composition	Appears in
Alleluia. Pascha nostrum immolatus est	D-B Sammlung Bohn Mus. MS 12 D-Dl MS Glashütte 5 (1) D-Dl MS Glashütte 5 (2) D-Dl MS Grimma 58 [Altus] D-Dl MS Grimma 58 [Bassus] D-Dl MS Grimma 58 [Discantus] D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50 D-ROu Mus. Saec. XVI-40 (1) D-ROu Mus. Saec. XVI-40 (2) D-ROu Mus. Saec. XVI-40 (3) D-ROu Mus. Saec. XVI-40 (4) D-Z Mu 1441-1489 [Altus] D-Z Mu 1441-1489 [Tenor] H-Bn MS Bártfa Mus.Pr.6 (a) H-Bn MS Bártfa Mus.Pr.6 (b) H-Bn MS Bártfa Mus.Pr.6 (c) H-Bn MS Bártfa Mus.Pr.6 (d)
Apparuit benignitas et humanitas salvatoris	D-DEl Georg Hs. 130.8° D-DEl Georg Hs. 131.8° D-DEl Georg Hs. 132.8° D-DEl Georg Hs. 133.8° D-Dl MS Grimma 51 [Altus II] D-Dl MS Grimma 51 [Altus I] D-Dl MS Grimma 51 [Bassus] D-Dl MS Grimma 51 [Tenor] D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 49 (4) D-LEu MS Thomaskirche 50 D-Rp A. R. 940-941 (A) D-Rp A. R. 940-941 (B) D-Rp A. R. 940-941 (D) D-Rp A. R. 940-941 (Q) D-Rp A. R. 940-941 (T) D-Rtt Freie Künste Musik 76 Abth. II
Cavete a scribis qui volunt ambulare	D-Rp B. 211 (D) D-Rp B. 212 (A) D-Rp B. 213 (T) D-Rp B. 214 (B)
Christus resurgens - 1a pars (of 2): Christus resurgens magnam	D-Kl 4° Ms. Mus. 43/1 D-Kl 4° Ms. Mus. 43/2 D-Kl 4° Ms. Mus. 43/3 D-Kl 4° Ms. Mus. 43/4
Christus resurgens - 2a pars (of 2): Nos asserens in pristinam	D-Kl 4° Ms. Mus. 43/1 D-Kl 4° Ms. Mus. 43/2 D-Kl 4° Ms. Mus. 43/3 D-Kl 4° Ms. Mus. 43/4
Der ehlich Stand ist ehrenwert / Der Ehliche standt ist Ehrenn werdt	PL-WRu MS Brieg.Musik. K.36 [Altus] PL-WRu MS Brieg.Musik. K.36 [Bassus] PL-WRu MS Brieg.Musik. K.36 [Discantus] PL-WRu MS Brieg.Musik. K.36 [Quintus] PL-WRu MS Brieg.Musik. K.36 [Tenor] PL-WRu MS Brieg.Musik. K.54 [Altus] PL-WRu MS Brieg.Musik. K.54 [Discantus] PL-WRu MS Brieg.Musik. K.54 [Quintus] PL-WRu MS Brieg.Musik. K.54 [Tenor]
? Domine Deus virtutum exaltasti
Dominus vobiscum (2p. Et introentes; 3p. Gaudeamus omnes) [Evangelium in die paschae]	D-Sl Cod. mus. I 2° 39
Dominus vobiscum (contrafact of Sanctus)	D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50
Dominus vobiscum - 1a pars (of 2): Dominus vobiscum et cum spiritu tuo	D-DEl Georg Hs. 130.8° D-DEl Georg Hs. 131.8° D-DEl Georg Hs. 132.8° D-DEl Georg Hs. 133.8° D-EIa s.s. (Eisenacher Cantorbuch) D-ROu Mus. Saec. XVI-40 (1)
Dominus vobiscum - 2a pars (of 2): Et introeuntes in momentum	D-DEl Georg Hs. 130.8° D-DEl Georg Hs. 131.8° D-DEl Georg Hs. 132.8° D-DEl Georg Hs. 133.8° D-ROu Mus. Saec. XVI-40 (1)
