D-Rp B. 211-215 (Q)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: c. 1538-43

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark B. 211-215 (Q)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 208 mm
Other Identifiers
  • CCM: RegB B211-5
Notations
  • black void mensural
Copyists
External Links
External Authorities
Provenance
  • Southern Germany or Austria?
Contents Contains 87 compositions, 79 from 27 composers, 8 are anonymous.
General Description

A Quintus partbook from a set of five volumes. Recto of first flyleaf in each book now pasted to inside front cover. Copied by two or three scribes. Probably of south German or Austrian origin.

DIAMM, 2017
Binding

Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date '1538.'

DIAMM, 2017
Watermark

resembles Briquet #2515

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

Original ink foliation in each book.

DIAMM, 2017
Decoration

No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections.

DIAMM, 2017
Index

Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 1 hymn, 76 motets, 1 Latin/German sacred piece,

2 German sacred pieces, 1 Latin secular piece = 82

Appenzeller or Ducis? [Benedictus]-1, Arcadelt-2, (Barra/Elimon)-1, Brück [AB]/Sermisy [Claudius]-1, (Carpentras)-1, (Conseil)-1, Dietrich [Xystus Theoderici]-2, Eckel-1, Finck-10, Finck-Josquin-1, Frosch-2, (Gombert/Josquin/Sermisy)-1, Hähnel [Johannes Galliculus]-4, Hellinck-2, Isaac-1, (Jaquet of Mantua/Manchicourt)-1, Josquin-2, (Josquin/Senfl)-1, Lafage-2, Le Heurteur-1, (Lemlin)-1, (Lupi)-1, Lupus/(Jaquet of Mantua)-1, Mahu-1, Mahu/(Walter)-1, Moulu-1, Mouton-2, Mustateller-1, Ockeghem -2, Othmayr-1, Peschin-B, Richafort-1, Senfl-12, Sermisy [Claudin]-2, Stoltzer-3, (Verdelot)-1, Werrecore [Hermannus Cu]/(Stoltzer)-1, Willaert-2, anon-7

5 paper partbooks (D-iii + 161 folios, A-iii + 169, T-iii + 137, B-iii + 153, Q-iii + 81), 134 x 208. Recto of first flyleaf in each book now pasted to inside front cover. Original ink foliation in each book. Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date "1538." Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by two or three scribes. Staff height 15. No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections. Watermark resembles Briquet #2515 (StaeMI).

Ca. 1538-43 (date 1538 on covers; "1543" on f. 151 of D book). Probably of south German or Austrian origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
inside front cover index - - -

