D-Rp B. 211-215 (T)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: c. 1538-43

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark B. 211-215 (T)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 134 x 208 mm
Other Identifiers
  • CCM: RegB B211-5
Notations
  • black void mensural
Copyists
External Links
External Authorities
Provenance
  • Southern Germany or Austria?
Contents Contains 149 compositions, 139 from 36 composers, 10 are anonymous.
General Description

A Tenor partbook from a set of five volumes. Recto of first flyleaf in each book now pasted to inside front cover. Copied by two or three scribes. Probably of south German or Austrian origin.

DIAMM, 2017
Binding

Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date '1538.'

DIAMM, 2017
Watermark

resembles Briquet #2515

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 15

DIAMM, 2017
Foliation

Original ink foliation in each book. Modern pencil foliation.

DIAMM, 2025
Decoration

No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections.

DIAMM, 2017
Index

Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 1 hymn, 76 motets, 1 Latin/German sacred piece,

2 German sacred pieces, 1 Latin secular piece = 82

Appenzeller or Ducis? [Benedictus]-1, Arcadelt-2, (Barra/Elimon)-1, Brück [AB]/Sermisy [Claudius]-1, (Carpentras)-1, (Conseil)-1, Dietrich [Xystus Theoderici]-2, Eckel-1, Finck-10, Finck-Josquin-1, Frosch-2, (Gombert/Josquin/Sermisy)-1, Hähnel [Johannes Galliculus]-4, Hellinck-2, Isaac-1, (Jaquet of Mantua/Manchicourt)-1, Josquin-2, (Josquin/Senfl)-1, Lafage-2, Le Heurteur-1, (Lemlin)-1, (Lupi)-1, Lupus/(Jaquet of Mantua)-1, Mahu-1, Mahu/(Walter)-1, Moulu-1, Mouton-2, Mustateller-1, Ockeghem -2, Othmayr-1, Peschin-B, Richafort-1, Senfl-12, Sermisy [Claudin]-2, Stoltzer-3, (Verdelot)-1, Werrecore [Hermannus Cu]/(Stoltzer)-1, Willaert-2, anon-7

5 paper partbooks (D-iii + 161 folios, A-iii + 169, T-iii + 137, B-iii + 153, Q-iii + 81), 134 x 208. Recto of first flyleaf in each book now pasted to inside front cover. Original ink foliation in each book. Original covers of tooled leather over cardboard, decorated with floral motifs, religious scenes, voice designations, and date "1538." Original index on verso of first flyleaf in each book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by two or three scribes. Staff height 15. No decorative initials; red ink used for foliation, attributions, number of voices, and some corrections. Watermark resembles Briquet #2515 (StaeMI).

Ca. 1538-43 (date 1538 on covers; "1543" on f. 151 of D book). Probably of south German or Austrian origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
inside front cover index - - -

index

Appears on: inside front cover
1 Tu autem cum oraveris 6 Xystus Theodorici [= Dietrich]
Appears on: 1
Genres: Motet
Source Attribution: Xystus Theodorici [= Dietrich]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: c4
Voice Text: Tu autem cum oraveris intra in cubiculum
General Note

At head: "In epidiatessaron"

1v Amen dico vobis quia nemo propheta 6 Eiusdem authoris [= Dietrich]
Appears on: 1v
Genres: Motet
Source Attribution: Eiusdem authoris [= Dietrich]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Amen dico vobis quia nemo propheta
General Note

At head: "In epidiapente"

1v–2v Quod toleras rex alme crucis tormenta 6 (Greek) adelon (=unknown) Anonymous
Appears on: 1v–2v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: Quod toleras rex alme crucis tormenta
3–4 Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 5 Lupus/[Jachet of Mantua]
Appears on: 3–4
Genres: Motet
Source Attribution: Lupus/[Jachet of Mantua]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Loquutus est dominus ad Moysen dicens
4–5v Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 5 -
Appears on: 4–5v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Stetit Moÿses coram Pharaone, haec dixit
6 Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 5 Henricus Finck
Appears on: 6
Genres: Motet
Source Attribution: Henricus Finck
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Et valde [mane] una sabbatorum veniunt
6–6v Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 5 -
Appears on: 6–6v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Et valde mane una ... sabbatorum
6v–7v Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 5 HF [= Finck]
Appears on: 6v–7v
Genres: Responsory
Source Attribution: HF [= Finck]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Verbum caro factum est et habitabit
8–8v Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 5 -
Appears on: 8–8v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : In principio erat verbum & verbum
8v–9 Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 5 -
Appears on: 8v–9
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c4
Voice Text: Tertia pars : ... Asine presepe infans implet celos regens
9v Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 5 HF
Appears on: 9v
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Illuminare Hierusalem venit lux tua
9v–10v Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 5 -
Appears on: 9v–10v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Et gloria domini super te Hierusalem
10v Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 5 -
Appears on: 10v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (3p.) Et ambulabunt [canon from Discantus]
General Note

