D-DEl Georg Hs. 131.8°

Universitäts- und Landesbibliothek Sachsen-Anhalt (Anhaltische Landesbücherei), Dessau-Roßlau, Germany

partbook: c. 1553-55

Archive Universitäts- und Landesbibliothek Sachsen-Anhalt (Anhaltische Landesbücherei), Dessau-Roßlau, Germany (D-DEl)
Shelfmark Georg Hs. 131.8°
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 160 x 200 mm
Notations
  • black void mensural
Relationships
Provenance
  • Dessau-Roßlau, Germany
Contents 71 pieces from 21 composers
General Description

An Altus partbook from a set of four books. The work of several scribes.

Probably copied for use by the ‘Kantorei’ of the Latin school in Dessau. The MS formerly belonged to the library of Prince Georg III of Anhalt-Dessau.

The set of partbooks was taken to the former Soviet Union in the aftermath of the Second World War. Three partbooks were returned to the library in Dessau in the 1950s; the discantus, however, was erroneously delivered to the library in Dresden (where it was catalogued as MS Mus. 1/D/501). In 1997 Armin Brinzing discovered the relationship of the four partbooks and the set was reunited in Dessau in 1998.

DIAMM, 2021
Binding

Original covers

DIAMM, 2021
Notation

black void mensural

DIAMM, 2021
Date

c.1553–5 (date 1555 on cover of Tenor book)

DIAMM, 2021
Foliation

Original pagination in Altus, modern foliation in Discantus

DIAMM, 2021
Surface

paper

DIAMM, 2021
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

(description of Discantus book as Dresden 1/.D/501):

1 Kyrie-Gloria pair, 7 Mass Proper sections, 1 Magnificat, 7 psalms, 2 office hymns, 1 processional hymn, 1 Passion, 21 motets, 3 German sacred pieces = 44

(Forster)-2, (Hähnel)-4, (Josquin)-2, (Lafage/Mouton)-1, (Lupus/Verdelot)-1, (Obrecht/Longaval/Venture)-1, (Paminger)-1, (Rein)-1, (Senfl)-1, (Walter)-3, anon-27

1 paper partbook (D-77 folios), 160 x 200. No original foliation; modern pencil foliation to f. 60. Original covers. Several scribes.

Ca. 1560. From central Germany (SteudeMS).

Vol. 4

Contents: 1 Kyrie-Gloria pair, 10 Mass Proper sections, 1 Magnificat, 1 psalm, 2 office hymns, 1 processional hymn, 1 Passion, 25 motets, 3 German sacred pieces = 45

Composers: (Forster)-1, (Hähnel)-5, (Hellinck/Senfl/Verdelot)-1, (Josquin)-2, (Josquin/Stoltzer/Verdelot)-1, (Lafage/Mouton)-1, (Longaval/Obrecht/Venture)-1, (Lupi/Mouton)-1, (Mahu/Walter)-1, (Paminger)-1, (Rein)-4, (Rener)-1, (Senfl)-3, (Walter)-3, (Wannenmacher)-1, anon-18

