D-DEl Georg Hs. 130.8°

Universitäts- und Landesbibliothek Sachsen-Anhalt (Anhaltische Landesbücherei), Dessau-Roßlau, Germany

partbook: c. 1553-55

Archive Universitäts- und Landesbibliothek Sachsen-Anhalt (Anhaltische Landesbücherei), Dessau-Roßlau, Germany (D-DEl)
Shelfmark Georg Hs. 130.8°
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 160 x 200 mm
Other Identifiers
  • CCM: DresSL 1/D/501
  • olim (Former shelfmark): D-D MS Mus. 1/D/501
Notations
  • black void mensural
Relationships
Provenance
  • Dessau-Roßlau? Germany
Contents 71 pieces from 21 composers
General Description

A Discantus partbook from a set of four books. The work of several scribes.

Probably copied for use by the ‘Kantorei’ of the Latin school in Dessau. The MS formerly belonged to the library of Prince Georg III of Anhalt-Dessau.

The set of partbooks was taken to the former Soviet Union in the aftermath of the Second World War. Three partbooks were returned to the library in Dessau in the 1950s; the discantus, however, was erroneously delivered to the library in Dresden (where it was catalogued as MS Mus. 1/D/501). In 1997 Armin Brinzing discovered the relationship of the four partbooks and the set was reunited in Dessau in 1998.

DIAMM, 2021
Binding

Original covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

c.1553–5 (date 1555 on cover of Tenor book)

DIAMM, 2021
Foliation

Original pagination in Altus, modern pencil foliation in Discantus to f. 60

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie-Gloria pair, 7 Mass Proper sections, 1 Magnificat, 7 psalms, 2 office hymns, 1 processional hymn, 1 Passion, 21 motets, 3 German sacred pieces = 44

(Forster)-2, (Hähnel)-4, (Josquin)-2, (Lafage/Mouton)-1, (Lupus/Verdelot)-1, (Obrecht/Longaval/Venture)-1, (Paminger)-1, (Rein)-1, (Senfl)-1, (Walter)-3, anon-27

1 paper partbook (D-77 folios), 160 x 200. No original foliation; modern pencil foliation to f. 60. Original covers. Several scribes.

Ca. 1560. From central Germany (SteudeMS).

Vol. 4

Contents: 1 Kyrie-Gloria pair, 10 Mass Proper sections, 1 Magnificat, 1 psalm, 2 office hymns, 1 processional hymn, 1 Passion, 25 motets, 3 German sacred pieces = 45

Composers: (Forster)-1, (Hähnel)-5, (Hellinck/Senfl/Verdelot)-1, (Josquin)-2, (Josquin/Stoltzer/Verdelot)-1, (Lafage/Mouton)-1, (Longaval/Obrecht/Venture)-1, (Lupi/Mouton)-1, (Mahu/Walter)-1, (Paminger)-1, (Rein)-4, (Rener)-1, (Senfl)-3, (Walter)-3, (Wannenmacher)-1, anon-18

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora [Lupi/Mouton]
Appears on: 1–2
Genres: Motet
Source Attribution: [Lupi/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es amica mea charissima II: Veni dilecte mi egrediamur in agrum
1–2 Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum -
Appears on: 1–2
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Veni dilecte mi [part 2]
3–5v Laetatus sum - 1a pars (of 2): Laetatus sum in his quae dicta sunt mihi [Wannenmacher]
Appears on: 3–5v
Genres: Motet
Source Attribution: [Wannenmacher]
Voice: [no designation]
Languages: Latin
Voice Text: Laetatus sum in his quae dicta sunt II: Rogate quae ad pacem sunt Jerusalem
3–5v Laetatus sum - 2a pars (of 2): Rogate quae ad pacem sunt -
Appears on: 3–5v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Rogate quae ad pacem sunt [part 2]
5v–6v Jubilate Deo 17.7 - 1a pars (of 2): Jubilate Deo omnis terra servite Domino [Josquin]
Appears on: 5v–6v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate deo omnis terra servite domino 17.7 II: Laudate nomen eius quoniam suavis
General Note

Josquin, GA, Mot. 66 - Bk 7:8

5v–6v Jubilate Deo 17.7 - 2a pars (of 2): Laudate nomen eius -
Appears on: 5v–6v
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Laudate nomen eius part 2
General Note