Canon: "Et ambualbant in Discantu in diapente post 3 tempora"

10v–11 Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 5 HF
Appears on: 10v–11
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Christus resurgens ex mortuis iam non moritur
11 Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 5 -
Appears on: 11
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Voice Text: (2p.) Quod enim [canon from Bassus]
General Note

Canon: "Quod enim In Basso in epidiapason post 8 tempora"

11–12v Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 5 -
Appears on: 11–12v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c4
Voice Text: Tertia pars : Dicant nunc Iudei quomodo [text incipit only]
12v–13 Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 5 HF
Appears on: 12v–13
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c5
Voice Text: Ite in orbem universum & predicate
13–13v Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 5 -
Appears on: 13–13v
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Qui crediderit & baptizatus fuerit
13v–14 Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 5 -
Appears on: 13v–14
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : In nomine patris & filii & spiritus sancti
14–14v Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 5 HF
Appears on: 14–14v
Genres: Responsory
Source Attribution: HF
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Petre amas me tu scis domine quia amo te
14v–15 Petre amas me - 2a pars (of 3): Pasce oves meas 5 -
Appears on: 14v–15
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Pasce oves meas
15 Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his 5 -
Appears on: 15
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : Simon Joannis diligis me plus his
15–16 Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 5 Johannes Okegus [= Ockeghem]
Appears on: 15–16
Genres: Motet
Source Attribution: Johannes Okegus [= Ockeghem]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c3
Voice Text: Gaude Maria virgo cunctas hereses sola
16 Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 5 -
Appears on: 16
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Versus : Gabrielem archangelum te esse
16–16v Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 5 -
Appears on: 16–16v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (3p.) Uterum tuum de spiritu sancto
16v–17 Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 5 -
Appears on: 16v–17
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: (4p.) ... Qui dicit Christum de Joseph semine esse natum
17–17v Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te 4 Ludovicus Senflius
Appears on: 17–17v
Genres: Responsory
Source Attribution: Ludovicus Senflius
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Pater peccavi in coelum & coram te
17v–18 Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis 5 -
Appears on: 17v–18
Genres: Responsory
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Repetitio : Fac me sicut unum ex mercenariis
18–18v Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris 4 -
Appears on: 18–18v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Versus : Quanti mercenarii in domo patris
18v–20 Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 4 Lupus [Hellinck]
Appears on: 18v–20
Genres: Motet
Source Attribution: Lupus [Hellinck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Panis quem ego dabo caro mea est
20–21 Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 4 -
Appears on: 20–21
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Loquutus est populus ad dominum
21–22 Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 4 Josquin alii HF (= Finck)
Appears on: 21–22
Genres: Motet
Source Attribution: Josquin alii HF (= Finck)
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: c4
Voice Text: Magnus es tu domine et magnum nomen
22–23 Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 4 -
Appears on: 22–23
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Tu pauperum refugium tu languorum
23–24 Simile est regnum caelorum homini 4 (Greek) adelon (=unknown)/[Carpentras]
Appears on: 23–24
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Carpentras]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Simile est regnum coelorum homini
24–25 Da pacem Domine (M25) 4 LS [= Senfl]
Appears on: 24–25
Genres: Motet
Source Attribution: LS [= Senfl]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Da pacem domine in diebus nostris
25–25v Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo 4 (Greek) adelon (=unknown) Anonymous
Appears on: 25–25v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Domine quo ibo a spiritu tuo & quo
25v–26v Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo 4 - Anonymous
Appears on: 25v–26v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Si sumpsero pennas meas diluculo
26v–27v Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 4 Mathias Eckel
Appears on: 26v–27v
Genres: Responsory
Source Attribution: Mathias Eckel
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: c3
