A Tenor partbook from a set of six volumes. Copied by a single scribe (except no. 64). Probably of central German provenance (SteudeMS).
| Archive | Sächsische Landesbibliothek, Dresden, Germany (D-Dl) |
|---|---|
| Shelfmark | MS Mus. 2/D/22 [Tenor] |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Pagination |
| Measurements | 320 x 200 mm |
| Other Identifiers |
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| Notations |
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| External Authorities | |
| Provenance |
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| Contents | Contains 127 compositions, 72 from 30 composers, 55 are anonymous. |
General Description
Extent
D 93ff, A 97ff, T 87ff, B 81ff, Q 85ff, S 32ff.
Physical Description
Many folios are in poor condition because of ink corrosion and other deterioration
Binding
Rebound in modern brown cardboard covers. (A few folios in D & B have been bound incorrectly.)
Notation
black void mensural
Foliation
Modern pencil pagination, continuous through the six books (omits blank pages)
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
5 Kyrie-Gloria pairs, 10 Mass Proper sections, 1 Canticle, 1 processional hymn, 57 motets, 1 German sacred piece = 75
(Buissons)-2 + 1?, (Clemens non Papa)-1, (S. Cornet)-1, (Gardane)-1, (Hähnel)-1, (Händl)-4, (Hassler)-1, (Kerle)-1, (Lassus)-7, (G. Le Roy/Verdelot)-1, (Marazzi)-1, (Palestrina)-2, (Palladius?)-1, (Paminger)-1, (Ruffo)-1, anon-48
6 paper partbooks (D-184 folios [sic, actually pages], A-195, T-174, B-163, Q-167, S-59), 320 x 200. Many folios are in poor condition because of ink corrosion and other deterioration. New pencil pagination. Rebound in modern brown cardboard covers. Copied by a single scribe.
Ca. 1590-1600 (SteudeMS). Probably of central German provenance (SteudeMS).
Vol. 4
Composers: Add "(Pierre)-1" and "(Wert)-1"; change "anon-48" to "anon-46."
The inventory could not be loaded.
Sets
MS Mus. 2/D/22
Partbooks · 6 sources
‡ denotes primary source study
Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte, vol. 6. Wilhelmshaven. Pages: 46-9. Notes: physical description (partial); contents list; concordances (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 247, 300. Notes: concordances (partial); incipits (partial).
Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, 22: . Pages: 13-5. Notes: physical description; contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note