D-Rp B. 212 (A)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: c. 1538-43

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark B. 212 (A)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 208 mm
Other Identifiers
  • CCM: RegB B211-5
Notations
  • black void mensural
Copyists
External Links
External Authorities
Provenance
  • Southern Germany or Austria?
Contents 152 pieces from 39 composers
General Description

An Altus partbook from a set of five volumes. Recto of first flyleaf in each book now pasted to inside front cover. Copied by two or three scribes. Probably of south German or Austrian origin.

DIAMM, 2017
Binding

Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date '1538.'

DIAMM, 2017
Watermark

resembles Briquet #2515

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

Original ink foliation in each book.

DIAMM, 2017
Decoration

No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections.

DIAMM, 2017
Index

Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 1 hymn, 76 motets, 1 Latin/German sacred piece,

2 German sacred pieces, 1 Latin secular piece = 82

Appenzeller or Ducis? [Benedictus]-1, Arcadelt-2, (Barra/Elimon)-1, Brück [AB]/Sermisy [Claudius]-1, (Carpentras)-1, (Conseil)-1, Dietrich [Xystus Theoderici]-2, Eckel-1, Finck-10, Finck-Josquin-1, Frosch-2, (Gombert/Josquin/Sermisy)-1, Hähnel [Johannes Galliculus]-4, Hellinck-2, Isaac-1, (Jaquet of Mantua/Manchicourt)-1, Josquin-2, (Josquin/Senfl)-1, Lafage-2, Le Heurteur-1, (Lemlin)-1, (Lupi)-1, Lupus/(Jaquet of Mantua)-1, Mahu-1, Mahu/(Walter)-1, Moulu-1, Mouton-2, Mustateller-1, Ockeghem -2, Othmayr-1, Peschin-B, Richafort-1, Senfl-12, Sermisy [Claudin]-2, Stoltzer-3, (Verdelot)-1, Werrecore [Hermannus Cu]/(Stoltzer)-1, Willaert-2, anon-7

5 paper partbooks (D-iii + 161 folios, A-iii + 169, T-iii + 137, B-iii + 153, Q-iii + 81), 134 x 208. Recto of first flyleaf in each book now pasted to inside front cover. Original ink foliation in each book. Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date "1538." Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by two or three scribes. Staff height 15. No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections. Watermark resembles Briquet #2515 (StaeMI).

