D-Rp B. 211-215 (B)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: c. 1538-43

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark B. 211-215 (B)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 208 mm
Other Identifiers
  • CCM: RegB B211-5
Notations
  • black void mensural
Copyists
External Links
External Authorities
Provenance
  • Southern Germany or Austria?
Contents Contains 158 compositions, 148 from 38 composers, 10 are anonymous.
General Description

A Bassus partbook from a set of five volumes. Recto of first flyleaf in each book now pasted to inside front cover. Copied by two or three scribes. Probably of south German or Austrian origin.

DIAMM, 2017
Binding

Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date '1538.'

DIAMM, 2017
Watermark

resembles Briquet #2515

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

Original ink foliation in each book.

DIAMM, 2017
Decoration

No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections.

DIAMM, 2017
Index

Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 1 hymn, 76 motets, 1 Latin/German sacred piece,

2 German sacred pieces, 1 Latin secular piece = 82

Appenzeller or Ducis? [Benedictus]-1, Arcadelt-2, (Barra/Elimon)-1, Brück [AB]/Sermisy [Claudius]-1, (Carpentras)-1, (Conseil)-1, Dietrich [Xystus Theoderici]-2, Eckel-1, Finck-10, Finck-Josquin-1, Frosch-2, (Gombert/Josquin/Sermisy)-1, Hähnel [Johannes Galliculus]-4, Hellinck-2, Isaac-1, (Jaquet of Mantua/Manchicourt)-1, Josquin-2, (Josquin/Senfl)-1, Lafage-2, Le Heurteur-1, (Lemlin)-1, (Lupi)-1, Lupus/(Jaquet of Mantua)-1, Mahu-1, Mahu/(Walter)-1, Moulu-1, Mouton-2, Mustateller-1, Ockeghem-2, Othmayr-1, Peschin-B, Richafort-1, Senfl-12, Sermisy [Claudin]-2, Stoltzer-3, (Verdelot)-1, Werrecore [Hermannus Cu]/(Stoltzer)-1, Willaert-2, anon-7

5 paper partbooks (D-iii + 161 folios, A-iii + 169, T-iii + 137, B-iii + 153, Q-iii + 81), 134 x 208. Recto of first flyleaf in each book now pasted to inside front cover. Original ink foliation in each book. Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date "1538." Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by two or three scribes. Staff height 15. No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections. Watermark resembles Briquet #2515 (StaeMI).

Ca. 1538-43 (date 1538 on covers; "1543" on f. 151 of D book). Probably of south German or Austrian origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
inside front cover index - - -

