H-Bn MS Bártfa 23

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: c. 1550

Archive Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark MS Bártfa 23
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 210 x 180 mm
Other Identifiers
  • CCM: BudOS 23
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Wittenberg, Saxony, Germany
Contents 232 pieces from 69 composers
General Description

A single Bassus partbook. Copied by several scribes. Scribal concordance with BudOS 22, DresSL l/D/3, DresSL l/D/4, ZwiR 81/2, and ZwiR 106/5, and portions of ZwiR 100/4 and DresSL l/D/506 (SteudeU). Copied in Wittenberg (SteudeU). Brought from the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov) to the National Library in Budapest in 1915.

DIAMM, 2017
Physical Description

Manuscript has been restored and rebound; all folios are now covered with plastic

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-199.

DIAMM, 2017
Foliation

Modern foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 3 Kyrie-Gloria pairs, 1 Sanctus-Agnus pair, 2 Kyries, 2 Glorias, 1 Sanctus, 3 Mass Proper cycles, 4 Mass Proper sections, 9 Magnificats, 2 Te Deums, 1 Canticle, 1 psalm, 9 hymns, 2 responses, 158 motets, 8 German sacred pieces = 209 (some are duplicates)

Arcadelt-2, (Arnoldt)-1, Arthopius-2, (Bauldeweyn)-1, (Berchem/Jaquet of Mantua)-2, Billon-1, (Blanckenmüller)-1, Braetel-1, Breitengraser-1, (Cadéac)-1, Canis-1, Capella-1, Clemens non Papa-3, Crecquillon-2, Crocauer-1, H. Faber-4, H. Faber/(Caballus)-1, C. Festa-1, S. Festa-1, Finck-10, Gascongne/(Mouton)-1, Ghibel-6, Gombert-4, Gossen-1, Graupitz-3, (Hähnel)-1, Haugk-1, (Hellinck)-1, (Hemmerlen)-1, Isaac-3, (Jaquet of Mantua)-1, Jonckers-1, Josquin-1, D. Köler-4, Kropstein-5, Lemlin -1, Leo X [Cardinalis]/(A. Févin)-1, M.B.-1, Mahu-4, Molitor-1, Mopsus-2, Mouton-2, (Mouton/Richafort)-1, Musa-10, Piéton-1, Pöpel-5, Rabe-6, Reichardt-3, Senfl/(Dietrich)-1, Senfl-8, Stoltzer-10, Susato-1, Teuber-1, Unterholtzer-2, Verdelot-3, Walter-1, Walter Jr.-2, Willaert-1, anon-63

1 paper partbook (B-128 folios), 210 x 180. Manuscript has been restored and rebound; all folios are now covered with plastic. Modern foliation; original numbering of pieces, 1-199. Scribal concordance with BudOS 22, DresSL l/D/3, DresSL l/D/4, ZwiR 81/2, and ZwiR 106/5 (SteudeU).

Ca. 1550 (GomA); after 1555 (MurTVB); dates ranging from 1545-50 in manuscript. Copied in Wittenberg (SteudeU). Brought from the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov) to the National Library in Budapest in 1915.

Vol. 4

Contents: 3 Masses, 3 Kyrie-Gloria pairs, 1 Sanctus-Agnus pair, 1 Kyrie, 2 Glorias, 1 Sanctus, 32 Mass Proper sections, 9 Magnificats, 2 Te Deums, 1 canticle, 11 office hymns, 1 processional hymn, 124 motets, 1 Benedicamus domino, 8 German sacred pieces = 200 + 5 duplicates = 205

Composers: Arcadelt, (Arnoldt)-1, Arthopius-1, (Bauldeweyn)-1, (Berchem/Jaquet of Mantua)-2, Billon-1, (Blanckenmüller)-1, Braetel-1, Breitengraser [G.B.]-1, (Buus)-2, (Cadéac)-1, Canis-1, (Canis/Clemens non Papa)-1, Capella -1, Clemens non Papa-2, Crecquillon, Crocauer-1, H. Faber-4, H. Faber/(Caballus)-1, C. Festa/S. Festa-1, Finck-11, Gascongne(Mouton)-1, Ghibel-6, Gombert-3, (Gombert/Mouton/Verdelot)-1, Gossen-1, Graupitz-3, (Hahnel)-1, Haugk-1, (Hellinck)-1, (Hemmerlen)-1, Isaac-2, Jaquet of Mantua)-2, Jonckers/(Manchicourt)-1, Josquin(Gombert/Sermisy)-1, D. Köler-4, Kropstein [NK]-5, Lemlin-1, Leo X [loan. de medicis Cardinalis]/(A. Févin)-1, (Lhéritier)-1, MB-1, Mahu-3, Molitor-1, Mopsus-2, Mouton-1, (Mouton/Richafort)-1, Musa-10, (Phinot)-1, Piéton-1, Pöpel-5, Rabe-6, Reichardt-S, Senil-7, Senfl(Dietrich)-1, Stoltzer-10, Susato-1, Teuber-1, Unterholtzer-1, Verdelot-2, Verdelot/(Appenzeller)-1, Walter-1, Walter Jr.-2, Willaert-1, anon-61

Physical: Add "portions of ZwiR 100/4 and DresSL l/D/506" to list of scribal concordances.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Formavit igitur Dominus hominem de limo (2p. Et factus est homo in animam; 3p. In principio fecit Deus caelum) Valentinus Rab [= Rabe]
Appears on: 1–2
Genres: Motet
Source Attribution: Valentinus Rab [= Rabe]
Voice: [no designation]
Languages: Latin
Voice Text: Formavit igitur dominus hominem de limo II: Et factus est homo in animam III: In principio fecit deus coelum
2–3 Missus est Gabriel angelus ad Mariam (2p. Ecce concipies et paries et vocabitur; 3p. Ave Maria gratia plena Dominus tecum) Valentinus Rab
Appears on: 2–3
Genres: Ave Maria, Motet
Source Attribution: Valentinus Rab
Voice: [no designation]
Languages: Latin
Voice Text: Missus est Gabriel angelus ad Mariam II: Ecce concipies et paries et vocabitur III: Ave Maria gratia plena dominus tecum
General Note

dated 5.2.1545

3–3v Regnum mundi et omnem ornatum saeculi (2p. Quem vidi quem amavi in quem credidi; 3p. Eructavit cor meum verbum bonum) Valentinus Rab
Appears on: 3–3v
Genres: Motet
Source Attribution: Valentinus Rab
Voice: [no designation]
Languages: Latin
Voice Text: Regnum mundi et omnem ornatum seculi II: Quem vidi quem amavi in quem credidi III: Eructavit cor meum verbum bonum
General Note

dated 26-2-1545

4 In illo tempore postquam consummati sunt (4vv) Constantius Festa/ [S. Festa]
Appears on: 4
Genres: Motet
Source Attribution: Constantius Festa/ [S. Festa]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore postquam consumpti sunt [= f. 66v]
General Note

also copied at f.66v

4–5 Verbum caro factum est et habitabit (2p. Cuius gloriam vidimus quasi unigenite; 3p. Plenum gratia et veritate; 4p. In principio erat verbum et verbum) Anon. Anonymous
Appears on: 4–5
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitabit II: Cuius gloriam vidimus quasi unigenite III: Plenum gratia et veritate IV: In principio erat verbum et verbum
5–6v Dum transisset sabbatum Maria Magdalena (2p. Ut venientes ungerent Jesum alleluia; 3p. Et valde mane una sabbatorum) Anon. Anonymous
Appears on: 5–6v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabbatum Maria Magdalena II: Ut venientes ungerent eum alleluia III: Et valde mane una sabbathorum IV: Gloria tui spiritui sancto
6v Veni sancte spiritus reple tuorum corda Anon. Anonymous
Appears on: 6v
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni sancte spiritus] Reple tuorum corda
7–7v Magnificat Sexti Toni: Et exultavit [K.350] Anon. Anonymous
Appears on: 7–7v
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Sexti toni]: Et exultavit spiritus meus
8–8v Si credimus quod Jesus Christus mortuus (2p. Quare ne constristemini sicut ceteri; 3p. Sicut in Adam omnes moriuntur) Io: Molitor
Appears on: 8–8v
Genres: Motet
Source Attribution: Io: Molitor
Voice: [no designation]
Languages: Latin
Voice Text: Si credimus quod Iesus Christus mortuus II: Quare ne constristemini sicut ceteri III: Sicut in Adam omnes moriuntur
9–10v Salve regina misericordiae [7 partes] HF [= Finck]
Appears on: 9–10v
Genres: Motet, Salve Regina
Source Attribution: HF [= Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina misericordiae [vita dulcedo]
10v Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus qui docet Ioan. de Medicis Cardinalis [= Leo X]/ [A. Févin]
Appears on: 10v
Genres: Motet, Psalm
Source Attribution: Ioan. de Medicis Cardinalis [= Leo X]/ [A. Févin]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus deus meus qui docet II: Omnes gentes plaudite manibus
11 Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus -
Appears on: 11
Genres: Motet, Psalm
11 Verbum caro - 1a pars (of 3): Verbum caro factum est [Arnoldt]
Appears on: 11
Genres: Motet
Source Attribution: [Arnoldt]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitabit II: [Plenum gratia] Et veritate III: In principio erat verbum et verbum
Concordances

concordance: Zwickau 73 (no.98)

11–11v Verbum caro - 2a pars (of 3): Plenum gratia et veritate -
Appears on: 11–11v
Genres: Motet
11v Verbum caro - 3a pars (of 3): In principio erat verbum et verbum -
Appears on: 11v
Genres: Motet
12 Fortem genitor foeno sisti volebat Anon. Anonymous
Appears on: 12
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Fortem genitor foeno sisti volebat
Concordances

concordance: Zwickau 79,1 (no.3)

12–12v Apprende laudem O piger monet verbigine Anon. Anonymous
Appears on: 12–12v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Apprende laudem O piger monet verbigine
Concordances

concordance: Zwickau 79,1 (no.22) (MurTVB) [note: DIAMM inventory for 79,1 does not extend to 22 pieces?]

