H-Bn MS Bártfa 23

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: c. 1550

Archive Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark MS Bártfa 23
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 210 x 180 mm
Other Identifiers
  • CCM: BudOS 23
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Wittenberg, Saxony, Germany
Contents Contains 227 compositions, 172 from 68 composers, 55 are anonymous.
General Description

A single Bassus partbook. Copied by several scribes. Scribal concordance with BudOS 22, DresSL l/D/3, DresSL l/D/4, ZwiR 81/2, and ZwiR 106/5, and portions of ZwiR 100/4 and DresSL l/D/506 (SteudeU). Copied in Wittenberg (SteudeU). Brought from the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov) to the National Library in Budapest in 1915.

DIAMM, 2017
Physical Description

Manuscript has been restored and rebound; all folios are now covered with plastic

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-199.

DIAMM, 2017
Foliation

Modern foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 3 Kyrie-Gloria pairs, 1 Sanctus-Agnus pair, 2 Kyries, 2 Glorias, 1 Sanctus, 3 Mass Proper cycles, 4 Mass Proper sections, 9 Magnificats, 2 Te Deums, 1 Canticle, 1 psalm, 9 hymns, 2 responses, 158 motets, 8 German sacred pieces = 209 (some are duplicates)

Arcadelt-2, (Arnoldt)-1, Arthopius-2, (Bauldeweyn)-1, (Berchem/Jaquet of Mantua)-2, Billon-1, (Blanckenmüller)-1, Braetel-1, Breitengraser-1, (Cadéac)-1, Canis-1, Capella-1, Clemens non Papa-3, Crecquillon-2, Crocauer-1, H. Faber-4, H. Faber/(Caballus)-1, C. Festa-1, S. Festa-1, Finck-10, Gascongne/(Mouton)-1, Ghibel-6, Gombert-4, Gossen-1, Graupitz-3, (Hähnel)-1, Haugk-1, (Hellinck)-1, (Hemmerlen)-1, Isaac-3, (Jaquet of Mantua)-1, Jonckers-1, Josquin-1, D. Köler-4, Kropstein-5, Lemlin -1, Leo X [Cardinalis]/(A. Févin)-1, M.B.-1, Mahu-4, Molitor-1, Mopsus-2, Mouton-2, (Mouton/Richafort)-1, Musa-10, Piéton-1, Pöpel-5, Rabe-6, Reichardt-3, Senfl/(Dietrich)-1, Senfl-8, Stoltzer-10, Susato-1, Teuber-1, Unterholtzer-2, Verdelot-3, Walter-1, Walter Jr.-2, Willaert-1, anon-63

1 paper partbook (B-128 folios), 210 x 180. Manuscript has been restored and rebound; all folios are now covered with plastic. Modern foliation; original numbering of pieces, 1-199. Scribal concordance with BudOS 22, DresSL l/D/3, DresSL l/D/4, ZwiR 81/2, and ZwiR 106/5 (SteudeU).

Ca. 1550 (GomA); after 1555 (MurTVB); dates ranging from 1545-50 in manuscript. Copied in Wittenberg (SteudeU). Brought from the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov) to the National Library in Budapest in 1915.

Vol. 4

Contents: 3 Masses, 3 Kyrie-Gloria pairs, 1 Sanctus-Agnus pair, 1 Kyrie, 2 Glorias, 1 Sanctus, 32 Mass Proper sections, 9 Magnificats, 2 Te Deums, 1 canticle, 11 office hymns, 1 processional hymn, 124 motets, 1 Benedicamus domino, 8 German sacred pieces = 200 + 5 duplicates = 205

