D-Dl MS Grimma 58 [Discantus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1555-60

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Grimma 58 [Discantus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	165 x 210 mm
Other Identifiers	CCM: DresSL Grimma 58
Copyists	? Figulus, Wolfgang (ca. 1525–1589) Music
Relationships	Fürstenschule [princely school] St. Augustin, Grimma (owner) Birck, Friedrich (owner) Figulus, Wolfgang (ca. 1525–1589) (compiler) Fürstenschule [princely school] St Afra, Meissen (copied at)
External Links	images
External Authorities	RISM Online (sources/211005633)
Provenance	Fürstenschule [princely school] St Afra, Meissen , Meissen, Bavaria, Germany
Contents	85 pieces from 16 composers

General Description

A Discantus partbook from an incomplete set of three volumes. Copied by Wolfgang Figulus(?) and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017

Extent

i+158+i folios

DIAMM, 2024

Binding

Restored and rebound in modern brown cardboard covers.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

Dates "XIIII Junii 58" (Discantus, f.141r), "XXIIII Junii 57" (Altus, f.152r).

DIAMM, 2024

Foliation

Other numberings: Modern numbering of pieces

DIAMM, 2017

Foliation

Modern pencil foliation

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Kyrie-Gloria pair, 1 Kyrie, 1 Gloria, 1 Sanctus, 5 Mass Proper sections, 3 psalms, 1 processional hymn, 1 German/Latin sacred piece, 11 motets, 11 German sacred pieces = 38

(M. Agricola)-2, (Alder)-1, (Clemens non Papa)-1, (Figulus)-4, (Hähnel)-4, (Josquin?)-1, (Prenner/Silva)-1, (Senfl)-1, (Stoltzer)-6, (Stoltzer/Bauldeweyn)-1, (Verdelot)-1, (Wolff)-1, anon-14

3 paper partbooks (D-i + 158 + i folios, A-i + 166 + i, B-i + 156 + i), 165 x 210. Modern pencil foliation; modern numbering of pieces. Restored and rebound in modern brown cardboard covers. Copied by Wolfgang Figulus(?) and others.

