Copied by several scribes, one of whom also wrote BudOS 22, BudOS 23, DresSL l/D/3, DresSL l/D/4, ZwiR 81/2, ZwiR 106/5, and portions of ZwiR 100/4 (SteudeUM). Probably copied in Wittenberg or vicinity; later taken to Annaberg and used at Church of St. Anne (SteudeUM).
D-Dl Ms Mus. 1/D/506 (Annaberger Chorbuch II)
Sächsische Landesbibliothek, Dresden, Germany
manuscript of polyphony: c. 1530
| Archive | Sächsische Landesbibliothek, Dresden, Germany (D-Dl) |
|---|---|
| Shelfmark | Ms Mus. 1/D/506 (Annaberger Chorbuch II) |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Pagination |
| Measurements | 408 x 289 mm |
| Other Identifiers |
|
| Notations |
|
| Copyists |
|
| Relationships |
|
| External Links | |
| External Authorities | |
| Provenance |
|
| Contents | Contains 171 compositions, 20 from 8 composers, 151 are anonymous. |
General Description
Physical Description
At least two folios now missing (preceding p. 1 and following p. 12)
Binding
Brown leather covers, restored.
Notation
black void mensural
Date
1510-30 (MGG); ca. 1530 (SteudeMS).
Foliation
Modern pagination through 521; also a more recent partial renumbering.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
5 Masses, 10 Kyries, 7 Glorias, 3 Credos, 6 Sanctus, 7 Agnus, 73 Mass Proper sections, 8 Magnificats, 38 hymns, 4 motets, 1 textless piece = 162
(A. Agricola)-1, (A. Agricola/Brumel)-1, (Brumel)-2, (Compère)-1, (Compère/Josquin)-1, (Isaac)-1 + 2?, (Notens)-1, (Raber)-1, anon-151
261 paper folios, 408 x 289, plus 1 unnumbered fragment preceding f. 1. At least two folios now missing (preceding p. 1 and following p. 12). Modern pagination through 521; also a more recent partial renumbering. Brown leather covers, restored.
1510-30 (MGG); ca. 1530 (SteudeMS). Copied for the St. Annenkirche in Annaberg. Brought to Dresden in 1968.
Vol. 4
Composers: Change "(Isaac)-1 + 2?" to "(Isaac)-2 + 2?"; change "anon-151" to "anon-150."
Physical: Copied by several scribes, one of whom also wrote BudOS 22, BudOS 23, DresSL l/D/3, DresSL l/D/4, ZwiR 81/2, ZwiR 106/5, and portions of ZwiR 100/4 (SteudeUM).
Provenance: Probably copied in Wittenberg or vicinity; later taken to Annaberg and used at Church of St. Anne (SteudeUM).
Loading inventory…
The inventory could not be loaded.
‡ denotes primary source study
Kindermann, Jürgen (editor). 2010. Annaberger Chorbuch II: Sächsische Landesbibliothek Mus. 1-D-506 (Ms. 1126). Breitkopf & Härtel. Notes: transcriptions; contents list; discussion.
Kindermann, Jürgen. 1978. Die doppelten und mehrfachen Textierungen in den Annaberger Chorbüchern. Festschrift Georg von Dadelsen, 179-88. Neuhausen nr. Stuttgart. Notes: contents list (partial); mention of MS; discussion.
Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert. Leipzig. Pages: 23-8; Abb. 16-7. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xiii-xiv,29-30,51,69; II1,41-2,186,200 [erroneously referred to as "Annaberg 1248"]. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270 [incorrectly referred to as MS 1248] An edition by Jürgen Kindermann is in preparation as Vols. 72-3 of EDMR. Notes: contents list (partial).
Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 27: 86-92. Notes: contents list.
Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte, vol. 6. Wilhelmshaven. Pages: 233-41. Notes: physical description (partial); contents list; concordances (partial).
Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 30: 275-310. Pages: 275-7. Notes: mention of MS.
Cavanaugh, Philip Stephen. 1972. A Liturgico-Musical Study of German Polyphonic Mass Propers, 1490-1520. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: [incorrectly referred to as MS 1248]. Notes: contents list (partial); concordances (partial); transcriptions (partial); incipits (partial).
Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 122ff. Notes: mention of MS.
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xvi [incorrectly referred to as MS 1248]. Notes: mention of MS.
Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 26: 169-208. Notes: concordances (partial).
Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 150ff [incorrectly referred to as MS 1248]. Notes: contents list (partial); concordances (partial); incipits (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 119. Notes: concordances (partial); incipits (partial).
Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 32, passim. Notes: contents list (partial); concordances (partial).
Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1: 1-19. Notes: concordances (partial).
Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae, vol. 22. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, viii, 20-7. Notes: concordances (partial); transcription (partial).
Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae, vol. 15. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, 37-43. Notes: transcription (partial).
Smijers, Albert, and M van Crevel (editors). 1953-. Jacobus Obrecht, Opera Omnia. Amsterdam. Pages: I, fasc. 6, xxvi [incorrectly referred to as MS 1248]. Notes: mention of MS.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: I, 489-91. Notes: mention of MS.
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, ix, 77. Notes: physical description (partial); facsimile (partial).
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description