H-Bn MS Bártfa 8 (c)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: c. 1550

Archive Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark MS Bártfa 8 (c)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements originally c. 162 x 206 mm
Other Identifiers
  • CCM: BudOS 8
Relationships
Provenance
Contents Contains 71 compositions, 44 from 10 composers, 27 are anonymous.
General Description

A Tenor partbook from a set of four volumes labelled 'Vox summa', 'Vox mercurialis', 'Vox media' (Bassus not labelled). A collection of Mass propers, mostly from Isaac's Choralis Constantinus settings, copied by several scribes; the last 7 pieces, copied by a single scribe (MurTVB) after a gap of a few folios, are unrelated to the main body of the ms.

Much of the manuscript may have been copied from BudOS P1; BudOS 8, in turn, may have served as a source for BudOS 24 (MurIO). Alternatively BudOS 8 may have been the principal source, with BudOS P1, BudOS 20 and BudOS 24 copied mostly or entirely from it; BudOS 2 was in turn copied from BudOS24 (CC2).

The contents of BudOS8 and BudOS 24 show considerable overlap, though the sequence of pieces in BudOS24 is more structured, and they are more neatly and carefully copied, than in BudOS8, The Choralis Constantinus II repertoire in BudOS 8 is substantially adapted to suit local requirements, with several pieces assigned to different liturgical feasts and three supplied with new texts (CC2).

From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023
Physical Description

Some folios missing, torn, or worn, but now covered with plastic.

DIAMM, 2017
Binding

Rebound in new cardboard covers (CCM) or possibly in half-leather (MurTVB).

DIAMM, 2023
Notation

not indicated

DIAMM, 2017
Date

c. 1550 (GomMB). MurTVB dates the ms after 1555, on the "incorrect assumption" (CC2) that the Isaac Choralis Constantinus pieces (part I) were copied from the Choralis print.

DIAMM, 2023
Foliation

Modern stamped foliation; new pencil foliation in A

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Masses, 1 Kyrie, 1 German Credo, 11 Mass Proper cycles, 3 Mass Proper sections, 4 Magnificats, 1 Passion, 7 hymns, 4 motets = 36

(Bruck)-1, (Finck)-2, Isaac-11, (Josquin)-1, (Obrecht/Longaval/Venture)-1, (Stoltzer)-2, anon-23

4 paper partbooks (D-50 folios, A-49, T-46, B-45), originally ca. 162 x 206. Some folios missing, torn, or worn, but now covered with plastic. Modern stamped foliation; new pencil foliation in A. Rebound in new cardboard covers. Copied by several scribes. Portions of this manuscript may have been copied from BudOS PI; BudOS 8, in turn, may have served as a source for BudOS 24 (MurIO).

Ca. 1550 (GomMB); after 1555 (MurTVB). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Vol. 4

Contents: 2 Masses, 1 Kyrie-Gloria pair, 1 Sanctus-Agnus pair, 2 Kyries, 1 Gloria, 1 Sanctus, 38 Mass Proper sections (most arranged in cycles), 4 Magnificats, 10 hymns, 1 Passion, 2 motets, 1 set of responses, 1 German sacred piece = 65

Composers: (Bruck)-1, (Finck)-2, (Isaac)-28, (Isaac-anon)-1, Josquin)-1, (Longaval/Obrecht/Venture)-1, (Rein)-1, (Stoltzer)-4, anon-25

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Loading inventory…

The inventory could not be loaded.

Sets

Select a set to see its sources.

denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM, vol. 115-2.  American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa).  Bonn: Gudrun Schröder. Pages: XXIII, 35-40.

Brusniak, Friedhelm. 1980. Conrad Rein (ca. 1475-1522)-Schulmeister und Komponist. Neue Musikgeschichtliche Forschungen, vol. 10.  Wiesbaden. Pages: 350. Notes: contents list (partial); concordances (partial); incipits (partial).

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 17: 315-45. Pages: 316ff. Notes: incipits (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 127. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5.  Kassel. Pages: 166. Notes: mention of MS.

Seiffert, Max (editor). 1957-61. Denkmäler Deutscher Tonkunst. Leipzig, 1892-1931.  Wiesbaden and Graz. Pages: LXV, 28. Notes: transcription (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192-3. Notes: mention of MS; contents list (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXV, 77ff. Notes: concordances (partial).

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 12: 331-40. Pages: 334. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage,  Berlin. Pages: 41-2. Notes: mention of MS.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description