Dominus vobiscum et cum spiritu tuo II: Et introeuntes in monumentum sedentem	D-ROu Mus. Saec. XVI-40 (2) D-ROu Mus. Saec. XVI-40 (3) D-ROu Mus. Saec. XVI-40 (4)
Duo homines ascenderunt in templum	CZ-HKm MS II A 17 (a) CZ-HKm MS II A 17 (b) CZ-HKm MS II A 17 (c) D-DEl Georg Hs. 130.8° D-DEl Georg Hs. 131.8° D-DEl Georg Hs. 132.8° D-DEl Georg Hs. 133.8° D-Rp B. 211 (D) D-Rp B. 212 (A) D-Rp B. 213 (T) D-Rp B. 214 (B)
? En lire psallentes sunt mire laudantes	D-Dl MS Grimma 51 [Altus II] D-Dl MS Grimma 51 [Altus I] D-Dl MS Grimma 51 [Bassus] D-Dl MS Grimma 51 [Tenor] D-Dl MS Grimma 59 [Altus] D-Dl MS Grimma 59 [Tenor]
Gloria. Gratias agimus tibi propter	H-Bn MS Bártfa 24 (a) H-Bn MS Bártfa 24 (b) H-Bn MS Bártfa 24 (c) H-Bn MS Bártfa 24 (d) H-Bn MS Bártfa 8 (a) H-Bn MS Bártfa 8 (b) H-Bn MS Bártfa 8 (c) H-Bn MS Bártfa 8 (d)
? Immunem semper - 1a pars (of 3): Immunem semper fuisse Mariam ab omni originali	D-Z Mu 1676-1788 [Bassus] D-Z Mu 1676-1788 [Discantus] D-Z Mu 1676-1788 [Tenor] D-Z Mus. 73 (A) D-Z Mus. 73 (B) D-Z Mus. 73 (D) D-Z Mus. 73 (T)
? Immunem semper - 2a pars (of 3): Sanctamque et immaculatam definivit	D-Z Mu 1676-1788 [Bassus] D-Z Mu 1676-1788 [Discantus] D-Z Mu 1676-1788 [Tenor] D-Z Mus. 73 (A) D-Z Mus. 73 (B) D-Z Mus. 73 (D) D-Z Mus. 73 (T)
? Immunem semper - 3a pars (of 3): Nunquam virginem subiacuisse peccato	D-Z Mu 1676-1788 [Bassus] D-Z Mu 1676-1788 [Discantus] D-Z Mu 1676-1788 [Tenor] D-Z Mus. 73 (A) D-Z Mus. 73 (B) D-Z Mus. 73 (D) D-Z Mus. 73 (T)
? Immunem semper fuisse Mariam ab omni originali (2p. Sanctamque et immaculatam definivit; 3p. Nunquam virginem subiacuisse peccato)
In cathedra Moisi omnia quaecunque iusserint	D-Rp B. 211 (D) D-Rp B. 212 (A) D-Rp B. 213 (T) D-Rp B. 214 (B)
In natali Domini clamant mortales / Wo ist uns das Kind geborn	D-Dl MS Grimma 51 [Altus II] D-Dl MS Grimma 51 [Altus I] D-Dl MS Grimma 51 [Bassus] D-Dl MS Grimma 51 [Tenor] D-Dl MS Löbau 51 (1) D-Dl MS Löbau 51 (2) D-Dl MS Löbau 51 (3) D-Dl MS Mus. 1/E/24 [Altus] D-Dl MS Mus. 1/E/24 [Bassus] D-Dl MS Mus. 1/E/24 [Discantus] D-Dl MS Mus. 1/E/24 [Tenor] D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50 D-Rp A. R. 940-941 (A) D-Rp A. R. 940-941 (B) D-Rp A. R. 940-941 (D) D-Rp A. R. 940-941 (Q) D-Rp A. R. 940-941 (T) H-Bn MS Bártfa 23
Joseph, lieber Joseph, mein, hilf mir wiegen	D-Dl MS Grimma 51 [Altus II] D-Dl MS Grimma 51 [Altus I] D-Dl MS Grimma 51 [Bassus] D-Dl MS Grimma 51 [Tenor] D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50
Kyrie Fons bonitatis	H-Bn MS Bártfa 22