Ca. 1555-60 (SteudeMS). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Change "(Alder)-1" to "(Alder/Senfl)-1 "; change "(Prenner/Silva) -1" to "(Silva/Werrecore)-1"; change "(Wolff)-1" to "(FinckP/Josquin/Wolff) -1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–3	Qui regis Israel intende qui sedes 18.9	[Josquin]	Despres, Josquin (ca. 1450–1521)
Qui regis Israel intende qui sedes 18.9 Despres, Josquin (ca. 1450–1521) Appears on: 1–3 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Qui regis Israhel intende qui sedes 18.9 General Note Josquin, GA, Mot. 63 - Bk 5:29(1.p.)
3v–5	Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te	[Finck/Josquin/Wolff]	Wolff, Martin (?) Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521) (?)
Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te Wolff, Martin (?) Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 3v–5 Genres: Motet Source Attribution: [Finck/Josquin/Wolff] Voice: [no designation] Languages: Latin Voice Text: Conserva me domine quoniam speravi 15.10 II: Dominus pars haereditatis meae General Note RISM 1553^4:12
5–7	Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae	-	Wolff, Martin (?) Despres, Josquin (ca. 1450–1521) (?) Finck, Heinrich (?)
Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae Wolff, Martin (?) Despres, Josquin (ca. 1450–1521) (?) Finck, Heinrich (?) Appears on: 5–7 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dominus pars hereditatis [part 2] General Note RISM 1553^4:12
7v–9	Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Appears on: 7v–9 Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Herr neyge deine ohren und erhore mich II: Herr es ist dir kein gleich III: Ich danck dir Herr mein Gott General Note Hoffm.-Erbr. I, Wv 120 - Bk 5:9
9v–11v	Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich	-	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich Stoltzer, Thomas (ca. 1480–1526) Appears on: 9v–11v Genres: Motet Voice: [no designation] Languages: German Voice Text: Herr es ist dir kein gleich [part 2] General Note Hoffm.-Erbr. I, Wv 120 - Bk 5:9
11v–14	Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott	-	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott Stoltzer, Thomas (ca. 1480–1526) Appears on: 11v–14 Genres: Motet Voice: [no designation] Languages: German Voice Text: Ich danck dir herr mein Gott [part 3] General Note Hoffm.-Erbr. I, Wv 120 - Bk 5:9
14v–17v	Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper	[Bauldeweyn/Stoltzer]	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?) Appears on: 14v–17v Genres: Motet Source Attribution: [Bauldeweyn/Stoltzer] Voice: [no designation] Languages: Latin Voice Text: Benedicam dominum in omni tempore semper [1a pars only] General Note (1a pars only.) Hoffm.-Erbr. I, Wv 107 - Bk 5:28.
17v–19v	Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram	[M. Agricola]	Agricola, Martin (ca. 1486–1556)
Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram Agricola, Martin (ca. 1486–1556) Appears on: 17v–19v Genres: Motet Source Attribution: [M. Agricola] Voice: [no designation] Languages: Latin Voice Text: Hiob tonso capite corruens in terram II: Castigasti me domine et eruditus III: Postquam autem convertisti me egi General Note Leipzig, Thomask. Ms. 49/50:160
19v–21	Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus	-	Agricola, Martin (ca. 1486–1556)
Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus Agricola, Martin (ca. 1486–1556) Appears on: 19v–21 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Castigasti me domine [part 2] General Note Leipzig, Thomask. Ms. 49/50:160
21v–23v	Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi	-	Agricola, Martin (ca. 1486–1556)
Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi Agricola, Martin (ca. 1486–1556) Appears on: 21v–23v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Postquam autem convertisti [part 3] General Note Leipzig, Thomask. Ms. 49/50:160
24–26v	Missa Alma redemptoris: Kyrie	Anon.	Anonymous
Missa Alma redemptoris: Kyrie Anonymous Appears on: 24–26v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa]
26v–29v	Missa Alma redemptoris: Et in terra pax [Gloria]	-	Anonymous
Missa Alma redemptoris: Et in terra pax [Gloria] Anonymous Appears on: 26v–29v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gloria [Missa]
29v–32	Missa Alma redemptoris: Patrem omnipotentem [Credo]	-	Anonymous
Missa Alma redemptoris: Patrem omnipotentem [Credo] Anonymous Appears on: 29v–32 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo [Missa]
32v–34v	Missa Alma redemptoris: Sanctus	-	Anonymous
Missa Alma redemptoris: Sanctus Anonymous Appears on: 32v–34v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus [Missa]
34v–36v	Missa Alma redemptoris: Agnus Dei	-	Anonymous
Missa Alma redemptoris: Agnus Dei Anonymous Appears on: 34v–36v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus Dei [Missa]