Ca. 1538-43 (date 1538 on covers; "1543" on f. 151 of D book). Probably of south German or Austrian origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Tu autem cum oraveris Xystus Theodorici [= Dietrich]
Appears on: 1–1v
Genres: Motet
Source Attribution: Xystus Theodorici [= Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Tu autem cum oraveris intra in cubiculum
2–2v Amen dico vobis quia nemo propheta Eiusdem authoris [= Dietrich]
Appears on: 2–2v
Genres: Motet
Source Attribution: Eiusdem authoris [= Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Amen dico vobis quia nemo propheta
2v–4 Quod toleras rex alme crucis tormenta Anon. Anonymous
Appears on: 2v–4
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quod toleras rex alme crucis tormenta
4–7 Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens Lupus/[Jachet of Mantua]
Appears on: 4–7
Genres: Motet
Source Attribution: Lupus/[Jachet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Loquutus est dominus ad Moysen dicens II: Stetit Moÿses coram Pharaone et dixit
4–7 Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone -
Appears on: 4–7
Genres: Motet
7–9 Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt Henricus Finck
Appears on: 7–9
Genres: Motet
Source Attribution: Henricus Finck
Voice: [no designation]
Languages: Latin
Voice Text: Et valde mane una sabbatorum veniunt II: Et ingressae mulieres non invenerunt
7–9 Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt -
Appears on: 7–9
Genres: Motet
9–12 Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit HF [= Finck]
Appears on: 9–12
Genres: Motet
Source Attribution: HF [= Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitabit II: In principio erat verbum et verbum III: Quem aethera et terra atque mare
9–12 Verbum caro - 2a pars (of 3): In principio erat verbum et verbum -
Appears on: 9–12
Genres: Motet
9–12 Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare -
Appears on: 9–12
Genres: Motet
12–14v Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria HF
Appears on: 12–14v
Genres: Motet
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Hierusalem venit lux tua II: Et gloria domini super te Hierusalem III: Et ambulabunt in lumine tuo et reges
12–14v Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem -
Appears on: 12–14v
Genres: Motet
12–14v Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo -
Appears on: 12–14v
Genres: Motet
14v–17 Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non HF
Appears on: 14v–17
Genres: Motet
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: Christus resurgens ex mortuis iam non II: Quod enim vivit deo alleluia III: Dicant nunc Iudei quomodo [milites]
14v–17 Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia -
Appears on: 14v–17
Genres: Motet
14v–17 Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites -
Appears on: 14v–17
Genres: Motet
17–18v Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate HF
Appears on: 17–18v
Genres: Motet
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: Ite in orbem universum et predicate II: Qui crediderit et baptizatus fuerit III: In nomine patris et filii et spiritus
17–18v Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit -
Appears on: 17–18v
Genres: Motet
17–18v Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus -
Appears on: 17–18v
Genres: Motet
19–20 Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te HF
Appears on: 19–20
Genres: Motet
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: Petre amas me tu scis domine quia amo te II: Pasce oves meas III: Simon Joannis diligis me plus his
19–20 Petre amas me - 2a pars (of 3): Pasce oves meas -
Appears on: 19–20
Genres: Motet
19–20 Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his -
Appears on: 19–20
Genres: Motet
20–24v Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola Johannes Okegus [= Ockeghem]
Appears on: 20–24v
Genres: Motet
Source Attribution: Johannes Okegus [= Ockeghem]
Voice: [no designation]
Languages: Latin
Voice Text: Gaude Maria virgo cunctas hereses sola II: Gabrielem archangelum te esse III: Uterum tuum de spiritu sancto IV: Erubescat Judeus infelix qui dicit
20–24v Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse -
Appears on: 20–24v
Genres: Motet
20–24v Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto -
Appears on: 20–24v
Genres: Motet
20–24v Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit -
Appears on: 20–24v
Genres: Motet
25–27 Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te Ludovicus Senflius
Appears on: 25–27
Genres: Motet
Source Attribution: Ludovicus Senflius
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in coelum et coram te II: Fac me sicut unum ex mercenariis III: Quanti mercenarii in domo patris
25–27 Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis -
Appears on: 25–27
Genres: Motet
25–27 Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris -
Appears on: 25–27
Genres: Motet
27v–29 Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo Lupus [Hellinck]
Appears on: 27v–29
Genres: Motet
Source Attribution: Lupus [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Panis quem ego dabo caro mea est II: Loquutus est populus ad dominum
27v–29 Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum -
Appears on: 27v–29
Genres: Motet
29–31 Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen Josquin alii HF [= Finck-Josquin]
Appears on: 29–31
Genres: Motet
Source Attribution: Josquin alii HF [= Finck-Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Magnus es tu domine et magnum nomen 21.6 II: Tu pauperum refugium tu languorum
29–31 Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum -
Appears on: 29–31
Genres: Motet
31–32 Simile est regnum caelorum homini [Carpentras]
Appears on: 31–32
Genres: Motet
Source Attribution: [Carpentras]
Voice: [no designation]
Languages: Latin
Voice Text: Simile est regnum caelorum homini
32v–33 Da pacem Domine (M25) LS [= Senfl]
Appears on: 32v–33
Genres: Motet
Source Attribution: LS [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
33–35 Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo Anon. Anonymous
Appears on: 33–35