Josquin, GA, Mot. 66 - Bk 7:8

7–9v Domine ne in furore 16.8 - 1a pars (of 2): Domine ne in furore [Baston/Josquin/Stoltzer/Verdelot]
Appears on: 7–9v
Genres: Motet
Source Attribution: [Baston/Josquin/Stoltzer/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Domine ne in furore tuo arguas me 16.8 II: Sed tu domine succurre ei III: Discedite à me omnes qui operamini
7–9v Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini -
Appears on: 7–9v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sed tu Domine [part 2]
10 Laudate Dominum omnes gentes, laudate eum Anon. Anonymous
Appears on: 10
Genres: Lauda
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
10v–12 Usquequo Domine 18.12 - 1a pars (of 2): Usquequo Domine oblivisceris me in finem [Josquin]
Appears on: 10v–12
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Usquequo domine oblivisceris mei 18.12 II: [Illumina] Oculos meos ne unquam
General Note

Josquin, GA, Mot. 60

10v–12 Usquequo Domine 18.12 - 2a pars (of 2): Illumina oculos meos ne unquam -
Appears on: 10v–12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Oculos meos [part 2]
General Note

Josquin, GA, Mot. 60

13v–14 Erhalt uns Her bei Deinem Wort Anon. Anonymous
Appears on: 13v–14
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Erhalt uns Her bei deinem wordt
14v Wo Gott der Her nicht bei uns hält [Walter]
Appears on: 14v
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
Voice: [no designation]
Languages: German
Voice Text: Wo Gott der Her nicht bei uns helt
General Note

Walter, GA, I, S. 41

16–21 Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [Longaval/Obrecht/ Venture]
Appears on: 16–21
Genres: Liturgical work, Motet, Passion
Source Attribution: [Longaval/Obrecht/ Venture]
Voice: [no designation]
Languages: Latin
Voice Text: Passio domini nostri Jesu Christi secundum Joannem II: Apprehendit ergo eum Pilatus III: Orabat autem Jesus pro crucifigentibus
General Note

RISM 1538^1:2 - Bk 7:81 (6 v.) - 42:10 - 47:46 - 95:2 - 96:1 - 111:108

16–21 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 16–21
Genres: Passion
Voice: [no designation]
Languages: Latin
Voice Text: Apprehendit ergo eum Pilatus [part 2]
General Note

RISM 1538^1:2 - Bk 7:81 (6 v.) - 42:10 - 47:46 - 95:2 - 96:1 - 111:108

16–21 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 16–21
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Orabat autem Jesus part 3
General Note

RISM 1538^1:2 - Bk 7:81 (6 v.) - 42:10 - 47:46 - 95:2 - 96:1 - 111:108

22–23 Resurrexit Quid quaeritis viventem Vs: Gloria et honore Et constituisti eum [Walter]
Appears on: 22–23
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: (Resurrexit) Quid quaeritis viventem Vs: [Gloria et honore] Et constituisti eum
General Note

RISM 1539^14:1

[-] Missa Paschale: Kyrie -
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
23–24v Missa Paschale: Gloria [Hähnel]
Appears on: 23–24v
Genres: Gloria (et in terra pax)
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Paschale] [KG]
General Note

RISM 1539^14 - Bk 21:68 - 46:9

25 Alleluia. Pascha nostrum immolatus est [Rein]
Appears on: 25
Genres: Alleluia, Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Pascha nostrum immolatus est
General Note

RISM 1539^14 - Bk 15:24 - 21:69 - 46:20 - 21

25–26 Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden [Rener]
Appears on: 25–26
Genres: Hymn
Source Attribution: [Rener]
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus
General Note

RISM 1539^14 - Bk 15:24 - 21:69 - 46:20 - 21

25–26 Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden -
Appears on: 25–26
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Dic nobis Maria [part 2]
General Note

RISM 1539^14 - Bk 15:24 - 21:69 - 46:20 - 21

25–26 Victimae paschali - 3a pars (of 3): Credendum est magis -
Appears on: 25–26
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Credendum est magis [part 2]
General Note