index

Appears on: inside front cover
1–1v Tu autem cum oraveris 6 Xystus Theoderici [= Dietrich]
Appears on: 1–1v
Genres: Motet
Source Attribution: Xystus Theoderici [= Dietrich]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: f4
Voice Text: Tu autem cum oraveris intra in cubiculum
1v–2v Amen dico vobis quia nemo propheta 6 Eiusdem authoris [= Dietrich]
Appears on: 1v–2v
Genres: Motet
Source Attribution: Eiusdem authoris [= Dietrich]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: f4
Voice Text: Amen dico vobis quia nemo propheta
2v–3v Quod toleras rex alme crucis tormenta 6 (Greek) adelon (=unknown) Anonymous
Appears on: 2v–3v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Quod toleras rex alme crucis tormenta
3v–5 Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 5 Lupus/[Jachet of Mantua]
Appears on: 3v–5
Genres: Motet
Source Attribution: Lupus/[Jachet of Mantua]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Loquutus est dominus ad Moysen dicens
5v–6v Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 5 -
Appears on: 5v–6v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Coram Pharaone stetit Moÿses & dixit
7–7v Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 5 Henricus Finck
Appears on: 7–7v
Genres: Motet
Source Attribution: Henricus Finck
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: Et valde mane una sabbatorum veniunt
7v–8v Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 5 -
Appears on: 7v–8v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Non invenerunt corpus domini
8v–10 Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 5 HF [= Finck]
Appears on: 8v–10
Genres: Responsory
Source Attribution: HF [= Finck]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Verbum caro factum est & habitabit
10–11 Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 5 -
Appears on: 10–11
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars In principio erat verbum & verbum
11–11v Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 5 -
Appears on: 11–11v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Tertia pars : Asine presepe infans implet
12–12v Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 5 HF
Appears on: 12–12v
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Illuminare Hierusalem venit lux tua
12v–13v Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 5 -
Appears on: 12v–13v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Et gloria domini super te Hierusalem
13v–14 Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 5 -
Appears on: 13v–14
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Tertia pars : Et ambulabunt in lumine tuo & reges
14–15 Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 5 HF
Appears on: 14–15
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Christus resurgens ex mortuis iam non
15 Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 5 -
Appears on: 15
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Quod enim vivit deo alleluia
15–17 Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 5 -
Appears on: 15–17
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f4
Voice Text: Tertia pars : Dicant nunc Judei [text incipit only]
17–17v Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 5 HF
Appears on: 17–17v
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Ite in orbem universum & predicate
17v–18 Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 5 -
Appears on: 17v–18
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Qui crediderit & baptizatus fuerit
18v Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 5 -
Appears on: 18v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f5
Voice Text: Tertia pars : In nomine patris & filii & spiritus sancti
18v–19 Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 5 HF
Appears on: 18v–19
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f5
Voice Text: Petre amas me tu scis domine quia amo te
19v Petre amas me - 2a pars (of 3): Pasce oves meas 5 -
Appears on: 19v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f5
Voice Text: Secunda pars : Pasce oves meas
19v–20 Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his 5 -
Appears on: 19v–20
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Tertia pars : Simon Joannis diligis me plus his
20–22 Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 5 Johannes Okegus [= Ockeghem]
Appears on: 20–22
Genres: Motet
Source Attribution: Johannes Okegus [= Ockeghem]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: f3
Voice Text: Gaude Maria virgo cunctas hereses sola
22–22v Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 5 -
Appears on: 22–22v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: (2p.) Gabrielem archangelum te esse
22v–23 Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 5 -
Appears on: 22v–23
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: (3p.) Uterum tuum de spiritu sancto
23–24 Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 5 -
Appears on: 23–24
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: f3
Voice Text: (4p.) Erubescat Judeus infelix qui dicit
24–25 Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te 4 Ludovicus Senflius
Appears on: 24–25
Genres: Responsory
Source Attribution: Ludovicus Senflius
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Pater peccavi in coelum & coram te
25–25v Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis 5 -
Appears on: 25–25v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Repetitio : Fac me sicut unum ex mercenariis
25v–26v Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris 4 -
Appears on: 25v–26v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Versus : Quanti mercenarii in domo patris
27–28 Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 4 Lupus [Hellinck]
Appears on: 27–28
Genres: Motet
Source Attribution: Lupus [Hellinck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Panis quem ego dabo caro mea est
28–29 Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 4 -
Appears on: 28–29
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Loquutus est populus ad dominum
29–30 Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 4 Josquin/[Finck]
Appears on: 29–30
Genres: Motet
Source Attribution: Josquin/[Finck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: Magnus es tu domine & magnum nomen
30–31 Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 4 -
Appears on: 30–31
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Tu pauperum refugium tu languorum
31–32 Simile est regnum caelorum homini 4 (Greek) adelon (=unknown)[Carpentras]
Appears on: 31–32
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)[Carpentras]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Simile est regnum caelorum homini
32–33v Da pacem Domine (M25) 4 LS [= Senfl]
Appears on: 32–33v
Genres: Motet
Source Attribution: LS [= Senfl]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Da pacem domine in diebus nostris
33v–34 Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo 4 (Greek) adelon (=unknown) Anonymous
Appears on: 33v–34
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: f4
Voice Text: Domine quo ibo a spiritu tuo & quo a facie tua fugiam