12v–13v Lauda Sion salvatorem lauda ducem Quantum potes tantum gaude [Proprium de Corpore Christi] Hein: Isaac
Appears on: 12v–13v
Genres: Sequence
Source Attribution: Hein: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: [Lauda Sion salvatorem lauda ducem] Quantum [potes tantum aude quia maior]
13v–14 Ecce Maria genuit nobis salvatorem quem Johannes Ste: Mahu
Appears on: 13v–14
Genres: Motet
Source Attribution: Ste: Mahu
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit nobis [salvatorem] quem Ioannes [= ff. 111v-112]
General Note

also copied at f.111v

14–14v Salutem ex inimicis nostris et de manu Balthasar Arthopius
Appears on: 14–14v
Genres: Motet
Source Attribution: Balthasar Arthopius
Voice: [no designation]
Languages: Latin
Voice Text: Salutem ex inimicis nostris et de manu [= f. 112]
General Note

also copied at f.112

14v–15 Ecce ego mitto vos sicut oves in medio Rupertus Undeholtzer [= Unterholtzer]
Appears on: 14v–15
Genres: Motet
Source Attribution: Rupertus Undeholtzer [= Unterholtzer]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce ego mitto vos sicut oves in medio [= ff. 62-62v]
General Note

also copied at f. 62v

15 Tua est potentia tuum regnum Dominus 26.17 Ioannes Mouton
Appears on: 15
Genres: Motet
Source Attribution: Ioannes Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potentia tuum regnum domine [= f. 112v]
General Note

also copied at f. 112v

15–15v In patientia vestra possidebitis animas Nicolaus Gomberth
Appears on: 15–15v
Genres: Motet
Source Attribution: Nicolaus Gomberth
Voice: [no designation]
Languages: Latin
Voice Text: In patientia vestra possidebitis animas
15v–16v Magnificat Quarti Toni: Et exultavit [K.1076] T.S. [= Stoltzer]
Appears on: 15v–16v
Genres: BVM, Canticle, Magnificat
Source Attribution: T.S. [= Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Quarti toni]: Et exultavit [spiritus meus]
16v Natus est nobis hodie de pura virgine Anon. Anonymous
Appears on: 16v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Natus est nobis hodie de pura virgine
16v In natali Domini casti gaudent angelis / Da Christus geborenn war Anon. Anonymous
Appears on: 16v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In natali domini gaudent omnes angeli
16v Victimae paschali (P13) - 1a pars (of 3): [Victimae paschali] Agnus redemit oves Christus innocens (4vv) L.S. [= Senfl]
Appears on: 16v
Genres: Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
16v–17 Victimae paschali (P13) - 2a pars (of 3): Dic nobis Maria (5vv) -
Appears on: 16v–17
Genres: Motet
17 Victimae paschali (P13) - 3a pars (of 3): Credendum est magis (6vv) -
Appears on: 17
Genres: Motet
17 In natali Domini clamant mortales / Wo ist uns das Kind geborn [Hähnel]
Appears on: 17
Genres: Motet
Source Attribution: [Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: In natali domini clamant mortales singuli
17v Qui sunt hi sermones quos confertis Anon. Anonymous
Appears on: 17v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Qui sunt hi sermones quos confertis
17v–18 Post dies octo ianuis clausis ingressus Anon. Anonymous
Appears on: 17v–18
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Post dies octo ianuis clausis ingressus
18–18v Surrexit Dominus de sepulchro qui pro nobis Anon. Anonymous
Appears on: 18–18v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit dominus de sepulcro qui pro nobis
18v Tu autem cum oraveris Ludo: Senftel/[Dietrich]
Appears on: 18v
Genres: Motet
Source Attribution: Ludo: Senftel/[Dietrich]
Voice: [no designation]
Languages: Latin
Voice Text: Tu autem cum oraveris intra in cubiculum
Concordances

concordance: Regensburg 211-215 (f.1)

18v–19 Martinus episcopus migravit a seculo Anon. Anonymous
Appears on: 18v–19
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Martinus episcopus migravit a seculo
19 Chorus novae Jerusalem novam meli 2 Quo Christus invictus leo dracone 3 Quam devorarat improbus praedam 5 Ipsum canendo suplices regem precemur T.S.
Appears on: 19
Genres: Hymn
Source Attribution: T.S.
Voice: [no designation]
Languages: Latin
Voice Text: [Chorus novae Jerusalem novam meli] 2 Quo Christus invictus [leo dracone]
19 Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major Ioannes Walther
Appears on: 19
Genres: Motet
Source Attribution: Ioannes Walther
Voice: [no designation]
Languages: Latin
Voice Text: Inter natos mulierum non surrexit maior II: Qui viam domino preparavit in heremo III: Fuit homo missus a deo cui nomen
19–19v Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit -
Appears on: 19–19v
Genres: Motet
19v Inter natos mulierum - 3a pars (of 3): Fuit homo missus a Deo cui nomen -
Appears on: 19v
Genres: Motet
20–20v Panem angelorum manducavit sanctus Anthonus (2p. Corvus enim nutu de panem tulit; 3p. Eya iniquit Paulus sumamus cibum) Ioannes Mopsus
Appears on: 20–20v
Genres: Motet
Source Attribution: Ioannes Mopsus
Voice: [no designation]
Languages: Latin
Voice Text: Panem angelorum manducavit sanctus Anthonus II: Corvus enim nutu de panem tulit III: Eya iniquit Paulus sumamus cibum
21 Hoc est praeceptum meum ut diligatis Sebastianus Crocawer [= Crocauer]
Appears on: 21
Genres: Motet
Source Attribution: Sebastianus Crocawer [= Crocauer]
Voice: [no designation]
Languages: Latin
Voice Text: Hoc est praeceptum meum [ut diligatis]
21–21v Erhalt uns Her bei Deinem wort (2p. Verleih uns Frieden gnädiglich) M: Henri: Faber
Appears on: 21–21v
Genres: Motet
Source Attribution: M: Henri: Faber
Voice: [no designation]
Languages: German
Voice Text: Erhalt uns Her [bei deinem wort] II: Verley uns frid[en gnadiglich]
General Note

listed as 2 pieces, rather than a single piece with 2 partes, in MurTVB

21v–22v Gloria. Gratias agimus tibi propter Anthonius Musa
Appears on: 21v–22v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anthonius Musa
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Gratias agimus tibi propter
22v–23 Veni redemptor gentium ostende partum Iacobus Reich [= Reichardt]
Appears on: 22v–23
Genres: Motet
Source Attribution: Iacobus Reich [= Reichardt]
Voice: [no designation]
Languages: Latin
Voice Text: Veni redemptor gentium ostende partum
23 Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) Antho: Musa
Appears on: 23
Genres: Motet
Source Attribution: Antho: Musa
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes [reddamus domino deo] II: Huic oportet [ut canamus cum angelis]
23v Ecce Maria genuit nobis salvatorem (2p. Ecce agnus Dei) Anthonius Musa
Appears on: 23v
Genres: Motet
Source Attribution: Anthonius Musa
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit [nobis salvatorem] II: Ecce agnus dei
23v–24 A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus Anth: Musa
Appears on: 23v–24
Genres: Hymn
Source Attribution: Anth: Musa
Voice: [no designation]
Languages: Latin
Voice Text: [A solis ortus cardine ad usque terrae] 2 Beatus author seculi [servile corpus]
24–24v Dies est laetitiae in ortu regali Anthonius Musa
Appears on: 24–24v
Genres: Motet
Source Attribution: Anthonius Musa
Voice: [no designation]
Languages: Latin
Voice Text: Dies est laetitiae [in ortu regali]
24v Benedicamus Domino Deo dicamus gratias Anth: Musa
Appears on: 24v
Genres: Benedicamus Domino, Deo gratias, Motet
Source Attribution: Anth: Musa
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicamus domino] Deo dicamus gratias
24v–25 Lumen ad revelationem gentium et gloriam Anthonius Musa
Appears on: 24v–25
Genres: Motet
Source Attribution: Anthonius Musa
Voice: [no designation]
Languages: Latin
Voice Text: Lumen ad revelationem [gentium et gloriam]
25 Benedicamus in laude Jesu qui sumpsit carnem Anon. Anonymous
Appears on: 25
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Benedicamus in laude Iesu qui sumpsit carnem
25–26 Mittit ad virginem non quemvis angelum HF [= Finck]
Appears on: 25–26
Genres: Motet
Source Attribution: HF [= Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Mittit ad virginem [non quemvis angelum]
26 Ich ruf zu dir, Herr Jesu Christ Ioan: Mopsus
Appears on: 26
Genres: Motet
Source Attribution: Ioan: Mopsus
Voice: [no designation]
Languages: German
Voice Text: Ich ruff zu dir Her Jesu Christ
26–26v A solis ortus cardine ad usque terrae Iacobus Reichart
Appears on: 26–26v
Genres: Motet
Source Attribution: Iacobus Reichart
Voice: [no designation]
Languages: Latin
Voice Text: A solis ortus [cardine ad usque terrae]
26v Domine ad adjuvandum me festina gloria Antho: Musa
Appears on: 26v
Genres: Motet
Source Attribution: Antho: Musa
Voice: [no designation]
Languages: Latin
Voice Text: Domine ad adiuvandum me festina gloria
27–27v Noch tritt auff den weg der Sünder (2p. Der ist wie ein Baum gepflantzet; 3p. Aber so sindt die gotlosen nicht; 4p. Den der Herre kennet den weg; 5p. Wie es war im Anfange und allewege) Antho: Musa
Appears on: 27–27v
Genres: Motet
Source Attribution: Antho: Musa
Voice: [no designation]
Languages: German
Voice Text: Noch tritt auff den weg der Sünder II: Der ist wie ein Baum gepflantzet III: Aber so sindt die gotlosen nicht IV: Den der Herre kennet den weg V: Wie es war im Anfange undt allewege
27v–28v Aufer a nobis domine cunctas iniquitates (2p. Miserere populi tui quem redemisti; 3p. [untexted]) Antho: Musa
Appears on: 27v–28v
Genres: Motet, textless
Source Attribution: Antho: Musa
Voice: [no designation]
Languages: Latin
Voice Text: Aufer a nobis domine [cunctas iniquitates] II: Miserere [populi tui quem redemisti] III: Textless
29–30 Sancti spiritus assit nobis gratia Thomas Pöpel
Appears on: 29–30
Genres: Motet
Source Attribution: Thomas Pöpel
Voice: [no designation]
Languages: Latin
Voice Text: Sancti spiritus assit nobis gratia
30–31 Magnificat octavi toni: Et exultavit [K.640] Andreas Capella
Appears on: 30–31
Genres: BVM, Canticle, Magnificat
Source Attribution: Andreas Capella
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Octavi toni]: Et exultavit spiritus meus
31–31v Sancte Jesu succure miseris juva pusillanimes (= Sancta Maria succurre miseris) Cornel: Canis
Appears on: 31–31v
Genres: Motet
Source Attribution: Cornel: Canis
Voice: [no designation]
Languages: Latin
Voice Text: Sancte Iesu succure miseris iuva pusillanimes [= Sancta Maria succurre miseris]
31v–32 Nunn komm der Heiden Heiland, der Jungfrauen VR [= Rabe]
Appears on: 31v–32
Genres: Chorale, Motet, Sacred Song
Source Attribution: VR [= Rabe]
Voice: [no designation]
Languages: German
Voice Text: Nun kom der heiden heilandt der iungfrawen
32v O lux beata trinitas et principalis (I) NK [= Kropstein]
Appears on: 32v
Genres: Motet
Source Attribution: NK [= Kropstein]
Voice: [no designation]
Languages: Latin
Voice Text: O lux beata trinitas et principalis
32v–33 O lux beata trinitas et principalis (II) NK
Appears on: 32v–33
Genres: Motet
Source Attribution: NK
Voice: [no designation]
Languages: Latin
Voice Text: O lux beata trinitas et principalis
33 O lux beata trinitas et principalis (III) NK
Appears on: 33
Genres: Motet
Source Attribution: NK
Voice: [no designation]
Languages: Latin
Voice Text: O lux beata trinitas et principalis
33–34v Missa Sine nomine KGS Anon. Anonymous
Appears on: 33–34v
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sine nomine] [KGS]
34v–38 Missa O admirabile commercium: KGCS Anon. Anonymous
Appears on: 34v–38
Genres: Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] super O admirabile [commercium] [KGCS]
38v Johannes est nomen eius vinum et siceram NK
Appears on: 38v
Genres: Motet
Source Attribution: NK
Voice: [no designation]
Languages: Italian
Voice Text: Ioannes est nomen eius vinum et siceram
38v–39 Spiritus Domini replevit orbem terrarum Vs: Confirma hoc Deus quod operatus es VR
Appears on: 38v–39
Genres: Hymn
Source Attribution: VR
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit orbem terrarum Vs: Confirma hoc deus quod operatus es
39v Contingat illis turturum concordia cor meum Anon. Anonymous
Appears on: 39v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Contingat illis turturum concordia cor meum
Concordances

