D-Dl MS Grimma 59 [Altus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 59 [Altus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements c. 160 x 205 mm
Other Identifiers
  • CCM: DresSL Grimma 59
  • olim (Former shelfmark): LIX, Q308 and Q306
Copyists
Relationships
External Links
External Authorities
Provenance
  • Leipzig, Bavaria, Germany
Contents Contains 90 compositions, 61 from 18 composers, 29 are anonymous.
General Description

An Altus partbook. Copied by Wolfgang Figulus and others. Copied in Leipzig, but later taken by Wolfgang Figulus to the Fürstenschule St. Afra in Meissen. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Fürstenschule at Grimma; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017
Physical Description

In very poor condition; only fragments of some folios remain

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Date of composition or copying (15)49 or 50 added by Figulus to several of his pieces.

DIAMM, 2024
Foliation

Modern pencil pagination, continuous across the 2 books. (Altus pp. 1-184, Tenor pp. 185-326.)

DIAMM, 2024
Foliation

Other numberings: Modern numbering of pieces

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Kyrie-Gloria pairs, 1 Sanctus-Agnus pair, 3 Kyries, 1 Gloria, 1 Sanctus, 13 Mass Proper sections, 3 Magnificats, I Canticle, 1 psalm, 6 office hymns, 2 processional hymns, 1 Passion, 2 German/Latin sacred pieces, 20 motets, 3 German sacred pieces, 2 textless pieces = 64

(Clemens non Papa)-1, (Dietrich)-1, Figulus-10, (Hähnel)-5, (Isaac)-1, (Jonckers)-1, (Mouton)-2, (Obrecht/Longaval/Venture)-1, (Rener)-2, (Resinarius)-3, Senfl [L.S.]-3, (Stoltzer)-3, (Verdelot)-1, (Walter)-3, anon-27

2 paper partbooks (T-86 folios, A-97), ca. 160 x 205. The manuscript is in very poor condition; only fragments of some folios remain. Modern pencil foliation and numbering of pieces. Copied by Wolfgang Figulus and others.

Ca. 1550 (SteudeMS); dates ranging from 1548 to 1550 in manuscript. Copied in Leipzig, but later taken by Wolfgang Figulus to the Fürstenschule St. Afra in Meissen. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Fürstenschule at Grimma; in 1890 it was deposited in the library at Dresden.

Vol 4

Contents: Delete "1 psalm"; change "13 Mass Proper sections" to "12 Mass Proper sections"; change "20 motets" to "22 motets."

Composers: Add "(M. Agrícola)-1"; change "(Dietrich)-1" to "(Dietrich/Isaac) -1"; add "(Figulus/Walter)-3"; add "(Isaac/Obrecht)-1"; change "(Resi-narius)-3" to "(Resinarius)-2"; change "(Walter)-3" to "(Walter)-2" ; change "anon-27" to "anon-26."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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Sets

Select a set to see its sources.

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 345-7,599ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Cook, Larry D. 1976. The German Troped Polyphonic Magnificat. University of Iowa, Unpublished Ph.D. dissertation. Pages: 13-4,38-49,84. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte, vol. 6.  Wilhelmshaven. Pages: 103-5. Notes: physical description (partial); contents list; concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 286. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 134. Notes: concordances (partial); incipits (partial).

Kirsch, Winfried. 1961. Die Verbindung von Magnificat und Weihnachtsliedern im 16. Jahrhundert. Festschrift Helmuth Osthoff zum 65. Geburtstage, 61-74. Tutzing. Pages: 64-5. Notes: concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XXVIII, [x]. Notes: physical description.

Eitner, Robert. 1877. Wolfgang Figulus. Monatshefte für Musikgeschichte, 9: 126-31. Pages: 129. Notes: physical description.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description