D-Z Mu 1441-1489 [Tenor]

Ratsschulbibliothek, Zwickau, Germany

partbook: Late 16th century (date [15]90 in manuscript).

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mu 1441-1489 [Tenor]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Measurements 335 x 195-205 mm
Other Identifiers
  • CCM: ZwiR 94/1
  • Other catalogues/source: VollBM [see bibliography] 9
  • olim (Former shelfmark): MS XCIV,1
  • olim (Former shelfmark): MS 94,1
Notations
  • black void mensural
Provenance
  • Zwickau? Saxony, Germany
Contents 83 pieces from 23 composers
General Description

A Tenor partbook. Copied by several scribes. Of east central German origin; possibly copied in Zwickau.

DIAMM, 2017
Extent

i + 41 + i

DIAMM, 2017
Binding

Modern covers of green cardboard.

DIAMM, 2017
Watermark

resembles Briquet #2008

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern stamped foliation in A book, 45-70, includes front flyleaf; modern pencil foliation in T book, 1-41

DIAMM, 2017
Decoration

Black or red inked initials; red rubrics.

DIAMM, 2017
Index

none

DIAMM, 2017
DIAMM Note

Original numbering of pieces in two series, 1-19 + 1-13 (several errors and inconsistencies; some pieces at end of each series not numbered).

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie-Gloria pair, 1 Kyrie, 1 Gloria, 13 Mass Proper sections, 3 office hymns, 1 processional hymn, 24 motets, 5 German sacred pieces = 49

(Alder/Senfl)-1, (Breitengraser)-1, Clemens non Papa [CNP]-2, (Crecquillon)-1, (Figulus)-1, (Guyot)-1, (Hähnel)-4, Händl-3, (C. Hollander/S. Hollander)-1, (Isaac)-2, (Isaac/Obrecht)-1, (Josquin)-1, Josquin/(Gombert)-1, (Josquin/Lebrun/Richafort)-1, Lassus [Orlandus]-1, Pavernagel-1, Poetiscus-1, (Senfl)-1, Stoltzer -6, anon-18

2 paper partbooks (A-i + 25 folios, T-i + 41 + i), 335 x 195-205. Modern stamped foliation in A book, 45-70, includes front flyleaf; modern pencil foliation in T book, 1-41. Original numbering of pieces in two series, 1-19 + 1-13 (several errors and inconsistencies; some pieces at end of each series not numbered). Modern covers of green cardboard. No index. Copied by several scribes. Black or red inked initials; red rubrics. Watermark resembles Briquet #2008.