index

Appears on: inside front cover
1–1v Tu autem cum oraveris 6 Xystus Theodorici [= Dietrich]
Appears on: 1–1v
Genres: Motet
Source Attribution: Xystus Theodorici [= Dietrich]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: c4
Voice Text: Tu autem cum oraveris intra in cubiculum
1v–2v Amen dico vobis quia nemo propheta 6 Eiusdem authoris [= Dietrich]
Appears on: 1v–2v
Genres: Motet
Source Attribution: Eiusdem authoris [= Dietrich]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Amen dico vobis quia nemo propheta
2v–4v Quod toleras rex alme crucis tormenta 6 (Greek) adelon (=unknown) Anonymous
Appears on: 2v–4v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Quod toleras rex alme crucis tormenta
4v–6 Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 5 Lupus/[Jachet of Mantua]
Appears on: 4v–6
Genres: Motet
Source Attribution: Lupus/[Jachet of Mantua]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Loquutus est dominus ad Moysen dicens
6v–7v Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 5 -
Appears on: 6v–7v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Stetit Moÿses coram Pharaone & dixit
7v–8v Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 5 Henricus Finck
Appears on: 7v–8v
Genres: Motet
Source Attribution: Henricus Finck
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Et valde mane una sabbatorum veniunt
8v–9v Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 5 -
Appears on: 8v–9v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Et ingressae mulieres non invenerunt
9v–11v Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 5 HF [= Finck]
Appears on: 9v–11v
Genres: Responsory
Source Attribution: HF [= Finck]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Verbum caro factum est & habitabit
11v–12v Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 5 -
Appears on: 11v–12v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3/c4
Voice Text: Secunda pars : In principio erat verbum & verbum
12v–13v Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 5 -
Appears on: 12v–13v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c4
Voice Text: Tertia pars : Quem aethera & terra atque mare
14–15 Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 5 HF
Appears on: 14–15
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Illuminare Hierusalem venit lux tua
15–16 Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 5 -
Appears on: 15–16
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Et gloria domini super te Hierusalem
16–16v Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 5 -
Appears on: 16–16v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : Et ambulabunt in lumine tuo & reges
16v–17v Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 5 HF
Appears on: 16v–17v
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Christus resurgens ex mortuis Jam non moritur
17v–18 Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 5 -
Appears on: 17v–18
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Quod enim vivit deo alleluia
18–20 Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 5 -
Appears on: 18–20
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c4
Voice Text: Tertia pars : Dicant nunc Iu- [text incipit only]
20–21 Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 5 HF
Appears on: 20–21
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Ite in orbem universum & predicate
21–21v Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 5 -
Appears on: 21–21v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Qui crediderit & baptizatus fuerit
21v–22 Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 5 -
Appears on: 21v–22
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : In nomine patris & filii & spiritus sancti
22–22v Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 5 HF
Appears on: 22–22v
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Petre amas me tu scis domine quia amo te
23 Petre amas me - 2a pars (of 3): Pasce oves meas 5 -
Appears on: 23
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Secunda pars : Pasce oves meas
23–23v Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his 5 -
Appears on: 23–23v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Tertia pars : Simon Joannis diligis me plus his
24–26 Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 5 Johannes Okegus [= Ockeghem]
Appears on: 24–26
Genres: Motet
Source Attribution: Johannes Okegus [= Ockeghem]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Gaude Maria virgo cunctas hereses sola
26–26v Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 5 -
Appears on: 26–26v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Versus : Gabrielem archangelum te esse
26v–27 Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 5 -
Appears on: 26v–27
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (3p.) Uterum tuum de spiritu sancto
27–28 Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 5 -
Appears on: 27–28
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: ($p.) ... Judeus infelix qui dicit
28–28v Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 5 Ludovicus Senflius
Appears on: 28–28v
Genres: Motet
Source Attribution: Ludovicus Senflius
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Omnes gentes plaudite manibus
29–29v Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 5 -
Appears on: 29–29v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Secunda pars : Omnes gentes plaudite manibus Jubilate deo
29v–30 Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 5 LS
Appears on: 29v–30
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tota pulchra es amica mea & macula non est
30–31 Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 5 -
Appears on: 30–31
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Jam enim hiems transiit imber abiit
31–31v Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 5 -
Appears on: 31–31v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tertia pars : Et vox turturis audita est in terra
32–32v Nesciens mater virgo virum peperit 6 Johannes Froschius
Appears on: 32–32v
Genres: Motet
Source Attribution: Johannes Froschius
Number of voices: 6
Voice: Tenor secundus
Languages: Latin
Mensuration: o-2
Clef: c4
Voice Text: Nesciens mater virgo virum peperit
General Note

"Secundus Tenor e Primo in Epidiatessaron post modum"

32v–33 Tua est potentia tuum regnum Dominus 26.17 5 M (=Mouton)/[Josquin]
Appears on: 32v–33
Genres: Motet
Source Attribution: M (=Mouton)/[Josquin]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tua est potentia tuum regnum domine
33–33v Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 5 LS
Appears on: 33–33v
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Grates nunc omnes reddamus domino deo
33v–34 Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 5 -
Appears on: 33v–34
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Pars altera : Huic oportet ut canamus cum angelis
34–35 Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 5 (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Appears on: 34–35
Genres: Contrafactum, Motet
Source Attribution: (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Date siceram merentibus et vinum his
35v–36 Domine libera animam meam a labiis 5 St: Mahu
Appears on: 35v–36
Genres: Motet
Source Attribution: St: Mahu
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Domine libera animam meam a labiis
36–37v Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 5 De la Fage
Appears on: 36–37v
Genres: Motet
Source Attribution: De la Fage
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Super flumina Babilonis illic sedimus
38–40 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 5 -
Appears on: 38–40
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Pars altera : Si oblitus fuero tui Hierusalem
40v–41v Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 5 [Willaert]
Appears on: 40v–41v
Genres: Motet
Source Attribution: [Willaert]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Verbum iniquum & dolosum longe fac
41v–42 Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 5 -
Appears on: 41v–42
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Pars altera : Duo rogavi [te] ne deneges mihi
42v–43 Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 5 [Verdelot]
Appears on: 42v–43
Genres: Motet
Source Attribution: [Verdelot]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Non turbetur cor vestrum ego vado
43–43v Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 5 -
Appears on: 43–43v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: f3
Voice Text: (2p.) ... & alium paraclitum dabit vobis
43v–44v Recordare Domine testamenti tui et dic 5 [Arcadelt]
Appears on: 43v–44v
Genres: Motet
Source Attribution: [Arcadelt]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Recordare domine testamenti tui & dic
44v–45 Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra 5 Anon. Anonymous
Appears on: 44v–45
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: Tenor
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: ... Nigra sum sed formosa filia Hierusalem
General Note

labelled 'Tenor' but with c1 clef!

