A Discantus partbook. Scribe 'D.C.M.' copied the first section of the manuscript. Resembles DresSL Grimma 49 and DresSL Grimma 50. The manuscript was at the Church of St. Wolfgang in Glashütte by the 17th century, but it probably originated somewhere else in Saxony, perhaps at a Latin school (SteudeMS). The manuscript was transferred from Glashütte to Dresden in 1890.
D-Dl MS Glashütte 5 (1)
Sächsische Landesbibliothek, Dresden, Germany
partbook: First section copied between October 1583 and October 1584; additions from c. 1585-8 and c. 1600
| Archive | Sächsische Landesbibliothek, Dresden, Germany (D-Dl) |
|---|---|
| Shelfmark | MS Glashütte 5 (1) |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | None / Unknown |
| Measurements | c. 322 x 207 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| External Authorities | |
| Provenance |
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| Contents | Contains 249 compositions, 186 from 59 composers, 63 are anonymous. |
General Description
Extent
D - 198pp, A - 230pp
Physical Description
The folios have deteriorated. Both books have lost at least 1 folio at the beginning (the first piece and most or all of the Kyrie of the second piece are missing). The Altus has lost at least one folio at the end (the last piece is incomplete), while the Discantus has lost at least 8 folios at the end. Some pages in each book have been misbound.
Binding
No covers
Notation
black void mensural
Date
'D.C.M.' copied tirst section between October 1583 and October 1584, and made additions between c. 1585-8, dating several of the pieces. The last two folios in the Altus were copied by another scribe c. 1600.
Foliation
Other numberings: Original numbering of pieces, 2-114.
Foliation
Modern pencil pagination
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
6 Masses, 6 Kyrie-Gloria pairs, 1 Gloria, 33 Mass Proper sections, 10 Magnificats, 1 Canticle, 13 psalms, 2 processional hymns, 1 German Passion, 87 motets, 7 German sacred pieces = 167
(Arcadelt)-1, (Bacchius)-1, Bel-1, Bischoff-2, (Burck)-1, (Clemens non Papa)-8, Corvinus-1, Crecquillon-3, (Dressler)-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-1 [2 voices added by Bruck], (Feys)-1, Figulus-3, Gastritz-1, (Gombert/Josquin)-1, (Hähnel)-3, Händl-2, (S. Hollander)-1, (Isaac)-2, Josquin-3, (Josquin/Lebrun/Richafort)-1, (Kerle)-1, Kleppischius-1, (La Court)-1, Lassus-16, (Lupi)-1, (Maillard)-1, Manchicourt-1, Meiland-3, Morel-1, (Phinot)-3, (Resinarius)-8, (Reusch)-1, Rore-1, Scandello-1, Schlegel-1, Senfl-5, Speiser-1, (Stoltzer)-1, (Tubal)-2, (Walter)-2, Wert-2, anon-75
2 paper partbooks (D-114 folios, A-96), ca. 322 x 207. The folios have deteriorated somewhat; the first piece is missing. Original numbering of pieces, 2-114. No covers. Scribe "D.C.M." copied the first section of the manuscript. Resembles DresSL Grimma 49 and DresSL Grimma 50.
First section copied between October 1583 and October 1584; additions from ca. 1585-8 and ca. 1600. Although the manuscript was at the Church of St. Wolfgang in Glashütte by the 17th century, it probably originated somewhere else in Saxony, perhaps at a Latin school (SteudeMS). The manuscript was transferred from Glashütte to Dresden in 1890.
Vol 4
Contents: 6 Masses, 6 Kyrie-Gloria pairs, 1 Gloria, 30 Mass Proper sections, 10 Magnificats, 4 psalms, 2 processional hymns, 103 motets, 8 German sacred pieces =170
Composers: (Arcadelt/Verdelot)-1, (Bacchius)-1, Bel-1, (Billon)-1, Bischoff-2, (Burck)-1, (Clemens non Papa)-10, (Cleve)-1, (Conseil/Lupi)-1, Crecquillon-4, (Dressler)-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-(Bruck)-1, (Feys)-1, Figulus-3, (M. Forestier/Josquin)-1, Gastritz-1, (Gombert/Josquin)-1, (Hähnel) -3, Händl-2, (C. Hollander/S. Hollander)-1, (Isaac)-3, Josquin-2, (Josquin/ Lebrun/Richafort)-1, (Josquin/Senfl)-1, (Kerle)-1, Kleppischius-1, (La Court) -1, Lassus-17, (Lassus/Wert)-1, (Maillard/Tye)-1, Manchicourt/(Clemens non Papa)-1, Meiland-3, Morel-1, (Othmayr)-1, (Pierre)-1, (Phinot)-4, Rabe [Val: Corvinus]-1, (Rein)-2, (Resinarius)-8, (Reusch)-1, Rore-1, Scandello-1, Schlegel-1, Senfl-5, Speiser-1, (Stoltzer)-2, (Tubal)-2, (Walter)-2, Wert-2, anon-63
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Sets
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MS Glashütte 5 (1-2)
Partbooks · 2 sources
D-Dl MS Glashütte 5 (1)
Current source
‡ denotes primary source study
Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen, vol. 10. Wiesbaden. Pages: 350-l. Notes: contents list (partial); concordances (partial); incipits (partial).
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 347,414,523,797. Notes: contents list (partial); concordances (partial).
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 599ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial).
Brown, Howard Mayer. 1976. Accidentals and Ornamentation in Sixteenth-Century Intabulations of Josquin's Motets. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 516. Notes: concordances (partial).
Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270-l. Notes: contents list (partial).
Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte, vol. 6. Wilhelmshaven. Pages: 53-61. Notes: physical description (partial); contents list; concordances (partial).
Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen, vol. 6. Wiesbaden. Pages: 305. Notes: mention of MS.
Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies, vol. 21. Brooklyn. Pages: III, iii-v; IV, plate xxix. Notes: concordances (partial); facsimile (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 132. Notes: concordances (partial); incipits (partial).
Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe. Kassel and Basel. Pages: XII,xxvi; Xlll.xxx.xxxiii-xxxiv [Lassus Missa Veni in hortum meum is #121 in DresSL Glashütte 5, not #21]. Notes: physical description (partial); contents list (partial); concordances (partial).
Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 27: 121-137. Pages: 137. Notes: physical description.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description