Late 16th century (date [15]90 in manuscript). Of east central German origin; possibly copied in Zwickau.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2 Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anon. Anonymous
Appears on: 2
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Rorate] Coeli desuper et nubes pluant Vs: (Caeli enarrant) [Et opera] manuum eius
2v–3v Mittit ad virginem non quemvis angelum Fortem expediat pro nobis nuncium [Stoltzer]
Appears on: 2v–3v
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: [Mittit ad virginem non quemvis angelum] Fortem expediat pro nobis nuncium
3v Missus est Gabriel - 1a pars (of 3): Missus est Gabriel angelus ad Mariam Anon. Anonymous
Appears on: 3v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Missus est Gabriel angelus ad Mariam II: Ecce concipies et paries et vocabitur
4 Missus est Gabriel - 2a pars (of 3): Ecce concipies et paries et vocabitur - Anonymous
Appears on: 4
Genres: Motet
4v Missus est Gabriel - 3a pars (of 3): Ave Maria gratia plena Dominus tecum - Anonymous
Appears on: 4v
Genres: Ave Maria, Motet
4v–5 Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico 7 Deo patri sit gloria eiusque soli filio Anon. Anonymous
Appears on: 4v–5
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico 7 Deo patri sit gloria eiusque soli filio
5 Ecce concipies - 1a pars (of 2): Ecce concipies et paries filium et vocabis Anon. Anonymous
Appears on: 5
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries filium et vocabis II: Hic erit magnus et filius altissimi
5v Ecce concipies - 2a pars (of 2): Hic erit magnus et filius altissimi - Anonymous
Appears on: 5v
Genres: Motet
5v Judaea et Jerusalem - 1a pars (of 3): Judaea et Jerusalem nolite timere [Isaac/Obrecht]
Appears on: 5v
Genres: Motet
Source Attribution: [Isaac/Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: Judaea et Hierusalem nolite timere II: Cras egrediemini et dominus erit III: Constantes estote auxilium domini
5v–6 Judaea et Jerusalem - 2a pars (of 3): Cras egrediemini et Dominus erit -
Appears on: 5v–6
Genres: Motet
6 Judaea et Jerusalem - 3a pars (of 3): Constantes estote auxilium Domini -
Appears on: 6
Genres: Motet
6–7 Festa Christi omnis Christianitas celebret Quae miris sunt modis ornata cunctis Tho: Stolz:
Appears on: 6–7
Genres: Motet
Source Attribution: Tho: Stolz:
Voice: [no designation]
Languages: Latin
Voice Text: [Festa Christi omnis Christianitas celebret] Quae miris sunt modis ornata cunctis
7 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo Anon.
Appears on: 7
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
7v Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 7v
Genres: Motet
7v–8 Verbum caro factum - 1a pars (of 6): Verbum caro factum est de virgine Maria [Stoltzer]
Appears on: 7v–8
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitavit II: Plenum gratia et veritate III: In principio erat verbum et verbum
8–8v Verbum caro factum - 3a pars (of 6): In principio erat verbum -
Appears on: 8–8v
Genres: Motet
8v–9 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] [Isaac]
Appears on: 8v–9
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Puer natus est nobis] Et filius datus est Vs: [Cantate domino] Quia mirabilia fecit
9–9v Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem [Clemens non Papa]
Appears on: 9–9v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Lapidabant Stephanum invocantem et dicentem II: Impetum fecerunt unanimiter in eum
9v–10 Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt -
Appears on: 9v–10
Genres: Motet
10–10v O admirabile commercium creator generis [Stoltzer]
Appears on: 10–10v
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium creator generis
