D-Dl MS Grimma 58 [Bassus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1555-60

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Grimma 58 [Bassus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	165 x 210 mm
Other Identifiers	CCM: DresSL Grimma 58
Copyists	? Figulus, Wolfgang (ca. 1525–1589) Music
Relationships	Fürstenschule [princely school] St. Augustin, Grimma (owner) Birck, Friedrich (owner) Figulus, Wolfgang (ca. 1525–1589) (compiler) Fürstenschule [princely school] St Afra, Meissen (copied at)
External Links	images
External Authorities	RISM Online (sources/211005633)
Provenance	Fürstenschule [princely school] St Afra, Meissen , Meissen, Bavaria, Germany
Contents	85 pieces from 16 composers

General Description

A Bassus partbook from an incomplete set of three volumes. Copied by Wolfgang Figulus(?) and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017

Extent

i+156+i folios

DIAMM, 2024

Binding

Restored and rebound in modern brown cardboard covers.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

Dates "XIIII Junii 58" (Discantus, f.141r), "XXIIII Junii 57" (Altus, f.152r).

DIAMM, 2024

Foliation

Other numberings: Modern numbering of pieces

DIAMM, 2017

Foliation

Modern pencil foliation

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Kyrie-Gloria pair, 1 Kyrie, 1 Gloria, 1 Sanctus, 5 Mass Proper sections, 3 psalms, 1 processional hymn, 1 German/Latin sacred piece, 11 motets, 11 German sacred pieces = 38

(M. Agricola)-2, (Alder)-1, (Clemens non Papa)-1, (Figulus)-4, (Hähnel)-4, (Josquin?)-1, (Prenner/Silva)-1, (Senfl)-1, (Stoltzer)-6, (Stoltzer/Bauldeweyn)-1, (Verdelot)-1, (Wolff)-1, anon-14