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine quo ibo a spiritu tuo et quo II: Si sumpsero pennas meas diluculo
33–35 Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo - Anonymous
Appears on: 33–35
Genres: Motet
35–36 Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major Mathias Eckel
Appears on: 35–36
Genres: Motet
Source Attribution: Mathias Eckel
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior II: Qui viam domino preparavit in eremo III: Fuit homo missus a deo cui nomen
35–36 Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo -
Appears on: 35–36
Genres: Motet
35–36 Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen -
Appears on: 35–36
Genres: Motet
36v–37v Duo homines ascenderunt in templum Johannes Galliculus [= Hähnel]
Appears on: 36v–37v
Genres: Motet
Source Attribution: Johannes Galliculus [= Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Duo homines ascenderunt in templum
38–39 In cathedra Moisi omnia quaecunque iusserint Johanes Galliculus
Appears on: 38–39
Genres: Motet
Source Attribution: Johanes Galliculus
Voice: [no designation]
Languages: Latin
Voice Text: In cathedra Moysi omnia quaecunque iusserint
39–40v Venite post me qui laboratis et onerati J. Galliculus
Appears on: 39–40v
Genres: Motet
Source Attribution: J. Galliculus
Voice: [no designation]
Languages: Latin
Voice Text: Venite post me qui laboratis et onerati
40v–45 Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate Ludovicus Senflius
Appears on: 40v–45
Genres: Motet
Source Attribution: Ludovicus Senflius
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes plaudite manibus iubilate II: Ascendit deus in iubilo et dominus
40v–45 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus -
Appears on: 40v–45
Genres: Motet
45–48 Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea LS
Appears on: 45–48
Genres: Motet
Source Attribution: LS
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea et macula II: Jam enim hiems transiit imber abiit III: Et vox turturis audita est in terra
45–48 Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit -
Appears on: 45–48
Genres: Motet
45–48 Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra -
Appears on: 45–48
Genres: Motet
48–50 Peccata mea domine - 1a pars (of 2): Peccata mea domine Ricafort
Appears on: 48–50
Genres: Motet
Source Attribution: Ricafort
Voice: [no designation]
Languages: Latin
Voice Text: Peccata mea domine sicut sagittae infixae II: Quoniam iniquitatem meam ego
48–50 Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam -
Appears on: 48–50
Genres: Motet
50–52 Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Gregorius Pesthinus [= Peschin]
Appears on: 50–52
Genres: Motet
Source Attribution: Gregorius Pesthinus [= Peschin]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini II: Nudus egressus sum de utero matris
50–52 Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris -
Appears on: 50–52
Genres: Motet
52–52v Sic enim Deus dilexit mundum Gregorius Peschin
Appears on: 52–52v
Genres: Motet
Source Attribution: Gregorius Peschin
Voice: [no designation]
Languages: Latin
Voice Text: Sic enim deus dilexit mundum
53–54 Nesciens mater virgo virum peperit Johannes Froschius
Appears on: 53–54
Genres: Motet
Source Attribution: Johannes Froschius
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo virum peperit
54v–55 Tua est potentia tuum regnum Dominus 26.17 J. Mouton/[Josquin]
Appears on: 54v–55
Genres: Motet
Source Attribution: J. Mouton/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potentia tuum regnum domine 26.16
55v–57 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo LS
Appears on: 55v–57
Genres: Motet
Source Attribution: LS
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
55v–57 Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 55v–57
Genres: Motet
57–58 Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) [Gombert/Josquin/Sermisy]
Appears on: 57–58
Genres: Contrafactum, Motet
Source Attribution: [Gombert/Josquin/Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Date siceram merentibus et vinum his 29.11 [= Je ne me puis tenir d'aymer]
58v–59 Domine libera animam meam a labiis St. Mahu
Appears on: 58v–59
Genres: Motet
Source Attribution: St. Mahu
Voice: [no designation]
Languages: Latin
Voice Text: Domine libera animam meam a labiis
59v–63 Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus De la Fage
Appears on: 59v–63
Genres: Motet
Source Attribution: De la Fage
Voice: [no designation]
Languages: Latin
Voice Text: Super flumina Babilonis illic sedimus II: Si oblitus fuero tui Hierusalem
59v–63 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero -
Appears on: 59v–63
Genres: Motet
63–65 Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum [Willaert]
Appears on: 63–65
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum iniquum et dolosum longe fac II: Duo rogavi [te] ne deneges mihi
63–65 Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi -
Appears on: 63–65
Genres: Motet
65–66v Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado [Verdelot]
Appears on: 65–66v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Non turbetur cor vestrum ego vado
65–66v Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum -
Appears on: 65–66v
Genres: Motet
66v–67v Recordare Domine testamenti tui et dic [Arcadelt]
Appears on: 66v–67v
Genres: Motet
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Latin
Voice Text: Recordare domine testamenti tui et dic
67v–69 Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra Anon. Anonymous
Appears on: 67v–69
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nigra ego sum fateor vaccinia nigra II: Nigra veni nostroque precor succurre
67v–69 Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre - Anonymous
Appears on: 67v–69
Genres: Motet
69v–73 O Domine Jesu Christe adoro te in cruce [in 7 partes] HF [= Finck]
Appears on: 69v–73
Genres: Motet
Source Attribution: HF [= Finck]
Voice: [no designation]
Languages: Latin
Voice Text: O domine Jesu Christe adoro te in cruce II: O domine Jesu Christe adoro te III: O domine Jesu Christe per illam [1a pars]
73–75v Christe qui lux es et dies noctis [M15] LS