Kyrie eleison	D-ERu 473/4
Magnificat Quinti Toni: Et exultavit [K.802]	D-Dl MS Grimma 51 [Altus II] D-Dl MS Grimma 51 [Altus I] D-Dl MS Grimma 51 [Bassus] D-Dl MS Grimma 51 [Tenor] D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50 D-ROu Mus. Saec. XVI-49 (1) D-ROu Mus. Saec. XVI-49 (2) D-ROu Mus. Saec. XVI-49 (3) D-ROu Mus. Saec. XVI-49 (4) D-ROu Mus. Saec. XVI-49 (5) D-ROu Mus. Saec. XVI-49 (6) H-Bn MS Bártfa 2 (c) H-Bn MS Bártfa 2 (e) H-Bn MS Bártfa 2 (f) H-Bn MS Bártfa Mus.Pr.6 (a) H-Bn MS Bártfa Mus.Pr.6 (b) H-Bn MS Bártfa Mus.Pr.6 (c) H-Bn MS Bártfa Mus.Pr.6 (d) H-Bn MS Bártfa Mus.Pr.8 (a) H-Bn MS Bártfa Mus.Pr.8 (b) H-Bn MS Bártfa Mus.Pr.8 (c)
Magnificat: Et exultavit [K.801]	D-Dl MS Grimma 14 [Bassus] D-Dl MS Grimma 14 [Discantus] D-Dl MS Grimma 14 [Tenor]
? Missa Angelicum: Gloria	H-Bn MS Bártfa 22
Missa Christ ist erstanden: KG	D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50
Missa Christ ist erstanden: SA	D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50
Missa Christ ist erstanden: Sanctus	PL-Kj Berlin MS Mus. 40043 [Discantus]
Missa Paschale: Agnus Dei	D-ROu Mus. Saec. XVI-40 (1)
Missa Paschale: Gloria	D-DEl Georg Hs. 130.8° D-DEl Georg Hs. 131.8° D-DEl Georg Hs. 132.8° D-DEl Georg Hs. 133.8° D-Dl MS Glashütte 5 (1) D-Dl MS Glashütte 5 (2) D-ROu Mus. Saec. XVI-40 (1) D-ROu Mus. Saec. XVI-40 (2) D-ROu Mus. Saec. XVI-40 (3) D-ROu Mus. Saec. XVI-40 (4) D-ROu Mus. Saec. XVI-49 (1) D-ROu Mus. Saec. XVI-49 (2) D-ROu Mus. Saec. XVI-49 (3) D-ROu Mus. Saec. XVI-49 (4) D-ROu Mus. Saec. XVI-49 (5) D-ROu Mus. Saec. XVI-49 (6) D-Sl Cod. mus. I 2° 40 H-Bn MS Bártfa Mus.Pr.6 (a) H-Bn MS Bártfa Mus.Pr.6 (b) H-Bn MS Bártfa Mus.Pr.6 (c) H-Bn MS Bártfa Mus.Pr.6 (d)
Missa Paschale: Kyrie	D-DEl Georg Hs. 130.8° D-DEl Georg Hs. 131.8° D-DEl Georg Hs. 132.8° D-DEl Georg Hs. 133.8° D-Dl MS Glashütte 5 (1) D-Dl MS Glashütte 5 (2) D-Dl MS Grimma 58 [Altus] D-Dl MS Grimma 58 [Bassus] D-Dl MS Grimma 58 [Discantus] D-Nla Fenitzer IV. 224 2° D-ROu Mus. Saec. XVI-40 (1) D-Z Mu 1441-1489 [Altus] D-Z Mu 1441-1489 [Tenor] H-Bn MS Bártfa Mus.Pr.6 (a) H-Bn MS Bártfa Mus.Pr.6 (b) H-Bn MS Bártfa Mus.Pr.6 (c)
Missa Paschale: Sanctus	D-ROu Mus. Saec. XVI-40 (1) D-ROu Mus. Saec. XVI-40 (2) D-ROu Mus. Saec. XVI-40 (3) D-ROu Mus. Saec. XVI-40 (4)
Missa: Agnus Dei	D-Dl MS Grimma 59 [Altus] D-Dl MS Grimma 59 [Tenor]
Missa: Sanctus	D-Dl MS Grimma 59 [Altus] D-Dl MS Grimma 59 [Tenor]
Passio Domini nostri Jesu Christi secundum Marcum (2p. Apprehendit ergo Pilatus Jesum; 3p. Orabat autem Jesus pro crucifigentibus)	D-GRu BW 640 D-GRu BW 641 D-Sl Cod. mus. I 2° 39