3 paper partbooks (D-i + 158 + i folios, A-i + 166 + i, B-i + 156 + i), 165 x 210. Modern pencil foliation; modern numbering of pieces. Restored and rebound in modern brown cardboard covers. Copied by Wolfgang Figulus(?) and others. Ca. 1555-60 (SteudeMS). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Change "(Alder)-1" to "(Alder/Senfl)-1 "; change "(Prenner/Silva)-1" to "(Silva/Werrecore)-1"; change "(Wolff)-1" to "(FinckP/Josquin/Wolff) -1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–2v	Qui regis Israel intende qui sedes 18.9	[Josquin]	Despres, Josquin (ca. 1450–1521)
Qui regis Israel intende qui sedes 18.9 Despres, Josquin (ca. 1450–1521) Appears on: 1–2v Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Qui regis Israhel intende qui sedes 18.9 General Note Josquin, GA, Mot. 63 - Bk 5:29(1.p.)
3–4v	Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te	[Finck/Josquin/Wolff]	Wolff, Martin (?) Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521) (?)
Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te Wolff, Martin (?) Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 3–4v Genres: Motet Source Attribution: [Finck/Josquin/Wolff] Voice: [no designation] Languages: Latin Voice Text: Conserva me domine quoniam speravi 15.10 II: Dominus pars haereditatis meae General Note RISM 1553^4:12
4v–6	Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae	-	Wolff, Martin (?) Despres, Josquin (ca. 1450–1521) (?) Finck, Heinrich (?)
Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae Wolff, Martin (?) Despres, Josquin (ca. 1450–1521) (?) Finck, Heinrich (?) Appears on: 4v–6 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dominus pars hereditatis [part 2] General Note RISM 1553^4:12
6v–8	Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Appears on: 6v–8 Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Herr neyge deine ohren und erhore mich II: Herr es ist dir kein gleich III: Ich danck dir Herr mein Gott General Note Hoffm.-Erbr. I, Wv 120 - Bk 5:9
8–10	Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich	-	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich Stoltzer, Thomas (ca. 1480–1526) Appears on: 8–10 Genres: Motet Voice: [no designation] Languages: German Voice Text: Herr es ist dir kein gleich [part 2] General Note Hoffm.-Erbr. I, Wv 120 - Bk 5:9
10–12	Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott	-	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott Stoltzer, Thomas (ca. 1480–1526) Appears on: 10–12 Genres: Motet Voice: [no designation] Languages: German Voice Text: Ich danck dir herr mein Gott [part 3] General Note Hoffm.-Erbr. I, Wv 120 - Bk 5:9
12v–15	Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper	[Bauldeweyn/Stoltzer]	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?) Appears on: 12v–15 Genres: Motet Source Attribution: [Bauldeweyn/Stoltzer] Voice: [no designation] Languages: Latin Voice Text: Benedicam dominum in omni tempore semper [1a pars only] General Note (1a pars only.) Hoffm.-Erbr. I, Wv 107 - Bk 5:28
15v–17	Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram	[M. Agricola]	Agricola, Martin (ca. 1486–1556)
Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram Agricola, Martin (ca. 1486–1556) Appears on: 15v–17 Genres: Motet Source Attribution: [M. Agricola] Voice: [no designation] Languages: Latin Voice Text: Hiob tonso capite corruens in terram II: Castigasti me domine et eruditus III: Postquam autem convertisti me egi General Note Leipzig, Thomask. Ms. 49/50:160
17v–18v	Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus	-	Agricola, Martin (ca. 1486–1556)
Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus Agricola, Martin (ca. 1486–1556) Appears on: 17v–18v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Castigasti me domine [part 2] General Note Leipzig, Thomask. Ms. 49/50:160
19–21	Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi	-	Agricola, Martin (ca. 1486–1556)
Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi Agricola, Martin (ca. 1486–1556) Appears on: 19–21 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Postquam autem convertisti [part 3] General Note Leipzig, Thomask. Ms. 49/50:160
21–23	Missa Alma redemptoris: Kyrie	Anon.	Anonymous
Missa Alma redemptoris: Kyrie Anonymous Appears on: 21–23 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa]
23v–26v	Missa Alma redemptoris: Et in terra pax [Gloria]	-	Anonymous
Missa Alma redemptoris: Et in terra pax [Gloria] Anonymous Appears on: 23v–26v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gloria [Missa]
26v–30v	Missa Alma redemptoris: Patrem omnipotentem [Credo]	-	Anonymous
Missa Alma redemptoris: Patrem omnipotentem [Credo] Anonymous Appears on: 26v–30v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo [Missa]
31–32v	Missa Alma redemptoris: Sanctus	-	Anonymous
Missa Alma redemptoris: Sanctus Anonymous Appears on: 31–32v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus [Missa]
32v–35	Missa Alma redemptoris: Agnus Dei	-	Anonymous