Appears on: 73–75v
Genres: Motet
Source Attribution: LS
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis
76–77 Sum tuus in vita (4vv) [M109] LS
Appears on: 76–77
Genres: Motet
Source Attribution: LS
Voice: [no designation]
Languages: Latin
Voice Text: Sum tuus in vita tua sunt mea funera
77–77v Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] Josquin/Chunradus Rupsch (Rupsch probably responsible for contrafact version)
Appears on: 77–77v
Genres: Chanson, Contrafactum, Motet
Source Attribution: Josquin/Chunradus Rupsch (Rupsch probably responsible for contrafact version)
Voice: [no designation]
Languages: Latin
Voice Text: Haec dicit dominus liberabo populum 30.6 = Videte omnes populi, Nimphes nappés néridriades driades
78–78v Traditor autem dedit eis signum dicens Anon. Anonymous
Appears on: 78–78v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Traditor autem dedit eis signum dicens
78v–79v Ecce Dominus veniet nolite timere 14.5 [Jonckers/Josquin/Senfl]
Appears on: 78v–79v
Genres: Motet
Source Attribution: [Jonckers/Josquin/Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet nolite timere 14.5
79v–81v Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Hermannus Cu [= Werrecore]/[Stoltzer]
Appears on: 79v–81v
Genres: Motet
Source Attribution: Hermannus Cu [= Werrecore]/[Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant II: Filii tui sicut novellae olivarum
79v–81 Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum -
Appears on: 79v–81
Genres: Motet
82–83 Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo Johannes Froschius
Appears on: 82–83
Genres: Motet
Source Attribution: Johannes Froschius
Voice: [no designation]
Languages: Latin
Voice Text: Qui de terra est loquitur qui de caelo II: Et testimonium eius nemo accipit
82–83 Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit -
Appears on: 82–83
Genres: Motet
83v–93 Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen Thomas Stoltzer
Appears on: 83v–93
Genres: Motet
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: German
Voice Text: Erzürne dich nit über die bösen sey nit II: Halt dem Herrn still und lass in III: Der gotlose drowet dem gerechten IV: Der Herr kendt die tage der frommen V: Ich pin iunck gewesen und hab noch VI: Der gotlose sieht auf den gerechten VII: Beware dy frommikait und schaw
83v–93 Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil -
Appears on: 83v–93
Genres: Motet
83v–93 Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet -
Appears on: 83v–93
Genres: Motet
83v–93 Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage -
Appears on: 83v–93
Genres: Motet
83v–93 Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen -
Appears on: 83v–93
Genres: Motet
83v–93 Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht -
Appears on: 83v–93
Genres: Motet
83v–93 Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit -
Appears on: 83v–93
Genres: Motet
93v–96 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Thomas Stoltzer
Appears on: 93v–96
Genres: Motet
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: German
Voice Text: Herr wie lang wiltu mein so gar vergessen II: Schaw doch und erhör mich Herr III: Ich hoff aber auf deine güte
93v–96 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich -
Appears on: 93v–96
Genres: Motet
93v–96 Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte -
Appears on: 93v–96
Genres: Motet
96–98v Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore De La Fage
Appears on: 96–98v
Genres: Motet
Source Attribution: De La Fage
Voice: [no designation]
Languages: Latin
Voice Text: Vide domine afflictionem nostram
96–98v Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare -
Appears on: 96–98v
Genres: Motet
99–100v Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens Claudin [de Sermisy]
Appears on: 99–100v
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Homo natus de muliere brevi vivens II: Homo cum in honore esset non
99–100v Homo natus de muliere - 1a pars (of 2): Homo cum in honore esset non -
Appears on: 99–100v
Genres: Motet
101–102v Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae Claudin [de Sermisy]
Appears on: 101–102v
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Benedic anima mea domino et omnia quae II: Qui redemit de interitu vitam tuam
101–102v Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam -
Appears on: 101–102v
Genres: Motet
102v–104 Exaltare super caelos Deus et super omnem [Le] Heurteur
Appears on: 102v–104
Genres: Motet
Source Attribution: [Le] Heurteur
Voice: [no designation]
Languages: Latin
Voice Text: Exaltare super coelos deus et super omnem
104–105 Lamentabatur Jacob de duobus filiis suis Hadrianus Willart
Appears on: 104–105
Genres: Motet
Source Attribution: Hadrianus Willart
Voice: [no designation]
Languages: Latin
Voice Text: Lamentabatur Jacob de duobus filiis suis
105v–107v Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens [Peschin]
Appears on: 105v–107v
Genres: Motet
Source Attribution: [Peschin]
Voice: [no designation]
Languages: Latin
Voice Text: Invocabat autem Samson dominum dicens II: Et columnas quibus domus innitebatur
105v–107v Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur -
Appears on: 105v–107v
Genres: Motet
107v–108v Memento mei Domine Deus [Lemlin] Anonymous
Appears on: 107v–108v
Genres: Motet
Source Attribution: [Lemlin]
Voice: [no designation]
Languages: Latin
Voice Text: Memento mei domine Deus dum veneris
109–110 Prima die sabbatorum Maria Magdalena Lupus Hellinck
Appears on: 109–110
Genres: Motet
Source Attribution: Lupus Hellinck
Voice: [no designation]
Languages: Latin
Voice Text: Primo die sabbatorum Maria Magdalena
110–112v Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer Jodocus de Pratis
Appears on: 110–112v
Genres: Motet
Source Attribution: Jodocus de Pratis
Voice: [no designation]
Languages: Latin
Voice Text: Clamavi ad dominum cum tribularer 15.8 II: Hei mihi quia incolatus meus
110–112v Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus -
Appears on: 110–112v
Genres: Motet
110–112v Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio -
Appears on: 110–112v
Genres: Motet