Voice Text: Inter natos mulierum non surrexit maior
27v–28 Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo 4 -
Appears on: 27v–28
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Repetitio : Qui viam domino preparavit in eremo
28–28v Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen 4 -
Appears on: 28–28v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Versus : In principio erat verbum & verbum
28v–30 Duo homines ascenderunt in templum 4 Johannes Galliculus [= Hähnel]
Appears on: 28v–30
Genres: Motet
Source Attribution: Johannes Galliculus [= Hähnel]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Duo homines ascenderunt in templum
30v–31v In cathedra Moisi omnia quaecunque iusserint 4 Johanes Galliculus
Appears on: 30v–31v
Genres: Motet
Source Attribution: Johanes Galliculus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: In cathedra Moysi omnia quaecunque iusserint
31v–32v Venite post me qui laboratis et onerati 4 J. Galliculus
Appears on: 31v–32v
Genres: Motet
Source Attribution: J. Galliculus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Venite post me qui laboratis & onerati
33–34v Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 5 Ludovicus Senflius
Appears on: 33–34v
Genres: Motet
Source Attribution: Ludovicus Senflius
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Omnes gentes plaudite manibus iubilate
34v–36v Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 5 -
Appears on: 34v–36v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Ascendit deus in iubilo & dominus
36v–37v Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 5 LS
Appears on: 36v–37v
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Tota pulchra es amica mea & macula
37v–38v Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 5 -
Appears on: 37v–38v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Jam enim hiems transiit imber abiit
38v–40 Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 5 -
Appears on: 38v–40
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Tertia pars : Et vox turturis audita est in terra
40–41 Peccata mea domine - 1a pars (of 2): Peccata mea domine 4 Ricafort
Appears on: 40–41
Genres: Motet
Source Attribution: Ricafort
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Peccata mea domine sicut sagittae infixae
41–42 Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam 4 -
Appears on: 41–42
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Quoniam iniquitatem meam ego
42–43 Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 4 (Greek) adelon (=unknown) - Peschin
Appears on: 42–43
Genres: Motet
Source Attribution: (Greek) adelon (=unknown) - Peschin
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Si bona suscepimus de manu domini
43–43v Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris 4 -
Appears on: 43–43v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c2
Voice Text: Secunda pars : Nudus egressus sum de utero matris
43v–44 Sic enim Deus dilexit mundum 4 Gregorius Peschin Bernus
Appears on: 43v–44
Genres: Motet
Source Attribution: Gregorius Peschin Bernus
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Sic enim deus dilexit mundum
44v–45v Nesciens mater virgo virum peperit 6 Johannes Froschius
Appears on: 44v–45v
Genres: Motet
Source Attribution: Johannes Froschius
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: c2
Voice Text: Nesciens mater virgo virum peperit
45v–46 Tua est potentia tuum regnum Dominus 26.17 5 J. Mouton/[Josquin]
Appears on: 45v–46
Genres: Motet
Source Attribution: J. Mouton/[Josquin]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tua est potentia tuum regnum domine
46v Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 5 LS
Appears on: 46v
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Grates nunc omnes reddamus domino deo
46v–47 Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 5 -
Appears on: 46v–47
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Pars altera : Huic oportet ut canamus cum angelis
47–48 Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 5 (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Appears on: 47–48
Genres: Contrafactum, Motet
Source Attribution: (Greek) adelon (=unknown)/[Gombert/Josquin/Sermisy]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Date siceram merentibus et vinum his
48–48v Domine libera animam meam a labiis 5 St: Mahu
Appears on: 48–48v
Genres: Motet
Source Attribution: St: Mahu
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Domine libera animam meam a labiis
48v–50 Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 5 De la Fage
Appears on: 48v–50
Genres: Motet
Source Attribution: De la Fage
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Super flumina Babilonis illic sedimus
50–53 Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 5 -
Appears on: 50–53
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Si oblitus fuero tui Hierusalem
53v–55 Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 5 [Willaert]
Appears on: 53v–55
Genres: Motet
Source Attribution: [Willaert]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Verbum iniquum et dolosum longe fac