10v Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem venit lux tua et gloria [Breitengraser]
Appears on: 10v
Genres: Motet
Source Attribution: [Breitengraser]
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Hierusalem venit lux tua et gloria II: Et ambulabunt gentes in lumine tuo
11 Illuminare Jerusalem - 2a pars (of 2): Et ambulabunt gentes in lumine tuo -
Appears on: 11
Genres: Motet
11–11v Missa in Festo Nativitatis Christi: Kyrie Fons bonitatis - Anonymous
Appears on: 11–11v
Genres: Mass Ordinary, Troped Kyrie
11v–12v Missa in Festo Nativitatis Christi: Gloria Anon. Anonymous
Appears on: 11v–12v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa in Festo Nativitatis Christi [KG]
13 Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus [Senfl] ('TS' = Stoltzer added by later hand, perhaps 'LS' for Senfl?))
Appears on: 13
Genres: Motet
Source Attribution: [Senfl] ('TS' = Stoltzer added by later hand, perhaps 'LS' for Senfl?))
Voice: [no designation]
Languages: Latin
Voice Text: Haec est dies quam fecit dominus
13–13v Haec est dies - 2a pars (of 8): Hodie Deus homo factus est -
Appears on: 13–13v
Genres: Motet
13v Haec est dies - 3a pars (of 8): Id quod fuit permansit -
Appears on: 13v
Genres: Motet
14 Haec est dies - 4a pars (of 8): Hodie deus homo factus -
Appears on: 14
Genres: Motet
14–14v Haec est dies - 5a pars (of 8): Et quod non erat assumpsit -
Appears on: 14–14v
Genres: Motet
14v Haec est dies - 6a pars (of 8): Hodie deus homo factus -
Appears on: 14v
Genres: Motet
15 Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis -
Appears on: 15
Genres: Motet
15–15v Haec est dies - 8a pars (of 8): Gloria tibi Domine -
Appears on: 15–15v
Genres: Motet
15v Fit porta Christi pervia referta 2 Jesu tibi sit gloria qui natus es [Stoltzer]
Appears on: 15v
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Fit porta Christi pervia referta 2 Jesu tibi sit gloria qui natus es
16 Quod chorus vatum venerandus olim 2 Haec Deum caeli Dominumque terrae 3 Quem senex justus Simeon in ulnas T.S. [= Stoltzer]
Appears on: 16
Genres: Motet
Source Attribution: T.S. [= Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Quod chorus vatum venerandus olim 2 Haec deum coeli dominumque terrae 3 Quem senex iustus Simeon in ulnas
16 Descendit de caelis - 1a pars (of 3): Descendit de caelis missus ab arce patris Anon. Anonymous
Appears on: 16
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Descendit de coelis missus ab arce patris II: Et exivit per auream portam porta III: Missus ab arce veniebat magnam
16v Descendit de caelis - 2a pars (of 3): Et exivit per auream portam porta - Anonymous
Appears on: 16v
Genres: Motet
17 Descendit de caelis - 3a pars (of 3): Missus ab arce veniebat magnam - Anonymous
Appears on: 17
Genres: Motet
17 Rex noster adveniet - 1a pars (of 3): Rex noster adveniet Christus Anon. Anonymous
Appears on: 17
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Rex noster adveniet Christus II: Quem Johannes praedicabat agnum esse III: Ecce agnus dei ecce qui tollit peccata
17–17v Rex noster adveniet - 2a pars (of 3): Quem Johannes praedicabat agnum esse - Anonymous
Appears on: 17–17v
Genres: Motet
17v Rex noster adveniet - 3a pars (of 3): Ecce agnus Dei ecce qui tollit peccata - Anonymous
Appears on: 17v
Genres: Motet
17v–18 Ecce Dominus veniet et omnes sancti eius Anon. Anonymous
Appears on: 17v–18
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet et omnes sancti eius
18v Et in terra pax [Gloria] G. Pavernagel
Appears on: 18v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: G. Pavernagel
Voice: [no designation]
Languages: Latin
Voice Text: Gloria in excelsis deo et in terra pax
General Note