? Quare fremuerunt - 1a pars (of 3): Quare fremuerunt gentes et populi meditati	D-Kl 4° Ms. Mus. 24/1 D-Kl 4° Ms. Mus. 24/2 D-Kl 4° Ms. Mus. 24/3 D-Kl 4° Ms. Mus. 24/4 D-Z Mus. 73 (A) D-Z Mus. 73 (B) D-Z Mus. 73 (D) D-Z Mus. 73 (T)
? Quare fremuerunt - 2a pars (of 3): Dirumpamus vincula eorum et proiiciamus	D-HO Paed. 3713 Sbd. D-Kl 4° Ms. Mus. 24/1 D-Kl 4° Ms. Mus. 24/2 D-Kl 4° Ms. Mus. 24/3 D-Kl 4° Ms. Mus. 24/4 D-Z Mus. 73 (A) D-Z Mus. 73 (B) D-Z Mus. 73 (D) D-Z Mus. 73 (T)
? Quare fremuerunt - 3a pars (of 3): Dominus dixit ad me filius meus es tu	D-Z Mus. 73 (A) D-Z Mus. 73 (B) D-Z Mus. 73 (D) D-Z Mus. 73 (T)
? Quare fremuerunt gentes et populi meditati (2p. Dirumpamus vincula eorum et proiiciamus; 3p. Dominus dixit ad me filius meus es tu)	D-HBa MS XCIII D-HBa MS XCIV D-HBa MS XCV D-HBa MS XCVI/3 D-Rp A. R. 940-941 (A) D-Rp A. R. 940-941 (B) D-Rp A. R. 940-941 (D) D-Rp A. R. 940-941 (Q) D-Rp A. R. 940-941 (T) D-Z Mus. 13,3
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me	D-Dl MS Glashütte 5 (1) D-Dl MS Glashütte 5 (2) D-Dl MS Grimma 59 [Altus] D-Dl MS Grimma 59 [Tenor] D-ERu 473/4 D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50 D-ROu Mus. Saec. XVI-40 (1) D-ROu Mus. Saec. XVI-40 (2) D-ROu Mus. Saec. XVI-40 (3) D-ROu Mus. Saec. XVI-40 (4) D-ROu Mus. Saec. XVI-49 (1) D-ROu Mus. Saec. XVI-49 (2) D-ROu Mus. Saec. XVI-49 (3) D-ROu Mus. Saec. XVI-49 (4) D-ROu Mus. Saec. XVI-49 (5) D-ROu Mus. Saec. XVI-49 (6) D-Sl Cod. mus. I 2° 40 D-Z Mu 1441-1489 [Altus] D-Z Mu 1441-1489 [Tenor] H-Bn MS Bártfa 2 (c) H-Bn MS Bártfa 2 (e) H-Bn MS Bártfa 2 (f) H-Bn MS Bártfa 20 (a) H-Bn MS Bártfa 20 (b) H-Bn MS Bártfa 24 (a) H-Bn MS Bártfa 24 (b) H-Bn MS Bártfa 24 (c) H-Bn MS Bártfa 24 (d)
Resurrexi et adhuc (II) Vs: Domine probasti me et cognovisti me	D-Dl MS Grimma 59 [Altus] D-Dl MS Grimma 59 [Tenor]
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me	D-Rp A. R. 786-837 (7) D-Rp A. R. 786-837 (8) D-Rp A. R. 786-837 (A) D-Rp A. R. 786-837 (B) D-Rp A. R. 786-837 (D) D-Rp A. R. 786-837 (Q) D-Rp A. R. 786-837 (S) D-Rp A. R. 849-852 H-Bn MS Bártfa Mus.Pr.6 (a) H-Bn MS Bártfa Mus.Pr.6 (b) H-Bn MS Bártfa Mus.Pr.6 (c) H-Bn MS Bártfa Mus.Pr.6 (d)
Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me	D-Dl MS Grimma 58 [Altus] D-Dl MS Grimma 58 [Bassus] D-Dl MS Grimma 58 [Discantus]
Sanctus	D-Dl MS Grimma 59 [Altus] D-Dl MS Grimma 59 [Tenor]
Sanctus	D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50