Missa Alma redemptoris: Agnus Dei Anonymous Appears on: 32v–35 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus Dei [Missa]
35–37v	Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me	[Hähnel]	Galliculus, Johannes
Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me Galliculus, Johannes Appears on: 35–37v Genres: Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me General Note RISM 1539^14
38	Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ	Anon.	Anonymous
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ Anonymous Appears on: 38 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, German Voice Text: Surrexit Christus hodie alleluia/Erstanden ist der heilige Christ General Note W. Figulus, Hymni sacri: 1604, S. 160
38v–40v	Missa Paschale: Kyrie	[Hähnel]	Galliculus, Johannes
Missa Paschale: Kyrie Galliculus, Johannes Appears on: 38v–40v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleÿson General Note RISM 1539^14 - Bk 9:11 - 21:68
40v–42	Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anon.	Anonymous
Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 40v–42 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Victime paschali laudes immolent Christiani
[tacet?]	Victimae paschali - 2a pars (of 3): Dic nobis Maria	-	Anonymous
Victimae paschali - 2a pars (of 3): Dic nobis Maria Anonymous Appears on: [tacet?] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dic nobis Maria [part 2]
42–43	Victimae paschali - 3a pars (of 3): Credendum est magis	-	Anonymous
Victimae paschali - 3a pars (of 3): Credendum est magis Anonymous Appears on: 42–43 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 3]
43–44	Christ ist erstanden (6vv) [S39]	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Christ ist erstanden (6vv) [S39] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 43–44 Genres: Sacred Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Christ der ist erstanden alleluia General Note RISM 1544^2_1:22
44–45	Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 44–45 Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Her wie lang wiltu mein so gar vorgessen II: Schaw doch und erhore mich mein Her III: Ich hoff aber auf deine gute General Note Hoffm.-Erbr. I, Wv 121 - Bk 4:9 - 5:10
45–46	Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 45–46 Genres: Motet Voice: [no designation] Languages: German Voice Text: Schaw doch und erhöre mich [part 2] General Note Hoffm.-Erbr. I, Wv 121 - Bk 4:9 - 5:10
46–46v	Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 46–46v Genres: Motet Voice: [no designation] Languages: German Voice Text: Ich hoff aber auf dein güte [part 3] General Note Hoffm.-Erbr. I, Wv 121 - Bk 4:9 - 5:10
47–48	Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 47–48 Genres: Motet Source Attribution: [Verdelot] Voice: [no designation] Languages: Latin Voice Text: Angelus domini locutus est mulieribus II: Ite et annunciate quia surrexit General Note RISM 1554^10:36
48–49v	Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 48–49v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ite et annunciate [part 2] General Note RISM 1554^10:36
49v–51v	Et in terra pax [Gloria]	Anon.	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 49v–51v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra pax hominibus
51v–52	Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich Figulus, Wolfgang (ca. 1525–1589) Appears on: 51v–52 Genres: Response Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Et cum spiritu tuo. Habemus ad dominum. Dignum et iustum est. Und seine güte weret ewigklich General Note Bk 41:3
52–52v	Sanctus	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Sanctus Stoltzer, Thomas (ca. 1480–1526) Appears on: 52–52v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Hoffm.-Erbr. I, Wv 3
53–55	Domine Jesu Christe respicere digneris	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Domine Jesu Christe respicere digneris Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 53–55 Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Domine Jesu Christe respicere digneris General Note RISM 1556^9:18
55v–58v	Deus pater mitissime nos in tuo verbo	Anon.	Anonymous
Deus pater mitissime nos in tuo verbo Anonymous Appears on: 55v–58v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Deus pater mitissime nos in tuo verbo
59–70v	[blank staves]	-	-
[blank staves] Appears on: 59–70v General Note there are 12 blank (ruled) folios between ff. 58 & 71 (65 is used twice).
37v, 71–72	Missa: Kyrie	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Missa: Kyrie Stoltzer, Thomas (ca. 1480–1526) Appears on: 37v, 71–72 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG] General Note the beginning of the Kyrie is on f. 37, the continuation on 71...
72v–76v	Missa: Et in terra pax [Gloria]	-	Stoltzer, Thomas (ca. 1480–1526)
Missa: Et in terra pax [Gloria] Stoltzer, Thomas (ca. 1480–1526) Appears on: 72v–76v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gloria [Missa]