45 Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre 5 - Anonymous
Appears on: 45
Genres: Motet
Number of voices: 5
Voice: Tenor
Languages: Latin
Mensuration: c
Clef: c1
Voice Text: Pars altera : ... Nigra sum sed formosa filia Hierusalem
45v–46 Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 6 Josquin - Chunradus Rupsch (Rupsch probably responsible for contrafact version)
Appears on: 45v–46
Genres: Chanson, Contrafactum, Motet
Source Attribution: Josquin - Chunradus Rupsch (Rupsch probably responsible for contrafact version)
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Haec dicit dominus liberabo populum
46–46v Traditor autem dedit eis signum dicens 5 Anon. Anonymous
Appears on: 46–46v
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: Traditor autem dedit eis signum dicens
47–47v Ecce Dominus veniet nolite timere 14.5 5 (Greek) adelon (=unknown)/[Jonckers/Josquin/Senfl]
Appears on: 47–47v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Jonckers/Josquin/Senfl]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Ecce dominus veniet nolite timere
48 Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 5 Hermannus Cu [= Werrecore]/[Stoltzer]
Appears on: 48
Genres: Motet
Source Attribution: Hermannus Cu [= Werrecore]/[Stoltzer]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: ... Uxor tua sicut vitis abundans
48–48v Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 5 -
Appears on: 48–48v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Filii tui sicut novellae olivarum
49–49v Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 6 Thomas Stoltzer
Appears on: 49–49v
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: c
Clef: c3
Voice Text: ... Dann wie das grass werden sie pald
50–51 Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still 6 -
Appears on: 50–51
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Halt dem Herrn still und lass in
51 Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten 3 -
Appears on: 51
Genres: Motet
Number of voices: 3
Voice: [no designation]
Languages: none
Voice Text: tacet in this part
51–52 Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen 3 -
Appears on: 51–52
Genres: Motet
Number of voices: 3
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Quarta pars : ... Sie werden nit zue schanden
52v–53v Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 6 -
Appears on: 52v–53v
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Quinta pars : Und alt worden und hab noch
54–55 Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht 6 -
Appears on: 54–55
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Sexta pars : Der gotlose sieht auf den gerechten
55v–57 Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit 7 -
Appears on: 55v–57
Genres: Motet
Number of voices: 7
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Septima pars Beware dy frommikait und schaw
57–58 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 5 Thomas Stoltzer
Appears on: 57–58
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f3
Voice Text: Herr wie lang wiltu mein so gar vergessen
58–59 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 5 -
Appears on: 58–59
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f3
Voice Text: Secunda pars : Schaw doch und erhör mich Herr
59–59v Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 5 -
Appears on: 59–59v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: f3
Voice Text: Tertia pars : Ich hoff aber auf deine güte
59v–60v Memento mei Domine Deus 5 - Anonymous
Appears on: 59v–60v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Memento mei domine deus dum veneris
General Note

identified by MohP & YouL (incorrectly) with the piece by Lemlin in D-Mu 327 & Thomaskirche 49/50; Kolb (2020) correctly identifies this as a different piece,

61–61v Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 6 LS
Appears on: 61–61v
Genres: Motet
Source Attribution: LS
Number of voices: 6
Voice: Secundus Discantus
Languages: Latin
Mensuration: o-2
Clef: c1
Voice Text: Media vita in morte sumus quem querimus
61v–62 Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 5 -
Appears on: 61v–62
Genres: Motet
Number of voices: 5
Voice: Secundus Discantus
Languages: Latin
Mensuration: c-2
Clef: c1
Voice Text: 2a pars : Sancte deus sancte fortis sancte
62–62v Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus 5 LS
Appears on: 62–62v
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: Tenor
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Petrus apostolus et Paulus doctor
General Note

"Sequitur Tenor ad Saulus autem In dista... alio: Fuga in diatessaron epi ?5 [tempora?]"