55–55v Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 5 -
Appears on: 55–55v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Pars altera : Duo rogavi [te] ne deneges mihi
56–56v Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 5 [Verdelot]
Appears on: 56–56v
Genres: Motet
Source Attribution: [Verdelot]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Non turbetur cor vestrum ego vado
56v–57v Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 5 -
Appears on: 56v–57v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: (2p.) Ego rogabo patrem meam
57v–58v Recordare Domine testamenti tui et dic 5 [Arcadelt]
Appears on: 57v–58v
Genres: Motet
Source Attribution: [Arcadelt]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Recordare domine testamenti tui & dic
59–59v Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra 5 Anon. Anonymous
Appears on: 59–59v
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: Vagans
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Nigra ego sum fateor vaccinia nigra
60–60v Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre 5 - Anonymous
Appears on: 60–60v
Genres: Motet
Number of voices: 5
Voice: Vagans
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Altera pars : Nigra veni nostroque precor succurre
60v–61 O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem 4 HF [= Finck]
Appears on: 60v–61
Genres: Motet
Source Attribution: HF [= Finck]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: O domine Jesu Christe adoro te in cruce pendentem
61–61v O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum 4 -
Appears on: 61–61v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : O domine Jesu Christe adoro te in cruce vulneratum
62–62v O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem 4 -
Appears on: 62–62v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : O domine Jesu Christe ... amaritudinem
62v–63 O Domine Jesu Christe - 4a pars (of 7): O Domine Jesu Christe adoro te in sepulcro 4 -
Appears on: 62v–63
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Quarta pars : O domine Jesu Christe ... in sepulcro positum
63 O Domine Jesu Christe - 5a pars (of 7): O Domine Jesu Christe adoro te descendentem 4 -
Appears on: 63
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: 5 pars : O domine Jesu Christe adoro te descendentem ad inferos
63v O Domine Jesu Christe - 6a pars (of 7): O Domine Jesu Christe adoro te resurgentem 4 -
Appears on: 63v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Sexta pars : O domine Jesu Christe adoro te resurgentem a mortuis
63v–64v O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone 6 -
Appears on: 63v–64v
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Septima pars : O domine Jesu Christe pastor bone
64v–67 Christe qui lux es et dies noctis [M15] 4 LS
Appears on: 64v–67
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Christe qui lux es & dies noctis
67–68v Sum tuus in vita (4vv) [M109] 4 LS
Appears on: 67–68v
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Sum tuus in vita tua sunt mea funera
68v–69 Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 6 Josquin, alii Chunradus Rupsch (Rupsch probably responsible for contrafact version)
Appears on: 68v–69
Genres: Chanson, Contrafactum, Motet
Source Attribution: Josquin, alii Chunradus Rupsch (Rupsch probably responsible for contrafact version)
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: CIrcumdederunt me gemitus mortis
69–69v Traditor autem dedit eis signum dicens 5 Anon. Anonymous
Appears on: 69–69v
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Traditor autem dedit eis signum dicens
69v–70 Ecce Dominus veniet nolite timere 14.5 5 (Greek) adelon (=unknown)/[Jonckers/Josquin/Senfl]
Appears on: 69v–70
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Jonckers/Josquin/Senfl]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Ecce dominus veniet nolite timere
70–71 Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 5 Hermannus Cu [= Werrecore]/[Stoltzer]
Appears on: 70–71
Genres: Motet
Source Attribution: Hermannus Cu [= Werrecore]/[Stoltzer]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Beati omnes qui timent dominum qui ambulant
71–72 Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 5 -
Appears on: 71–72
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Filii tui sicut novellae olivarum
72v–73 Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo 4 Johannes Froschius
Appears on: 72v–73
Genres: Motet
Source Attribution: Johannes Froschius
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Qui de terra est loquitur qui de caelo
73–73v Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit 4 -
Appears on: 73–73v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Et testimonium eius nemo accipit
73v–75 Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 6 Thomas Stoltzer
Appears on: 73v–75
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 6
Voice: Tenor
Languages: German
Mensuration: c
Clef: c3
Voice Text: Dann wie das grass werden sie pald