110–112v Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me -
Appears on: 110–112v
Genres: Motet
113–114 Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus LS
Appears on: 113–114
Genres: Motet
Source Attribution: LS
Voice: [no designation]
Languages: Latin
Voice Text: Media vita in morte sumus quem querimus II: Sancte deus sancte fortis sancte
113–114 Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis -
Appears on: 113–114
Genres: Motet
114v–115 Cavete a scribis qui volunt ambulare J. Galliculus
Appears on: 114v–115
Genres: Motet
Source Attribution: J. Galliculus
Voice: [no designation]
Languages: Latin
Voice Text: Cavete a scribis qui volunt ambulare
115–116 Sive vivamus sive moriamur Domini H. Isaac
Appears on: 115–116
Genres: Motet
Source Attribution: H. Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Sive vivamus sive moriamur domini
116–119v Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum HF
Appears on: 116–119v
Genres: Motet
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: Nisi dominus edificaverit domum in vanum II: Sicut sagittae in manu potentis
116–119v Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis -
Appears on: 116–119v
Genres: Motet
120–122v Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus LS
Appears on: 120–122v
Genres: Motet
Source Attribution: LS
Voice: [no designation]
Languages: Latin
Voice Text: Saulus autem adhuc spirans minarum II: Saule Saule quid me persequeris
120–122v Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus -
Appears on: 120–122v
Genres: Motet
122v–124v Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti [Jaquet of Mantua/Manchicourt]
Appears on: 122v–124v
Genres: Motet
Source Attribution: [Jaquet of Mantua/Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Laudem dicite deo nostro omnes sancti II: Laudate dominum deum omnes gentes
122v–124v Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes -
Appears on: 122v–124v
Genres: Motet
125–127 Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum [Conseil]
Appears on: 125–127
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum qui sum et consilium meum II: Stetit Jesus in medio discipulorum
125–127 Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum -
Appears on: 125–127
Genres: Motet
127–129v Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam [Lupi]
Appears on: 127–129v
Genres: Motet
Source Attribution: [Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Apparens Christus post passionem suam II: Et convescens precepit eis
127–129v Apparens Christus - 2a pars (of 2): Et convescens praecepit eis -
Appears on: 127–129v
Genres: Motet
129v–132 Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Anon. Anonymous
Appears on: 129v–132
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri et gloriantur II: Tu domine qui superborum corda
129v–132 Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda - Anonymous
Appears on: 129v–132
Genres: Motet
132–133v Namque super terram ubi non est veritas Anon. Anonymous
Appears on: 132–133v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nanque super terram ubi non est veritas
133v–135 Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) Archadelt
Appears on: 133v–135
Genres: Contrafactum, Motet
Source Attribution: Archadelt
Voice: [no designation]
Languages: Latin
Voice Text: Pro peccatis hominum occidit salvator mundi II: O clemens O pie Jesu Christe
133v–135 Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) -
Appears on: 133v–135
Genres: Contrafactum, Motet
135–136 Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua LS
Appears on: 135–136
Genres: Motet
Source Attribution: LS
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Hierusalem venit lux tua II: Et gloria domini super te Hierusalem III: Et ambulabunt gentes in lumine tuo
135–136 Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem -
Appears on: 135–136
Genres: Motet
135–136 Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo -
Appears on: 135–136
Genres: Motet
136v–137 Nesciens mater virgo virum peperit LS
Appears on: 136v–137
Genres: Motet
Source Attribution: LS
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo virum peperit
137–139v Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem AB [= Bruck]/Claudius [= Sermisy]
Appears on: 137–139v
Genres: Motet
Source Attribution: AB [= Bruck]/Claudius [= Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei domine et exaudi orationem II: Miserere mei deus secundum magnam
137–139v Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam -
Appears on: 137–139v
Genres: Motet
139v–141v Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier Marcus Mustateller
Appears on: 139v–141v
Genres: Motet
Source Attribution: Marcus Mustateller
Voice: [no designation]
Languages: Latin
Voice Text: Accessit ad pedes Jesu peccatrix mulier II: Et osculata est et lavit lachrymis III: Dimissa sunt ei peccata multa
139v–141v Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis -
Appears on: 139v–141v
Genres: Motet
139v–141v Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire -
Appears on: 139v–141v
Genres: Motet
139v–141v Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa -
Appears on: 139v–141v
Genres: Motet
141v–142 Ego sum resurrectio et vita dicit Dominus Jesus Stephanus Mahu/[Walter]
Appears on: 141v–142
Genres: Motet
Source Attribution: Stephanus Mahu/[Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita dicit Iesus
142–143 Doleo super te frater mi Jonathan Benedictus [Appenzeller]
Appears on: 142–143
Genres: Motet
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: Doleo super te frater mi Jonathan
143–144v Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens LS
Appears on: 143–144v
Genres: Motet
Source Attribution: LS
Voice: [no designation]
Languages: Latin, German
Voice Text: In mitten unsers lebens zeit media vita II: Sancte deus heiliger starcker Got
143–144v Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott -
Appears on: 143–144v
Genres: Motet
145–146 Spiritus Domini replevit orbem terrarum Mouton
Appears on: 145–146
Genres: Motet
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit orbem terrarum
146–147v Nuptiae factae sunt in Chana Gallileae [Barra/Elimon]