34v–35 Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo 4 - Anonymous
Appears on: 34v–35
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Si sumpsero pennas meas diluculo
35v–36 Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 4 Mathias Eckel
Appears on: 35v–36
Genres: Responsory
Source Attribution: Mathias Eckel
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: f3
Voice Text: Inter natos mulierum non surrexit maior
36–37 Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo 4 -
Appears on: 36–37
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Repetitio : Qui viam domino preparavit in eremo
37–37v Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen 4 -
Appears on: 37–37v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Versus : Fuit homo missus a deo cui nomen
37v–39v Duo homines ascenderunt in templum 4 [Galliculus]
Appears on: 37v–39v
Genres: Motet
Source Attribution: [Galliculus]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Duo homines ascenderunt in templum
39v–40v In cathedra Moisi omnia quaecunque iusserint 4 [Galliculus]
Appears on: 39v–40v
Genres: Motet
Source Attribution: [Galliculus]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: In cathedra Moysi omnia quaecunque iusserint
41–42 Venite post me qui laboratis et onerati 4 [Galliculus]
Appears on: 41–42
Genres: Motet
Source Attribution: [Galliculus]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Venite post me qui laboratis & onerati estis
42v–44 Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 5 Ludovicus Senflius
Appears on: 42v–44
Genres: Motet
Source Attribution: Ludovicus Senflius
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Omnes gentes plaudite manibus iubilate
44–46 Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 5 -
Appears on: 44–46
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Ascendit deus in iubilo & dominus
46v–47 Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 5 LS
Appears on: 46v–47
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Tota pulchra es amica mea & macula non est in te
47v–48 Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 5 -
Appears on: 47v–48
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: Secunda pars : Jam enim hiems transiit imber abiit
48–49 Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 5 -
Appears on: 48–49
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Tertia pars : Et vox turturis audita est in terra
49v–50 Peccata mea domine - 1a pars (of 2): Peccata mea domine 4 Ricafort
Appears on: 49v–50
Genres: Motet
Source Attribution: Ricafort
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Peccata mea domine sicut sagittae infixae
50v–51 Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam 4 -
Appears on: 50v–51
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Quoniam iniquitatem meam ego cognosco
51–52 Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 4 (Greek) adelon (=unknown) - Gregorius Pesthinus [= Peschin]
Appears on: 51–52
Genres: Motet
Source Attribution: (Greek) adelon (=unknown) - Gregorius Pesthinus [= Peschin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Si bona suscepimus de manu domini
52–52v Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris 4 -
Appears on: 52–52v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Nudus egressus sum de utero matris
53–53v Sic enim Deus dilexit mundum 4 Gregorius Peschin
Appears on: 53–53v
Genres: Motet
Source Attribution: Gregorius Peschin
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Sic enim deus dilexit mundum
53v–54v Nesciens mater virgo virum peperit 6 Johannes Froschius
Appears on: 53v–54v
Genres: Motet
Source Attribution: Johannes Froschius
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: c4
Voice Text: Nesciens mater virgo virum peperit
54v–55v Tua est potentia tuum regnum Dominus 26.17 5 M (=Mouton)/[Josquin]
Appears on: 54v–55v
Genres: Motet
Source Attribution: M (=Mouton)/[Josquin]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Tua est potentia tuum regnum domine
56 Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 5 LS
Appears on: 56
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Grates nunc omnes reddamus domino deo
56–56v Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 5 -
Appears on: 56–56v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Altera pars : Huic oportet ut canamus cum angelis
56v–57v Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 5 (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Appears on: 56v–57v
Genres: Contrafactum, Motet
Source Attribution: (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Date siceram merentibus & vinum his
57v–58v Domine libera animam meam a labiis 5 St: Mahu
Appears on: 57v–58v
Genres: Motet
Source Attribution: St: Mahu
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Domine libera animam meam a labiis
58v–60 Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 5 [La Fage]
Appears on: 58v–60
Genres: Motet
Source Attribution: [La Fage]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Super flumina Babilonis illic sedimus
60–62 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 5 -
Appears on: 60–62
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Pars altera : Si oblitus fuero tui Hierusalem
62v–63v Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 5 [Willaert]
Appears on: 62v–63v
Genres: Motet
Source Attribution: [Willaert]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Verbum iniquum & dolosum longe fac
63v–64 Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 5 -
Appears on: 63v–64
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Pars altera : Duo rogavi [te] ne deneges mihi
64–65 Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 5 [Verdelot]
Appears on: 64–65
Genres: Motet
Source Attribution: [Verdelot]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Non turbetur cor vestrum ego vado
65–65v Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 5 -
Appears on: 65–65v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: f4
Voice Text: (2p.) ... & alium paraclitum dabit
65v–66 Recordare Domine testamenti tui et dic 5 [Arcadelt]
Appears on: 65v–66
Genres: Motet
Source Attribution: [Arcadelt]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Recordare domine testamenti tui & dic
66v–67 Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra 5 Anon. Anonymous
Appears on: 66v–67
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Nigra ego sum fateor vaccinia nigra
67–67v Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre 5 - Anonymous
Appears on: 67–67v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Pars altera : Nigra veni nostroque precor succurre
68 O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem 4 HF [= Finck]
Appears on: 68
Genres: Motet
Source Attribution: HF [= Finck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: O domine Jesu Christe adoro te in cruce pendentem
68–68v O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum 4 -
Appears on: 68–68v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : O domine Jesu Christe adoro te in cruce vulneratum
68v–69v O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem 4 -