36v–38v	Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me	[Hähnel]	Galliculus, Johannes
Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me Galliculus, Johannes Appears on: 36v–38v Genres: Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me General Note RISM 1539^14
39	Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ	Anon.	Anonymous
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ Anonymous Appears on: 39 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, German Voice Text: Surrexit Christus hodie alleluia/Erstanden ist der heilige Christ General Note W. Figulus, Hymni sacri: 1604, S. 160
39v–40v	Missa Paschale: Kyrie	[Hähnel]	Galliculus, Johannes
Missa Paschale: Kyrie Galliculus, Johannes Appears on: 39v–40v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleÿson General Note RISM 1539^14 - Bk 9:11 - 21:68
41–42v	Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anon.	Anonymous
Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 41–42v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Victime paschali laudes immolent Christiani
42v–43v	Victimae paschali - 2a pars (of 3): Dic nobis Maria	-	Anonymous
Victimae paschali - 2a pars (of 3): Dic nobis Maria Anonymous Appears on: 42v–43v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dic nobis Maria [part 2]
43v–45	Victimae paschali - 3a pars (of 3): Credendum est magis	-	Anonymous
Victimae paschali - 3a pars (of 3): Credendum est magis Anonymous Appears on: 43v–45 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 3]
45–46	Christ ist erstanden (6vv) [S39]	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Christ ist erstanden (6vv) [S39] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 45–46 Genres: Sacred Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Christ der ist erstanden alleluia General Note RISM 1544^2_1:22
46–47	Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 46–47 Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Her wie lang wiltu mein so gar vorgessen II: Schaw doch und erhore mich mein Her III: Ich hoff aber auf deine gute General Note Hoffm.-Erbr. I, Wv 121 - Bk 4:9 - 5:10
47–48v	Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 47–48v Genres: Motet Voice: [no designation] Languages: German Voice Text: Schaw doch und erhöre mich [part 2] General Note Hoffm.-Erbr. I, Wv 121 - Bk 4:9 - 5:10
48v–49	Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 48v–49 Genres: Motet Voice: [no designation] Languages: German Voice Text: Ich hoff aber auf dein güte [part 3] General Note Hoffm.-Erbr. I, Wv 121 - Bk 4:9 - 5:10
49v–50v	Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 49v–50v Genres: Motet Source Attribution: [Verdelot] Voice: [no designation] Languages: Latin Voice Text: Angelus domini locutus est mulieribus II: Ite et annunciate quia surrexit General Note RISM 1554^10:36
50v–52v	Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 50v–52v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ite et annunciate [part 2] General Note RISM 1554^10:36
52v–55	Et in terra pax [Gloria]	Anon.	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 52v–55 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra pax hominibus
55–55v	Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich Figulus, Wolfgang (ca. 1525–1589) Appears on: 55–55v Genres: Response Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Et cum spiritu tuo. Habemus ad dominum. Dignum et iustum est. Und seine güte weret ewigklich General Note Bk 41:3
55v–56v	Sanctus	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Sanctus Stoltzer, Thomas (ca. 1480–1526) Appears on: 55v–56v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Hoffm.-Erbr. I, Wv 3
56v–59	Domine Jesu Christe respicere digneris	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Domine Jesu Christe respicere digneris Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 56v–59 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Domine Jesu Christe respicere digneris General Note RISM 1556^9:18
59–62	Deus pater mitissime nos in tuo verbo	Anon.	Anonymous
Deus pater mitissime nos in tuo verbo Anonymous Appears on: 59–62 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Deus pater mitissime nos in tuo verbo
62a–62j_v	[blank staves]	-	-
[blank staves] Appears on: 62a–62j_v General Note there are 10 blank (ruled) folios between f. 62 & f. 63
63–64v	Missa: Kyrie	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Missa: Kyrie Stoltzer, Thomas (ca. 1480–1526) Appears on: 63–64v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG]
65–69v	Missa: Et in terra pax [Gloria]	-	Stoltzer, Thomas (ca. 1480–1526)
Missa: Et in terra pax [Gloria] Stoltzer, Thomas (ca. 1480–1526) Appears on: 65–69v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gloria [Missa]
69v–70	Alleluia. Pascha nostrum immolatus est	[Hähnel]	Galliculus, Johannes
Alleluia. Pascha nostrum immolatus est Galliculus, Johannes Appears on: 69v–70 Genres: Alleluia, Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum imolatus est