RISM 1539^14 - Bk 15:24 - 21:69 - 46:20 - 21

26v–28v Dominus vobiscum - 1a pars (of 2): Dominus vobiscum et cum spiritu tuo [Hähnel]
Appears on: 26v–28v
Genres: Dominus vobiscum, Liturgical work, Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Dominus vobiscum et cum spiritu tuo II: Et introeuntes in monumentum
General Note

RISM 1539^14

26v–28v Dominus vobiscum - 2a pars (of 2): Et introeuntes in momentum -
Appears on: 26v–28v
Genres: Dominus vobiscum, Liturgical work, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et introeuntes in momentum [part 2]
General Note

RISM 1539^14

29 Haec dies quam fecit Dominus exultemus [Rein]
Appears on: 29
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: (Haec dies) Quam fecit dominus exultemus
General Note

RISM 1539^14

29v–30v Salve festa dies - 1a pars (of 3): (Salve festa dies) Toto venerabilis aevo Anon. Anonymous
Appears on: 29v–30v
Genres: Introit
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Salva festa dies) Toto venerabilis aevo
General Note

Bk 21:67

29v–30v Salve festa dies - 2a pars (of 3): Ecce renascentis - Anonymous
Appears on: 29v–30v
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Ecce renascentis [part 2]
General Note

Bk 21:67

29v–30v Salve festa dies - 3a pars (of 3): Namque triumphanti - Anonymous
Appears on: 29v–30v
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Namque triumphanti [part 3]
General Note

Bk 21:67

30v–31 Jesus Christus unser Heiland, der von uns Anon. Anonymous
Appears on: 30v–31
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Jhesus Christus unser heilandt der von uns
31v–34v In exitu Israel (M47) - 1a pars (of 11): In exitu Israel de Aegypto domus Jacob [Senfl]
Appears on: 31v–34v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: In exitu Israel de Aegypto domus Jacob
General Note

RISM 1539^14 - Bk 21:72

31v–34v In exitu Israel (M47) - 2a pars (of 11): Mare vidit et fugit -
Appears on: 31v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Mare vidit et fugit [part 2]
General Note

RISM 1539^14 - Bk 21:72

31v–34v In exitu Israel (M47) - 3a pars (of 11): A facie Domini -
Appears on: 31v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: A facie Domini [part 3]
General Note

RISM 1539^14 - Bk 21:72

31v–34v In exitu Israel (M47) - 4a pars (of 11): Non nobis Domine Sed nomini tuo -
Appears on: 31v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Non nobis Domine] Sed nomini tuo [part 4]
General Note

RISM 1539^14 - Bk 21:72

31v–34v In exitu Israel (M47) - 5a pars (of 11): Deus autem noster -
Appears on: 31v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Deus autem noster [part 5]
General Note

RISM 1539^14 - Bk 21:72

31v–34v In exitu Israel (M47) - 6a pars (of 11): Simulachra gentium -
Appears on: 31v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Simulachra gentium [part 6]
General Note

RISM 1539^14 - Bk 21:72

31v–34v In exitu Israel (M47) - 7a pars (of 11): Aures habent -
Appears on: 31v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Aures habent [part 7]
General Note

RISM 1539^14 - Bk 21:72

31v–34v In exitu Israel (M47) - 8a pars (of 11): Domus Israel speravit -
Appears on: 31v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Domus Israel speravit [part 8]
General Note

RISM 1539^14 - Bk 21:72

31v–34v In exitu Israel (M47) - 9a pars (of 11): Qui timent Dominum -
Appears on: 31v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Qui timent Dominum part 9
General Note

RISM 1539^14 - Bk 21:72

31v–34v In exitu Israel (M47) - 10a pars (of 11): Sed nos qui vivimus -
Appears on: 31v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sed nos qui vivimus [part 10]
General Note

RISM 1539^14 - Bk 21:72

31v–34v In exitu Israel (M47) - 11a pars (of 11): Sicut erat in principio -
Appears on: 31v–34v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sicut erat in principio [part 11]
General Note

RISM 1539^14 - Bk 21:72

35 Conclusit Dominus omnia sub peccato [Forster]
Appears on: 35
Genres: Motet
Source Attribution: [Forster]
Voice: [no designation]
Languages: Latin
Voice Text: Conclusit dominus omnia sub peccato
General Note