76v–77v	Alleluia. Pascha nostrum immolatus est	[Hähnel]	Galliculus, Johannes
Alleluia. Pascha nostrum immolatus est Galliculus, Johannes Appears on: 76v–77v Genres: Alleluia, Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum imolatus est
77v–78	Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	[Hähnel]	Galliculus, Johannes
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden Galliculus, Johannes Appears on: 77v–78 Genres: Hymn Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens General Note Nrn 20, 21: RISM 1539^14 - Bk 9:12 - 15:24 - 21:69
78v	Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden	-	Galliculus, Johannes
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden Galliculus, Johannes Appears on: 78v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Dic nobis Maria [part 2] General Note Nrn 20, 21: RISM 1539^14 - Bk 9:12 - 15:24 - 21:69
78v–79v	Victimae paschali - 3a pars (of 3): Credendum est magis	-	Galliculus, Johannes
Victimae paschali - 3a pars (of 3): Credendum est magis Galliculus, Johannes Appears on: 78v–79v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 3] General Note Nrn 20, 21: RISM 1539^14 - Bk 9:12 - 15:24 - 21:69
79v–80v	Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus	[Silva/Werrecore]	Werrecore, Matthias Hermann (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)
Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus Werrecore, Matthias Hermann (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Appears on: 79v–80v Genres: Motet Source Attribution: [Silva/Werrecore] Voice: [no designation] Languages: Latin Voice Text: Surrexit pastor bonus qui animam suam II: Ecce crucem domini fugite partes
80v–81v	Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini	-	Silva, Andreas de (ca. 1475–ca. 1522) (?) Werrecore, Matthias Hermann (?)
Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini Silva, Andreas de (ca. 1475–ca. 1522) (?) Werrecore, Matthias Hermann (?) Appears on: 80v–81v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce crucem domini [part 2]
81v	Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo	Anon.	Anonymous
Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo Anonymous Appears on: 81v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis evo II: Ecce renascentis testatur gratia III: Qui crucifixus erat deus ecce
82–82v	Salve festa dies - 2a pars (of 4): Toto venerabilis	-	Anonymous
Salve festa dies - 2a pars (of 4): Toto venerabilis Anonymous Appears on: 82–82v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Toto venerabilis [part 2]
82v–83v	Salve festa dies - 3a pars (of 4): Ecce renascentis	-	Anonymous
Salve festa dies - 3a pars (of 4): Ecce renascentis Anonymous Appears on: 82v–83v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce renascentis [part 3]
84–84v	Salve festa dies - 4a pars (of 4): Qui crucifixus erat	-	Anonymous
Salve festa dies - 4a pars (of 4): Qui crucifixus erat Anonymous Appears on: 84–84v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui crucifixus erat [part 4]
85–87v	Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist	Anon.	Anonymous
Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist Anonymous Appears on: 85–87v Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Meine seel erhebt den Herren und mein geist II: Er gedenckt der barmhertzigkeit
87v–89	Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit	-	Anonymous
Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit Anonymous Appears on: 87v–89 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: German Voice Text: Er gedenkt der barmherzigkeit [part 2]
89v–90v	Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen Stoltzer, Thomas (ca. 1480–1526) Appears on: 89v–90v Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Erzurne dich nit uber die bosen und sey II: Halt dem Hern stil und las in III: Der gotlose drauet dem gerechten IV: Der Her kent [die tage der] frommen V: Ich bin iung gewesen und hab noch VI: Der gottlose sieht auff den gerecht VII: Bewar die frommigkeit und schaw General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
90v–91v	Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil Stoltzer, Thomas (ca. 1480–1526) Appears on: 90v–91v Genres: Motet Voice: [no designation] Languages: German Voice Text: Halt dem hern stil [part 2] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
91v [tacet]	Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet Stoltzer, Thomas (ca. 1480–1526) Appears on: 91v [tacet] Genres: Motet Voice: [no designation] Languages: German Voice Text: Der gotlosse dräuet [part 3] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
92–94	Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage Stoltzer, Thomas (ca. 1480–1526) Appears on: 92–94 Genres: Motet Voice: [no designation] Languages: German Voice Text: Der her kennt die Tage [part 4] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