Voices 6 & 7, copied sequentially

19 Nunc angelorum gloria hominibus replenduit Anon. Anonymous
Appears on: 19
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nunc angelorum gloria hominibus replenduit
19v Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius [Crecquillon]
Appears on: 19v
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Cum inducerent puerum Jesum parentes eius II: Senex puerum portabat puer autem senem
20 Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem -
Appears on: 20
Genres: Motet
20v–21 Da Jacob das Kleid ansah mit großem Schmerzen [Alder/Senfl]
Appears on: 20v–21
Genres: Motet
Source Attribution: [Alder/Senfl]
Voice: [no designation]
Languages: German
Voice Text: Da Jacob das kleid ansah mit grossen schmertzen
21–21v Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus [Josquin]
Appears on: 21–21v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Praeter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
21v–22 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud -
Appears on: 21v–22
Genres: Motet
22v Helfft mir Gottes güte preissen Ihr lieben (I) [Figulus]
Appears on: 22v
Genres: Chorale, Sacred Song
Source Attribution: [Figulus]
Voice: [no designation]
Languages: German
Voice Text: Helfft mir Gotts güte preissen Ihr lieben
23 Alleluia. Emitte spiritum tuum et creabuntur Anon. Anonymous
Appears on: 23
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Emitte spiritum tuum et creabuntur
23v–24 Veni sancte spiritus et emitte caelitus Anon. Anonymous
Appears on: 23v–24
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte coelitus
25 Laban und Bethuel sprachen das kompt von Herren Sebast. Poetiscus
Appears on: 25
Genres: Sacred Song
Source Attribution: Sebast. Poetiscus
Voice: [no designation]
Languages: German
Voice Text: Laban und Bethuel sprachen das kompt von Herren
25v Quae est ista quae ascendit sicut aurora Jacob Handl
Appears on: 25v
Genres: Motet
Source Attribution: Jacob Handl
Voice: [no designation]
Languages: Latin
Voice Text: Quae est ista quae ascendit sicut aurora
25v–26 Surge propera amica mea (8vv) -
Appears on: 25v–26
Genres: Motet
26–26v Isti sunt triumphatores et amici Dei [Händl]
Appears on: 26–26v
Genres: Motet
Source Attribution: [Händl]
Voice: [no designation]
Languages: Latin
Voice Text: Isti sunt triumphatores et amici dei
27 Herr segen unser kirch und schul das regiment (Hymnus Metallicus) Anon. Anonymous
Appears on: 27
Genres: Caccia, Chorale
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Herr segen unser kirch und schul das regiment
27v Hort ir liebsten kinderlein spricht Anon. Anonymous
Appears on: 27v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Hort ir liebsten kinderlein spricht
28–28v Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) Josquinus/[Gombert]
Appears on: 28–28v
Genres: Motet
Source Attribution: Josquinus/[Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 II: Alleluia. Noli flere Maria alleluia [= Lugebat David Absalon pius pater filium]
28v–29 Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) -
Appears on: 28v–29
Genres: Alleluia, Motet
29 Veni sancte spiritus (8vv) - 1a pars (of 2): Veni sancte spiritus reple tuorum corda [Guyot]
Appears on: 29
Genres: Motet, Veni sancte spiritus
Source Attribution: [Guyot]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
29v Veni sancte spiritus (8vv) - 2a pars (of 2): Emitte spiritum tuum et creabuntur -
Appears on: 29v
Genres: Motet, Veni sancte spiritus
29v–30 Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes Orlandus [de Lassus]
Appears on: 29v–30
Genres: Motet
Source Attribution: Orlandus [de Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes qui diligitis II: Tulerunt dominum meum et nescio ubi
30v–31 Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 30v–31
Genres: Motet
31–31v Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena [C. Hollander/S. Hollander/Lassus]
Appears on: 31–31v
Genres: Motet
Source Attribution: [C. Hollander/S. Hollander/Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabbathum Maria Magdalena II: Et valde mane una sabbathorum veniunt
32–32v Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum -
Appears on: 32–32v
Genres: Motet
32v–33v Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Thomae Creqsonis; CNP (= Clemens), added by another hand
Appears on: 32v–33v
Genres: Motet
Source Attribution: Thomae Creqsonis; CNP (= Clemens), added by another hand
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis eius
33v–34v Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 33v–34v
Genres: Motet
34v–35 Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis [Josquin/Lebrun/Richafort]
Appears on: 34v–35
Genres: Motet
Source Attribution: [Josquin/Lebrun/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes qui diligitis 26.3 II: Tulerunt dominum meum et nescio ubi
35–35v Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 35–35v
Genres: Motet
35v Alleluia Anon. Anonymous