62v Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus 5 -
Appears on: 62v
Genres: Motet
Number of voices: 5
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Petrus apostolus et Paulus doctor
General Note

"In epidiapente"

63–63v Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 5 [Jaquet of Mantua/Manchicourt]
Appears on: 63–63v
Genres: Motet
Source Attribution: [Jaquet of Mantua/Manchicourt]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Laudem dicite deo nostro omnes sancti
63v–64v Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 5 -
Appears on: 63v–64v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: Pars altera : Laudate dominum deum omnes gentes
65–66 Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 5 [Conseil]
Appears on: 65–66
Genres: Motet
Source Attribution: [Conseil]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Ego sum qui sum & consilium meum
66–67 Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 5 -
Appears on: 66–67
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Stetit Jesus in medio discipulorum
67–68v Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 5 [Lupi]
Appears on: 67–68v
Genres: Motet
Source Attribution: [Lupi]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: ... Post passionem suam
68v–69v Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 5 -
Appears on: 68v–69v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : ... Praecepit eis
69v–70v Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 5 Anon. Anonymous
Appears on: 69v–70v
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Congregati sunt inimici nostri & gloriantur
70v–71v Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda 5 - Anonymous
Appears on: 70v–71v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Secunda pars : Tu domine qui superborum corda
72–73v Namque super terram ubi non est veritas 5 Anon. Anonymous
Appears on: 72–73v
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Nanque super terram ubi non est veritas
73v–74 Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 6 Archadelt
Appears on: 73v–74
Genres: Contrafactum, Motet
Source Attribution: Archadelt
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Pro peccatis hominum occidit salvator mundi
74–74v Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 6 -
Appears on: 74–74v
Genres: Contrafactum, Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Secunda pars : O clemens O pie Jesu Christe
75 Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 5 LS
Appears on: 75
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: Discantus primus
Languages: Latin
Mensuration: c-2
Clef: g2
Voice Text: Media vita in morte sumus
75–75v Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 5 -
Appears on: 75–75v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: g2
Voice Text: (2p.) Sancte deus heiliger starcker Got
75v–77 Nuptiae factae sunt in Chana Gallileae 4 (Gre[Barra/Elimon]
Appears on: 75v–77
Genres: Motet
Source Attribution: (Gre[Barra/Elimon]
Number of voices: 4
Voice: Tenor
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Nuptiae factae sunt in Cana Galileae
77–77v Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 5 TS [= Stoltzer]
Appears on: 77–77v
Genres: Motet
Source Attribution: TS [= Stoltzer]
Number of voices: 5
Voice: Altus
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Levavi oculos meos in montes unde veniet
General Note

"Vagans in Alto reperitur" (the Vagans is in the Altus book - the Altus is copied here). "Ex alto tenor in subdiatessaron"

77v–78v Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio 5 -
Appears on: 77v–78v
Genres: Motet
Number of voices: 5
Voice: [Altus]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Altera pars : Dominus custodit te dominus protectio
General Note

Altus e tenore in epidiatessaron"