Appears on: 68v–69v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Tertai pars : O domine Jesu Christe ... amaritudinem
69v O Domine Jesu Christe - 4a pars (of 7): O Domine Jesu Christe adoro te in sepulcro 4 -
Appears on: 69v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Quarta pars : O domine Jesu Christe adoro te in sepulchro positum
70 O Domine Jesu Christe - 5a pars (of 7): O Domine Jesu Christe adoro te descendentem 4 -
Appears on: 70
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Quinta pars : O domine Jesu Christe adoro te descendentem ... libera me
70–70v O Domine Jesu Christe - 6a pars (of 7): O Domine Jesu Christe adoro te resurgentem 4 -
Appears on: 70–70v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Sexta pars : O domine Jesu Christe adoro te resurgentem a mortuis
70v–71 O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone 6 -
Appears on: 70v–71
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Septima pars : O domine Jesu Christe pastor bone
71v–73v Christe qui lux es et dies noctis [M15] 4 LS
Appears on: 71v–73v
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Christe qui lux es & dies noctis
74–75v Sum tuus in vita (4vv) [M109] 4 LS
Appears on: 74–75v
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Sum tuus in vita tua sunt mea funera
75v–76 Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 6 Josquin/[Rupsch] (Rupsch probably responsible for contrafact version)
Appears on: 75v–76
Genres: Chanson, Contrafactum, Motet
Source Attribution: Josquin/[Rupsch] (Rupsch probably responsible for contrafact version)
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f5
Voice Text: Haec dicit dominus liberabo populum
76–76v Traditor autem dedit eis signum dicens 5 Anon. Anonymous
Appears on: 76–76v
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Traditor autem dedit eis signum dicens
77–77v Ecce Dominus veniet nolite timere 14.5 5 (Greek) adelon (=unknown)/[Jonckers/Josquin/Senfl]
Appears on: 77–77v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Jonckers/Josquin/Senfl]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: ... Nolite timere
77v–78v Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 5 Hermannus Cu [= Werrecore]/[Stoltzer]
Appears on: 77v–78v
Genres: Motet
Source Attribution: Hermannus Cu [= Werrecore]/[Stoltzer]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: ... Qui ambulant
78v–79 Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 5 -
Appears on: 78v–79
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Secunda pars : ... Mensae tuae. Ecce sic benedicetur
79v–80 Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo 4 Johannes Froschius
Appears on: 79v–80
Genres: Motet
Source Attribution: Johannes Froschius
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Qui de terra est loquitur qui de caelo
80–80v Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit 4 -
Appears on: 80–80v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Et testimonium eius nemo accipit
80v–81v Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 6 Thomas Stoltzer
Appears on: 80v–81v
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: c
Clef: f4
Voice Text: Hoff auf den Herrn und thu guts
81v–82 Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still 6 -
Appears on: 81v–82
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Halt dem Herrn still und lass in
82 Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten 3 -
Appears on: 82
Genres: Motet
Number of voices: 3
Voice: [no designation]
Languages: none
Voice Text: tacet in this pars
82v–84 Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen 3 -
Appears on: 82v–84
Genres: Motet
Number of voices: 3
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: 4 pars : Der Herr kent die tage der frommen
84–85v Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 6 -
Appears on: 84–85v
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: Quinta pars : ... Und alt worden und hab noch nie gesehen
85v–86v Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht 6 -
Appears on: 85v–86v
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: Sexta pars : Der gotlose sieht auf den gerechten
86v–88 Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit 7 -
Appears on: 86v–88
Genres: Motet
Number of voices: 7
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: Septima pars : Beware dy frommikait und schaw
88v–89 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 5 Thomas Stoltzer
Appears on: 88v–89
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: Herr wie lang wiltu mein so gar vergessen
89–90 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 5 -
Appears on: 89–90
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Schaw doch und erhör mich Herr
90–91 Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 5 -
Appears on: 90–91
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: Tertia pars : Ich hoff aber auf deine güte
91–92v Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 4 De La Fage
Appears on: 91–92v
Genres: Motet
Source Attribution: De La Fage
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: f4
Voice Text: Vide domine afflictionem nostram
92v–93v Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 4 -
Appears on: 92v–93v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Clef: f4
Voice Text: (2p.) Sed veni domine
93v–94v Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens 4 Claudin [de Sermisy]
Appears on: 93v–94v
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Homo natus de muliere brevi vivens
94v–95v Homo natus de muliere - 2a pars (of 2): Homo cum in honore esset non 4 -
Appears on: 94v–95v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Homo cum in honore esset non
95v–96 Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae 4 Claudin [de Sermisy]
Appears on: 95v–96
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Benedic anima mea domino et omnia quae
96–97 Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam 4 -
Appears on: 96–97
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Pars altera : Qui redemit de interitu vitam tuam
97–98 Exaltare super caelos Deus et super omnem 4 [Le] Heurteur
Appears on: 97–98
Genres: Motet
Source Attribution: [Le] Heurteur
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Exaltare super coelos deus & super omnem
98v–99v Lamentabatur Jacob de duobus filiis suis 4 Hadrianus Willart
Appears on: 98v–99v
Genres: Motet
Source Attribution: Hadrianus Willart
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Lamentabatur Jacob de duobus filiis suis
99v–100v Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens 4 [Peschin]
Appears on: 99v–100v
Genres: Motet
Source Attribution: [Peschin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Invocabat autem Samson dominum dicens
101–101v Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur 4 -
Appears on: 101–101v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: (2p.) Et columnas quibus domus innitebatur
101v–102 Memento mei Domine Deus 5 (Greek) adelon (=unknown) Anonymous
Appears on: 101v–102
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Memento mei domine Deus dum veneris
General Note