Appears on: 146–147v
Genres: Motet
Source Attribution: [Barra/Elimon]
Voice: [no designation]
Languages: Latin
Voice Text: Nuptiae factae sunt in Cana Galileae
148–150 Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet TS [= Stoltzer]
Appears on: 148–150
Genres: Motet
Source Attribution: TS [= Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Levavi oculos meos in montes unde veniet II: Dominus custodit te dominus protectio
148–150 Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio -
Appears on: 148–150
Genres: Motet
150v–152 Cum ascendisset aurora urgebant angeli Gregorius Peschin
Appears on: 150v–152
Genres: Motet
Source Attribution: Gregorius Peschin
Voice: [no designation]
Languages: Latin
Voice Text: Cum ascendisset aurora urgebant angeli
152v–153v Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere Petrus Moulou
Appears on: 152v–153v
Genres: Motet
Source Attribution: Petrus Moulou
Voice: [no designation]
Languages: Latin
Voice Text: Induta est caro mea vermibus et pulvere II: Dies mei velocius transeunt quam III: Memento domine quia ventus est vita
152v–153v Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam -
Appears on: 152v–153v
Genres: Motet
152v–153v Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita -
Appears on: 152v–153v
Genres: Motet
154–154v Quisquis requiem quaeris feminam cave Gaspar Othmair
Appears on: 154–154v
Genres: Motet
Source Attribution: Gaspar Othmair
Voice: [no designation]
Languages: Latin
Voice Text: Quisquis requiem quaeris feminam cave
154v–155 [Veni sancte spiritus] Reple tuorum corda HF
Appears on: 154v–155
Genres: Motet, Veni sancte spiritus
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus] Reple tuorum corda
155v–158 Beati estis - 1a pars (of 3): Beati estis sancti Dei omnes qui meruistis HF
Appears on: 155v–158
Genres: Motet
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: Beati estis sancti dei omnes qui meruistis II: Ideoque precamur ut memores nostri
155v–158 Beati estis - 2a pars (of 3): Ideoque precamur ut memores nostri -
Appears on: 155v–158
Genres: Motet
155v–158 Beati estis - 3a pars (of 3): Gaudete et exultate -
Appears on: 155v–158
Genres: Motet
158v–161 Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem [O]kegus
Appears on: 158v–161
Genres: Motet
Source Attribution: [O]kegus
Voice: [no designation]
Languages: Latin
Voice Text: Caeleste beneficium introivit in orbem II: Caeleste beneficium accipe Germania
158v–161 Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania -
Appears on: 158v–161
Genres: Motet
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Barra, Hotinet (fl. 1510-23)
Bruck, Arnold von (ca. 1500–1554)
Carpentras, Elzear Genet (ca. 1470–1548)
Conseil, Jean (ca. 1498–1534)
Despres, Josquin (ca. 1450–1521)
Dietrich, Sixt (ca. 1493–1548)
Eckel, Matthias
Elimon (Elimot)
Fage, Jean de la
Finck, Heinrich
Frosch, Johannes (ca. 1470–ca. 1532)
Galliculus, Johannes
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Heurteur, Guillaume le (fl. 1530-1545)
Isaac, Heinrich (ca. 1450–1517)
Jonckers, Maistre Gosse
Lupi, Johannes (ca. 1506–1539)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Mustateller (Muscateller?), Marcus
Ockeghem, Jean de (ca. 1410–1497)
Othmayr, Caspar
Peschin, Gregor
Reitveltus, Bartholomaeus
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[Veni sancte spiritus] Reple tuorum corda 154v–155
Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier 139v–141v
Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis 139v–141v
Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire 139v–141v
Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa 139v–141v
Amen dico vobis quia nemo propheta 2–2v
Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 127–129v
Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 127–129v
Beati estis - 1a pars (of 3): Beati estis sancti Dei omnes qui meruistis 155v–158
Beati estis - 2a pars (of 3): Ideoque precamur ut memores nostri 155v–158
Beati estis - 3a pars (of 3): Gaudete et exultate 155v–158
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 79v–81v
Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 79v–81
Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae 101–102v
Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam 101–102v
Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 158v–161
Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 158v–161
Cavete a scribis qui volunt ambulare 114v–115
Christe qui lux es et dies noctis [M15] 73–75v
Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 14v–17
Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 14v–17
Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 14v–17
Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer 110–112v
Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus 110–112v
Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio 110–112v
Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me 110–112v
Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Anonymous 129v–132
Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda Anonymous 129v–132
Cum ascendisset aurora urgebant angeli 150v–152
Da pacem Domine (M25) 32v–33
Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 57–58
Doleo super te frater mi Jonathan 142–143
Domine libera animam meam a labiis 58v–59
Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo Anonymous 33–35
Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo Anonymous 33–35
Duo homines ascenderunt in templum 36v–37v
Ecce Dominus veniet nolite timere 14.5 78v–79v
Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 125–127
Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 125–127
Ego sum resurrectio et vita dicit Dominus Jesus 141v–142
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 83v–93
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil 83v–93
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet 83v–93
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage 83v–93
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 83v–93
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht 83v–93
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit 83v–93