Alleluia

Anonymous
Appears on: 35v
Genres: Alleluia
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia
35v–36 Ps. 116: Laudate Dominum omnes gentes Anon. Anonymous
Appears on: 35v–36
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 116: Laudate dominum omnes gentes
36–37 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me [Hähnel]
Appears on: 36–37
Genres: Introit
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me
37 Alleluia. Pascha nostrum immolatus est [Hähnel]
Appears on: 37
Genres: Alleluia, Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Pascha nostrum immolatus est
37v Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden [Hähnel]
Appears on: 37v
Genres: Hymn
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
37v–38 Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden -
Appears on: 37v–38
Genres: Hymn
38 Victimae paschali - 3a pars (of 3): Credendum est magis -
Appears on: 38
Genres: Hymn
38–39 In exitu Israel de Aegypto Anon.
Appears on: 38–39
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 113: In exitu Israel de Aegypto
39 Salve festa dies - 1a pars (of 3): Salve festa dies toto venerabilis aevo Anon. Anonymous
Appears on: 39
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salve festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia mundi III: Namque triumphanti post tristia
39v Salve festa dies - 2a pars (of 3): Ecce renascentis testatur gratia mundi - Anonymous
Appears on: 39v
Genres: Motet
39v Salve festa dies - 3a pars (of 3): Namque triumphanti post tristia - Anonymous
Appears on: 39v
Genres: Motet
40–40v Missa Paschale: Kyrie [Hähnel]
Appears on: 40–40v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie Paschale
41–42 Summi triumphum regis prosequamur laude Qui caeli qui terrae regis sceptra Anon. Anonymous
Appears on: 41–42
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Summi triumphum regis prosequamur laude] Qui coeli qui terrae regis sceptra
42–42v Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] [Isaac]
Appears on: 42–42v
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Viri Galilaei] Quid admiramini aspicientes Vs: [Omnes gentes plaudite] Jubilate deo
Composer Compositions
Alder, Cosmas (1500–1550)
Anonymous
Breittengrasser, Gulielmus (Wilhelm)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Figulus, Wolfgang (ca. 1525–1589)
Galliculus, Johannes
Gombert, Nicolas (ca. 1495–ca. 1560)
Guyot (Castileti), Jean
Handl (Gallus), Jacobus (1550–1591)
Hollander, Christian
Hollander, Sebastian
Isaac, Heinrich (ca. 1450–1517)
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Obrecht, Jacobus (ca. 1457–1505)
Pavernagel, G
Poetiscus, Sebastian
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
Alleluia Anonymous 35v
Alleluia. Emitte spiritum tuum et creabuntur Anonymous 23
Alleluia. Pascha nostrum immolatus est 37
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis 34v–35
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 35–35v
Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes 29v–30
Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 30v–31
Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius 19v
Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem 20
Da Jacob das Kleid ansah mit großem Schmerzen 20v–21
Descendit de caelis - 1a pars (of 3): Descendit de caelis missus ab arce patris Anonymous 16
Descendit de caelis - 2a pars (of 3): Et exivit per auream portam porta Anonymous 16v
Descendit de caelis - 3a pars (of 3): Missus ab arce veniebat magnam Anonymous 17
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 31–31v
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum 32–32v
Ecce concipies - 1a pars (of 2): Ecce concipies et paries filium et vocabis Anonymous 5
Ecce concipies - 2a pars (of 2): Hic erit magnus et filius altissimi Anonymous 5v
Ecce Dominus veniet et omnes sancti eius Anonymous 17v–18
Et in terra pax [Gloria] 18v
Festa Christi omnis Christianitas celebret Quae miris sunt modis ornata cunctis 6–7
Fit porta Christi pervia referta 2 Jesu tibi sit gloria qui natus es 15v
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 7
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 7v
Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus 13
Haec est dies - 2a pars (of 8): Hodie Deus homo factus est 13–13v
Haec est dies - 3a pars (of 8): Id quod fuit permansit 13v
Haec est dies - 4a pars (of 8): Hodie deus homo factus 14
Haec est dies - 5a pars (of 8): Et quod non erat assumpsit 14–14v
Haec est dies - 6a pars (of 8): Hodie deus homo factus 14v
Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis 15
Haec est dies - 8a pars (of 8): Gloria tibi Domine 15–15v
Helfft mir Gottes güte preissen Ihr lieben (I) 22v
Herr segen unser kirch und schul das regiment (Hymnus Metallicus) Anonymous 27
Hort ir liebsten kinderlein spricht Anonymous 27v
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem venit lux tua et gloria 10v