70v–71	Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	[Hähnel]	Galliculus, Johannes
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden Galliculus, Johannes Appears on: 70v–71 Genres: Hymn Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens General Note Nrn 20, 21: RISM 1539^14 - Bk 9:12 - 15:24 - 21:69
71–71v	Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden	-	Galliculus, Johannes
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden Galliculus, Johannes Appears on: 71–71v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Dic nobis Maria [part 2] General Note Nrn 20, 21: RISM 1539^14 - Bk 9:12 - 15:24 - 21:69
72–72v	Victimae paschali - 3a pars (of 3): Credendum est magis	-	Galliculus, Johannes
Victimae paschali - 3a pars (of 3): Credendum est magis Galliculus, Johannes Appears on: 72–72v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 3] General Note Nrn 20, 21: RISM 1539^14 - Bk 9:12 - 15:24 - 21:69
73–74	Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus	[Silva/Werrecore]	Werrecore, Matthias Hermann (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)
Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus Werrecore, Matthias Hermann (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Appears on: 73–74 Genres: Motet Source Attribution: [Silva/Werrecore] Voice: [no designation] Languages: Latin Voice Text: Surrexit pastor bonus qui animam suam II: Ecce crucem domini fugite partes
74v–75	Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini	-	Silva, Andreas de (ca. 1475–ca. 1522) (?) Werrecore, Matthias Hermann (?)
Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini Silva, Andreas de (ca. 1475–ca. 1522) (?) Werrecore, Matthias Hermann (?) Appears on: 74v–75 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce crucem domini [part 2]
75v	Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo	Anon.	Anonymous
Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo Anonymous Appears on: 75v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis evo II: Ecce renascentis testatur gratia III: Qui crucifixus erat deus ecce
75v–76	Salve festa dies - 2a pars (of 4): Toto venerabilis	-	Anonymous
Salve festa dies - 2a pars (of 4): Toto venerabilis Anonymous Appears on: 75v–76 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Toto venerabilis [part 2]
76v	Salve festa dies - 3a pars (of 4): Ecce renascentis	-	Anonymous
Salve festa dies - 3a pars (of 4): Ecce renascentis Anonymous Appears on: 76v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce renascentis [part 3]
77–77v	Salve festa dies - 4a pars (of 4): Qui crucifixus erat	-	Anonymous
Salve festa dies - 4a pars (of 4): Qui crucifixus erat Anonymous Appears on: 77–77v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui crucifixus erat [part 4]
78–80v	Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist	Anon.	Anonymous
Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist Anonymous Appears on: 78–80v Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Meine seel erhebt den Herren und mein geist II: Er gedenckt der barmhertzigkeit
80v–82	Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit	-	Anonymous
Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit Anonymous Appears on: 80v–82 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: German Voice Text: Er gedenkt der barmherzigkeit [part 2]
82v–83v	Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen Stoltzer, Thomas (ca. 1480–1526) Appears on: 82v–83v Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Erzurne dich nit uber die bosen und sey II: Halt dem Hern stil und las in III: Der gotlose drauet dem gerechten IV: Der Her kent [die tage der] frommen V: Ich bin iung gewesen und hab noch VI: Der gottlose sieht auff den gerecht VII: Bewar die frommigkeit und schaw General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
83v–84v	Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil Stoltzer, Thomas (ca. 1480–1526) Appears on: 83v–84v Genres: Motet Voice: [no designation] Languages: German Voice Text: Halt dem hern stil [part 2] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
85–86v	Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet Stoltzer, Thomas (ca. 1480–1526) Appears on: 85–86v Genres: Motet Voice: [no designation] Languages: German Voice Text: Der gotlosse dräuet [part 3] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
87 [tacet]	Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage Stoltzer, Thomas (ca. 1480–1526) Appears on: 87 [tacet] Genres: Motet Voice: [no designation] Languages: German Voice Text: Der her kennt die Tage [part 4] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
87–89	Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen Stoltzer, Thomas (ca. 1480–1526) Appears on: 87–89 Genres: Motet Voice: [no designation] Languages: German Voice Text: Ich bin iung gewesen [part 5] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