RISM 1540^5

35–35v Da pacem Domine In diebus nostris Anon. Anonymous
Appears on: 35–35v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Da pacem domine) In diebus nostris
35v–36 Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis hominus refulgens 6 Hoc pater tecum hoc idem sacratus Anon. Anonymous
Appears on: 35v–36
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Vita sanctorum decus angelorum] 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis hominus refulgens 6 Hoc pater tecum hoc idem sacratus
36v Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis Dominus refulgens 6 Hoc pater tecum hoc idem sacratus Anon. Anonymous
Appears on: 36v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Vita sanctorum decus angelorum] 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis dominus refulgens 6 Hoc pater tecum hoc idem sacratus
37–39 Magnificat sexti toni: Et exultavit spiritus meus [Senfl]
Appears on: 37–39
Genres: BVM, Canticle, Magnificat
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Sexti Toni: Et exultavit spiritus meus
39v Ego sum resurrectio et vita dicit Dominus Jesus [Mahu/Walter]
Appears on: 39v
Genres: Motet
Source Attribution: [Mahu/Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita dicit dominus
General Note

Walter,GA III, S. 48 - RISM 1538^8:115

40–40v Alleluia. Confitemini Domini - 2a pars (of 2): Stetit Jesus in medio discipulorum [Mouton]
Appears on: 40–40v
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Halleluia. Confitemini domino quoniam (Pars I copied on f. 43) II: Stetit Jesus in medio discipulorum
41–41v Ecce concipies et paries filium et vocabis (2p. Hic erit magnus et filius altissimi vocabitur) Anon. Anonymous
Appears on: 41–41v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries filium et vocabis II: Hic erit magnus et filius altissimi
42–42v Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo - Anonymous
Appears on: 42–42v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Galilei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
General Note

RISM 1539^14 - Bk 21:82 - 47:57

43 Alleluia. Confitemini Domini - 1a pars (of 2): Alleluia. Confitemini Domini -
Appears on: 43
Genres: Alleluia, Motet
43v–45 Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis [Paminger]
Appears on: 43v–45
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Discumbentibus illis undecim apostolis II: Signa eos qui in me credunt
General Note

RISM 1559^2:21

43v–45 Discumbentibus illis - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: 43v–45
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Signa eos qui in me credunt [part 2]
General Note

RISM 1559^2:21

45v–46 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anon. Anonymous
Appears on: 45v–46
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
46–47v Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse Anon. Anonymous
Appears on: 46–47v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse
General Note

RISM 1538^8:25

46–47v Accipite spiritum sanctum -
Appears on: 46–47v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Accipite spiritum sanctum
47v–48v Apparuerunt apostoli dispertitae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) [Walter]
Appears on: 47v–48v
Genres: Motet
Source Attribution: [Walter]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostoli dispertitae linguae II: Seditque supra singulos eorum III: Loquebantur variis linguis apostoli
General Note

Walter, GA II, S. 102 - Bk 21:97 - 32:8

49–49v Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anon. Anonymous
Appears on: 49–49v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque Vs: (Benedicamus patrem) Cum sancto spiritu
49v–50 Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium [Rein]
Appears on: 49v–50
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: (Benedicta sit) Sancta trinitas atque Vs: Benedicamus patrem et filium cum sancto
General Note

Bk 12:37

50v–51av Beatam trinitatem - 1a pars (of 2): Beatam trinitatem patrem et filium (= O trinitas et Deitas alma tibi omnes [Rein]
Appears on: 50v–51av
Genres: Contrafactum, Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: Beatam trinitatem patrem et filium II: Miserere populo tuo sanguine Christus [= O trinitas et deitas alma tibi omnes]
50v–51av Beatam trinitatem - 2a pars (of 2): Miserere populo tuo sanguine Christus (= Miserere qui passus) -
Appears on: 50v–51av
Genres: Contrafactum, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Miserere populo tuo [part 2]
51b–51bv Duo homines ascenderunt in templum [Hähnel]
Appears on: 51b–51bv
Genres: Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Duo homines ascenderunt in templum
52–53 Elisabeth Zachariae - 1a pars (of 2): Elisabeth Zachariae magnum virum genuit [Lafage/Mouton]
Appears on: 52–53
Genres: Motet
Source Attribution: [Lafage/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Elizabeth Zachariae magnum virum genuit II: Inter natos mulierum non surrexit
General Note