78v–79v Cum ascendisset aurora urgebant angeli 6 Gregorius Peschin
Appears on: 78v–79v
Genres: Motet
Source Attribution: Gregorius Peschin
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Cum ascendisset aurora urgebant angeli
79v Quisquis requiem quaeris feminam cave 6 Gaspar Othmair
Appears on: 79v
Genres: Motet
Source Attribution: Gaspar Othmair
Number of voices: 6
Voice: Secundus Discantus
Languages: Latin
Mensuration: cut-c
Clef: c1
Voice Text: Mulier mulier mulier (c.f.)
79v–80 [Veni sancte spiritus] Reple tuorum corda 7 HF
Appears on: 79v–80
Genres: Motet, Veni sancte spiritus
Source Attribution: HF
Number of voices: 7
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Reple tuorum corda
80v Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 5 [Ockeghem]
Appears on: 80v
Genres: Motet
Source Attribution: [Ockeghem]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Caeleste beneficium introivit in orbem
80v–81 Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 5 -
Appears on: 80v–81
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (2p.) Caeleste beneficium accipe Germania
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507-1568)
Barra, Hotinet (1510-23)
Conseil, Jean (ca. 1498-1534)
Despres, Josquin (ca. 1450-1521)
Dietrich, Sixt (ca. 1493-1548)
Elimon (Elimot)
Fage, Jean de la
Finck, Heinrich
Frosch, Johannes (ca. 1470-ca. 1532)
Gombert, Nicolas (ca. 1495-ca. 1560)
Hellinck, Lupus (ca. 1494-1541)
Jonckers, Maistre Gosse
Lupi, Johannes (ca. 1506-1539)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483-1559)
Mouton, Jean (ca. 1459-1522)
Ockeghem, Jean de (ca. 1410-1497)
Othmayr, Caspar
Peschin, Gregor
Reitveltus, Bartholomaeus
Senfl, Ludwig (ca. 1486-ca. 1543)
Sermisy, Claudin de (ca. 1490-1562)
Stoltzer, Thomas (ca. 1480-1526)
Verdelot, Philippe (ca. 1480-ca. 1532)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
[Veni sancte spiritus] Reple tuorum corda 79v–80
Amen dico vobis quia nemo propheta 1v–2v
Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 67–68v
Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 68v–69v
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 48
Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 48–48v
Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 80v
Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 80v–81
Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 16v–17v
Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 17v–18
Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 18–20
Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Anonymous 69v–70v
Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda Anonymous 70v–71v
Cum ascendisset aurora urgebant angeli 78v–79v
Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 34–35
Domine libera animam meam a labiis 35v–36
Ecce Dominus veniet nolite timere 14.5 47–47v
Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 65–66
Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 66–67
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 49–49v
Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still 50–51
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten 51
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen 51–52
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 52v–53v
Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht 54–55
Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit 55v–57
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 7v–8v
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 8v–9v
Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 24–26
Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 26–26v
Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 26v–27
Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 27–28
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 33–33v
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 33v–34
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 45v–46
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 57–58
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 58–59
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 59–59v
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 14–15
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 15–16
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 16–16v
Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 20–21
Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 21–21v
Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 21v–22
Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 63–63v
Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 63v–64v
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 77–77v
Levavi oculos meos - 2a pars (of 2): Dominus custodit te Dominus protectio 77v–78v
Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 4v–6
Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 6v–7v
Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 61–61v
Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 61v–62
Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 75
Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 75–75v
Memento mei Domine Deus Anonymous 59v–60v
Namque super terram ubi non est veritas Anonymous 72–73v
Nesciens mater virgo virum peperit 32–32v
Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra Anonymous 44v–45
Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre Anonymous 45
Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 42v–43
Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 43–43v
Nuptiae factae sunt in Chana Gallileae 75v–77
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 28–28v
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 29–29v
Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 22–22v
Petre amas me - 2a pars (of 3): Pasce oves meas 23
Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his 23–23v
Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 73v–74
Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 74–74v
Quisquis requiem quaeris feminam cave 79v
Quod toleras rex alme crucis tormenta Anonymous 2v–4v
Recordare Domine testamenti tui et dic 43v–44v
Saulus autem adhuc - 1a pars (of 2): Saulus autem adhuc / Petrus apostolus et Paulus 62–62v
Saulus autem adhuc - 2a pars (of 2): Saule, Saule quid / Petrus apostolus et Paulus 62v
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 36–37v
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 38–40
Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 29v–30
Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 30–31
Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 31–31v
Traditor autem dedit eis signum dicens Anonymous 46–46v
Tu autem cum oraveris 1–1v
Tua est potentia tuum regnum Dominus 26.17 32v–33
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 9v–11v
Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 11v–12v
Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 12v–13v
Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 40v–41v
Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 41v–42

Set: B. 211-215

Type: Partbooks

No images available

D-Rp B. 211-215 (A)

No images available

D-Rp B. 211-215 (B)

No images available

D-Rp B. 211-215 (D)

No images available

D-Rp B. 211-215 (Q)

No images available

D-Rp B. 211-215 (T)

denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 129-149. Notes: contents list; concordances.

McDonald, Grantley. 2020. The Library of Johannes Stomius, Lutheran Musical Humanist in Salzburg. Journal of the Alamire Foundation, 12/1: 51-88. Notes: identifies Stomius as the main scribe.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Notes: contents list; description.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III.  Bern and Stuttgart. Pages: I, 77. Notes: physical description (partial); mention of MS; discussion.

Brzezinska, Barbara. 1976. W Kwestii Autorstwa Motetu 'Date Siceram Moerentibus'. Muzyka, 21/2: 53-65. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 28-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 3-4, 30-1, 45, 52, 68-9, 84. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 105-7, 110-1. Notes: contents list (partial); mention of MS; discussion.

Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae, vol. 28.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, vii-viii, xii, 66-74. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I, 87-8, 175-82, 213-4; II, 205-39. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5.  Kassel. Pages: 41-2, 107, 117, 168, 182-4. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Mohr, Peter. 1955. Die Handschrift B 211-215 der Proske-Bibliothek zu Regensburg mit kurzer Beschreibung der Handschriften B 216-219 und B 220-222. Schriften des Landesinstituts für Musikforschung Kiel, vol. 7.  Kassel and Basel. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: X, 1695. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 124-5; XI, 123-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 119; XXVI, 154, 164; LXVI, 68-76, 97-103, 174-80; LXX,65-94,97-114,193,197-8. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: III, ix, xiv, 88-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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Grantley McDonald

Friday, 22 September, 2023

Date of McDonald article corrected to 2020

DIAMM, 2016

Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description