Composers: Arcadelt, (Arnoldt)-1, Arthopius-1, (Bauldeweyn)-1, (Berchem/Jaquet of Mantua)-2, Billon-1, (Blanckenmüller)-1, Braetel-1, Breitengraser [G.B.]-1, (Buus)-2, (Cadéac)-1, Canis-1, (Canis/Clemens non Papa)-1, Capella -1, Clemens non Papa-2, Crecquillon, Crocauer-1, H. Faber-4, H. Faber/(Caballus)-1, C. Festa/S. Festa-1, Finck-11, Gascongne(Mouton)-1, Ghibel-6, Gombert-3, (Gombert/Mouton/Verdelot)-1, Gossen-1, Graupitz-3, (Hahnel)-1, Haugk-1, (Hellinck)-1, (Hemmerlen)-1, Isaac-2, Jaquet of Mantua)-2, Jonckers/(Manchicourt)-1, Josquin(Gombert/Sermisy)-1, D. Köler-4, Kropstein [NK]-5, Lemlin-1, Leo X [loan. de medicis Cardinalis]/(A. Févin)-1, (Lhéritier)-1, MB-1, Mahu-3, Molitor-1, Mopsus-2, Mouton-1, (Mouton/Richafort)-1, Musa-10, (Phinot)-1, Piéton-1, Pöpel-5, Rabe-6, Reichardt-S, Senil-7, Senfl(Dietrich)-1, Stoltzer-10, Susato-1, Teuber-1, Unterholtzer-1, Verdelot-2, Verdelot/(Appenzeller)-1, Walter-1, Walter Jr.-2, Willaert-1, anon-61

Physical: Add "portions of ZwiR 100/4 and DresSL l/D/506" to list of scribal concordances.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa).  Bonn: Gudrun Schröder. Pages: XXVII, 127-138.

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 31: 16-72. Pages: 48,60-l. Notes: contents list (partial); concordances (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 335,349, 364,478,480-2,492,518,794. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert.  Leipzig. Pages: 19-23, passim Abb. 14-5. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 262ff,331ff,667,688,777,785. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 189-92,194,208-9,215,217,492-3,505,546. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III.  Bern and Stuttgart. Pages: I,xv,40,71; III,112. Notes: physical description; contents list (partial); concordances (partial).

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 270. Notes: contents list (partial).

Stroux, Christoph. 1976. Die Musica Poetica des Magisters Heinrich Faber. Albert-Ludwigs-Universität (Freiburg im Breisgau), Unpublished Ph.D. dissertation. Pages: 162-5,180-200. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 17: 315-45. Pages: 318, 321-2. Notes: incipits (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae, vol. 65.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, x, 25-39. Notes: mention of MS; transcription (partial).

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 27-8. Notes: mention of MS.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 118-20, passim. Notes: physical description; mention of MS; discussion; facsimile (partial).

Jackson, Philip T, and George Edward Nugent (editors). 1971-. Jachet of Mantua: Opera Omnia. Corpus mensurabilis musicae, vol. 54.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xxii-xxiii; V,xxvii. Notes: contents list (partial); concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen, vol. 6.  Wiesbaden. Pages: 266, 303, passim. Notes: concordances (partial); mention of MS.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116-7. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 246, 271, 291, 323. Notes: concordances (partial); incipits (partial); mention of MS.

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I, 110. Notes: transcription (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5.  Kassel. Pages: 166. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 51. Notes: contents list (partial); mention of MS.

Kirsch, Winfried. 1961. Die Verbindung von Magnificat und Weihnachtsliedern im 16. Jahrhundert. Festschrift Helmuth Osthoff zum 65. Geburtstage, 61-74. Tutzing. Pages: 65-7. Notes: concordances (partial); mention of MS.

Lowinsky, Edward E. 1957. The Medici Codex: A Document of Music, Art, and Politics in the Renaissance. Annales Musicologiques, 5: 61-178. Pages: 120ff. Notes: concordances (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel, vol. 1.  Kassel and Basel. Pages: 31ff. Notes: concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: I, 1342-5. Notes: mention of MS.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 123,127. Notes: physical description (partial); contents list (partial); concordances (partial).

Albrecht, Hans. 1948. Zwei Quellen zur deutschen Musikgeschichte der Reformationszeit. Die Musikforschung, 1: 242ff. Notes: physical description; contents list; concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXX, 124-30,193,198. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 12: 331-40. Pages: 334ff. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage,  Berlin. Pages: 40-l. Notes: mention of MS.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description