DIAMM, 2021

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[-] Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora [Lupi/Mouton]
Appears on: [-]
Genres: Motet
Source Attribution: [Lupi/Mouton]
[-] Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum -
Appears on: [-]
Genres: Motet
[-] Laetatus sum - 1a pars (of 2): Laetatus sum in his quae dicta sunt mihi [Wannenmacher]
Appears on: [-]
Genres: Motet
Source Attribution: [Wannenmacher]
[-] Laetatus sum - 2a pars (of 2): Rogate quae ad pacem sunt -
Appears on: [-]
Genres: Motet
[-] Jubilate Deo 17.7 - 1a pars (of 2): Jubilate Deo omnis terra servite Domino [Josquin]
Appears on: [-]
Genres: Motet
Source Attribution: [Josquin]
[-] Jubilate Deo 17.7 - 2a pars (of 2): Laudate nomen eius -
Appears on: [-]
Genres: Psalm
[-] Domine ne in furore 16.8 - 1a pars (of 2): Domine ne in furore [Baston/Josquin/Stoltzer/Verdelot]
Appears on: [-]
Genres: Motet
Source Attribution: [Baston/Josquin/Stoltzer/Verdelot]
[-] Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini -
Appears on: [-]
Genres: Motet
[-] Laudate Dominum omnes gentes, laudate eum Anon. Anonymous
Appears on: [-]
Genres: Lauda
Source Attribution: Anon.
[-] Usquequo Domine 18.12 - 1a pars (of 2): Usquequo Domine oblivisceris me in finem [Josquin]
Appears on: [-]
Genres: Motet
Source Attribution: [Josquin]
[-] Usquequo Domine 18.12 - 2a pars (of 2): Illumina oculos meos ne unquam -
Appears on: [-]
Genres: Motet
[-] Erhalt uns Her bei Deinem Wort Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
[-] Wo Gott der Her nicht bei uns hält [Walter]
Appears on: [-]
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
[-] Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [Longaval/Obrecht/ Venture]
Appears on: [-]
Genres: Liturgical work, Motet, Passion
Source Attribution: [Longaval/Obrecht/ Venture]
[-] Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: [-]
Genres: Passion
[-] Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: [-]
Genres: Motet
[-] Resurrexit Quid quaeritis viventem Vs: Gloria et honore Et constituisti eum [Walter]
Appears on: [-]
Genres: Motet
Source Attribution: [Walter]
[-] Missa Paschale: Kyrie -
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
[-] Missa Paschale: Gloria [Hähnel]
Appears on: [-]
Genres: Gloria (et in terra pax)
Source Attribution: [Hähnel]
[-] Alleluia. Pascha nostrum immolatus est [Rein]
Appears on: [-]
Genres: Alleluia, Motet
Source Attribution: [Rein]
[-] Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden [Rener]
Appears on: [-]
Genres: Hymn
Source Attribution: [Rener]
[-] Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden -
Appears on: [-]
Genres: Hymn
[-] Victimae paschali - 3a pars (of 3): Credendum est magis -
Appears on: [-]
Genres: Hymn
[-] Dominus vobiscum - 1a pars (of 2): Dominus vobiscum et cum spiritu tuo [Hähnel]
Appears on: [-]
Genres: Dominus vobiscum, Liturgical work, Motet
Source Attribution: [Hähnel]
[-] Dominus vobiscum - 2a pars (of 2): Et introeuntes in momentum -
Appears on: [-]
Genres: Dominus vobiscum, Liturgical work, Motet
[-] Haec dies quam fecit Dominus exultemus [Rein]
Appears on: [-]
Genres: Motet
Source Attribution: [Rein]
[-] Salve festa dies - 1a pars (of 3): (Salve festa dies) Toto venerabilis aevo Anon. Anonymous
Appears on: [-]
Genres: Introit
Source Attribution: Anon.
[-] Salve festa dies - 2a pars (of 3): Ecce renascentis - Anonymous
Appears on: [-]
Genres: Introit
[-] Salve festa dies - 3a pars (of 3): Namque triumphanti - Anonymous
Appears on: [-]
Genres: Introit
[-] Jesus Christus unser Heiland, der von uns Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
[-] In exitu Israel (M47) - 1a pars (of 11): In exitu Israel de Aegypto domus Jacob [Senfl]