94–95v	Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen Stoltzer, Thomas (ca. 1480–1526) Appears on: 94–95v Genres: Motet Voice: [no designation] Languages: German Voice Text: Ich bin iung gewesen [part 5] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
95v–97	Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht Stoltzer, Thomas (ca. 1480–1526) Appears on: 95v–97 Genres: Motet Voice: [no designation] Languages: German Voice Text: Der gottlose sieht [part 6] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
97v–99	Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit Stoltzer, Thomas (ca. 1480–1526) Appears on: 97v–99 Genres: Motet Voice: [no designation] Languages: German Voice Text: Beware die frommigkeit [part 7] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
99v–101	Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum	Anon.	Anonymous
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum Anonymous Appears on: 99v–101 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nisi dominus aedificaverit domum in vanum II: Non confundentur cum loquentur
101v–103	Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur	-	Anonymous
Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur Anonymous Appears on: 101v–103 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Non confundentur [!] [part 2]
103–105	Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani	Anon.	Anonymous
Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani Anonymous Appears on: 103–105 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Victime paschali laudes immolant Christiani II: Credendum est magis soli Marie
105–107	Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie	-	Anonymous
Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie Anonymous Appears on: 105–107 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 2]
107–110	Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus Figulus, Wolfgang (ca. 1525–1589) Appears on: 107–110 Genres: Motet Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: Domine deus patrum nostrorum tu es deus II: In nobis quidem non est tanta III: Credite in domino deo vestro General Note Eichorn 1575 (Cant. sacr.):8
110–112	Domine Deus - 2a pars (of 3): In nobis quidem non est tanta	-	Figulus, Wolfgang (ca. 1525–1589) (?)
Domine Deus - 2a pars (of 3): In nobis quidem non est tanta Figulus, Wolfgang (ca. 1525–1589) (?) Appears on: 110–112 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In nobis quidem [part 2] General Note Eichorn 1575 (Cant. sacr.):8
112–114v	Domine Deus - 3a pars (of 3): Credite in Domino deo vestro	-	Figulus, Wolfgang (ca. 1525–1589)
Domine Deus - 3a pars (of 3): Credite in Domino deo vestro Figulus, Wolfgang (ca. 1525–1589) Appears on: 112–114v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credite in domino [part 3] General Note Eichorn 1575 (Cant. sacr.):8
114v–115v	Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres	[M. Agricola]	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres Agricola, Martin (ca. 1486–1556) Appears on: 114v–115v Genres: Motet Source Attribution: [M. Agricola] Voice: [no designation] Languages: Latin Voice Text: Deus auribus nostris audivimus patres II: Quoniam non in gladio eorum III: Tu es rex meus deus manda IV: In deo laudabimus tota die et nomen General Note Wittenberg 1557 (Mel. schol.)
115v–116v	Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum	-	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum Agricola, Martin (ca. 1486–1556) Appears on: 115v–116v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quoniam non in gladio [part 2] General Note Wittenberg 1557 (Mel. schol.)
116v–119	Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda	-	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda Agricola, Martin (ca. 1486–1556) Appears on: 116v–119 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tu es rex deus meus [part 3] General Note Wittenberg 1557 (Mel. schol.)
119v–120	Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen	-	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen Agricola, Martin (ca. 1486–1556) Appears on: 119v–120 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In deo laudabimus [part 4] General Note Wittenberg 1557 (Mel. schol.)
120–121v	Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri Figulus, Wolfgang (ca. 1525–1589) Appears on: 120–121v Genres: Introit Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: Exurge quare obdormis domine exurge Vs: (Deus auribus nostris) Patres nostri General Note Bk 44:16
121v–124	Missa Da Jacob das kleid ansahe: Kyrie	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Kyrie Figulus, Wolfgang (ca. 1525–1589) Appears on: 121v–124 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
124–127	Missa Da Jacob das kleid ansahe: Gloria	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Gloria Figulus, Wolfgang (ca. 1525–1589) Appears on: 124–127 Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gloria [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