concordances: Dresden 1/D/4 (no.21), Regensburg 940/941 (no.62). Also in organ tablature in RISM 1583-22 (no.67)

39v–40 Wohl für der hellen Qual und Not VR
Appears on: 39v–40
Genres: Motet
Source Attribution: VR
Voice: [no designation]
Languages: Italian
Voice Text: Wol für der hellen qual und nott
40–40v Aspice Domine quia factus est desolata Anon.
Appears on: 40–40v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine quia factus est desolata
Concordances

RISM 1503-1 (no.19)

40v–41 Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete) MHF [= Faber]
Appears on: 40v–41
Genres: Motet
Source Attribution: MHF [= Faber]
Voice: [no designation]
Languages: Latin
Voice Text: Creavit deus hominem ad imaginem suam II: Crescite et multiplicamini et replete
Concordances

concordance: Regensburg 940/941 (no.238)

41–41v Scandala ne mundi cures ecclesia Christi Anon. Anonymous
Appears on: 41–41v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Scandala ne mundi cures ecclesia Christi
Concordances

concordance: Regensburg 940/941 (no.303)

41v–42v In ieiunio et fletu orabant sacerdotes (2p. Inter vestibulum et altare plorabant) [Buus]
Appears on: 41v–42v
Genres: Motet
Source Attribution: [Buus]
Voice: [no designation]
Languages: Latin
Voice Text: In ieiunio et fletu orabant sacerdotes II: Inter vestibulum et altare plorabant
42v–43 Hodie Simon Petrus ascendit crucis patibulum Helisei Gibelli [= Ghibel]
Appears on: 42v–43
Genres: Motet
Source Attribution: Helisei Gibelli [= Ghibel]
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Simon Petrus ascendit crucis patibulum
43–43v Vespere autem sabbati que lucescit in prima Helisei Gibelli
Appears on: 43–43v
Genres: Motet
Source Attribution: Helisei Gibelli
Voice: [no designation]
Languages: Latin
Voice Text: Vespere autem sabati que lucescit in prima
43v–45v Te Deum laudamus [K.1150] Io: Walter Iunior
Appears on: 43v–45v
Genres: Te Deum
Source Attribution: Io: Walter Iunior
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
45v–46 Spem in alium nunquam habui praeter in te [Jaquet of Mantua]
Appears on: 45v–46
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Spem in alium nunquam habui preter
Concordances

concordance: RISM A/I J 10 (no.19)

46 Spes mea Christus a juventute mea? Io: Walter Iunior
Appears on: 46
Genres: Motet
Source Attribution: Io: Walter Iunior
Voice: [no designation]
Languages: Latin
Voice Text: Spes mea Christus [a juventute mea?]
46v–47v Magnificat Sexti Toni: Et exultavit [K.346] Anon. Anonymous
Appears on: 46v–47v
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Sexti toni]: Et exultavit spiritus meus
47v Sancta Maria Magdalena quae Christum a morte Melhior Graupitz
Appears on: 47v
Genres: Motet
Source Attribution: Melhior Graupitz
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria Magdalena quae Christum à morte
48 Puer natus est nobis et filius datus est Vs: Cantate Domino canticum novum Melchior Graupitz Dresdensis
Appears on: 48
Genres: Hymn
Source Attribution: Melchior Graupitz Dresdensis
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est [nobis] et filius datus est Vs: Cantate domino canticum novum
48 Hostis Herodes impie 2 Ibant magi quam viderant 4 Novum genus potentiae L.S. [= Senfl]
Appears on: 48
Genres: Hymn
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: [Hostis Herodes impie Christum venire] 2 Ibant magi quam viderant stellam
Concordances

concordance: Munich ms 52

48v–49 Da pacem Domine in diebus nostris Philip: Verdoloth/ [Appenzeller]
Appears on: 48v–49
Genres: Motet
Source Attribution: Philip: Verdoloth/ [Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
Concordances

concordance: Leipzig Thomaskirche 49/50 (no.234)

49–49v Domine da nobis auxilium de tribulatione (2p. Tibi subiecta sit anima mea quoniam) Tielmanus Susato
Appears on: 49–49v
Genres: Motet
Source Attribution: Tielmanus Susato
Voice: [no designation]
Languages: Latin
Voice Text: Domine da nobis auxilium de tribulatione II: Tibi subiecta sit anima mea quoniam
Concordances

concordance: RISM 1545-2 (no.13)

49v–50 Mane surgens Jacob erigebat lapidem (2p. Cumque evigilasset Jacob de somno) [Hellinck]
Appears on: 49v–50
Genres: Motet
Source Attribution: [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Mane surgens Jacob erigebat lapidem II: Cumque evigilasset Iacob de somno
50v Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis [Mouton/Richafort]
Appears on: 50v
Genres: Motet
Source Attribution: [Mouton/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Christus resurgens ex mortuis iam non II: Mortuus [est] enim propter delicta
50v Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta -
Appears on: 50v
Genres: Motet
51 Christe qui lux es et dies noctis [Blanckenmüller]
Appears on: 51
Genres: Motet
Source Attribution: [Blanckenmüller]
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis
Concordances

concordance: RISM 1545-2 (no.9)

51 Mirabantur omnes in verbis gratiae? Anon. Anonymous
Appears on: 51
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Mirabantur omnes [in verbis gratiae?]
51–51v Musa tuos laetos confestim suprime vultus Melchior Graupitz
Appears on: 51–51v
Genres: Motet
Source Attribution: Melchior Graupitz
Voice: [no designation]
Languages: Latin
Voice Text: Musa tuos laetos confestim suprime vultus
General Note

Eputaphium for Anton Musa

51v–52 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus et laudabilis nimis Anon. Anonymous
Appears on: 51v–52
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Suscepimus deus misericordiam tuam in medio Vs: Magnus dominus et laudabilis nimis
52–52v Nunc dimittis servum tuum Domine (2p. Lumen ad revelationem gentium) Anon. Anonymous
Appears on: 52–52v
Genres: Canticle, Motet, Nunc Dimittis
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Nunc dimittis servum tuum [domine] II: Lumen ad revelationem gentium
52v–53 Komm Heiliger Geist Herre Gott, erfüll M. Henricus Faber
Appears on: 52v–53
Genres: Motet
Source Attribution: M. Henricus Faber
Voice: [no designation]
Languages: German
Voice Text: Kom heÿliger geist Herre Gott erfil
53 Missa Solemnis a4: Kyrie [Isaac]
Appears on: 53
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Solemnis] [KG]
53v–54 Missa Solemnis a4: Gloria -
Appears on: 53v–54
Genres: Gloria (et in terra pax), Mass Ordinary
54–54v Kyrie [Tro] magne Deus potentiae M. Henricus Faber
Appears on: 54–54v
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: M. Henricus Faber
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie Magne deus
54v–56 Te Deum laudamus Huldericus Bratellius [= Braetel]
Appears on: 54v–56
Genres: Liturgical work, Te Deum
Source Attribution: Huldericus Bratellius [= Braetel]
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
56v Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo [Finck]
Appears on: 56v
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
56v Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: 56v
Genres: Motet
56v–57 Nesciens mater virgo virum peperit 24.8 II: Ipsum regem angelorum sola virgo [Josquin]
Appears on: 56v–57
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo virum peperit
Concordances

concordance: RISM 1545-2 (no.22)

