Copied by one main scribe, with a few later additions by two other hands. Copied in Saxony (GottE). Apparently owned in 1573 by Sixtus Bregel and Georgius Gerstmair (inscriptions on ff. 58'-59). Probably came to court library of Thurn und Taxis family of Regensburg during first half of 19th century.
D-Rtt Freie Künste Musik 76 Abth. II
Fürst Thurn und Taxis Hofbibliothek, Regensburg, Germany
manuscript of polyphony: c. 1530-8
| Archive | Fürst Thurn und Taxis Hofbibliothek, Regensburg, Germany (D-Rtt) |
|---|---|
| Shelfmark | Freie Künste Musik 76 Abth. II |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 400 x 310 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 81 compositions, 28 from 15 composers, 53 are anonymous. |
General Description
Physical Description
Several pieces incomplete due to missing folios.
Binding
Modern cardboard covers
Watermark
(1) coat of arms of Saxony; (2) ox head with cross and serpent; (3) bear (GottE).
Notation
Square (Psalms, canticle, 1 Magnificat, and 1 motet) and black void mensural (remaining contents)
Date
Ca. 1530-8 (GottE).
Foliation
Modern foliation, 1-102
Decoration
No initials or decoration
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
6 Kyries, 5 Glorias, 1 Sanctus, 19 Mass Proper sections, 3 Magnificats, 1 Te Deum, 1 canticle, 5 psalms, 6 office hymns, 1 processional hymn, 18 motets, 2 sets of responses, 2 Benedicamus dominos, 2 Latin/German sacred pieces, 12 German sacred pieces, 1 textless piece with heading "Hymnus" = 85
Finck-1, (Hähnel)-1, (Isaac/La Rue)-1, Josquin-1, (Mouton)-1, Rein-7, Rener-1, (Resinarius)-1, Senfl-2, C. Schütz-1, Walter-10, anon-58
102 paper folios, 400 x 310. Modern foliation, 1-102. Modern cardboard covers. No index. Psalms, canticle, 1 Magnificat, and 1 motet copied in Gothic chant notation; remaining contents in white mensural notation. Copied by one main scribe, with a few later additions by two other hands. No initials or decoration. Watermarks: (1) coat of arms of Saxony; (2) ox head with cross and serpent; (3) bear (GottE). Several pieces incomplete due to missing folios.
Ca. 1530-8 (GottE). Copied in Saxony (GottE). Apparently owned in 1573 by Sixtus Bregel and Georgius Gerstmair (inscriptions on ff. 58'-59). Probably came to court library of Thurn und Taxis family of Regensburg during first half of 19th century.
The inventory could not be loaded.
‡ denotes primary source study
‡ Steinhilber, Alexander. 2011. Die Musikhandschrift F. K. Mus. 76/II. Abt. der Fürst Thurn und Taxis Hofbibliothek Regensburg: Eine wenig beachtete Quelle zur Musik des frühprotestantischen Gottesdienstes. Abhandlungen zur Musikgeschichte, vol. 23. Göttingen.
Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen, vol. 10. Wiesbaden. Pages: 344, 347-51, 353. Notes: contents list (partial); concordances (partial); incipits (partial).
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxvii, 26, 70. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 156-7. Notes: contents list (partial); concordances (partial); incipits (partial).
Gottwald, Clytus. 1962-63. Eine neuentdeckte Quelle zur Musik der Reformationszeit. Archiv für Musikwissenschaft, 19/20: 114-23. Notes: physical description; contents list; concordances (partial); incipits (partial); facsimile (partial); mention of MS; discussion.
Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII, 145, 149ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description