127–131	Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo]	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo] Figulus, Wolfgang (ca. 1525–1589) Appears on: 127–131 Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
131v–133	Missa Da Jacob das kleid ansahe: Sanctus	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Sanctus Figulus, Wolfgang (ca. 1525–1589) Appears on: 131v–133 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
133v–135v	Missa Da Jacob das kleid ansahe: Agnus Dei	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Agnus Dei Figulus, Wolfgang (ca. 1525–1589) Appears on: 133v–135v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus Dei [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
135v–136v	Christ ist erstanden von der marter alle	Anon.	Anonymous
Christ ist erstanden von der marter alle Anonymous Appears on: 135v–136v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German, Greek Voice Text: Christ ist erstanden von der marter alle
136v–138	Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Stoltzer, Thomas (ca. 1480–1526) Appears on: 136v–138 Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Hilff Her die heÿligen haben abgenommen II: Weil den die elenden vorstöret sein [= ff. 150-153v] General Note Hoffm.-Erbr. I, Wv 122 - Bk 5:8 - 46:37 (var.)
138–140	Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	-	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden Stoltzer, Thomas (ca. 1480–1526) Appears on: 138–140 Genres: Motet Voice: [no designation] Languages: German Voice Text: Weil den die elenden [part 2] General Note Hoffm.-Erbr. I, Wv 122 - Bk 5:8 - 46:37 (var.)
140v–143	Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell	Anon.	Anonymous
Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell Anonymous Appears on: 140v–143 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Gelobet seÿ der Her der Got Israhel II: Auff das [er] erscheine denen
143–144v	Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen	-	Anonymous
Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen Anonymous Appears on: 143–144v Genres: Motet Voice: [no designation] Languages: German Voice Text: Auff das [er] erscheine denen [part 3]
144v–145v	Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem	Anon.	Anonymous
Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem Anonymous Appears on: 144v–145v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ascendo ad patrem meum et ad patrem II: Viri Gallilaei quid aspicitis in coelum
146–147	Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum	-	Anonymous
Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum Anonymous Appears on: 146–147 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Viri Gallilaei quid aspicitis [part 2]
147v–149	Da Jacob das Kleid ansah mit großem Schmerzen	[Alder/Senfl]	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Da Jacob das Kleid ansah mit großem Schmerzen Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 147v–149 Genres: Motet Source Attribution: [Alder/Senfl] Voice: [no designation] Languages: German Voice Text: Da Jacob das kleidt ansah mit grossen schmerzen General Note RISM 1544^2_1:120 - Bk 42:9
149–150v	Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Stoltzer, Thomas (ca. 1480–1526) Appears on: 149–150v Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Hilff Herr die heÿligen haben abgenommen II: Weil den die elenden verstoret sein [= ff. 137v-141] General Note Bk 5:8 (var.) - 46:33 (var.)
151–152	Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	-	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden Stoltzer, Thomas (ca. 1480–1526) Appears on: 151–152 Genres: Motet Voice: [no designation] Languages: German Voice Text: Weil den die elenden [part 2] General Note Bk 5:8 (var.) - 46:33 (var.)
152v–153	Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort	Anon.	Anonymous
Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort Anonymous Appears on: 152v–153 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Erhalt uns Herr beÿ deinen wort II: Beweis dein macht Herr Jesu Christ III: Gott heÿliger geist du troster werd IV: Verleÿ uns friede genediglich Herr
153–154	Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ	-	Anonymous
Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ Anonymous Appears on: 153–154 Genres: Motet Voice: [no designation] Languages: German Voice Text: Beweiß dein macht Herr Jesu Christ [part 2]
154v–155	Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert	-	Anonymous
Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert Anonymous Appears on: 154v–155 Genres: Motet Voice: [no designation] Languages: German Voice Text: Gott heyliger Geist [part 3]
155v–156	Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr	-	Anonymous
Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr Anonymous Appears on: 155v–156 Genres: Motet Voice: [no designation] Languages: German Voice Text: Verley uns friede genediglich [part 4]