Appears on: [-]
Genres: Motet
Source Attribution: [Senfl]
[-] In exitu Israel (M47) - 2a pars (of 11): Mare vidit et fugit -
Appears on: [-]
Genres: Motet
[-] In exitu Israel (M47) - 3a pars (of 11): A facie Domini -
Appears on: [-]
Genres: Motet
[-] In exitu Israel (M47) - 4a pars (of 11): Non nobis Domine Sed nomini tuo -
Appears on: [-]
Genres: Motet
[-] In exitu Israel (M47) - 5a pars (of 11): Deus autem noster -
Appears on: [-]
Genres: Motet
[-] In exitu Israel (M47) - 6a pars (of 11): Simulachra gentium -
Appears on: [-]
Genres: Motet
[-] In exitu Israel (M47) - 7a pars (of 11): Aures habent -
Appears on: [-]
Genres: Motet
[-] In exitu Israel (M47) - 8a pars (of 11): Domus Israel speravit -
Appears on: [-]
Genres: Motet
[-] In exitu Israel (M47) - 9a pars (of 11): Qui timent Dominum -
Appears on: [-]
Genres: Motet
[-] In exitu Israel (M47) - 10a pars (of 11): Sed nos qui vivimus -
Appears on: [-]
Genres: Motet
[-] In exitu Israel (M47) - 11a pars (of 11): Sicut erat in principio -
Appears on: [-]
Genres: Motet
[-] Conclusit Dominus omnia sub peccato [Forster]
Appears on: [-]
Genres: Motet
Source Attribution: [Forster]
[-] Da pacem Domine In diebus nostris Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
[-] Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis hominus refulgens 6 Hoc pater tecum hoc idem sacratus Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
[-] Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis Dominus refulgens 6 Hoc pater tecum hoc idem sacratus Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
[-] Magnificat sexti toni: Et exultavit spiritus meus [Senfl]
Appears on: [-]
Genres: BVM, Canticle, Magnificat
Source Attribution: [Senfl]
[-] Ego sum resurrectio et vita dicit Dominus Jesus [Mahu/Walter]
Appears on: [-]
Genres: Motet
Source Attribution: [Mahu/Walter]
[-] Alleluia. Confitemini Domini - 2a pars (of 2): Stetit Jesus in medio discipulorum [Mouton]
Appears on: [-]
Genres: Motet
Source Attribution: [Mouton]
[-] Alleluia. Confitemini Domini - 1a pars (of 2): Alleluia. Confitemini Domini -
Appears on: [-]
Genres: Alleluia, Motet
[-] Ecce concipies et paries filium et vocabis (2p. Hic erit magnus et filius altissimi vocabitur) Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
[-] Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo - Anonymous
Appears on: [-]
Genres: Motet
[-] Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis [Paminger]
Appears on: [-]
Genres: Motet
Source Attribution: [Paminger]
[-] Discumbentibus illis - 2a pars (of 2): Signa eos qui in me credunt -
Appears on: [-]
Genres: Motet
[-] Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
[-] Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
[-] Accipite spiritum sanctum -
Appears on: [-]
Genres: Motet
[-] Apparuerunt apostoli dispertitae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) [Walter]
Appears on: [-]
Genres: Motet
Source Attribution: [Walter]
[-] Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
[-] Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium [Rein]
Appears on: [-]
Genres: Motet
Source Attribution: [Rein]
[-] Beatam trinitatem - 1a pars (of 2): Beatam trinitatem patrem et filium (= O trinitas et Deitas alma tibi omnes [Rein]
Appears on: [-]
Genres: Contrafactum, Motet
Source Attribution: [Rein]
[-] Beatam trinitatem - 2a pars (of 2): Miserere populo tuo sanguine Christus (= Miserere qui passus) -
Appears on: [-]
Genres: Contrafactum, Motet
[-] Duo homines ascenderunt in templum [Hähnel]
Appears on: [-]
Genres: Motet
Source Attribution: [Hähnel]
[-] Elisabeth Zachariae - 1a pars (of 2): Elisabeth Zachariae magnum virum genuit [Lafage/Mouton]
Appears on: [-]
Genres: Motet
Source Attribution: [Lafage/Mouton]
