A Tenor partbook from a set originally of four volumes. Main layer copied by a single scribe, who also wrote BudOS 22, BudOS 23, DresSL 1/D/3, DresSL 1/D/4, ZwiR 106/5, and portions of ZwiR 100/4 and DresSL 1/D/506; later additions by several other scribes, probably including Anselmus de Brunn (SteudeUM). The scribe of the second half also wrote the first 40 pieces in Regensburg F.K.2/3 (Gasch 2013). Copied in Wittenberg (SteudeU).
| Archive | Ratsschulbibliothek, Zwickau, Germany (D-Z) |
|---|---|
| Shelfmark | Mu 1676-1788 [Tenor] |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | None / Unknown |
| Measurements | 140 x 168 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| Provenance |
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| Contents | Contains 213 compositions, 191 from 26 composers, 22 are anonymous. |
General Description
Extent
107 ff
Binding
D book has original covers of golden brown parchment; TB books have original brown paper covers.
Watermark
wheel (not in Briquet)
Notation
black void mensural
Foliation
Other numberings: Original numbering of pieces in two series, 1-66 + 1-29; later additions to first series numbered by modern hand, 67-83, with several errors and omissions.
Foliation
No foliation or pagination.
Decoration
A few small inked initials in plain block style.
Index
Original index on f. [3'] of D book lists first 46 pieces, in order of appearance, with some attributions.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Mass, 1 Kyrie, 1 Gloria, 17 Mass Proper sections, 3 Te Deums, 7 hymns, 85 motets, 1 French secular piece, 1 text less piece = 117
Braetel-1, Brumel-2, Brunn/Stoltzer-1,* Caspar Bohemus [Caspar Zeis]-1, Dietrich-1, Eckel-7, Finck-10, Förster/(Hähnel)-1, (G. Frangk)-1, Gascongne-1, (Gombert)-1, Grefinger-2, Isaac-1, (Josquin)-2, Moulu/(Josquin/Mouton/Verdelot)-1, Mouton-1, Obrecht-1, Pöpel-2, Senfl-41, Stoltzer-16, Stoltzer/(Josquin)-1, Verdelot-2, Verdelot/(Gombert/Mouton)-1, Walter-2, anon-17
*Motet "Gaude Maria virgo" (#1 of 2nd series) attributed to "Thomas Stolczer" by original scribe. Later hand changed attribution to "Anshelmus de brunn Thomas Stolczers discipulus." Piece unequivocally attributed to Stoltzer in ZwiR 73, and accepted as probable work of Stoltzer by HoffTS; see HoffS, 35, for further discussion of attributions in ZwiR 81/2.
3 paper partbooks of an original 4 (DTB-exact number of folios unknown), 140 x 168. Some original folios now missing from B book. No foliation or pagination. Original numbering of pieces in two series, 1-66 + 1-29; later additions to first series numbered by modern hand, 67-83, with several errors and omissions. D book has original covers of golden brown parchment; TB books have original brown paper covers. Original index on f. [3'] of D book lists first 46 pieces, in order of appearance, with some attributions.
Main layer copied by a single scribe, who also wrote BudOS 22, BudOS 23, DresSL 1/D/3, DresSL 1/D/4, ZwiR 106/5, and portions of ZwiR 100/4 and DresSL 1/D/506; later additions by several other scribes, probably including Anselmus de Brunn (SteudeUM). A few small inked initials in plain block style. Watermark: wheel (not in Briquet).
Mid 16th century. Copied in Wittenberg (SteudeU).
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Sets
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MS 81,2
Partbooks · 3 sources
‡ denotes primary source study
Gasch, Stefan. 2013. Zu anderer Zeit, an anderem Ort? Neue Hinweise zur Provenienz der Handschrift D-Z 81/2 und deren Senfl-Repertoire. Senfl-Studien 2, Wiener Forum für ältere Musikgeschichte, vol. 7. Tutzing vols.477-524.
Hoffmann-Erbrecht, Lothar. 1979. Heinrich Fincks Fünfstimmige Missa super Ave Praeclara-Eine Wichtige Neuentdeckung. Renaissance-Studien: Helmuth Osthoff zum 80. Geburtstag, Frankfurter Beiträge zur Musikwissenschaft, vol. 11. 73-90. Tutzing. Pages: 76,78,81. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert. Leipzig. Pages: 12-8, passim Abb. 5-7, 18. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 262ff, 339-41,413,618,634,645,647,649-50,702, 723,754,774,781-2. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 27-8, 35-6. Notes: physical description; mention of MS; discussion.
Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 5-8,78,110-2,121. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xxiii.xxxi.xxxix,37-8,89-91. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 268-9,318-9. Notes: contents list (partial); concordances (partial); incipits (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 175. Notes: contents list (partial); concordances (partial); incipits (partial).
Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5. Kassel. Pages: 169,171-86. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II,12, 160,290, 335. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VIII,124,127 IX, 129-30. Notes: physical description (partial); contents list (partial); concordances (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXII, 85, 89-90 LXX,194,198 XCIX, x,91-3,95. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile; r.
Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XXX, vi,189-93. Notes: physical description (partial); contents list (partial); concordances (partial).
Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, 26: . Pages: 33-8. Notes: physical description (partial); contents list.
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Monday, 23 January, 2017
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