Illuminare Jerusalem - 2a pars (of 2): Et ambulabunt gentes in lumine tuo 11
In exitu Israel de Aegypto 38–39
Isti sunt triumphatores et amici Dei 26–26v
Judaea et Jerusalem - 1a pars (of 3): Judaea et Jerusalem nolite timere 5v
Judaea et Jerusalem - 2a pars (of 3): Cras egrediemini et Dominus erit 5v–6
Judaea et Jerusalem - 3a pars (of 3): Constantes estote auxilium Domini 6
Laban und Bethuel sprachen das kompt von Herren 25
Lapidabant Stephanum - 1a pars (of 2): Lapidabant Stephanum invocantem et dicentem 9–9v
Lapidabant Stephanum - 2a pars (of 2): Impetum fecerunt 9v–10
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 32v–33v
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 33v–34v
Missa in Festo Nativitatis Christi: Gloria Anonymous 11v–12v
Missa in Festo Nativitatis Christi: Kyrie Fons bonitatis Anonymous 11–11v
Missa Paschale: Kyrie 40–40v
Missus est Gabriel - 1a pars (of 3): Missus est Gabriel angelus ad Mariam Anonymous 3v
Missus est Gabriel - 2a pars (of 3): Ecce concipies et paries et vocabitur Anonymous 4
Missus est Gabriel - 3a pars (of 3): Ave Maria gratia plena Dominus tecum Anonymous 4v
Mittit ad virginem non quemvis angelum Fortem expediat pro nobis nuncium 2v–3v
Nunc angelorum gloria hominibus replenduit Anonymous 19
O admirabile commercium creator generis 10–10v
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus 21–21v
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud 21v–22
Ps. 116: Laudate Dominum omnes gentes Anonymous 35v–36
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] 8v–9
Quae est ista quae ascendit sicut aurora 25v
Quod chorus vatum venerandus olim 2 Haec Deum caeli Dominumque terrae 3 Quem senex justus Simeon in ulnas 16
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me 36–37
Rex noster adveniet - 1a pars (of 3): Rex noster adveniet Christus Anonymous 17
Rex noster adveniet - 2a pars (of 3): Quem Johannes praedicabat agnum esse Anonymous 17–17v
Rex noster adveniet - 3a pars (of 3): Ecce agnus Dei ecce qui tollit peccata Anonymous 17v
Rorate caeli desuper et nubes pluant Vs: Caeli enarrant gloriam Dei Et opera Anonymous 2
Salve festa dies - 1a pars (of 3): Salve festa dies toto venerabilis aevo Anonymous 39
Salve festa dies - 2a pars (of 3): Ecce renascentis testatur gratia mundi Anonymous 39v
Salve festa dies - 3a pars (of 3): Namque triumphanti post tristia Anonymous 39v
Summi triumphum regis prosequamur laude Qui caeli qui terrae regis sceptra Anonymous 41–42
Surge propera amica mea (8vv) 25v–26
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 28–28v
Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) 28v–29
Veni redemptor gentium ostende partum 2 Non ex virili semine sed mystico 7 Deo patri sit gloria eiusque soli filio Anonymous 4v–5
Veni sancte spiritus (8vv) - 1a pars (of 2): Veni sancte spiritus reple tuorum corda 29
Veni sancte spiritus (8vv) - 2a pars (of 2): Emitte spiritum tuum et creabuntur 29v
Veni sancte spiritus et emitte caelitus Anonymous 23v–24
Verbum caro factum - 1a pars (of 6): Verbum caro factum est de virgine Maria 7v–8
Verbum caro factum - 3a pars (of 6): In principio erat verbum 8–8v
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden 37v
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden 37v–38
Victimae paschali - 3a pars (of 3): Credendum est magis 38
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] 42–42v

Set: MS 94,1

Type: Partbooks

No images available

D-Z Mu 1441-1489 [Altus]

No images available

D-Z Mu 1441-1489 [Tenor]

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 53, 58. Notes: contents list (partial); concordances (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 481,817. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 342-3,599-601,689-91,740-1,783,786. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Maas, Chris J. 1976. Towards A New Obrecht Edition. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 84-108. Notes: contents list (partial); concordances (partial).

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I,262,363. Notes: physical description (partial); contents list (partial); concordances (partial).

Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 275-310. Pages: 295,303. Notes: contents list (partial); concordances (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 169,172ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II,295, 334. Notes: contents list (partial); concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Seiffert, Max (editor). 1957-61. Denkmäler Deutscher Tonkunst. Leipzig, 1892-1931.  Wiesbaden and Graz. Pages: LXV,137. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXII, 85,90-2 XCIX, xi, 91, 93. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VII, vi-xi. Notes: physical description (partial); contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 16. Notes: physical description (partial); contents list (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description