57–57v Ne reminiscaris domine delicta mea vel L.S. [= Senfl]
Appears on: 57–57v
Genres: Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ne reminiscaris domine delicta mea vel
57v–58 Alleluia. Noli flere Maria Gascongne/[Mouton]
Appears on: 57v–58
Genres: Alleluia, Motet
Source Attribution: Gascongne/[Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Noli flere Maria alleluia
58–58v Pax vobis ego sum alleluia nolite timere (2p. Palpate et videte quia spiritus) Pieton
Appears on: 58–58v
Genres: Motet
Source Attribution: Pieton
Voice: [no designation]
Languages: Latin
Voice Text: Pax vobis ego sum alleluia nolite timere II: Palpate et videte quia spiritus
58v–59 Angeli archangeli throni et dominationes (2p. Sancti leges doctores apostolique) Mich: Gossen
Appears on: 58v–59
Genres: Motet
Source Attribution: Mich: Gossen
Voice: [no designation]
Languages: Latin
Voice Text: Angeli archangeli throni et dominationes II: Sancti leges doctores apostolique
59–60 Cum transisset Jesus quodam castellum (2p. Unus autem ex illis ut vidit quod) Gombert
Appears on: 59–60
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: Cum transisset Jesus quoddam castellum II: Unus autem ex illis ut vidit quod
60–61 Spem in alium nunquam habui praeter (2p. Dominus Deus caeli et terrae respice) Anon. Anonymous
Appears on: 60–61
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Spem in alium nunquam habui preter II: Dominus deus celi et terre respice
61–61v Homo Dei ducebatur in cruce ut crucifigerent (2p. Oravit sanctus Andreas dum respiceret) 'Adilon' [= ἄδηλον, unknown] Anonymous
Appears on: 61–61v
Genres: Motet
Source Attribution: 'Adilon' [= ἄδηλον, unknown]
Voice: [no designation]
Languages: Latin
Voice Text: Homo dei ducebatur in cruce ut crucifigerent II: Oravit sanctus Andreas dum respiceret
61v–62 Genuit puerpera regem cui nomen aeternum [Senfl]
Appears on: 61v–62
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Genuit puepera regem cui nomen eternum
62–62v Ecce ego mitto vos sicut oves in medio Rupertus Underholtzer
Appears on: 62–62v
Genres: Motet
Source Attribution: Rupertus Underholtzer
Voice: [no designation]
Languages: Latin
Voice Text: Ecce ego mitto vos sicut oves in medio [= ff. 14v-15]
General Note

also copied at f. 14v

62v Sancta et immaculata virginitas quibus Stephanus Mahu
Appears on: 62v
Genres: Motet
Source Attribution: Stephanus Mahu
Voice: [no designation]
Languages: Latin
Voice Text: Sancta et immaculata virginitas quibus
62v [Pange lingua] Nobis natus nobis datus Ex intacta Ludovicus Senfftel
Appears on: 62v
Genres: Hymn
Source Attribution: Ludovicus Senfftel
Voice: [no designation]
Languages: Latin
Voice Text: [Pange lingua gloriosi corporis mysterium] 2 [Nobis natus nobis datus] Ex intacta
63 Dies est laetitiae in ortu regali Anon. Anonymous
Appears on: 63
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Dies est laetitiae in ortu regali
63–63v Tua est potentia tuum regnum domine (2p. Aspice domine quia facta est desolata) Anon. Anonymous
Appears on: 63–63v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potentia tuum regnum domine II: Aspice domine quia facta est desolata
64–64v Magnificat Secundi or Octavi Toni: Et exultavit [K.1080] Thomas Stoltzer
Appears on: 64–64v
Genres: BVM, Canticle, Magnificat
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Secundi or Octavi toni]: Et exultavit spiritus meus
65–65v Ingressus Pilatus cum Jesum in praetorium (2p. Et cum indutus fuisset exclamaverunt; 3p. Tunc ait illis Pilatus regum vestrum) Anon. Anonymous
Appears on: 65–65v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ingressus Pilatus cum Ihesum in praetorium II: Et cum indutus fuisset exclamaverunt III: Tunc ait illis Pilatus [regum vestrum]
65v Homo quidam (P98, 5vv) - 1a pars (of 3): Homo quidam fecit cenam [Senfl]
Appears on: 65v
Genres: Motet, Psalm
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit [coenam magnam et misit] II: [Quia] Parata sunt [omnia] III: Venite [comedite panem meum et bibite]
General Note

MurTVB says this is the 4vv setting, but Senfl catalogue confirms it is the 5vv

65v–66 Homo quidam (P98, 5vv) - 2a pars (of 3): Quia parata sunt omnibus firmiter -
Appears on: 65v–66
Genres: Motet, Psalm
66 Homo quidam (P98, 5vv) - 3a pars (of 3): Venite comedite panem meum -
Appears on: 66
Genres: Motet, Psalm
66–66v Ubi est Abel frater tuus dixit Dominus (2p. Nescio domine nunquod custos fratris; 3p. Ecce vox sanguinis fratris tui Abel; 4p. Maledicta terra in opere tuo) Laurentius Lemlein
Appears on: 66–66v
Genres: Motet
Source Attribution: Laurentius Lemlein
Voice: [no designation]
Languages: Latin
Voice Text: Ubi est Abel frater tuus dicit dominus II: Nescio domine nunquod custos fratris III: Ecce vox sanguinis fratris tui Abel IV: Maledicta terra in opere tuo
66v In illo tempore postquam consummati sunt (4vv) Sebastianus Festa/ [C. Festa]
Appears on: 66v
Genres: Motet
Source Attribution: Sebastianus Festa/ [C. Festa]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore postquam consummati sunt [= f. 4]
General Note

copied above at f.4

67–68 Sancti spiritus assit nobis gratia Anon. Anonymous
Appears on: 67–68
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Sancti spiritus assit nobis gratia
68 Flos florum fons ortorum regina polorum Anon. Anonymous
Appears on: 68
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Flos florum fons ortorum regina polorum
Concordances

concordance: Halle UB Ed 1147 (no.11)

68–69 Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt Virgilius Haug [= Haugk]
Appears on: 68–69
Genres: Hymn
Source Attribution: Virgilius Haug [= Haugk]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
69–69v A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus Anon. Anonymous
Appears on: 69–69v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [A solis ortus cardine ad usque terrae] 2 Beatus auctor seculi servile corpus
69v Verbum caro factum - 3a pars (of 6): In principio erat verbum [Stoltzer]
Appears on: 69v
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: [Verbum caro factum est et habitavit] (Pars I not present, Pars II and Pars III appear in reverse order) II: Plenum gratia et veritate III: In principio erat verbum et verbum
General Note

partes 3 & 2 (in that order) only

69v Verbum caro factum - 2a pars (of 6): Plenum gratia et veritate -
Appears on: 69v
Genres: Motet
69v–70 Veni electa mea et ponam in te thronum HF [= Finck]
Appears on: 69v–70
Genres: Motet
Source Attribution: HF [= Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Veni electa mea et ponam in te thronum
70 Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei Anon. Anonymous
Appears on: 70
Genres: Hymn, Veni creator spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Veni creator spiritus mentes tuorum] 2 Qui paracletus diceris donum dei
70 Obsecro Domine - 1a pars (of 2): Obsecro Domine mitte quem missurus es Adrianus Wilhart
Appears on: 70
Genres: Motet
Source Attribution: Adrianus Wilhart
Voice: [no designation]
Languages: Latin
Voice Text: Obsecro domine mitte quem missurus es II: Qui regis Israel intende qui deducis
71 Obsecro Domine - 2a pars (of 2): Qui regis Israel intende -
Appears on: 71
Genres: Motet
71–73v Missa Sine nomine (KGCSA) Anon. Anonymous
Appears on: 71–73v
Genres: Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Sine nomine]
73v–74v Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] [Isaac]
Appears on: 73v–74v
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Benedicta semper sancta sit trinitas] Pater filius sanctus spiritus tria sunt
74v Conscendit ... Anon. Anonymous

Conscendit ...

Anonymous
Appears on: 74v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: insufficient
Voice Text: Illegible incipit
75 Dies est laetitiae in ortu regali Thomas Stolczer
Appears on: 75
Genres: Motet
Source Attribution: Thomas Stolczer
Voice: [no designation]
Languages: Latin
Voice Text: Dies est laetitiae in ortu regali
75–76 In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus) Anon. Anonymous
Appears on: 75–76
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore dixit Ihesus discipulis II: His autem fieri incipientibus
Concordances

concordance: Regensburg 940/941 (no.236); MurTVB states that this piece is also concordant with the Brumel/Ricahfort setting - but it is not.

76–77 Magnificat Secundi Toni: Et exultavit [K.217] Anon. Anonymous
Appears on: 76–77
Genres: BVM, Canticle, Magnificat
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Secundi toni]: Et exultavit spiritus meus
77–77v Magnificat octavi toni: Et exultavit [K.786] HF
Appears on: 77–77v
Genres: BVM, Canticle, Magnificat
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat Octavi toni]: Et exultavit spiritus meus
78 Istorum est enim regnum caelorum [Phinot]
Appears on: 78
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Istorum est [enim] regnum coelorum
78–78v Ecce Dominus veniet et omnes sancti eius Anon. Anonymous
Appears on: 78–78v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce dominus veniet et omnes sancti
78v–79 Dum sequeris stantes pro relligione Anon. Anonymous
Appears on: 78v–79
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Dum sequeris stantes pro relligione
79v Da pacem domine in diebus nostris Anon. Anonymous
Appears on: 79v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
79v–80v Scio enim quod redemptor meus vivit (2p. Quem visurus sum et oculi mei) HF
Appears on: 79v–80v
Genres: Motet
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: Scio enim quod redemptor meus vivit II: Quem visurus sum et oculi mei
80v Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) Ia: Reichart
Appears on: 80v
Genres: Motet
Source Attribution: Ia: Reichart
Voice: [no designation]
Languages: Latin
Voice Text: Grates [nunc omnes reddamus domino deo] II: [Huic oportet ut canamus cum angelis]
81 Ein kindelein so löbelich ist uns geboren Anon. Anonymous
Appears on: 81
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ein kindel[ein so löbelich ist uns geboren]
81–81v Ecce concipies et paries filium et vocabit HF
Appears on: 81–81v
Genres: Motet
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: Ecce concipies et paries filium et vocabit
81v Ecce completa sunt omnia que dicta sunt T Stoltzer
Appears on: 81v
Genres: Motet
Source Attribution: T Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: Ecce completa sunt omnia que dicta sunt
81v–82v Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus) Magister Henricus Faber/[Caballus]
Appears on: 81v–82v
Genres: Motet
Source Attribution: Magister Henricus Faber/[Caballus]
Voice: [no designation]
Languages: Latin
Voice Text: Non bonum est hominem esse solum faciamus II: Dixitque Adam hoc nunc os ex ossibus
Concordances

concordance: Regensburg 940/941 (no.49), attr 'Burckhardus Caballus'