identified by MohP & YouL (incorrectly) with the piece by Lemlin in D-Mu 327 & Thomaskirche 49/50; Kolb (2020) correctly identifies this as a different piece,

102v–103v Prima die sabbatorum Maria Magdalena 4 Lupus Hellinck
Appears on: 102v–103v
Genres: Motet
Source Attribution: Lupus Hellinck
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Primo die sabbatorum Maria Magdalena
103v–104v Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer 4 [Josquin]
Appears on: 103v–104v
Genres: Responsory
Source Attribution: [Josquin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Clamavi. Ad dominum cum tribularer
104v–105 Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus 4 -
Appears on: 104v–105
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (2p.) Hei mihi quia incolatus meus
105–105v Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio 4 -
Appears on: 105–105v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (3p.) Gloria patri & filio et spiritui sancto
105v–106 Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me 4 -
Appears on: 105v–106
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (4p.) Clamavi et exaudivit me
106–106v Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 6 LS
Appears on: 106–106v
Genres: Motet
Source Attribution: LS
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: f3
Voice Text: Media vita in morte sumus quem querimus
106v–107 Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 6 -
Appears on: 106v–107
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: f3
Voice Text: Secunda pars : Sancte deus sancte fortis sancte
107v–108 Cavete a scribis qui volunt ambulare 4 Johannes Galliculus
Appears on: 107v–108
Genres: Motet
Source Attribution: Johannes Galliculus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Cavete a scribis qui volunt ambulare
108v–109 Sive vivamus sive moriamur Domini 4 H. Isaac
Appears on: 108v–109
Genres: Motet
Source Attribution: H. Isaac
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Sive vivamus sive moriamur domini
109v–111 Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum 4 HF
Appears on: 109v–111
Genres: Motet
Source Attribution: HF
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: f4
Voice Text: Nisi dominus edificaverit domum in vanum
111–113 Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis 4 -
Appears on: 111–113
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Secunda pars : Sicut sagittae in manu potentis
113v–114v Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus 5 LS
Appears on: 113v–114v
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: f3
Voice Text: Saulus autem adhuc spirans minarum
114v–115v Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus 5 -
Appears on: 114v–115v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Pars altera : Saule Saule quid me persequeris
116–116v Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 5 [Jaquet of Mantua/Manchicourt]
Appears on: 116–116v
Genres: Motet
Source Attribution: [Jaquet of Mantua/Manchicourt]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Laudem dicite deo nostro omnes sancti
117–118 Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 5 -
Appears on: 117–118
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Laudate dominum deum omnes gentes
118–119 Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 5 [Conseil]
Appears on: 118–119
Genres: Motet
Source Attribution: [Conseil]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Ego sum qui sum & consilium meum
119–120 Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 5 -
Appears on: 119–120
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Altera pars : Stetit Jesus in medio discipulorum
120v–121v Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 5 [Lupi]
Appears on: 120v–121v
Genres: Motet
Source Attribution: [Lupi]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: ... Post passionem suam
121v–122v Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 5 -
Appears on: 121v–122v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : ... Precepit eis
122v–124 Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 5 Anon. Anonymous
Appears on: 122v–124
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: f3
Voice Text: Congregati sunt inimici nostri & gloriantur
124–125 Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda 5 - Anonymous
Appears on: 124–125
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: f3
Voice Text: Altera pars : Tu domine qui superborum corda
125–126v Namque super terram ubi non est veritas 5 Anon. Anonymous
Appears on: 125–126v
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Nanque super terram ubi non est veritas
126v–128 Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 6 Archadelt
Appears on: 126v–128
Genres: Contrafactum, Motet
Source Attribution: Archadelt
Number of voices: 6
Voice: Bassus
Languages: Latin
Mensuration: c
Clef: f4
Voice Text: Pro peccatis hominum occidit salvator mundi

Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Pro peccatis hominum occidit salvator mundi
General Note

2 voice parts copied, Bassus on versos & Altus on rectos

Layout

2 voice parts copied, Bassus on versos & Altus on rectos

127v–129 Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 6 -
Appears on: 127v–129
Genres: Contrafactum, Motet
Number of voices: 6
Voice: Bassus
Languages: Latin
Mensuration: c
Clef: f4
Voice Text: Secunda pars : O clemens O pie Jesu Christe

Voice: Altus
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Secunda pars : O clemens O pie Jesu Christe
Layout

2 voice parts copied, Bassus on versos & Altus on rectos

129v–130 Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua 4 LS
Appears on: 129v–130
Genres: Responsory
Source Attribution: LS
Number of voices: 4
Voice: [Tenor]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Illuminare Hierusalem venit lux tua
General Note