89–90v	Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht Stoltzer, Thomas (ca. 1480–1526) Appears on: 89–90v Genres: Motet Voice: [no designation] Languages: German Voice Text: Der gottlose sieht [part 6] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
91v–95	Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit Stoltzer, Thomas (ca. 1480–1526) Appears on: 91v–95 Genres: Motet Voice: [no designation] Languages: German Voice Text: Beware die frommigkeit [part 7] Concordances Hoffm.-Erbr. I, Wv 119 General Note 2 voice parts, Primus & Secundus Discantus, laid out across each opening
95v–97v	Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum	Anon.	Anonymous
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum Anonymous Appears on: 95v–97v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nisi dominus aedificaverit domum in vanum II: Non confundentur cum loquentur
97v–99	Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur	-	Anonymous
Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur Anonymous Appears on: 97v–99 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Non confundentur [!] [part 2]
99–101v	Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani	Anon.	Anonymous
Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani Anonymous Appears on: 99–101v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Victime paschali laudes immolant Christiani II: Credendum est magis soli Marie
101v–103	Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie	-	Anonymous
Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie Anonymous Appears on: 101v–103 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 2]
103–106	Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus Figulus, Wolfgang (ca. 1525–1589) Appears on: 103–106 Genres: Motet Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: Domine deus patrum nostrorum tu es deus II: In nobis quidem non est tanta III: Credite in domino deo vestro General Note Eichorn 1575 (Cant. sacr.):8
106–109	Domine Deus - 2a pars (of 3): In nobis quidem non est tanta	-	Figulus, Wolfgang (ca. 1525–1589) (?)
Domine Deus - 2a pars (of 3): In nobis quidem non est tanta Figulus, Wolfgang (ca. 1525–1589) (?) Appears on: 106–109 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In nobis quidem [part 2] General Note Eichorn 1575 (Cant. sacr.):8
109–112	Domine Deus - 3a pars (of 3): Credite in Domino deo vestro	-	Figulus, Wolfgang (ca. 1525–1589)
Domine Deus - 3a pars (of 3): Credite in Domino deo vestro Figulus, Wolfgang (ca. 1525–1589) Appears on: 109–112 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credite in domino [part 3] General Note Eichorn 1575 (Cant. sacr.):8
112v–113v	Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres	[M. Agricola]	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres Agricola, Martin (ca. 1486–1556) Appears on: 112v–113v Genres: Motet Source Attribution: [M. Agricola] Voice: [no designation] Languages: Latin Voice Text: Deus auribus nostris audivimus patres II: Quoniam non in gladio eorum III: Tu es rex meus deus manda IV: In deo laudabimus tota die et nomen General Note Wittenberg 1557 (Mel. schol.)
113v–115	Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum	-	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum Agricola, Martin (ca. 1486–1556) Appears on: 113v–115 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quoniam non in gladio [part 2] General Note Wittenberg 1557 (Mel. schol.)
115–117	Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda	-	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda Agricola, Martin (ca. 1486–1556) Appears on: 115–117 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tu es rex deus meus [part 3] General Note Wittenberg 1557 (Mel. schol.)
117v–118	Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen	-	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen Agricola, Martin (ca. 1486–1556) Appears on: 117v–118 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In deo laudabimus [part 4] General Note Wittenberg 1557 (Mel. schol.)
118v–120	Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri Figulus, Wolfgang (ca. 1525–1589) Appears on: 118v–120 Genres: Introit Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: Exurge quare obdormis domine exurge Vs: (Deus auribus nostris) Patres nostri General Note Bk 44:16
120–122v	Missa Da Jacob das kleid ansahe: Kyrie	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Kyrie Figulus, Wolfgang (ca. 1525–1589) Appears on: 120–122v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
122v–126	Missa Da Jacob das kleid ansahe: Gloria	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Gloria Figulus, Wolfgang (ca. 1525–1589) Appears on: 122v–126 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gloria [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
126–130	Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo]	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo] Figulus, Wolfgang (ca. 1525–1589) Appears on: 126–130 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