82v–83v Cavete autem vobis ne forte graventur corda (2p. Tanquam laqueus enim superveniet; 3p. Vigilate itaque omni tempore orantes) Anon. Anonymous
Appears on: 82v–83v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cavete autem vobis ne forte graventur corda II: Tanquam laqueus enim superveniet III: Vigilate itaque omni tempore orantes
83v–84 Apparuerunt apostolis disperditae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) Anon. Anonymous
Appears on: 83v–84
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt apostoli[s] disperdite lingue II: Seditque supra singulos eorum III: Loquebantur variis linguis apostoli
84–84v Ne recorderis peccata mea Domine cum veneris [Hemmerlen]
Appears on: 84–84v
Genres: Motet
Source Attribution: [Hemmerlen]
Voice: [no designation]
Languages: Latin
Voice Text: Ne recorderis peccata mea domine dum veneris
84v–85 Alma redemptoris mater (5vv) - 1a pars (of 2): Alma redemptoris mater [Lhéritier]
Appears on: 84v–85
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: [Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Alma redemptoris mater [quae] pervi[a] II: Tu quae genuisti natura mirante
85 Alma redemptoris mater (5vv) - 2a pars (of 2): Tu que genuisti natura mirante -
Appears on: 85
Genres: Motet
85–85v O lux et decus Hispanie Jacobe sanctissime (2p. O singularis praesidium qui meruisti) [Berchem/Jaquet of Mantua]
Appears on: 85–85v
Genres: Motet
Source Attribution: [Berchem/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: O lux et decus Hispanie Jacobe sanctissime II: O singularis praesidium qui meruisti
85v–86 Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) Iosquinus/[Gombert/ Sermisy]
Appears on: 85v–86
Genres: Contrafactum, Motet
Source Attribution: Iosquinus/[Gombert/ Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Da siceram merentibus et vinum his 29.11 [= Je ne me puis tenir d'aymer]
86–87 Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me Anon. Anonymous
Appears on: 86–87
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me
87 Alleluia. Non nobis domine non nobis Da: Ko: [= D. Köler]
Appears on: 87
Genres: Alleluia, Motet
Source Attribution: Da: Ko: [= D. Köler]
Voice: [no designation]
Languages: Latin
Voice Text: [Alleluia]. Non nobis domine non nobis
87v–88 Clarum selegit senatum apostolorum princeps HF
Appears on: 87v–88
Genres: Motet
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: Clarum selegit senatum apostolorum princeps
88–89v Magnificat octavi toni: Et exultavit [K.785] Hene: Finkium
Appears on: 88–89v
Genres: Magnificat
Source Attribution: Hene: Finkium
Voice: [no designation]
Languages: Latin
Voice Text: Magnif[icat] Octavi toni: Et exultavit spiritus meus
89v–91 Laus tibi Christe qui es creator Caeli terrae maris angelorum et hominum Anon. Anonymous
Appears on: 89v–91
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Laus tibi Christe qui es creator] Caeli terrae maris ange[lo]rum et hominum
91–91v Apparuerunt apostolis disperditae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostolis) Senffe:
Appears on: 91–91v
Genres: Motet
Source Attribution: Senffe:
Voice: [no designation]
Languages: Latin
Voice Text: Apparuerunt [apostolis] disperditae linguae II: Seditque supra singulos eorum III: Loquebantur variis linguis apostolis
92 Accessit ad pedes - 1a pars (of 3): Accessit ad pedes Jesu peccatrix mulier [Mahu]
Appears on: 92
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Accessit ad pedes Ihesu peccatrix mulier II: Et osculata est et lavit lachrymis III: Dismissa sunt et peccata multa
92 Accessit ad pedes - 2a pars (of 3): Et osculata est et lavit lachrimis -
Appears on: 92
Genres: Motet
92–92v Accessit ad pedes - 3a pars (of 3): Dimissa sunt ei peccata multa -
Appears on: 92–92v
Genres: Motet
92v–93 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite manibus jubilate Anon. Anonymous
Appears on: 92v–93
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Viri Galilaei] Quid admiramini aspicientes Vs: Omnes gentes plaudite manibus iubilate
93 Alleluia. Ascendit Deus in jubilatione Anon. Anonymous
Appears on: 93
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Alleluia]. Ascendit deus in iubilatione
93–94 Summi triumphum regis prosequamur laude Qui caeli qui terre regit sceptra Anon. Anonymous
Appears on: 93–94
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Summi triumphum regis prosequamur laude] Qui celi qui terre regit sceptra
94–94v Caeli Deus omnipotens benedicite tibi (2p. Deus patrum nostrorum sit adjutor) Helisei Gibelli
Appears on: 94–94v
Genres: Motet
Source Attribution: Helisei Gibelli
Voice: [no designation]
Languages: Latin
Voice Text: Coeli deus omnipotens benedicite tibi II: Deus patrum nostrorum sit adiutor
95–96 Hodie Christus natus est hodie salvator (2p. Magnum hereditatis misterium Dei) Gibelli
Appears on: 95–96
Genres: Motet
Source Attribution: Gibelli
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Christus natus est [hodie] salvator II: Magnum haereditatis misterium dei
General Note

MurTVB attributes to Eliseo; others to Lorenzo

96 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Gombert/Mouton/ Verdelot]
Appears on: 96
Genres: Motet
Source Attribution: [Gombert/Mouton/ Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Surge Petre et indue te vestimentis tuis II: Angelus domini astitit et lumen
96v Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit -
Appears on: 96v
Genres: Motet
96v–97 In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram [Cadéac]
Appears on: 96v–97
Genres: Motet
Source Attribution: [Cadéac]
Voice: [no designation]
Languages: Latin
Voice Text: In trinitate O fideles confidamus nostram II: Purifica mentes nostras inmaculatas
Concordances

concordance: RISM 1550-2 (no.11)

97 In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis -
Appears on: 97
Genres: Motet
97–97v Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum Gombert
Appears on: 97–97v
Genres: Motet
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timet dominum qui ambulant II: Ecce sic benedicetur homo qui timet
97v–98 Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo -
Appears on: 97v–98
Genres: Motet
98 Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus Clemes. non Papa
Appears on: 98
Genres: Motet
Source Attribution: Clemes. non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit deus in iubilatione alleluia II: Ascendens Christus in altum captivam
98v Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam -
Appears on: 98v
Genres: Motet
98v Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet Clemens non Papa
Appears on: 98v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Levavi oculos meos in montes unde veniet II: Anima mea sicut passer erepta est
99 Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est -
Appears on: 99
Genres: Motet
99v Expurgate vetus - 1a pars (of 2): Expurgate vetus fermentum ut sitis nova Crequilon
Appears on: 99v
Genres: Motet
Source Attribution: Crequilon
Voice: [no designation]
Languages: Latin
Voice Text: Expurgate vetus fermentum ut sitis nova II: Itaque epulemur non in fermento
99v–100 Expurgate vetus - 2a pars (of 2): Itaque epulemur non in fermento veteri -
Appears on: 99v–100
Genres: Motet
100–100v Nativitas tua Dei genitrix virgo gaudium Iohan Du Billon
Appears on: 100–100v
Genres: Motet
Source Attribution: Iohan Du Billon
Voice: [no designation]
Languages: Latin
Voice Text: Nativitas tua dei genitrix virgo gaudium
100v Non turbetur - 1a pars (of 2): Non turbetur cor vestrum ego vado ad patrem Gosse Iungkers/ [Manchicourt]
Appears on: 100v
Genres: Motet
Source Attribution: Gosse Iungkers/ [Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Non turbetur cor vestrum ego vado ad patrem II: Ego rogabo patrem meum et alium
101 Non turbetur - 2a pars (of 2): Ego rogabo patrem meum et alium -
Appears on: 101
Genres: Motet
101–102 Victimae paschali laudes immolent Christiani (2p. Sepulcrum Christi viventis et gloriam) Verdelot
Appears on: 101–102
Genres: Motet
Source Attribution: Verdelot
Voice: [no designation]
Languages: Latin
Voice Text: Victime paschali laudes immolent Christiani II: Sepulchrum Christi viventis et gloriam
102 Hodie beata virgo Maria puerum Jesum Archadelt
Appears on: 102
Genres: Motet
Source Attribution: Archadelt
Voice: [no designation]
Languages: Latin
Voice Text: Hodie beata virgo Maria puerum Ihesum
102v–103 Sic Deus dilexit mundum ut filium suum (2p. Non enim misit Deus filium suum) [Buus]
Appears on: 102v–103
Genres: Motet
Source Attribution: [Buus]
Voice: [no designation]
Languages: Latin
Voice Text: Sic deus dilexit mundum ut filium suum II: Non enim misit deus filium suum
103–103v Hesterna die Dominus natus est in terris (2p. Heri enim rex noster trabea carnis) [Verdelot]
Appears on: 103–103v
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Hesterna die dominus natus est in terris II: Heri enim rex noster trabea carnis
103v–104v Verbum caro factum est et habitabit (2p. Plenum gratia et veritate; 3p. In principio erat verbum et verbum; 4p. Gloria patri et filio et spiritui) NK [= Kropstein]
Appears on: 103v–104v
Genres: Doxology, Motet
Source Attribution: NK [= Kropstein]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitabit II: Plenum gratia et veritate III: In principio erat verbum et verbum IV: Gloria patri et filio et spiritui
104v Dum ortus fuerit sol de caelo videbitis Helisei Gibelli
Appears on: 104v
Genres: Motet
Source Attribution: Helisei Gibelli
Voice: [no designation]
Languages: Latin
Voice Text: Dum ortus fuerit sol de celo videbitis
105 Dum perambularet Dominus in paradiso Helisei Gibelli
Appears on: 105
Genres: Motet
Source Attribution: Helisei Gibelli
Voice: [no designation]
Languages: Latin
Voice Text: Dum perambularet dominus in paradiso
105–105v Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anon. Anonymous
Appears on: 105–105v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit orbem terrarum Vs: [Confirma hoc deus] A templo sancto
105v–106 Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Qui crucifixus erat Deus ecce) Anon. Anonymous
Appears on: 105v–106
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salva festa dies toto venerabilis aevo II: Ecce renascentis testatur gratia III: Qui crucifixus erat deus ecce
106–106v Christ ist erstanden von der marter Christus resurgens von der marter G.B. [= Breitengraser]
Appears on: 106–106v
Genres: Hymn, Motet, Sacred Song
Source Attribution: G.B. [= Breitengraser]
Voice: [no designation]
Languages: German, Greek
Voice Text: Christ ist erstanden [von der marter]
106v Os justi meditabitur sapientiam et lingua Vs: Noli aemulari in malignantibus neque Anon. Anonymous
Appears on: 106v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O[s] iusti [meditabitur sapientiam et lingua] Vs: [Noli aemulari in malignantibus neque]
107 Non est bonum hominem esse solum faciam (2p. Filii sicut novelle olivarum) T.S.
Appears on: 107
Genres: Motet
Source Attribution: T.S.
Voice: [no designation]
Languages: Latin
Voice Text: Non est bonum hominem esse solum faciam II: Filii sicut novelle olivarum
107–107v Instillat [profundum?] (unidentified sequence) [Stoltzer]
Appears on: 107–107v
Genres: Sequence
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: [Unidentified sequence] Instillat [profundum?]
107v–108v Magnificat Sexti Toni: Et exultavit [K.1078] TS
Appears on: 107v–108v
Genres: BVM, Canticle, Magnificat
Source Attribution: TS
Voice: [no designation]
Languages: Latin
Voice Text: [Magnificat] Sexti Toni: Et exultavit spiritus meus
108v–109 Puer natus est nobis et filius datus est Vs: Cantate Domino canticum novum Ioachimo Teubero Natzgenrodensi [= Teuber]
Appears on: 108v–109
Genres: Hymn
Source Attribution: Ioachimo Teubero Natzgenrodensi [= Teuber]
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis et filius datus est Vs: Cantate domino canticum novum
109–110 Missa KG Teuber
Appears on: 109–110
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Teuber
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
110–110v Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) Teuber
Appears on: 110–110v
Genres: Motet
Source Attribution: Teuber
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
110v–111 Recordare Domine testamenti tui et dic [Arcadelt]
Appears on: 110v–111
Genres: Motet
Source Attribution: [Arcadelt]
Voice: [no designation]
Languages: Latin
Voice Text: Recordare domine testamenti tui et dic
111–111v Repleatur os meum laude tua ut hymnum [Berchem/Jaquet of Mantua]
Appears on: 111–111v
Genres: Motet
Source Attribution: [Berchem/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Repleatur os meum laude tua et hymnum
111v Sum tuus in vita tua sunt mea funera [Bauldeweyn]
Appears on: 111v
Genres: Motet
Source Attribution: [Bauldeweyn]
Voice: [no designation]
Languages: Latin
Voice Text: Sum tuus in vita tua sunt mea funera
111v–112 Ecce Maria genuit nobis salvatorem quem Johannes [Mahu]
Appears on: 111v–112
Genres: Motet
Source Attribution: [Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Ecce Maria genuit nobis salvatorem quem Ioannes [= ff. 13v-14]
General Note