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 7–9
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 7–9
Exaltare super caelos Deus et super omnem 102v–104
Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 20–24v
Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 20–24v
Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 20–24v
Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 20–24v
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 55v–57
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 55v–57
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 77–77v
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 93v–96
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 93v–96
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 93v–96
Homo natus de muliere - 1a pars (of 2): Homo cum in honore esset non 99–100v
Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens 99–100v
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua 135–136
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 12–14v
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 12–14v
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 135–136
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 12–14v
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 135–136
In cathedra Moisi omnia quaecunque iusserint 38–39
Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere 152v–153v
Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam 152v–153v
Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita 152v–153v
Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 35–36
Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo 35–36
Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen 35–36
Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens 105v–107v
Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur 105v–107v
Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 17–18v
Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 17–18v
Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 17–18v
Lamentabatur Jacob de duobus filiis suis 104–105
Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 122v–124v
Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 122v–124v
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 148–150
Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio 148–150
Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 4–7
Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 4–7
Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 29–31
Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 29–31
Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 113–114
Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 113–114
Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 143–144v
Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 143–144v
Memento mei Domine Deus Anonymous 107v–108v
Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem 137–139v
Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam 137–139v
Namque super terram ubi non est veritas Anonymous 132–133v
Nesciens mater virgo virum peperit 53–54
Nesciens mater virgo virum peperit 136v–137
Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra Anonymous 67v–69
Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre Anonymous 67v–69
Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum 116–119v
Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis 116–119v
Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 65–66v
Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 65–66v
Nuptiae factae sunt in Chana Gallileae 146–147v
O Domine Jesu Christe adoro te in cruce [in 7 partes] 69v–73
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 40v–45
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 40v–45
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 27v–29
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 27v–29
Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te 25–27
Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis 25–27
Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris 25–27
Peccata mea domine - 1a pars (of 2): Peccata mea domine 48–50
Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam 48–50
Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 19–20
Petre amas me - 2a pars (of 3): Pasce oves meas 19–20
Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his 19–20
Prima die sabbatorum Maria Magdalena 109–110
Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 133v–135
Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 133v–135
Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo 82–83
Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit 82–83
Quisquis requiem quaeris feminam cave 154–154v
Quod toleras rex alme crucis tormenta Anonymous 2v–4
Recordare Domine testamenti tui et dic 66v–67v
Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus 120–122v
Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus 120–122v
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 50–52
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris 50–52
Sic enim Deus dilexit mundum 52–52v
Simile est regnum caelorum homini 31–32
Sive vivamus sive moriamur Domini 115–116
Spiritus Domini replevit orbem terrarum 145–146
Sum tuus in vita (4vv) [M109] 76–77
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 59v–63
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 59v–63
Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 45–48
Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 45–48
Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 45–48
Traditor autem dedit eis signum dicens Anonymous 78–78v
Tu autem cum oraveris 1–1v
Tua est potentia tuum regnum Dominus 26.17 54v–55
Venite post me qui laboratis et onerati 39–40v
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 9–12
Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 9–12
Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 9–12
Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 63–65
Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 63–65
Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 96–98v
Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 96–98v