130–133	Missa Da Jacob das kleid ansahe: Sanctus	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Sanctus Figulus, Wolfgang (ca. 1525–1589) Appears on: 130–133 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
133–136	Missa Da Jacob das kleid ansahe: Agnus Dei	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Agnus Dei Figulus, Wolfgang (ca. 1525–1589) Appears on: 133–136 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus Dei [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
136v–137	Christ ist erstanden von der marter alle	Anon.	Anonymous
Christ ist erstanden von der marter alle Anonymous Appears on: 136v–137 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German, Greek Voice Text: Christ ist erstanden von der marter alle
137v–139v	Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Stoltzer, Thomas (ca. 1480–1526) Appears on: 137v–139v Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Hilff Her die heÿligen haben abgenommen II: Weil den die elenden vorstöret sein [= ff. 150-153v] General Note Hoffm.-Erbr. I, Wv 122 - Bk 5:8 - 46:37 (var.)
139v–141	Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	-	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden Stoltzer, Thomas (ca. 1480–1526) Appears on: 139v–141 Genres: Motet Voice: [no designation] Languages: German Voice Text: Weil den die elenden [part 2] General Note Hoffm.-Erbr. I, Wv 122 - Bk 5:8 - 46:37 (var.)
141v–144	Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell	Anon.	Anonymous
Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell Anonymous Appears on: 141v–144 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Gelobet seÿ der Her der Got Israhel II: Auff das [er] erscheine denen
144–145	Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen	-	Anonymous
Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen Anonymous Appears on: 144–145 Genres: Motet Voice: [no designation] Languages: German Voice Text: Auff das [er] erscheine denen [part 3] General Note assumed to be 3a pars, since the text of the motet otherwise omits Luke 1:76-78 - and it is titled here "Der dritter Teil"
145v–146	Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem	Anon.	Anonymous
Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem Anonymous Appears on: 145v–146 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ascendo ad patrem meum et ad patrem II: Viri Gallilaei quid aspicitis in coelum
146–147v	Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum	-	Anonymous
Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum Anonymous Appears on: 146–147v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Viri Gallilaei quid aspicitis [part 2]
147v–149v	Da Jacob das Kleid ansah mit großem Schmerzen	[Alder/Senfl]	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Da Jacob das Kleid ansah mit großem Schmerzen Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 147v–149v Genres: Motet Source Attribution: [Alder/Senfl] Voice: [no designation] Languages: German Voice Text: Da Jacob das kleidt ansah mit grossen schmerzen General Note RISM 1544^2_1:120 - Bk 42:9
150–151v	Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Stoltzer, Thomas (ca. 1480–1526) Appears on: 150–151v Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Hilff Herr die heÿligen haben abgenommen II: Weil den die elenden verstoret sein [= ff. 137v-141] General Note Bk 5:8 (var.) - 46:33 (var.)
151v–153v	Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	-	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden Stoltzer, Thomas (ca. 1480–1526) Appears on: 151v–153v Genres: Motet Voice: [no designation] Languages: German Voice Text: Weil den die elenden [part 2] General Note Bk 5:8 (var.) - 46:33 (var.)
153v–154v	Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort	Anon.	Anonymous
Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort Anonymous Appears on: 153v–154v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Erhalt uns Herr beÿ deinen wort II: Beweis dein macht Herr Jesu Christ III: Gott heÿliger geist du troster werd IV: Verleÿ uns friede genediglich Herr
154v–155v	Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ	-	Anonymous
Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ Anonymous Appears on: 154v–155v Genres: Motet Voice: [no designation] Languages: German Voice Text: Beweiß dein macht Herr Jesu Christ [part 2]
155v–156v	Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert	-	Anonymous
Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert Anonymous Appears on: 155v–156v Genres: Motet Voice: [no designation] Languages: German Voice Text: Gott heyliger Geist [part 3]
156v–158	Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr	-	Anonymous
Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr Anonymous Appears on: 156v–158 Genres: Motet Voice: [no designation] Languages: German Voice Text: Verley uns friede genediglich [part 4]