RISM 1538^8:28

52–53 Elisabeth Zachariae - 2a pars (of 2): Inter natos mulierum non surrexit -
Appears on: 52–53
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum [part 2]
General Note

RISM 1538^8:28

54 Domine ad adjuvandum - 1a pars (of 2): Domine ad adjuvandum me festina Anon. Anonymous
Appears on: 54
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine ad adiuvandum me festina
54v–55 Domine ad adjuvandum - 2a pars (of 2): Dixit Dominus Domino meo sede à dextris Anon. Anonymous
Appears on: 54v–55
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: Dixit dominus domino meo sede à dextris
55v–57 In te Domine speravi - 1a pars (of 2): In te Domine speravi [Hellinck/Senfl/ Verdelot]
Appears on: 55v–57
Genres: Motet, Te Deum
Source Attribution: [Hellinck/Senfl/ Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: [Quoniam fortitudo mea] Et propter nomen
General Note

Bk 5:2

55v–57 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: 55v–57
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Quoniam fortitudo ... ] Et propter nomen [part 2]
General Note

Bk 5:2

57v–58 Apparuit benignitas et humanitas salvatoris [Hähnel]
Appears on: 57v–58
Genres: Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Apparuit benignitas et humanitas salvatoris
General Note

Bk 39:7

58v–59 Venite post me qui laboratis et onerati [Hähnel]
Appears on: 58v–59
Genres: Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Venite post me qui laboratis et onerati
59v–60v Bene locutus est spiritus sanctus Anon. Anonymous
Appears on: 59v–60v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Bene locutus est spiritus sanctus
Composer Compositions
Anonymous
Baston, Josquin (fl. 1542–63)
Comes, Bartholomeus
Despres, Josquin (ca. 1450–1521)
Fage, Jean de la
Forster, Georg (ca. 1510–1568)
Galliculus, Johannes
Hellinck, Lupus (ca. 1494–1541)
Longueval, Antoine de (fl. 1498-1525)
Lupi, Johannes (ca. 1506–1539)
Mahu, Stephan
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Paminger, Leonhard (1495–1567)
Rein, Conrad (ca. 1475–1522)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Venture, Johannes a la (fl. c1500)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Wannenmacher, Johannes (ca. 1485–1551)
Composition Composers (? Uncertain) Folios / Pages
Accipite spiritum sanctum 46–47v
Alleluia. Confitemini Domini - 1a pars (of 2): Alleluia. Confitemini Domini 43
Alleluia. Confitemini Domini - 2a pars (of 2): Stetit Jesus in medio discipulorum 40–40v
Alleluia. Pascha nostrum immolatus est 25
Apparuerunt apostoli dispertitae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) 47v–48v
Apparuit benignitas et humanitas salvatoris 57v–58
Beatam trinitatem - 1a pars (of 2): Beatam trinitatem patrem et filium (= O trinitas et Deitas alma tibi omnes 50v–51av
Beatam trinitatem - 2a pars (of 2): Miserere populo tuo sanguine Christus (= Miserere qui passus) 50v–51av
Bene locutus est spiritus sanctus Anonymous 59v–60v
Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anonymous 49–49v
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium 49v–50
Conclusit Dominus omnia sub peccato 35
Da pacem Domine In diebus nostris Anonymous 35–35v
Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis 43v–45
Discumbentibus illis - 2a pars (of 2): Signa eos qui in me credunt 43v–45
Domine ad adjuvandum - 1a pars (of 2): Domine ad adjuvandum me festina Anonymous 54
Domine ad adjuvandum - 2a pars (of 2): Dixit Dominus Domino meo sede à dextris Anonymous 54v–55
Domine ne in furore 16.8 - 1a pars (of 2): Domine ne in furore 7–9v
Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini 7–9v
Dominus vobiscum - 1a pars (of 2): Dominus vobiscum et cum spiritu tuo 26v–28v
Dominus vobiscum - 2a pars (of 2): Et introeuntes in momentum 26v–28v
Duo homines ascenderunt in templum 51b–51bv
Ecce concipies et paries filium et vocabis (2p. Hic erit magnus et filius altissimi vocabitur) Anonymous 41–41v
Ego sum resurrectio et vita dicit Dominus Jesus 39v
Elisabeth Zachariae - 1a pars (of 2): Elisabeth Zachariae magnum virum genuit 52–53