Set: B. 211-215

Type: Partbooks

No images available

D-Rp B. 211 (D)

No images available

D-Rp B. 212 (A)

No images available

D-Rp B. 213 (T)

No images available

D-Rp B. 214 (B)

No images available

D-Rp B. 215 (Q)

denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 113-164. Pages: 129-149. Notes: contents list; concordances.

McDonald, Grantley. 2020. The Library of Johannes Stomius, Lutheran Musical Humanist in Salzburg. Journal of the Alamire Foundation, 51-88. Notes: identifies Stomius as the main scribe.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Notes: contents list; description.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, 77. Notes: physical description (partial); mention of MS; discussion.

Brzezinska, Barbara. 1976. W Kwestii Autorstwa Motetu 'Date Siceram Moerentibus'. Muzyka, 53-65. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 18-36. Pages: 28-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 3-4, 30-1, 45, 52, 68-9, 84. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 105-7, 110-1. Notes: contents list (partial); mention of MS; discussion.

Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, vii-viii, xii, 66-74. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I, 87-8, 175-82, 213-4; II, 205-39. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 41-2, 107, 117, 168, 182-4. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Mohr, Peter. 1955. Die Handschrift B 211-215 der Proske-Bibliothek zu Regensburg mit kurzer Beschreibung der Handschriften B 216-219 und B 220-222. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: X, 1695. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 124-5; XI, 123-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 119; XXVI, 154, 164; LXVI, 68-76, 97-103, 174-80; LXX,65-94,97-114,193,197-8. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: III, ix, xiv, 88-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description