Composer	Compositions
Agricola, Martin (ca. 1486–1556)	Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres – 112v–113v Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum – 113v–115 Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda – 115–117 Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen – 117v–118 Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram – 17v–19v Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus – 19v–21 Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi – 21v–23v
Alder, Cosmas (1500–1550)	Da Jacob das Kleid ansah mit großem Schmerzen – 147v–149v
Anonymous	Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem – 145v–146 Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum – 146–147v Christ ist erstanden von der marter alle – 136v–137 Deus pater mitissime nos in tuo verbo – 59–62 Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort – 153v–154v Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ – 154v–155v Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert – 155v–156v Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr – 156v–158 Et in terra pax [Gloria] – 52v–55 Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell – 141v–144 Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen – 144–145 Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist – 78–80v Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit – 80v–82 Missa Alma redemptoris: Agnus Dei – 34v–36v Missa Alma redemptoris: Et in terra pax [Gloria] – 26v–29v Missa Alma redemptoris: Kyrie – 24–26v Missa Alma redemptoris: Patrem omnipotentem [Credo] – 29v–32 Missa Alma redemptoris: Sanctus – 32v–34v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum – 95v–97v Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur – 97v–99 Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo – 75v Salve festa dies - 2a pars (of 4): Toto venerabilis – 75v–76 Salve festa dies - 3a pars (of 4): Ecce renascentis – 76v Salve festa dies - 4a pars (of 4): Qui crucifixus erat – 77–77v Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ – 39 Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani – 99–101v Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 41–42v Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie – 101v–103 Victimae paschali - 2a pars (of 3): Dic nobis Maria – 42v–43v Victimae paschali - 3a pars (of 3): Credendum est magis – 43v–45 [No description] – 62a–62j_v
Bauldeweyn, Noel (ca. 1480–1529)	(?) Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper – 14v–17v
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Domine Jesu Christe respicere digneris – 56v–59
Despres, Josquin (ca. 1450–1521)	(?) Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te – 3v–5 (?) Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae – 5–7 Qui regis Israel intende qui sedes 18.9 – 1–3
Figulus, Wolfgang (ca. 1525–1589)	Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus – 103–106 (?) Domine Deus - 2a pars (of 3): In nobis quidem non est tanta – 106–109 Domine Deus - 3a pars (of 3): Credite in Domino deo vestro – 109–112 Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri – 118v–120 Missa Da Jacob das kleid ansahe: Agnus Dei – 133–136 Missa Da Jacob das kleid ansahe: Gloria – 122v–126 Missa Da Jacob das kleid ansahe: Kyrie – 120–122v Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo] – 126–130 Missa Da Jacob das kleid ansahe: Sanctus – 130–133 Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich – 55–55v
Finck, Heinrich	(?) Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te – 3v–5 (?) Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae – 5–7
Galliculus, Johannes	Alleluia. Pascha nostrum immolatus est – 69v–70 Missa Paschale: Kyrie – 39v–40v Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me – 36v–38v Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden – 70v–71 Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden – 71–71v Victimae paschali - 3a pars (of 3): Credendum est magis – 72–72v
Reitveltus, Bartholomaeus	(?) Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 46–47 (?) Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 47–48v (?) Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 48v–49
Senfl, Ludwig (ca. 1486–ca. 1543)	Christ ist erstanden (6vv) [S39] – 45–46 (?) Da Jacob das Kleid ansah mit großem Schmerzen – 147v–149v
Silva, Andreas de (ca. 1475–ca. 1522)	(?) Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus – 73–74 (?) Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini – 74v–75
Stoltzer, Thomas (ca. 1480–1526)	(?) Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper – 14v–17v Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen – 82v–83v Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil – 83v–84v Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet – 85–86v Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage – 87 [tacet] Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen – 87–89 Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht – 89–90v Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit – 91v–95 Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich – 7v–9 Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich – 9v–11v Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott – 11v–14 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 46–47 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 47–48v Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 48v–49 Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen – 150–151v Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen – 137v–139v Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden – 151v–153v Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden – 139v–141 Missa: Et in terra pax [Gloria] – 65–69v Missa: Kyrie – 63–64v Sanctus – 55v–56v
Verdelot, Philippe (ca. 1480–ca. 1532)	Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus – 49v–50v Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit – 50v–52v
Werrecore, Matthias Hermann	(?) Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus – 73–74 (?) Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini – 74v–75
Wolff, Martin	(?) Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te – 3v–5 (?) Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae – 5–7