also copied at f.13v

112 Salutem ex inimicis nostris et de manu [Arthopius]
Appears on: 112
Genres: Motet
Source Attribution: [Arthopius]
Voice: [no designation]
Languages: Latin
Voice Text: Salutem ex inimicis nostris et de manu [= ff. 14-14v]
General Note

also copied at f.14

112v Tua est potentia tuum regnum Dominus 26.17 [Mouton]
Appears on: 112v
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potentia tuum est regnum domine [= f. 15]
General Note

also copied at f.15

112v–113v Ave sanctissime Jesu fili Dei vivi porta (2p. Tu es singularis filius patris; 3p. Ora pro nobis Deum tuum dilectum) L.S. [= Senfl]
Appears on: 112v–113v
Genres: Contrafactum, Motet
Source Attribution: L.S. [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Ave sanctissime Iesu fili dei vivi porta II: Tu es singularis filius patris III: Ora pro nobis deum tuum dilectum
113v–114 Tua est potentia tuum regnum Domine (2p. Creator omnium Deus terribilis) Crequilon
Appears on: 113v–114
Genres: Motet
Source Attribution: Crequilon
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potentia tuum regnum domine II: Creator omnium deus terribilis
114–115 Caeli creator et terrae humanum genus Anon. Anonymous
Appears on: 114–115
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Coeli creator et terrae sumarum genus
Concordances

concordance: Leipzig Thomaskirche 49/50 (no.124)

115–116 Te sanctum Dominum in excelsis laudant (2p. Cherubin et seraphin sanctus proclamant) David Koler
Appears on: 115–116
Genres: Motet
Source Attribution: David Koler
Voice: [no designation]
Languages: Latin
Voice Text: Te sanctum dominum in excelsis laudant II: Cherubin et seraphin sanctus proclamant
Concordances

concordance: Leipzig Thomaskirche 49/50 (no.243)

116–116v Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens T.S.
Appears on: 116–116v
Genres: Hymn
Source Attribution: T.S.
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens
116v–117v Psallite regi nostro psallite prudenter Nam psalterium est iucundum cum cithara Anon. Anonymous
Appears on: 116v–117v
Genres: Sequence
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Psallite regi nostro psallite prudenter
117v–118 Circumdederunt me viri mendaces sine causa (2p. Sed tu Domine defensor vindica me; 3p. Quoniam tribulatio proxima est) Tho: Popel
Appears on: 117v–118
Genres: Motet
Source Attribution: Tho: Popel
Voice: [no designation]
Languages: Latin
Voice Text: Circumdederunt me viri mendaces sine causa II: Sed tu domine defensor vindica me III: Quoniam tribulatio proxima est
118–119v Digna Deo praeconia canat omnis ecclesia Anon. Anonymous
Appears on: 118–119v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Digna deo praeconia canat omnis ecclesia
119v–120v Illuminare Jerusalem venit lux tua (2p. Et gloria Domini super te Jerusalem; 3p. Et ambulabunt gentes in lumine tuo) Anon. Anonymous
Appears on: 119v–120v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Hierusalem venit lux tua II: Et gloria domini super te Hierusalem III: Et ambulabunt gentes in lumine tuo
120v–121 Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me HF
Appears on: 120v–121
Genres: Hymn
Source Attribution: HF
Voice: [no designation]
Languages: Latin
Voice Text: [Resurrexi] Et adhuc [tecum sum alleluia] Vs: Domine probasti me [et cognovisti me]
121–121v Victime paschali laudes immolant Christiani [Finck]
Appears on: 121–121v
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Victime [paschali laudes] immolant Christiani
121v–122 Veni sancte spiritus et emitte caelitus D. Koler
Appears on: 121v–122
Genres: Motet, Veni sancte spiritus
Source Attribution: D. Koler
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte celitus
122–122v Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni [Jaquet of Mantua]
Appears on: 122–122v
Genres: Alleluia, Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Surrexit dominus vere alleluia II: Qui fecit celum et terram surrexit
122v Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram -
Appears on: 122v
Genres: Motet
123–124 Laus tibi Christe qui es creator Caeli terrae maris angelorum et hominum Anon. Anonymous
Appears on: 123–124
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Laus tibi Christe qui es creator] Coeli terrae maris angelorum [et] hominum
124–124v Missa Paschalis: Gloria T.P. [= Pöpel]
Appears on: 124–124v
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: T.P. [= Pöpel]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Paschale [G]
124v–125 Missa Paschalis: Sanctus T Popel
Appears on: 124v–125
Genres: Sanctus [& Benedictus]
Source Attribution: T Popel
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Paschale [S]
125 Missa (Paschalis?): Benedictus 5vv -
Appears on: 125
Genres: Mass Ordinary, Sanctus [& Benedictus]
General Note

Marked 'Benedictus aliud' ('another') - maybe by Popel (MurTVB)

125–125v Missa Summum: SA T.P.
Appears on: 125–125v
Genres: Agnus Dei, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: T.P.
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Summum [SA]
125v–126v Missa KG D. Kol.
Appears on: 125v–126v
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: D. Kol.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
126v–127 Repleti sunt omnes spiritu sancto et ceperunt (2p. Loquebantur variis linguis apostoli) Anon. Anonymous
Appears on: 126v–127
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Repleti sunt omnes spiritu sancto et ceperunt II: Loquebantur variis linguis apostoli
127 Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti [Canis/Clemens non Papa]
Appears on: 127
Genres: Motet
Source Attribution: [Canis/Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ego dormio et cor meum vigilat vox dilecti II: Surrexi ut aperiam dilecto meo
127v Ego dormio - 2a pars (of 2): Surrexi ut aperirem -
Appears on: 127v
Genres: Motet
127v–128 O sacrum convivium in quo Christus sumitur Anon. Anonymous
Appears on: 127v–128
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
128–128v Missus est Gabriel angelus ad Mariam (2p. Ecce concipies et paries et vocabitur; 3p. Ave Maria gratia plena Dominus tecum) MB
MB
Appears on: 128–128v
Genres: Ave Maria, Motet
Source Attribution: MB
Voice: [no designation]
Languages: Latin
Voice Text: Missus est Gabriel angelus ad Mariam II: Ecce concipies et paries et vocabitur III: Ave Maria gratia plena dominus tecum
General Note

incorrectly numbered 189; MurTVB transcribes the attribution as 'NB'

Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Arnoldt, Gregorius
Arthopius, Balthasar (–1534)
Bauldeweyn, Noel (ca. 1480–1529)
Berchem, Jacques (ca. 1505–1567)
Biaumont, Petrus
Billon, Jhan de
Blanckenmuller, Georg
Bratel, Ulrich
Breittengrasser, Gulielmus (Wilhelm)
Buus, Jacques
Caballus, Burckhardus
Cadeac, P(ierre?)
Canis, Cornelius
Capellus, Andreas
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Crocawer, Sebastianus
Despres, Josquin (ca. 1450–1521)
Dietrich, Sixt (ca. 1493–1548)
Faber, Heinrich (ca. 1500–1552)
Festa, Costanzo (ca. 1485–1545)
Festa, Sebastiano (ca. 1490–1524)
Fevin, Antoine de (ca. 1470–ca. 1512)
Finck, Heinrich
Galliculus, Johannes
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Ghibel, Eliseo
Gibelli, Lorenzo
Gombert, Nicolas (ca. 1495–ca. 1560)
Gossen, Michael
Graupitz, Melchior
Haugk, Virgilius (ca. 1490–1555)
Hellinck, Lupus (ca. 1494–1541)
Hemmerlen, Georgius
Isaac, Heinrich (ca. 1450–1517)
Jonckers, Maistre Gosse
Kropstein, Nikolaus
Köler, David (ca. 1532–1565)
Lemlin, Lorenz (ca. 1495–ca. 1549)
Leo X (Medici) (1475–1521)
Lheritier, Jean (ca. 1480–ca. 1551)
MB
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Molitor, Joannes
Mopsus, Johannes
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Musa, Anthonius
Phinot, Dominique
Pieton, Loyset
Popel, Thomas
Rab, Valentin
Reichardt, Jacob
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Susato, Tylman
Teuber, Ioachim
Unterholzer, Rupertus
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter (junior), Johann (1527–1578)
Walter, Johann (1496–1570)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
[Pange lingua] Nobis natus nobis datus Ex intacta 62v
A solis ortus cardine ad usque terrae 26–26v
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus 23v–24
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus Anonymous 69–69v
Accessit ad pedes - 1a pars (of 3): Accessit ad pedes Jesu peccatrix mulier 92
Accessit ad pedes - 2a pars (of 3): Et osculata est et lavit lachrimis 92
Accessit ad pedes - 3a pars (of 3): Dimissa sunt ei peccata multa 92–92v
Alleluia. Ascendit Deus in jubilatione Anonymous 93
Alleluia. Noli flere Maria 57v–58
Alleluia. Non nobis domine non nobis 87
Alleluia. Surrexit Dominus - 1a pars (of 2): Alleluia. Surrexit Dominus vere et apparuit Simoni 122–122v
Alleluia. Surrexit Dominus - 2a pars (of 2): Qui fecit caelum et terram 122v
Alma redemptoris mater (5vv) - 1a pars (of 2): Alma redemptoris mater 84v–85
Alma redemptoris mater (5vv) - 2a pars (of 2): Tu que genuisti natura mirante 85
Angeli archangeli throni et dominationes (2p. Sancti leges doctores apostolique) 58v–59
Apparuerunt apostolis disperditae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) Anonymous 83v–84
Apparuerunt apostolis disperditae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostolis) 91–91v
Apprende laudem O piger monet verbigine Anonymous 12–12v
Ascendit Deus - 1a pars (of 2): Ascendit Deus in jubilatione et Dominus 98
Ascendit Deus - 2a pars (of 2): Ascendens Christus in altum captivam 98v
Aspice Domine quia factus est desolata 40–40v
Aufer a nobis domine cunctas iniquitates (2p. Miserere populi tui quem redemisti; 3p. [untexted]) 27v–28v
Ave sanctissime Jesu fili Dei vivi porta (2p. Tu es singularis filius patris; 3p. Ora pro nobis Deum tuum dilectum) 112v–113v
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum 97–97v
Beati omnes - 2a pars (of 2): Ecce sic benedicitur homo 97v–98
Benedicamus Domino Deo dicamus gratias 24v
Benedicamus in laude Jesu qui sumpsit carnem Anonymous 25
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt 68–69
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] 73v–74v
Benedictus Dominus Deus - 1a pars (of 2): Benedictus Dominus Deus meus qui docet 10v
Benedictus Dominus Deus - 2a pars (of 2): Omnes gentes plaudite manibus 11
Caeli creator et terrae humanum genus Anonymous 114–115
Caeli Deus omnipotens benedicite tibi (2p. Deus patrum nostrorum sit adjutor) 94–94v
Cavete autem vobis ne forte graventur corda (2p. Tanquam laqueus enim superveniet; 3p. Vigilate itaque omni tempore orantes) Anonymous 82v–83v
Chorus novae Jerusalem novam meli 2 Quo Christus invictus leo dracone 3 Quam devorarat improbus praedam 5 Ipsum canendo suplices regem precemur 19
Christ ist erstanden von der marter Christus resurgens von der marter 106–106v
Christe qui lux es et dies noctis 51
Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis 50v
Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta 50v
Circumdederunt me viri mendaces sine causa (2p. Sed tu Domine defensor vindica me; 3p. Quoniam tribulatio proxima est) 117v–118
Clarum selegit senatum apostolorum princeps 87v–88
Conscendit ... Anonymous 74v
Contingat illis turturum concordia cor meum Anonymous 39v
Creavit Deus hominem ad imaginem suam (2p. Crescite et multiplicamini et replete) 40v–41
Cum transisset Jesus quodam castellum (2p. Unus autem ex illis ut vidit quod) 59–60
Da pacem Domine in diebus nostris 48v–49
Da pacem domine in diebus nostris Anonymous 79v
Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 85v–86
Dies est laetitiae in ortu regali 24–24v
Dies est laetitiae in ortu regali Anonymous 63
Dies est laetitiae in ortu regali 75
Digna Deo praeconia canat omnis ecclesia Anonymous 118–119v
Domine ad adjuvandum me festina gloria 26v
Domine da nobis auxilium de tribulatione (2p. Tibi subiecta sit anima mea quoniam) 49–49v
Dum ortus fuerit sol de caelo videbitis 104v
Dum perambularet Dominus in paradiso 105
Dum sequeris stantes pro relligione Anonymous 78v–79
Dum transisset sabbatum Maria Magdalena (2p. Ut venientes ungerent Jesum alleluia; 3p. Et valde mane una sabbatorum) Anonymous 5–6v
Ecce completa sunt omnia que dicta sunt 81v
Ecce concipies et paries filium et vocabit 81–81v
Ecce Dominus veniet et omnes sancti eius Anonymous 78–78v
Ecce ego mitto vos sicut oves in medio 14v–15
Ecce ego mitto vos sicut oves in medio 62–62v
Ecce Maria genuit nobis salvatorem (2p. Ecce agnus Dei) 23v
Ecce Maria genuit nobis salvatorem quem Johannes 13v–14
Ecce Maria genuit nobis salvatorem quem Johannes 111v–112
Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti 127
Ego dormio - 2a pars (of 2): Surrexi ut aperirem 127v
Ein kindelein so löbelich ist uns geboren Anonymous 81
Erhalt uns Her bei Deinem wort (2p. Verleih uns Frieden gnädiglich) 21–21v
Expurgate vetus - 1a pars (of 2): Expurgate vetus fermentum ut sitis nova 99v
Expurgate vetus - 2a pars (of 2): Itaque epulemur non in fermento veteri 99v–100
Flos florum fons ortorum regina polorum Anonymous 68
Formavit igitur Dominus hominem de limo (2p. Et factus est homo in animam; 3p. In principio fecit Deus caelum) 1–2
Fortem genitor foeno sisti volebat Anonymous 12
Genuit puerpera regem cui nomen aeternum 61v–62
Gloria. Gratias agimus tibi propter 21v–22v
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 56v
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis 56v
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) 23
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) 80v
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) 110–110v
Hesterna die Dominus natus est in terris (2p. Heri enim rex noster trabea carnis) 103–103v
Hoc est praeceptum meum ut diligatis 21
Hodie beata virgo Maria puerum Jesum 102
Hodie Christus natus est hodie salvator (2p. Magnum hereditatis misterium Dei) 95–96
Hodie Simon Petrus ascendit crucis patibulum 42v–43
Homo Dei ducebatur in cruce ut crucifigerent (2p. Oravit sanctus Andreas dum respiceret) Anonymous 61–61v
Homo quidam (P98, 5vv) - 1a pars (of 3): Homo quidam fecit cenam 65v
Homo quidam (P98, 5vv) - 2a pars (of 3): Quia parata sunt omnibus firmiter 65v–66
Homo quidam (P98, 5vv) - 3a pars (of 3): Venite comedite panem meum 66
Hostis Herodes impie 2 Ibant magi quam viderant 4 Novum genus potentiae 48
Ich ruf zu dir, Herr Jesu Christ 26
Illuminare Jerusalem venit lux tua (2p. Et gloria Domini super te Jerusalem; 3p. Et ambulabunt gentes in lumine tuo) Anonymous 119v–120v
In ieiunio et fletu orabant sacerdotes (2p. Inter vestibulum et altare plorabant) 41v–42v
In illo tempore dixit Jesus discipulis (2p. His autem fieri incipientibus) Anonymous 75–76
In illo tempore postquam consummati sunt (4vv) 4
In illo tempore postquam consummati sunt (4vv) 66v
In natali Domini casti gaudent angelis / Da Christus geborenn war Anonymous 16v
In natali Domini clamant mortales / Wo ist uns das Kind geborn 17
In patientia vestra possidebitis animas 15–15v
In trinitate o fideles confidamus - 1a pars (of 2): In trinitate o fideles confidamus nostram 96v–97
In trinitate o fideles confidamus - 2a pars (of 2): Purifica mentes nostras immaculatis 97
Ingressus Pilatus cum Jesum in praetorium (2p. Et cum indutus fuisset exclamaverunt; 3p. Tunc ait illis Pilatus regum vestrum) Anonymous 65–65v
Instillat [profundum?] (unidentified sequence) 107–107v
Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 19
Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit 19–19v
Inter natos mulierum - 3a pars (of 3): Fuit homo missus a Deo cui nomen 19v
Istorum est enim regnum caelorum 78
Johannes est nomen eius vinum et siceram 38v
Komm Heiliger Geist Herre Gott, erfüll 52v–53
Kyrie [Tro] magne Deus potentiae 54–54v
Lauda Sion salvatorem lauda ducem Quantum potes tantum gaude [Proprium de Corpore Christi] 12v–13v
Laus tibi Christe qui es creator Caeli terrae maris angelorum et hominum Anonymous 89v–91
Laus tibi Christe qui es creator Caeli terrae maris angelorum et hominum Anonymous 123–124
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 98v
Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est 99
Lumen ad revelationem gentium et gloriam 24v–25
Magnificat octavi toni: Et exultavit [K.640] 30–31
Magnificat octavi toni: Et exultavit [K.785] 88–89v
Magnificat octavi toni: Et exultavit [K.786] 77–77v
Magnificat Quarti Toni: Et exultavit [K.1076] 15v–16v
Magnificat Secundi or Octavi Toni: Et exultavit [K.1080] 64–64v
Magnificat Secundi Toni: Et exultavit [K.217] Anonymous 76–77
Magnificat Sexti Toni: Et exultavit [K.1078] 107v–108v
Magnificat Sexti Toni: Et exultavit [K.346] Anonymous 46v–47v
Magnificat Sexti Toni: Et exultavit [K.350] Anonymous 7–7v
Mane surgens Jacob erigebat lapidem (2p. Cumque evigilasset Jacob de somno) 49v–50
Martinus episcopus migravit a seculo Anonymous 18v–19
Mirabantur omnes in verbis gratiae? Anonymous 51
Missa (Paschalis?): Benedictus 5vv 125
Missa KG 109–110
Missa KG 125v–126v
Missa O admirabile commercium: KGCS Anonymous 34v–38
Missa Paschalis: Gloria 124–124v
Missa Paschalis: Sanctus 124v–125
Missa Sine nomine (KGCSA) Anonymous 71–73v
Missa Sine nomine KGS Anonymous 33–34v
Missa Solemnis a4: Gloria 53v–54
Missa Solemnis a4: Kyrie 53
Missa Summum: SA 125–125v
Missus est Gabriel angelus ad Mariam (2p. Ecce concipies et paries et vocabitur; 3p. Ave Maria gratia plena Dominus tecum) 2–3
Missus est Gabriel angelus ad Mariam (2p. Ecce concipies et paries et vocabitur; 3p. Ave Maria gratia plena Dominus tecum)
MB
128–128v
Mittit ad virginem non quemvis angelum 25–26
Musa tuos laetos confestim suprime vultus 51–51v
Nativitas tua Dei genitrix virgo gaudium 100–100v
Natus est nobis hodie de pura virgine Anonymous 16v
Ne recorderis peccata mea Domine cum veneris 84–84v
Ne reminiscaris domine delicta mea vel 57–57v
Nesciens mater virgo virum peperit 24.8 II: Ipsum regem angelorum sola virgo 56v–57
Noch tritt auff den weg der Sünder (2p. Der ist wie ein Baum gepflantzet; 3p. Aber so sindt die gotlosen nicht; 4p. Den der Herre kennet den weg; 5p. Wie es war im Anfange und allewege) 27–27v
Non bonum est hominem esse solum faciamus (2p. Dixitque Adam hoc nunc os ex ossibus) 81v–82v
Non est bonum hominem esse solum faciam (2p. Filii sicut novelle olivarum) 107
Non turbetur - 1a pars (of 2): Non turbetur cor vestrum ego vado ad patrem 100v
Non turbetur - 2a pars (of 2): Ego rogabo patrem meum et alium 101
Nunc dimittis servum tuum Domine (2p. Lumen ad revelationem gentium) Anonymous 52–52v
Nunn komm der Heiden Heiland, der Jungfrauen 31v–32
O lux beata trinitas et principalis (I) 32v
O lux beata trinitas et principalis (II) 32v–33
O lux beata trinitas et principalis (III) 33
O lux et decus Hispanie Jacobe sanctissime (2p. O singularis praesidium qui meruisti) 85–85v
O sacrum convivium in quo Christus sumitur Anonymous 127v–128
Obsecro Domine - 1a pars (of 2): Obsecro Domine mitte quem missurus es 70
Obsecro Domine - 2a pars (of 2): Qui regis Israel intende 71
Os justi meditabitur sapientiam et lingua Vs: Noli aemulari in malignantibus neque Anonymous 106v
Panem angelorum manducavit sanctus Anthonus (2p. Corvus enim nutu de panem tulit; 3p. Eya iniquit Paulus sumamus cibum) 20–20v
Pax vobis ego sum alleluia nolite timere (2p. Palpate et videte quia spiritus) 58–58v
Post dies octo ianuis clausis ingressus Anonymous 17v–18
Psallite regi nostro psallite prudenter Nam psalterium est iucundum cum cithara Anonymous 116v–117v
Puer natus est nobis et filius datus est Vs: Cantate Domino canticum novum 48
Puer natus est nobis et filius datus est Vs: Cantate Domino canticum novum 108v–109
Qui sunt hi sermones quos confertis Anonymous 17v
Recordare Domine testamenti tui et dic 110v–111
Regnum mundi et omnem ornatum saeculi (2p. Quem vidi quem amavi in quem credidi; 3p. Eructavit cor meum verbum bonum) 3–3v
Repleatur os meum laude tua ut hymnum 111–111v
Repleti sunt omnes spiritu sancto et ceperunt (2p. Loquebantur variis linguis apostoli) Anonymous 126v–127
Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me Anonymous 86–87
Resurrexi Et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti me 120v–121
Salutem ex inimicis nostris et de manu 14–14v
Salutem ex inimicis nostris et de manu 112
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Qui crucifixus erat Deus ecce) Anonymous 105v–106
Salve regina misericordiae [7 partes] 9–10v
Sancta et immaculata virginitas quibus 62v
Sancta Maria Magdalena quae Christum a morte 47v
Sancte Jesu succure miseris juva pusillanimes (= Sancta Maria succurre miseris) 31–31v
Sancti spiritus assit nobis gratia 29–30
Sancti spiritus assit nobis gratia Anonymous 67–68
Scandala ne mundi cures ecclesia Christi Anonymous 41–41v
Scio enim quod redemptor meus vivit (2p. Quem visurus sum et oculi mei) 79v–80v
Si credimus quod Jesus Christus mortuus (2p. Quare ne constristemini sicut ceteri; 3p. Sicut in Adam omnes moriuntur) 8–8v
Sic Deus dilexit mundum ut filium suum (2p. Non enim misit Deus filium suum) 102v–103
Spem in alium nunquam habui praeter (2p. Dominus Deus caeli et terrae respice) Anonymous 60–61
Spem in alium nunquam habui praeter in te 45v–46
Spes mea Christus a juventute mea? 46
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto Anonymous 105–105v
Spiritus Domini replevit orbem terrarum Vs: Confirma hoc Deus quod operatus es 38v–39
Sum tuus in vita tua sunt mea funera 111v
Summi triumphum regis prosequamur laude Qui caeli qui terre regit sceptra Anonymous 93–94
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 96
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit 96v
Surrexit Dominus de sepulchro qui pro nobis Anonymous 18–18v
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus et laudabilis nimis Anonymous 51v–52
Te Deum laudamus 54v–56
Te Deum laudamus [K.1150] 43v–45v
Te sanctum Dominum in excelsis laudant (2p. Cherubin et seraphin sanctus proclamant) 115–116
Tu autem cum oraveris 18v
Tua est potentia tuum regnum domine (2p. Aspice domine quia facta est desolata) Anonymous 63–63v
Tua est potentia tuum regnum Domine (2p. Creator omnium Deus terribilis) 113v–114
Tua est potentia tuum regnum Dominus 26.17 15
Tua est potentia tuum regnum Dominus 26.17 112v
Ubi est Abel frater tuus dixit Dominus (2p. Nescio domine nunquod custos fratris; 3p. Ecce vox sanguinis fratris tui Abel; 4p. Maledicta terra in opere tuo) 66–66v
Veni creator spiritus mentes tuorum 2 Qui paracletus diceris donum Dei Anonymous 70
Veni electa mea et ponam in te thronum 69v–70
Veni redemptor gentium ostende partum 22v–23
Veni sancte spiritus et emitte caelitus 121v–122
Veni sancte spiritus reple tuorum corda Anonymous 6v
Verbum caro - 1a pars (of 3): Verbum caro factum est 11
Verbum caro - 2a pars (of 3): Plenum gratia et veritate 11–11v
Verbum caro - 3a pars (of 3): In principio erat verbum et verbum 11v
Verbum caro factum - 2a pars (of 6): Plenum gratia et veritate 69v
Verbum caro factum - 3a pars (of 6): In principio erat verbum 69v
Verbum caro factum est et habitabit (2p. Cuius gloriam vidimus quasi unigenite; 3p. Plenum gratia et veritate; 4p. In principio erat verbum et verbum) Anonymous 4–5
Verbum caro factum est et habitabit (2p. Plenum gratia et veritate; 3p. In principio erat verbum et verbum; 4p. Gloria patri et filio et spiritui) 103v–104v
Vespere autem sabbati que lucescit in prima 43–43v
Victimae paschali (P13) - 1a pars (of 3): [Victimae paschali] Agnus redemit oves Christus innocens (4vv) 16v
Victimae paschali (P13) - 2a pars (of 3): Dic nobis Maria (5vv) 16v–17
Victimae paschali (P13) - 3a pars (of 3): Credendum est magis (6vv) 17
Victimae paschali laudes immolent Christiani (2p. Sepulcrum Christi viventis et gloriam) 101–102
Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens 116–116v
Victime paschali laudes immolant Christiani 121–121v
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite manibus jubilate Anonymous 92v–93
Wohl für der hellen Qual und Not 39v–40

