A Tenor and Quintus partbook, bound together, from an incomplete set originally of 5 books. [Pieces marked '(T+Q)' in the inventory are copied in both books, all others appear in the Tenor only.] Copied by many scribes. Scribal concordance with BudOS 23, DresSL 1/D/3, DresSL l/D/4, ZwiR 81/2, ZwiR 106/5, and portions of ZwiR 100/4 and DresSL l/D/506 (SteudeU), and several musical concordances with ZwiR 73. Copied in Wittenberg (SteudeU). Brought from the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov) to the National Library in Budapest in 1915.
H-Bn MS Bártfa 22
Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary
partbook: c. 1550
| Archive | Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn) |
|---|---|
| Shelfmark | MS Bártfa 22 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | c. 200 x 160 mm |
| Other Identifiers |
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| Notations |
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| Contents | Contains 221 compositions, 163 from 39 composers, 58 are anonymous. |
General Description
Physical Description
Many folios are in poor condition, but the manuscript has been restored and folios are now covered with plastic.
Binding
Restored and rebound in half-cloth (MurTVB)
Notation
black void mensural
Foliation
Modern foliation
Foliation
Other numberings: Original numbering of pieces.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
3 Masses, 5 Kyrie-Gloria pairs, 1 Sanctus-Agnus pair, 3 Kyries, 1 German Kyrie, 1 Gloria, 8 Mass Proper cycles, 24 Mass Proper sections, 6 Magnificats, 1 Te Deum, 2 psalms, 8 hymns, 105 motets, 4 responses, 3 German sacred pieces, 1 Italian secular piece = 116 (some are duplicates)
Blanckenmiiller-1, Braetel-3, Breitengraser-1, Brumel-1, "Capeln gesell"-1, (Ducis)-1, Eckels, Finck-12, Finck/(Compère)-1, Förster-1, Grefinger-2, Haidenheimer-1, Haugk-1, Hemmerlen-1, Jonckers-1, Josquin-2, Kannegiesser [Cyclopius]-2, Kropstein-4, Molitor-1, Mopsus-5, (Mouton)-1, Musa-1, N.C.-1, Othmayr-2, Paminger-1, Pöpel-7, Rabe-4, Reusch-4, (A. Schwartz)-1, Senfl-10, Stoltzer-15, (Verdelot)-1, Walter-2, anon-58
1 paper partbook (T-104 folios and Q-15 folios), ca. 200 x 160. Many folios are in poor condition, but the manuscript has been restored and folios are now covered with plastic. Modern foliation; original numbering of pieces. Scribal concordance with BudOS 23, DresSL 1/D/3, DresSL l/D/4, ZwiR 81/2, and ZwiR 106/5 (SteudeU).
Ca. 1550 (GomA); after 1564 (MurTVB). Copied in Wittenberg (SteudeU). Brought from the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov) to the National Library in Budapest in 1915.
Vol. 4
Contents: 3 Masses, 5 Kyrie-Gloria pairs, 1 Sanctus-Agnus pair, 4 Kyries (1 troped), 1 Gloria, 56 Mass Proper sections (most arranged in cycles), 7 Magnificats, 1 Te Deum, 7 office hymns, 4 processional hymns, 98 motets, 3 Benedicamus dominos, 2 Latin/German sacred pieces, 2 German sacred pieces, 1 Italian secular piece, 1 textless piece = 196 + 1 duplicate = 197
Composers: (Alart)-1, Blanckenmüller-1, Braetel-3, Breitengraser-2, Brumel-1, (Ducis)-1, Eckel [ME]-25 +1?, Finck [HF]-12, Finck/(Compère)-1, Förster-1, Grefinger-1, Haidenheimer-1, Haugk-1, Hemmerlen-1, (Isaac)-1, (Isaac/Mouton)-1, Junckers-1, Josquin-2, Kannegiesser [Wolfg: Cyclopius]-2, Kropstein-4, Molitor-1, Mopsus-5, Musa-1, N.C.-1, Othmayr-2, Paminger-1, Pöpel-7, Rabe-4, Reusch-4, (A. Schwartz)-1, Senfl [LS]-25, Stoltzer-13, Stoltzer/(T. Wüst)-1, (Stoltzer/T. Wüst)-1, (Verdelot)-1, Walter-2, anon-62
Physical: Add "portions of ZwiR 100/4 and DresSL l/D/506" to list of scribal concordances.
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‡ denotes primary source study
Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa). Bonn: Gudrun Schröder. Pages: XXVI-XXVII, 116-127.
Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert. Leipzig. Pages: 19-23, passim Abb. 11-3. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 262ff,331ff,623,635, 710,747. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xiv-xv,36,71. Notes: physical description; contents list (partial); concordances (partial).
Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270. Notes: contents list (partial).
Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 115-7, passim. Notes: physical description; mention of MS; discussion; facsimile (partial).
Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen, vol. 6. Wiesbaden. Pages: 266, passim. Notes: concordances (partial); mention of MS.
Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116-7. Notes: mention of MS.
Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 26: 169-208. Pages: 188. Notes: concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 127. Notes: concordances (partial); incipits (partial).
Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Notes: concordances (partial).
Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5. Kassel. Pages: 166. Notes: mention of MS.
Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 50. Notes: contents list (partial); mention of MS.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, 1342-5. Notes: mention of MS.
Albrecht, Hans. 1948. Zwei Quellen zur deutschen Musikgeschichte der Reformationszeit. Die Musikforschung, 1: 242ff. Notes: physical description; contents list; concordances (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXII,85-8; XXV,77,89; LXX, 115-23,193, 198; LXXXVI.386; XCIX,91-2,95. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).
Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 12: 331-40. Pages: 334ff. Notes: mention of MS.
Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage, Berlin. Pages: 40-l. Notes: mention of MS.
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William Kempster
Friday, 10 July, 2026
The setting of 'Petre amas me' here is NOT concordant with that in CZ-HKM Hr-36 (MS II A 29)
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description