[-] Elisabeth Zachariae - 2a pars (of 2): Inter natos mulierum non surrexit -
Appears on: [-]
Genres: Motet
[-] Domine ad adjuvandum - 1a pars (of 2): Domine ad adjuvandum me festina Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
[-] Domine ad adjuvandum - 2a pars (of 2): Dixit Dominus Domino meo sede à dextris Anon. Anonymous
Appears on: [-]
Genres: Psalm
Source Attribution: Anon.
[-] In te Domine speravi - 1a pars (of 2): In te Domine speravi [Hellinck/Senfl/ Verdelot]
Appears on: [-]
Genres: Motet, Te Deum
Source Attribution: [Hellinck/Senfl/ Verdelot]
[-] In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen -
Appears on: [-]
Genres: Motet
[-] Apparuit benignitas et humanitas salvatoris [Hähnel]
Appears on: [-]
Genres: Motet
Source Attribution: [Hähnel]
[-] Venite post me qui laboratis et onerati [Hähnel]
Appears on: [-]
Genres: Motet
Source Attribution: [Hähnel]
[-] Bene locutus est spiritus sanctus Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
Composer Compositions
Anonymous
Baston, Josquin (fl. 1542–63)
Comes, Bartholomeus
Despres, Josquin (ca. 1450–1521)
Fage, Jean de la
Forster, Georg (ca. 1510–1568)
Galliculus, Johannes
Hellinck, Lupus (ca. 1494–1541)
Longueval, Antoine de (fl. 1498-1525)
Lupi, Johannes (ca. 1506–1539)
Mahu, Stephan
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Paminger, Leonhard (1495–1567)
Rein, Conrad (ca. 1475–1522)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Venture, Johannes a la (fl. c1500)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Wannenmacher, Johannes (ca. 1485–1551)
Composition Composers (? Uncertain) Folios / Pages
Accipite spiritum sanctum [-]
Alleluia. Confitemini Domini - 1a pars (of 2): Alleluia. Confitemini Domini [-]
Alleluia. Confitemini Domini - 2a pars (of 2): Stetit Jesus in medio discipulorum [-]
Alleluia. Pascha nostrum immolatus est [-]
Apparuerunt apostoli dispertitae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) [-]
Apparuit benignitas et humanitas salvatoris [-]
Beatam trinitatem - 1a pars (of 2): Beatam trinitatem patrem et filium (= O trinitas et Deitas alma tibi omnes [-]
Beatam trinitatem - 2a pars (of 2): Miserere populo tuo sanguine Christus (= Miserere qui passus) [-]
Bene locutus est spiritus sanctus Anonymous [-]
Benedicta sit Sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu Anonymous [-]
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium [-]
Conclusit Dominus omnia sub peccato [-]
Da pacem Domine In diebus nostris Anonymous [-]
Discumbentibus illis - 1a pars (of 2): Discumbentibus illis undecim apostolis [-]
Discumbentibus illis - 2a pars (of 2): Signa eos qui in me credunt [-]
Domine ad adjuvandum - 1a pars (of 2): Domine ad adjuvandum me festina Anonymous [-]
Domine ad adjuvandum - 2a pars (of 2): Dixit Dominus Domino meo sede à dextris Anonymous [-]
Domine ne in furore 16.8 - 1a pars (of 2): Domine ne in furore [-]
Domine ne in furore 16.8 - 2a pars (of 2): Discedite a me omnes qui operamini [-]
Dominus vobiscum - 1a pars (of 2): Dominus vobiscum et cum spiritu tuo [-]
Dominus vobiscum - 2a pars (of 2): Et introeuntes in momentum [-]
Duo homines ascenderunt in templum [-]
Ecce concipies et paries filium et vocabis (2p. Hic erit magnus et filius altissimi vocabitur) Anonymous [-]
Ego sum resurrectio et vita dicit Dominus Jesus [-]
Elisabeth Zachariae - 1a pars (of 2): Elisabeth Zachariae magnum virum genuit [-]
Elisabeth Zachariae - 2a pars (of 2): Inter natos mulierum non surrexit [-]
Erhalt uns Her bei Deinem Wort Anonymous [-]
Haec dies quam fecit Dominus exultemus [-]
In exitu Israel (M47) - 10a pars (of 11): Sed nos qui vivimus [-]
In exitu Israel (M47) - 11a pars (of 11): Sicut erat in principio [-]
In exitu Israel (M47) - 1a pars (of 11): In exitu Israel de Aegypto domus Jacob [-]
