D-Rtt Freie Künste Musik 76 Abth. II

Fürst Thurn und Taxis Hofbibliothek, Regensburg, Germany

manuscript of polyphony: c. 1530-8

Archive Fürst Thurn und Taxis Hofbibliothek, Regensburg, Germany (D-Rtt)
Shelfmark Freie Künste Musik 76 Abth. II
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 400 x 310 mm
Other Identifiers
  • CCM: RegT 76
Notations
  • black void mensural
  • square
Relationships
Provenance
  • Bavaria, Germany
Contents Contains 81 compositions, 28 from 15 composers, 53 are anonymous.
General Description

Copied by one main scribe, with a few later additions by two other hands. Copied in Saxony (GottE). Apparently owned in 1573 by Sixtus Bregel and Georgius Gerstmair (inscriptions on ff. 58'-59). Probably came to court library of Thurn und Taxis family of Regensburg during first half of 19th century.

DIAMM, 2017
Physical Description

Several pieces incomplete due to missing folios.

DIAMM, 2017
Binding

Modern cardboard covers

DIAMM, 2017
Watermark

(1) coat of arms of Saxony; (2) ox head with cross and serpent; (3) bear (GottE).

DIAMM, 2017
Notation

Square (Psalms, canticle, 1 Magnificat, and 1 motet) and black void mensural (remaining contents)

DIAMM, 2017
Date

Ca. 1530-8 (GottE).

DIAMM, 2017
Foliation

Modern foliation, 1-102

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Kyries, 5 Glorias, 1 Sanctus, 19 Mass Proper sections, 3 Magnificats, 1 Te Deum, 1 canticle, 5 psalms, 6 office hymns, 1 processional hymn, 18 motets, 2 sets of responses, 2 Benedicamus dominos, 2 Latin/German sacred pieces, 12 German sacred pieces, 1 textless piece with heading "Hymnus" = 85

Finck-1, (Hähnel)-1, (Isaac/La Rue)-1, Josquin-1, (Mouton)-1, Rein-7, Rener-1, (Resinarius)-1, Senfl-2, C. Schütz-1, Walter-10, anon-58

102 paper folios, 400 x 310. Modern foliation, 1-102. Modern cardboard covers. No index. Psalms, canticle, 1 Magnificat, and 1 motet copied in Gothic chant notation; remaining contents in white mensural notation. Copied by one main scribe, with a few later additions by two other hands. No initials or decoration. Watermarks: (1) coat of arms of Saxony; (2) ox head with cross and serpent; (3) bear (GottE). Several pieces incomplete due to missing folios.

Ca. 1530-8 (GottE). Copied in Saxony (GottE). Apparently owned in 1573 by Sixtus Bregel and Georgius Gerstmair (inscriptions on ff. 58'-59). Probably came to court library of Thurn und Taxis family of Regensburg during first half of 19th century.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Steinhilber, Alexander. 2011. Die Musikhandschrift F. K. Mus. 76/II. Abt. der Fürst Thurn und Taxis Hofbibliothek Regensburg: Eine wenig beachtete Quelle zur Musik des frühprotestantischen Gottesdienstes. Abhandlungen zur Musikgeschichte, vol. 23.  Göttingen.

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen, vol. 10.  Wiesbaden. Pages: 344, 347-51, 353. Notes: contents list (partial); concordances (partial); incipits (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III.  Bern and Stuttgart. Pages: I, xxxvii, 26, 70. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 156-7. Notes: contents list (partial); concordances (partial); incipits (partial).

Gottwald, Clytus. 1962-63. Eine neuentdeckte Quelle zur Musik der Reformationszeit. Archiv für Musikwissenschaft, 19/20: 114-23. Notes: physical description; contents list; concordances (partial); incipits (partial); facsimile (partial); mention of MS; discussion.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler.  Mainz. Pages: VIII, 145, 149ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description