Composer	Compositions
Agricola, Martin (ca. 1486–1556)	Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres – 114v–115v Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum – 115v–116v Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda – 116v–119 Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen – 119v–120 Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram – 15v–17 Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus – 17v–18v Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi – 19–21
Alder, Cosmas (1500–1550)	Da Jacob das Kleid ansah mit großem Schmerzen – 147v–149
Anonymous	Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem – 144v–145v Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum – 146–147 Christ ist erstanden von der marter alle – 135v–136v Deus pater mitissime nos in tuo verbo – 55v–58v Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort – 152v–153 Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ – 153–154 Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert – 154v–155 Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr – 155v–156 Et in terra pax [Gloria] – 49v–51v Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell – 140v–143 Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen – 143–144v Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist – 85–87v Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit – 87v–89 Missa Alma redemptoris: Agnus Dei – 32v–35 Missa Alma redemptoris: Et in terra pax [Gloria] – 23v–26v Missa Alma redemptoris: Kyrie – 21–23 Missa Alma redemptoris: Patrem omnipotentem [Credo] – 26v–30v Missa Alma redemptoris: Sanctus – 31–32v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum – 99v–101 Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur – 101v–103 Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo – 81v Salve festa dies - 2a pars (of 4): Toto venerabilis – 82–82v Salve festa dies - 3a pars (of 4): Ecce renascentis – 82v–83v Salve festa dies - 4a pars (of 4): Qui crucifixus erat – 84–84v Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ – 38 Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani – 103–105 Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 40v–42 Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie – 105–107 Victimae paschali - 2a pars (of 3): Dic nobis Maria – [tacet?] Victimae paschali - 3a pars (of 3): Credendum est magis – 42–43 [No description] – 59–70v
Bauldeweyn, Noel (ca. 1480–1529)	(?) Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper – 12v–15
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Domine Jesu Christe respicere digneris – 53–55
Despres, Josquin (ca. 1450–1521)	(?) Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te – 3–4v (?) Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae – 4v–6 Qui regis Israel intende qui sedes 18.9 – 1–2v
Figulus, Wolfgang (ca. 1525–1589)	Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus – 107–110 (?) Domine Deus - 2a pars (of 3): In nobis quidem non est tanta – 110–112 Domine Deus - 3a pars (of 3): Credite in Domino deo vestro – 112–114v Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri – 120–121v Missa Da Jacob das kleid ansahe: Agnus Dei – 133v–135v Missa Da Jacob das kleid ansahe: Gloria – 124–127 Missa Da Jacob das kleid ansahe: Kyrie – 121v–124 Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo] – 127–131 Missa Da Jacob das kleid ansahe: Sanctus – 131v–133 Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich – 51v–52
Finck, Heinrich	(?) Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te – 3–4v (?) Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae – 4v–6
Galliculus, Johannes	Alleluia. Pascha nostrum immolatus est – 76v–77v Missa Paschale: Kyrie – 38v–40v Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me – 35–37v Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden – 77v–78 Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden – 78v Victimae paschali - 3a pars (of 3): Credendum est magis – 78v–79v
Reitveltus, Bartholomaeus	(?) Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 44–45 (?) Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 45–46 (?) Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 46–46v
Senfl, Ludwig (ca. 1486–ca. 1543)	Christ ist erstanden (6vv) [S39] – 43–44 (?) Da Jacob das Kleid ansah mit großem Schmerzen – 147v–149
Silva, Andreas de (ca. 1475–ca. 1522)	(?) Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus – 79v–80v (?) Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini – 80v–81v
Stoltzer, Thomas (ca. 1480–1526)	(?) Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper – 12v–15 Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen – 89v–90v Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil – 90v–91v Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet – 91v [tacet] Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage – 92–94 Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen – 94–95v Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht – 95v–97 Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit – 97v–99 Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich – 6v–8 Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich – 8–10 Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott – 10–12 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 44–45 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 45–46 Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 46–46v Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen – 149–150v Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen – 136v–138 Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden – 151–152 Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden – 138–140 Missa: Et in terra pax [Gloria] – 72v–76v Missa: Kyrie – 37v, 71–72 Sanctus – 52–52v
Verdelot, Philippe (ca. 1480–ca. 1532)	Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus – 47–48 Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit – 48–49v
Werrecore, Matthias Hermann	(?) Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus – 79v–80v (?) Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini – 80v–81v
Wolff, Martin	(?) Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te – 3–4v (?) Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae – 4v–6