In exitu Israel (M47) - 2a pars (of 11): Mare vidit et fugit [-]
In exitu Israel (M47) - 3a pars (of 11): A facie Domini [-]
In exitu Israel (M47) - 4a pars (of 11): Non nobis Domine Sed nomini tuo [-]
In exitu Israel (M47) - 5a pars (of 11): Deus autem noster [-]
In exitu Israel (M47) - 6a pars (of 11): Simulachra gentium [-]
In exitu Israel (M47) - 7a pars (of 11): Aures habent [-]
In exitu Israel (M47) - 8a pars (of 11): Domus Israel speravit [-]
In exitu Israel (M47) - 9a pars (of 11): Qui timent Dominum [-]
In te Domine speravi - 1a pars (of 2): In te Domine speravi [-]
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea ... Et propter nomen [-]
Jesus Christus unser Heiland, der von uns Anonymous [-]
Jubilate Deo 17.7 - 1a pars (of 2): Jubilate Deo omnis terra servite Domino [-]
Jubilate Deo 17.7 - 2a pars (of 2): Laudate nomen eius [-]
Laetatus sum - 1a pars (of 2): Laetatus sum in his quae dicta sunt mihi [-]
Laetatus sum - 2a pars (of 2): Rogate quae ad pacem sunt [-]
Laudate Dominum omnes gentes, laudate eum Anonymous [-]
Magnificat sexti toni: Et exultavit spiritus meus [-]
Missa Paschale: Gloria [-]
Missa Paschale: Kyrie [-]
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [-]
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus [-]
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus [-]
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora [-]
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum [-]
Resurrexit Quid quaeritis viventem Vs: Gloria et honore Et constituisti eum [-]
Salve festa dies - 1a pars (of 3): (Salve festa dies) Toto venerabilis aevo Anonymous [-]
Salve festa dies - 2a pars (of 3): Ecce renascentis Anonymous [-]
Salve festa dies - 3a pars (of 3): Namque triumphanti Anonymous [-]
Si diligitis me mandata mea servate II: Accipite spiritum sanctum ipse Anonymous [-]
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous [-]
Usquequo Domine 18.12 - 1a pars (of 2): Usquequo Domine oblivisceris me in finem [-]
Usquequo Domine 18.12 - 2a pars (of 2): Illumina oculos meos ne unquam [-]
Venite post me qui laboratis et onerati [-]
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden [-]
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden [-]
Victimae paschali - 3a pars (of 3): Credendum est magis [-]
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous [-]
Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis Dominus refulgens 6 Hoc pater tecum hoc idem sacratus Anonymous [-]
Vita sanctorum decus angelorum 2 Tu tuo laetos famulos trophaeo 4 Nunc in excelsis hominus refulgens 6 Hoc pater tecum hoc idem sacratus Anonymous [-]
Wo Gott der Her nicht bei uns hält [-]

Set: D-DEl Georg Hs. 130-133.8°

Type: Partbooks

No images available

D-DEl Georg Hs. 130.8°

No images available

D-DEl Georg Hs. 131.8°

No images available

D-DEl Georg Hs. 132.8°

No images available

D-DEl Georg Hs. 133.8°

denotes primary source study

Brinzing, Armin. 1997. Ein neuer Fund zu den Quellen evangelischer Kirchenmusik im 16. Jahrhundert. Neues Musikwissenschaftliches Jahrbuch,, 37-58. Notes: describes the discovery of the relationship between the 3 books in Dessau & the one in Dresden.

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 47,53-5,59. Notes: contents list (partial); concordances (partial).

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 348-51. Notes: contents list (partial); concordances (partial); incipits (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 388,599ff, passim. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 33-5. Notes: physical description (partial); contents list; concordances (partial).

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