"Bassus in Tenore [ ? ]" - the Tenor is copied here

130–130v Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 4 -
Appears on: 130–130v
Genres: Responsory
Number of voices: 4
Voice: [Tenor]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (R.) Et gloria domini super te Hierusalem
130v Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 4 -
Appears on: 130v
Genres: Responsory
Number of voices: 4
Voice: [Tenor]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (Vs.) Et ambulabunt gentes in lumine tuo
131–131v Nesciens mater virgo virum peperit 4 LS
Appears on: 131–131v
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Nesciens mater virgo virum peperit
132–133 Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem 4 AB [= Bruck]/Claudius [= Sermisy]
Appears on: 132–133
Genres: Motet
Source Attribution: AB [= Bruck]/Claudius [= Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Miserere mei domine & exaudi orationem
133–134 Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam 4 -
Appears on: 133–134
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Pars altera : Miserere mei deus secundum magnam
134v Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier 4 Marcus Mustateller
Appears on: 134v
Genres: Motet
Source Attribution: Marcus Mustateller
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: f3
Voice Text: Accessit ad pedes Jesu peccatrix mulier
134v–135 Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis 4 -
Appears on: 134v–135
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: (2p.) Et osculata est & lavit lachrymis
135–135v Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire 4 -
Appears on: 135–135v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: (3p.) Unde promeruit audire dominum
135v Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa 4 -
Appears on: 135v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: (4p.) ... Quoniam dilexit multum
136 Ego sum resurrectio et vita dicit Dominus Jesus 4 Stephanus Mahu/[Walter]
Appears on: 136
Genres: Motet
Source Attribution: Stephanus Mahu/[Walter]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Ego sum resurrectio & vita dicit Iesus
136v Doleo super te frater mi Jonathan 4 (Greek) adelon (=unknown)/[Appenzeller]
Appears on: 136v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Appenzeller]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Doleo super te frater mi Jonathan
137–137v Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 5 LS
Appears on: 137–137v
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: f3
Voice Text: Media vita in morte sumus
137v–138 Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 5 -
Appears on: 137v–138
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Pars altera : Sancte deus sancte fortis sancte misericors
138v–139v Spiritus Domini replevit orbem terrarum 4 (Greek) adelon (=unknown)/[Mouton]
Appears on: 138v–139v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Mouton]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Spiritus domini replevit orbem terrarum
139v–141 Nuptiae factae sunt in Chana Gallileae 4 (Greek) adelon (=unknown)/[Barra/Elimon]
Appears on: 139v–141
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Barra/Elimon]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Nuptiae factae sunt in Cana Galileae
141v–142 Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 5 TS [= Stoltzer]
Appears on: 141v–142
Genres: Motet
Source Attribution: TS [= Stoltzer]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Levavi oculos meos in montes unde veniet
142v–143 Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio 5 -
Appears on: 142v–143
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Altera pars : Dominus custodit te dominus protectio
143v–144 Cum ascendisset aurora urgebant angeli 5 Gregorius Peschin
Appears on: 143v–144
Genres: Motet
Source Attribution: Gregorius Peschin
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Cum ascendisset aurora urgebant angeli
144–144v Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere 4 Petrus Moulou
Appears on: 144–144v
Genres: Responsory
Source Attribution: Petrus Moulou
Number of voices: 4
Voice: [no designation]
Languages: Latin
Clef: f4
Voice Text: Induta est caro mea vermibus & pulvere
144v–145 Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam 4 -
Appears on: 144v–145
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Secunda pars : Dies mei velocius transeunt quam
145–145v Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita 4 -
Appears on: 145–145v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Tertia pars : Memento domine quia ventus est vita
145v–146 Quisquis requiem quaeris feminam cave 6 Gaspar Othmair
Appears on: 145v–146
Genres: Motet
Source Attribution: Gaspar Othmair
Number of voices: 6
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Quisquis requiem quaeris feminam cave
146v–147 [Veni sancte spiritus] Reple tuorum corda 7 HF
Appears on: 146v–147
Genres: Motet, Veni sancte spiritus
Source Attribution: HF
Number of voices: 7
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Reple tuorum corda

Voice: Secundus Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Reple tuorum corda
Layout

2 voice parts copied, Bassus on verso & Altus secundus on recto

147v–148 Beati estis - 1a pars (of 3): Beati estis sancti Dei omnes qui meruistis 6 HF
Appears on: 147v–148
Genres: Responsory
Source Attribution: HF
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: ... Qui meruistis

Voice: Tenor Primus
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Beati estis sancti dei omnes qui meruistis
Layout