Composition	Composers (? Uncertain)	Folios / Pages
Alleluia. Pascha nostrum immolatus est	Galliculus, Johannes	69v–70
Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus	Verdelot, Philippe (ca. 1480–ca. 1532)	49v–50v
Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit	Verdelot, Philippe (ca. 1480–ca. 1532)	50v–52v
Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem	Anonymous	145v–146
Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum	Anonymous	146–147v
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)	14v–17v
Christ ist erstanden (6vv) [S39]	Senfl, Ludwig (ca. 1486–ca. 1543)	45–46
Christ ist erstanden von der marter alle	Anonymous	136v–137
Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te	Wolff, Martin (?) Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521) (?)	3v–5
Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae	Wolff, Martin (?) Despres, Josquin (ca. 1450–1521) (?) Finck, Heinrich (?)	5–7
Da Jacob das Kleid ansah mit großem Schmerzen	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	147v–149v
Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres	Agricola, Martin (ca. 1486–1556)	112v–113v
Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum	Agricola, Martin (ca. 1486–1556)	113v–115
Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda	Agricola, Martin (ca. 1486–1556)	115–117
Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen	Agricola, Martin (ca. 1486–1556)	117v–118
Deus pater mitissime nos in tuo verbo	Anonymous	59–62
Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus	Figulus, Wolfgang (ca. 1525–1589)	103–106
Domine Deus - 2a pars (of 3): In nobis quidem non est tanta	Figulus, Wolfgang (ca. 1525–1589) (?)	106–109
Domine Deus - 3a pars (of 3): Credite in Domino deo vestro	Figulus, Wolfgang (ca. 1525–1589)	109–112
Domine Jesu Christe respicere digneris	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	56v–59
Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort	Anonymous	153v–154v
Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ	Anonymous	154v–155v
Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert	Anonymous	155v–156v
Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr	Anonymous	156v–158
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen	Stoltzer, Thomas (ca. 1480–1526)	82v–83v
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil	Stoltzer, Thomas (ca. 1480–1526)	83v–84v
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet	Stoltzer, Thomas (ca. 1480–1526)	85–86v
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage	Stoltzer, Thomas (ca. 1480–1526)	87 [tacet]
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen	Stoltzer, Thomas (ca. 1480–1526)	87–89
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht	Stoltzer, Thomas (ca. 1480–1526)	89–90v
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit	Stoltzer, Thomas (ca. 1480–1526)	91v–95
Et in terra pax [Gloria]	Anonymous	52v–55
Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri	Figulus, Wolfgang (ca. 1525–1589)	118v–120
Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell	Anonymous	141v–144
Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen	Anonymous	144–145
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich	Stoltzer, Thomas (ca. 1480–1526)	7v–9
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich	Stoltzer, Thomas (ca. 1480–1526)	9v–11v
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott	Stoltzer, Thomas (ca. 1480–1526)	11v–14
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	46–47
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	47–48v
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	48v–49
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	Stoltzer, Thomas (ca. 1480–1526)	137v–139v
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	Stoltzer, Thomas (ca. 1480–1526)	150–151v
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	Stoltzer, Thomas (ca. 1480–1526)	139v–141
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	Stoltzer, Thomas (ca. 1480–1526)	151v–153v
Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram	Agricola, Martin (ca. 1486–1556)	17v–19v
Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus	Agricola, Martin (ca. 1486–1556)	19v–21
Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi	Agricola, Martin (ca. 1486–1556)	21v–23v
Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist	Anonymous	78–80v
Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit	Anonymous	80v–82
Missa Alma redemptoris: Agnus Dei	Anonymous	34v–36v
Missa Alma redemptoris: Et in terra pax [Gloria]	Anonymous	26v–29v
Missa Alma redemptoris: Kyrie	Anonymous	24–26v
Missa Alma redemptoris: Patrem omnipotentem [Credo]	Anonymous	29v–32
Missa Alma redemptoris: Sanctus	Anonymous	32v–34v
Missa Da Jacob das kleid ansahe: Agnus Dei	Figulus, Wolfgang (ca. 1525–1589)	133–136
Missa Da Jacob das kleid ansahe: Gloria	Figulus, Wolfgang (ca. 1525–1589)	122v–126
Missa Da Jacob das kleid ansahe: Kyrie	Figulus, Wolfgang (ca. 1525–1589)	120–122v
Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo]	Figulus, Wolfgang (ca. 1525–1589)	126–130
Missa Da Jacob das kleid ansahe: Sanctus	Figulus, Wolfgang (ca. 1525–1589)	130–133
Missa Paschale: Kyrie	Galliculus, Johannes	39v–40v
Missa: Et in terra pax [Gloria]	Stoltzer, Thomas (ca. 1480–1526)	65–69v
Missa: Kyrie	Stoltzer, Thomas (ca. 1480–1526)	63–64v
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum	Anonymous	95v–97v
Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur	Anonymous	97v–99
Qui regis Israel intende qui sedes 18.9	Despres, Josquin (ca. 1450–1521)	1–3
Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me	Galliculus, Johannes	36v–38v
Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo	Anonymous	75v
Salve festa dies - 2a pars (of 4): Toto venerabilis	Anonymous	75v–76
Salve festa dies - 3a pars (of 4): Ecce renascentis	Anonymous	76v
Salve festa dies - 4a pars (of 4): Qui crucifixus erat	Anonymous	77–77v
Sanctus	Stoltzer, Thomas (ca. 1480–1526)	55v–56v
Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich	Figulus, Wolfgang (ca. 1525–1589)	55–55v
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ	Anonymous	39
Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus	Werrecore, Matthias Hermann (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)	73–74
Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini	Silva, Andreas de (ca. 1475–ca. 1522) (?) Werrecore, Matthias Hermann (?)	74v–75
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	Galliculus, Johannes	70v–71
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden	Galliculus, Johannes	71–71v
Victimae paschali - 3a pars (of 3): Credendum est magis	Galliculus, Johannes	72–72v
Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani	Anonymous	99–101v
Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	41–42v
Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie	Anonymous	101v–103
Victimae paschali - 2a pars (of 3): Dic nobis Maria	Anonymous	42v–43v
Victimae paschali - 3a pars (of 3): Credendum est magis	Anonymous	43v–45

Set: MS Grimma 58 (1-3)

Type: Partbooks

No images available

D-Dl MS Grimma 58 [Altus]

No images available

D-Dl MS Grimma 58 [Bassus]

No images available

D-Dl MS Grimma 58 [Discantus]

‡ denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 101-2. Notes: physical description (partial); contents list; concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 140. Notes: concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 305-6. Notes: contents list (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116ff. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 247, 268. Notes: mention of MS.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 133. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 135-6. Notes: contents list; XVI, 173physical description; contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI, 173; XCIX,ix,91-2. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description