Elisabeth Zachariae - 2a pars (of 2): Inter natos mulierum non surrexit 52–53
Erhalt uns Her bei Deinem Wort Anonymous 13v–14
Haec dies quam fecit Dominus exultemus 29
In exitu Israel (M47) - 10a pars (of 11): Sed nos qui vivimus 31v–34v
In exitu Israel (M47) - 11a pars (of 11): Sicut erat in principio 31v–34v
In exitu Israel (M47) - 1a pars (of 11): In exitu Israel de Aegypto domus Jacob 31v–34v
In exitu Israel (M47) - 2a pars (of 11): Mare vidit et fugit 31v–34v
In exitu Israel (M47) - 3a pars (of 11): A facie Domini 31v–34v
In exitu Israel (M47) - 4a pars (of 11): Non nobis Domine Sed nomini tuo 31v–34v
In exitu Israel (M47) - 5a pars (of 11): Deus autem noster 31v–34v
In exitu Israel (M47) - 6a pars (of 11): Simulachra gentium 31v–34v
In exitu Israel (M47) - 7a pars (of 11): Aures habent 31v–34v
In exitu Israel (M47) - 8a pars (of 11): Domus Israel speravit 31v–34v
In exitu Israel (M47) - 9a pars (of 11): Qui timent Dominum 31v–34v
In te Domine speravi - 1a pars (of 2): In te Domine speravi 55v–57
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen 55v–57
Jesus Christus unser Heiland, der von uns Anonymous 30v–31
Jubilate Deo 17.7 - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 5v–6v
Jubilate Deo 17.7 - 2a pars (of 2): Laudate nomen eius 5v–6v
Laetatus sum - 1a pars (of 2): Laetatus sum in his quae dicta sunt mihi 3–5v
Laetatus sum - 2a pars (of 2): Rogate quae ad pacem sunt 3–5v
Laudate Dominum omnes gentes, laudate eum Anonymous 10
Magnificat sexti toni: Et exultavit spiritus meus 37–39
Missa Paschale: Gloria 23–24v
Missa Paschale: Kyrie [-]
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 16–21
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 16–21
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 16–21
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora 1–2
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum 1–2
Resurrexit Quid quaeritis viventem Vs: Gloria et honore Et constituisti eum 22–23
Salve festa dies - 1a pars (of 3): (Salve festa dies) Toto venerabilis aevo Anonymous 29v–30v
Salve festa dies - 2a pars (of 3): Ecce renascentis Anonymous 29v–30v
Salve festa dies - 3a pars (of 3): Namque triumphanti Anonymous 29v–30v
Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse Anonymous 46–47v
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 45v–46
Usquequo Domine 18.12 - 1a pars (of 2): Usquequo Domine oblivisceris me in finem 10v–12
Usquequo Domine 18.12 - 2a pars (of 2): Illumina oculos meos ne unquam 10v–12
Venite post me qui laboratis et onerati 58v–59
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden 25–26
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden 25–26
Victimae paschali - 3a pars (of 3): Credendum est magis 25–26
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous 42–42v
Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis Dominus refulgens 6 Hoc pater tecum hoc idem sacratus Anonymous 36v
Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis hominus refulgens 6 Hoc pater tecum hoc idem sacratus Anonymous 35v–36
Wo Gott der Her nicht bei uns hält 14v

Set: D-DEl Georg Hs. 130-133.8°

Type: Partbooks

No images available

D-DEl Georg Hs. 130.8°

No images available

D-DEl Georg Hs. 131.8°

No images available

D-DEl Georg Hs. 132.8°

No images available

D-DEl Georg Hs. 133.8°

denotes primary source study

Brinzing, Armin. 1997. Ein neuer Fund zu den Quellen evangelischer Kirchenmusik im 16. Jahrhundert. Neues Musikwissenschaftliches Jahrbuch,, 37-58. Notes: describes the discovery of the relationship between the 3 books in Dessau & the one in Dresden.

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 47,53-5,59. Notes: contents list (partial); concordances (partial).

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 348-51. Notes: contents list (partial); concordances (partial); incipits (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 388,599ff, passim. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 33-5. Notes: physical description (partial); contents list; concordances (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description