Venite post me qui laboratis et onerati	D-DEl Georg Hs. 130.8° D-DEl Georg Hs. 131.8° D-DEl Georg Hs. 132.8° D-DEl Georg Hs. 133.8° D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50 D-Rp B. 211 (D) D-Rp B. 212 (A) D-Rp B. 213 (T) D-Rp B. 214 (B)
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	D-DEl Georg Hs. 130.8° D-DEl Georg Hs. 131.8° D-DEl Georg Hs. 132.8° D-DEl Georg Hs. 133.8° D-Dl MS Glashütte 5 (1) D-Dl MS Glashütte 5 (2) D-Dl MS Grimma 58 [Altus] D-Dl MS Grimma 58 [Bassus] D-Dl MS Grimma 58 [Discantus] D-Dl MS Mus. 2/D/22 [Altus] D-Dl MS Mus. 2/D/22 [Bassus] D-Dl MS Mus. 2/D/22 [Discantus] D-Dl MS Mus. 2/D/22 [Tenor] D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50 D-ROu Mus. Saec. XVI-40 (1) D-Z Mu 1441-1489 [Altus] D-Z Mu 1441-1489 [Tenor]
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden	D-DEl Georg Hs. 130.8° D-DEl Georg Hs. 131.8° D-DEl Georg Hs. 132.8° D-DEl Georg Hs. 133.8° D-Dl MS Glashütte 5 (1) D-Dl MS Glashütte 5 (2) D-Dl MS Grimma 58 [Altus] D-Dl MS Grimma 58 [Bassus] D-Dl MS Grimma 58 [Discantus] D-Dl MS Mus. 2/D/22 [Altus] D-Dl MS Mus. 2/D/22 [Bassus] D-Dl MS Mus. 2/D/22 [Discantus] D-Dl MS Mus. 2/D/22 [Tenor] D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50 D-ROu Mus. Saec. XVI-40 (1) D-Z Mu 1441-1489 [Altus] D-Z Mu 1441-1489 [Tenor]
Victimae paschali - 3a pars (of 3): Credendum est magis	D-DEl Georg Hs. 130.8° D-DEl Georg Hs. 131.8° D-DEl Georg Hs. 132.8° D-DEl Georg Hs. 133.8° D-Dl MS Glashütte 5 (1) D-Dl MS Glashütte 5 (2) D-Dl MS Grimma 58 [Altus] D-Dl MS Grimma 58 [Bassus] D-Dl MS Grimma 58 [Discantus] D-Dl MS Mus. 2/D/22 [Altus] D-Dl MS Mus. 2/D/22 [Bassus] D-Dl MS Mus. 2/D/22 [Discantus] D-Dl MS Mus. 2/D/22 [Tenor] D-LEu MS Thomaskirche 49 (1) D-LEu MS Thomaskirche 49 (2) D-LEu MS Thomaskirche 49 (3) D-LEu MS Thomaskirche 50 D-ROu Mus. Saec. XVI-40 (1) D-Z Mu 1441-1489 [Altus] D-Z Mu 1441-1489 [Tenor]
Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden	D-B Sammlung Bohn Mus. MS 12 D-ROu Mus. Saec. XVI-40 (2) D-ROu Mus. Saec. XVI-40 (3) D-ROu Mus. Saec. XVI-40 (4) D-ROu Mus. Saec. XVI-49 (1) D-ROu Mus. Saec. XVI-49 (2) D-ROu Mus. Saec. XVI-49 (3) D-ROu Mus. Saec. XVI-49 (4) D-ROu Mus. Saec. XVI-49 (5) D-ROu Mus. Saec. XVI-49 (6) H-Bn MS Bártfa 2 (c) H-Bn MS Bártfa 2 (e) H-Bn MS Bártfa 2 (f) H-Bn MS Bártfa 24 (a) H-Bn MS Bártfa 24 (c) H-Bn MS Bártfa 24 (d) H-Bn MS Bártfa Mus.Pr.6 (a) H-Bn MS Bártfa Mus.Pr.6 (b) H-Bn MS Bártfa Mus.Pr.6 (c) H-Bn MS Bártfa Mus.Pr.6 (d)
untexted example	D-HO Paed. 3713 Sbd.