2 voice parts copied, Bassus on versos & Tenor primus on rectos

148v–150 Beati estis - 2a pars (of 3): Ideoque precamur ut memores nostri 7 -
Appears on: 148v–150
Genres: Responsory
Number of voices: 7
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Repetitio : Ideoque precamur ut memores nostri

Voice: Tenor Primus
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Repetitio : Ideoque precamur ut memores nostri
Layout

2 voice parts copied, Bassus on versos & Tenor primus on rectos

149v–150 Beati estis - 3a pars (of 3): Gaudete et exultate 7 -
Appears on: 149v–150
Genres: Responsory
Number of voices: 7
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: (Vs.) Gaudete ... omnes sancti

Voice: Tenor Primus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Versus : Gaudete & exultate omnes sancti
Layout

2 voice parts copied, Bassus on versos & Tenor primus on rectos

150v–151v Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 5 [O]kegus
Appears on: 150v–151v
Genres: Motet
Source Attribution: [O]kegus
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: f4
Voice Text: Caeleste beneficium introivit in orbem
151v–153 Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 5 -
Appears on: 151v–153
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: (2p.) Caeleste beneficium accipe Germania
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480-ca. 1558)
Arcadelt, Jacques (ca. 1507-1568)
Barra, Hotinet (1510-23)
Bruck, Arnold von (ca. 1500-1554)
Carpentras, Elzear Genet (ca. 1470-1548)
Conseil, Jean (ca. 1498-1534)
Despres, Josquin (ca. 1450-1521)
Dietrich, Sixt (ca. 1493-1548)
Eckel, Matthias
Elimon (Elimot)
Fage, Jean de la
Finck, Heinrich
Frosch, Johannes (ca. 1470-ca. 1532)
Galliculus, Johannes
Gombert, Nicolas (ca. 1495-ca. 1560)
Hellinck, Lupus (ca. 1494-1541)
Heurteur, Guillaume le (1530-1545)
Isaac, Heinrich (ca. 1450-1517)
Jonckers, Maistre Gosse
Lupi, Johannes (ca. 1506-1539)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483-1559)
Moulu, Pierre (ca. 1484-ca. 1550)
Mouton, Jean (ca. 1459-1522)
Mustateller (Muscateller?), Marcus
Ockeghem, Jean de (ca. 1410-1497)
Othmayr, Caspar
Peschin, Gregor
Reitveltus, Bartholomaeus
Richafort, Jean (ca. 1480-ca. 1550)
Senfl, Ludwig (ca. 1486-ca. 1543)
Sermisy, Claudin de (ca. 1490-1562)
Stoltzer, Thomas (ca. 1480-1526)
Verdelot, Philippe (ca. 1480-ca. 1532)
Walter, Johann (1496-1570)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
[Veni sancte spiritus] Reple tuorum corda 146v–147
Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier 134v
Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis 134v–135
Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire 135–135v
Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa 135v
Amen dico vobis quia nemo propheta 1v–2v
Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 120v–121v
Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 121v–122v
Beati estis - 1a pars (of 3): Beati estis sancti Dei omnes qui meruistis 147v–148
Beati estis - 2a pars (of 3): Ideoque precamur ut memores nostri 148v–150
Beati estis - 3a pars (of 3): Gaudete et exultate 149v–150
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 77v–78v
Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 78v–79
Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae 95v–96
Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam 96–97
Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 150v–151v
Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 151v–153
Cavete a scribis qui volunt ambulare 107v–108
Christe qui lux es et dies noctis [M15] 71v–73v
Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 14–15
Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 15
Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 15–17
Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer 103v–104v
Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus 104v–105
Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio 105–105v
Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me 105v–106
Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Anonymous 122v–124
Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda Anonymous 124–125
Cum ascendisset aurora urgebant angeli 143v–144
Da pacem Domine (M25) 32–33v
Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 56v–57v
Doleo super te frater mi Jonathan 136v
Domine libera animam meam a labiis 57v–58v
Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo Anonymous 33v–34
Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo Anonymous 34v–35
Duo homines ascenderunt in templum 37v–39v
Ecce Dominus veniet nolite timere 14.5 77–77v
Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 118–119
Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 119–120
Ego sum resurrectio et vita dicit Dominus Jesus 136
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 80v–81v
Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still 81v–82
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten 82
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen 82v–84
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 84–85v
Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht 85v–86v
Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit 86v–88
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 7–7v
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 7v–8v
Exaltare super caelos Deus et super omnem 97–98
Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 20–22
Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 22–22v
Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 22v–23
Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 23–24
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 56
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 56–56v
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 75v–76
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 88v–89
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 89–90
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 90–91
Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens 93v–94v
Homo natus de muliere - 2a pars (of 2): Homo cum in honore esset non 94v–95v
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua 129v–130
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 12–12v
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 12v–13v
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 130–130v
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 13v–14
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 130v
In cathedra Moisi omnia quaecunque iusserint 39v–40v
Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere 144–144v
Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam 144v–145
Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita 145–145v
Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 35v–36
Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo 36–37
Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen 37–37v
Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens 99v–100v
Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur 101–101v
Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 17–17v
Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 17v–18
Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 18v
Lamentabatur Jacob de duobus filiis suis 98v–99v
Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 116–116v
Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 117–118
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 141v–142
Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio 142v–143
Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 3v–5
Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 5v–6v
Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 29–30
Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 30–31
Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 106–106v
Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 106v–107
Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 137–137v
Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 137v–138
Memento mei Domine Deus Anonymous 101v–102
Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem 132–133
Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam 133–134
Namque super terram ubi non est veritas Anonymous 125–126v
Nesciens mater virgo virum peperit 53v–54v
Nesciens mater virgo virum peperit 131–131v
Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra Anonymous 66v–67
Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre Anonymous 67–67v
Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum 109v–111
Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis 111–113
Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 64–65
Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 65–65v
Nuptiae factae sunt in Chana Gallileae 139v–141
O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem 68
O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum 68–68v
O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem 68v–69v
O Domine Jesu Christe - 4a pars (of 7): O Domine Jesu Christe adoro te in sepulcro 69v
O Domine Jesu Christe - 5a pars (of 7): O Domine Jesu Christe adoro te descendentem 70
O Domine Jesu Christe - 6a pars (of 7): O Domine Jesu Christe adoro te resurgentem 70–70v
O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone 70v–71
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 42v–44
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 44–46
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 27–28
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 28–29
Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te 24–25
Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis 25–25v
Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris 25v–26v
Peccata mea domine - 1a pars (of 2): Peccata mea domine 49v–50
Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam 50v–51
Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 18v–19
Petre amas me - 2a pars (of 3): Pasce oves meas 19v
Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his 19v–20
Prima die sabbatorum Maria Magdalena 102v–103v
Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 126v–128
Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 127v–129
Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo 79v–80
Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit 80–80v
Quisquis requiem quaeris feminam cave 145v–146
Quod toleras rex alme crucis tormenta Anonymous 2v–3v
Recordare Domine testamenti tui et dic 65v–66
Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus 113v–114v
Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus 114v–115v
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 51–52
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris 52–52v
Sic enim Deus dilexit mundum 53–53v
Simile est regnum caelorum homini 31–32
Sive vivamus sive moriamur Domini 108v–109
Spiritus Domini replevit orbem terrarum 138v–139v
Sum tuus in vita (4vv) [M109] 74–75v
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 58v–60
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 60–62
Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 46v–47
Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 47v–48
Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 48–49
Traditor autem dedit eis signum dicens Anonymous 76–76v
Tu autem cum oraveris 1–1v
Tua est potentia tuum regnum Dominus 26.17 54v–55v
Venite post me qui laboratis et onerati 41–42
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 8v–10
Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 10–11
Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 11–11v
Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 62v–63v
Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 63v–64
Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 91–92v
Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 92v–93v