Composition	Composers (? Uncertain)	Folios / Pages
Alleluia. Pascha nostrum immolatus est	Galliculus, Johannes	76v–77v
Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus	Verdelot, Philippe (ca. 1480–ca. 1532)	47–48
Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit	Verdelot, Philippe (ca. 1480–ca. 1532)	48–49v
Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem	Anonymous	144v–145v
Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum	Anonymous	146–147
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)	12v–15
Christ ist erstanden (6vv) [S39]	Senfl, Ludwig (ca. 1486–ca. 1543)	43–44
Christ ist erstanden von der marter alle	Anonymous	135v–136v
Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te	Wolff, Martin (?) Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521) (?)	3–4v
Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae	Wolff, Martin (?) Despres, Josquin (ca. 1450–1521) (?) Finck, Heinrich (?)	4v–6
Da Jacob das Kleid ansah mit großem Schmerzen	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	147v–149
Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres	Agricola, Martin (ca. 1486–1556)	114v–115v
Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum	Agricola, Martin (ca. 1486–1556)	115v–116v
Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda	Agricola, Martin (ca. 1486–1556)	116v–119
Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen	Agricola, Martin (ca. 1486–1556)	119v–120
Deus pater mitissime nos in tuo verbo	Anonymous	55v–58v
Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus	Figulus, Wolfgang (ca. 1525–1589)	107–110
Domine Deus - 2a pars (of 3): In nobis quidem non est tanta	Figulus, Wolfgang (ca. 1525–1589) (?)	110–112
Domine Deus - 3a pars (of 3): Credite in Domino deo vestro	Figulus, Wolfgang (ca. 1525–1589)	112–114v
Domine Jesu Christe respicere digneris	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	53–55
Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort	Anonymous	152v–153
Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ	Anonymous	153–154
Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert	Anonymous	154v–155
Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr	Anonymous	155v–156
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen	Stoltzer, Thomas (ca. 1480–1526)	89v–90v
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil	Stoltzer, Thomas (ca. 1480–1526)	90v–91v
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet	Stoltzer, Thomas (ca. 1480–1526)	91v [tacet]
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage	Stoltzer, Thomas (ca. 1480–1526)	92–94
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen	Stoltzer, Thomas (ca. 1480–1526)	94–95v
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht	Stoltzer, Thomas (ca. 1480–1526)	95v–97
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit	Stoltzer, Thomas (ca. 1480–1526)	97v–99
Et in terra pax [Gloria]	Anonymous	49v–51v
Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri	Figulus, Wolfgang (ca. 1525–1589)	120–121v
Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell	Anonymous	140v–143
Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen	Anonymous	143–144v
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich	Stoltzer, Thomas (ca. 1480–1526)	6v–8
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich	Stoltzer, Thomas (ca. 1480–1526)	8–10
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott	Stoltzer, Thomas (ca. 1480–1526)	10–12
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	44–45
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	45–46
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	46–46v
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	Stoltzer, Thomas (ca. 1480–1526)	136v–138
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	Stoltzer, Thomas (ca. 1480–1526)	149–150v
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	Stoltzer, Thomas (ca. 1480–1526)	138–140
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	Stoltzer, Thomas (ca. 1480–1526)	151–152
Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram	Agricola, Martin (ca. 1486–1556)	15v–17
Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus	Agricola, Martin (ca. 1486–1556)	17v–18v
Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi	Agricola, Martin (ca. 1486–1556)	19–21
Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist	Anonymous	85–87v
Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit	Anonymous	87v–89
Missa Alma redemptoris: Agnus Dei	Anonymous	32v–35
Missa Alma redemptoris: Et in terra pax [Gloria]	Anonymous	23v–26v
Missa Alma redemptoris: Kyrie	Anonymous	21–23
Missa Alma redemptoris: Patrem omnipotentem [Credo]	Anonymous	26v–30v
Missa Alma redemptoris: Sanctus	Anonymous	31–32v
Missa Da Jacob das kleid ansahe: Agnus Dei	Figulus, Wolfgang (ca. 1525–1589)	133v–135v
Missa Da Jacob das kleid ansahe: Gloria	Figulus, Wolfgang (ca. 1525–1589)	124–127
Missa Da Jacob das kleid ansahe: Kyrie	Figulus, Wolfgang (ca. 1525–1589)	121v–124
Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo]	Figulus, Wolfgang (ca. 1525–1589)	127–131
Missa Da Jacob das kleid ansahe: Sanctus	Figulus, Wolfgang (ca. 1525–1589)	131v–133
Missa Paschale: Kyrie	Galliculus, Johannes	38v–40v
Missa: Et in terra pax [Gloria]	Stoltzer, Thomas (ca. 1480–1526)	72v–76v
Missa: Kyrie	Stoltzer, Thomas (ca. 1480–1526)	37v, 71–72
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum	Anonymous	99v–101
Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur	Anonymous	101v–103
Qui regis Israel intende qui sedes 18.9	Despres, Josquin (ca. 1450–1521)	1–2v
Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me	Galliculus, Johannes	35–37v
Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo	Anonymous	81v
Salve festa dies - 2a pars (of 4): Toto venerabilis	Anonymous	82–82v
Salve festa dies - 3a pars (of 4): Ecce renascentis	Anonymous	82v–83v
Salve festa dies - 4a pars (of 4): Qui crucifixus erat	Anonymous	84–84v
Sanctus	Stoltzer, Thomas (ca. 1480–1526)	52–52v
Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich	Figulus, Wolfgang (ca. 1525–1589)	51v–52
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ	Anonymous	38
Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus	Werrecore, Matthias Hermann (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)	79v–80v
Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini	Silva, Andreas de (ca. 1475–ca. 1522) (?) Werrecore, Matthias Hermann (?)	80v–81v
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	Galliculus, Johannes	77v–78
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden	Galliculus, Johannes	78v
Victimae paschali - 3a pars (of 3): Credendum est magis	Galliculus, Johannes	78v–79v
Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani	Anonymous	103–105
Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	40v–42
Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie	Anonymous	105–107
Victimae paschali - 2a pars (of 3): Dic nobis Maria	Anonymous	[tacet?]
Victimae paschali - 3a pars (of 3): Credendum est magis	Anonymous	42–43

Set: MS Grimma 58 (1-3)

Type: Partbooks

No images available

D-Dl MS Grimma 58 [Altus]

No images available

D-Dl MS Grimma 58 [Bassus]

No images available

D-Dl MS Grimma 58 [Discantus]

‡ denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 101-2. Notes: physical description (partial); contents list; concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 140. Notes: concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 305-6. Notes: contents list (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116ff. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 247, 268. Notes: mention of MS.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 133. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 135-6. Notes: physical description; contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI, 173; XCIX,ix,91-2. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description