denotes primary source study

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa).  Bonn: Gudrun Schröder. Pages: XXVII, 127-138.

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 48,60-l. Notes: contents list (partial); concordances (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 335,349, 364,478,480-2,492,518,794. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 19-23, passim Abb. 14-5. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 262ff,331ff,667,688,777,785. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 189-92,194,208-9,215,217,492-3,505,546. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xv,40,71; III,112. Notes: physical description; contents list (partial); concordances (partial).

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270. Notes: contents list (partial).

Stroux, Christoph. 1976. Die Musica Poetica des Magisters Heinrich Faber. Albert-Ludwigs-Universität (Freiburg im Breisgau), Unpublished Ph.D. dissertation. Pages: 162-5,180-200. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 318, 321-2. Notes: incipits (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, x, 25-39. Notes: mention of MS; transcription (partial).

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 18-36. Pages: 27-8. Notes: mention of MS.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 118-20, passim. Notes: physical description; mention of MS; discussion; facsimile (partial).

Jackson, Philip T, and George Edward Nugent (editors). 1971-. Jachet of Mantua: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xxii-xxiii; V,xxvii. Notes: contents list (partial); concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 266, 303, passim. Notes: concordances (partial); mention of MS.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116-7. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 246, 271, 291, 323. Notes: concordances (partial); incipits (partial); mention of MS.

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I, 110. Notes: transcription (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 166. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 51. Notes: contents list (partial); mention of MS.

Kirsch, Winfried. 1961. Die Verbindung von Magnificat und Weihnachtsliedern im 16. Jahrhundert. Festschrift Helmuth Osthoff zum 65. Geburtstage, 61-74. Tutzing. Pages: 65-7. Notes: concordances (partial); mention of MS.

Lowinsky, Edward E. 1957. The Medici Codex: A Document of Music, Art, and Politics in the Renaissance. Annales Musicologiques, 61-178. Pages: 120ff. Notes: concordances (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Pages: 31ff. Notes: concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: I, 1342-5. Notes: mention of MS.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 123,127. Notes: physical description (partial); contents list (partial); concordances (partial).

Albrecht, Hans. 1948. Zwei Quellen zur deutschen Musikgeschichte der Reformationszeit. Die Musikforschung, 242ff. Notes: physical description; contents list; concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXX, 124-30,193,198. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334ff. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage,  Berlin. Pages: 40-l. Notes: mention of MS.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description