Set: B. 211-215

Type: Partbooks

No images available

D-Rp B. 211-215 (A)

No images available

D-Rp B. 211-215 (B)

No images available

D-Rp B. 211-215 (D)

No images available

D-Rp B. 211-215 (Q)

No images available

D-Rp B. 211-215 (T)

denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 129-149. Notes: contents list; concordances.

McDonald, Grantley. 2020. The Library of Johannes Stomius, Lutheran Musical Humanist in Salzburg. Journal of the Alamire Foundation, 12/1: 51-88. Notes: identifies Stomius as the main scribe.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Notes: contents list; description.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III.  Bern and Stuttgart. Pages: I, 77. Notes: physical description (partial); mention of MS; discussion.

Brzezinska, Barbara. 1976. W Kwestii Autorstwa Motetu 'Date Siceram Moerentibus'. Muzyka, 21/2: 53-65. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 28-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 3-4, 30-1, 45, 52, 68-9, 84. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 105-7, 110-1. Notes: contents list (partial); mention of MS; discussion.

Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae, vol. 28.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, vii-viii, xii, 66-74. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I, 87-8, 175-82, 213-4; II, 205-39. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5.  Kassel. Pages: 41-2, 107, 117, 168, 182-4. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Mohr, Peter. 1955. Die Handschrift B 211-215 der Proske-Bibliothek zu Regensburg mit kurzer Beschreibung der Handschriften B 216-219 und B 220-222. Schriften des Landesinstituts für Musikforschung Kiel, vol. 7.  Kassel and Basel. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: X, 1695. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 124-5; XI, 123-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 119; XXVI, 154, 164; LXVI, 68-76, 97-103, 174-80; LXX,65-94,97-114,193,197-8. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: III, ix, xiv, 88-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description