Voice: Secundus bassus
Languages: German
Mensuration: c
Clef: f3
Voice Text: Hoff auf den herrn und thu guts
Layout

Tenor on versos, Bassus secundus on rectos

75v–77 Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still 6 -
Appears on: 75v–77
Genres: Motet
Number of voices: 6
Voice: Tenor
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Halt dem Herrn still und lass in

Voice: Secundus bassus
Languages: German
Mensuration: cut-c
Clef: f3
Voice Text: Secunda pars : Halt dem Herrn still und lass in
Layout

Tenor on versos, Bassus secundus on rectos

77v–78v Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten 3 -
Appears on: 77v–78v
Genres: Motet
Number of voices: 3
Voice: Secundus bassus
Languages: German
Mensuration: cut-c
Clef: f3
Voice Text: Tertia pars : Die gotlosen ziehen das schwert

Voice: Tenor
Languages: German
Voice Text: tacet in this pars
78v–80 Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen 3 -
Appears on: 78v–80
Genres: Motet
Number of voices: 3
Voice: Tenor
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: (4p.) Der Herr kendt die tage der frommen
80v–83 Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 6 -
Appears on: 80v–83
Genres: Motet
Number of voices: 6
Voice: Tenor
Languages: German
Clef: c3
Voice Text: Quinta pars : Ich bin iunck gewesen und hab noch

Voice: Secundus bassus
Languages: German
Clef: f3
Voice Text: Quinta pars : Und allt worden und hab noch nye
Layout

Tenor on versos, Bassus secundus on rectos

83v–86 Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht 6 -
Appears on: 83v–86
Genres: Motet
Number of voices: 6
Voice: Tenor
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Sexta pars : Der gotlose sieht auf den gerechten

Voice: Secundus bassus
Languages: German
Mensuration: cut-c
Clef: f3
Voice Text: Sexta pars : Der gotlose sieht auf den gerechten
Layout

Tenor on versos, Bassus secundus on rectos

85v–89 Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit 7 -
Appears on: 85v–89
Genres: Motet
Number of voices: 7
Voice: Tenor
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Septima pars : Beware dy frommikait und schaw

Voice: Secundus bassus
Languages: German
Mensuration: cut-c
Clef: f3
Voice Text: Septima pars : Beware dy frommikait und schaw
General Note

Tenor on versos, Bassus secundus on rectos

89v–90 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 5 Thomas Stoltzer
Appears on: 89v–90
Genres: Motet
Source Attribution: Thomas Stoltzer
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Herr wie lang wiltu mein so gar vergessen
90–90v Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 5 -
Appears on: 90–90v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Secunda pars : Schaw doch und erhör mich Herr
91 Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 5 -
Appears on: 91
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Tertia pars : Ich hoff aber auf deine güte
92–93 Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 4 De La Fage
Appears on: 92–93
Genres: Motet
Source Attribution: De La Fage
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Vide domine afflictionem nostram
93–94 Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 5 -
Appears on: 93–94
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: (2p.) Sed veni domine & noli tardare
94–95 Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens 4 Claudin [de Sermisy]
Appears on: 94–95
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Homo natus de muliere brevi vivens
95–96 Homo natus de muliere - 2a pars (of 2): Homo cum in honore esset non 4 -
Appears on: 95–96
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Homo cum in honore esset non intellexit
96–96v Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae 4 Claudin [de Sermisy]
Appears on: 96–96v
Genres: Motet
Source Attribution: Claudin [de Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Benedic anima mea domino & omnia quae
97–97v Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam 4 -
Appears on: 97–97v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (2p.) Qui redemit de interitu vitam tuam
97v–99 Exaltare super caelos Deus et super omnem 4 [Le] Heurteur
Appears on: 97v–99
Genres: Motet
Source Attribution: [Le] Heurteur
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Exaltare super coelos deus & super omnem terram
99–100 Lamentabatur Jacob de duobus filiis suis 4 Hadrianus Willart
Appears on: 99–100
Genres: Motet
Source Attribution: Hadrianus Willart
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Lamentabatur Jacob de duobus filiis suis
100v–101v Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens 4 [Peschin]
Appears on: 100v–101v
Genres: Motet
Source Attribution: [Peschin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Invocabat autem Samson dominum dicens
101v–102v Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur 4 -
Appears on: 101v–102v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: (2p.) Et columnas quibus domus innitebatur
102v–103 Memento mei Domine Deus 5 (Greek) adelon (=unknown) Anonymous
Appears on: 102v–103
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Memento mei domine Deus dum veneris
General Note

identified by MohP & YouL (incorrectly) with the piece by Lemlin in D-Mu 327 & Thomaskirche 49/50; Kolb (2020) correctly identifies this as a different piece,

103–104 Prima die sabbatorum Maria Magdalena 4 Lupus Hellinck
Appears on: 103–104
Genres: Motet
Source Attribution: Lupus Hellinck
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Primo die sabbatorum Maria Magdalena
104–105 Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer 4 [Josquin]
Appears on: 104–105
Genres: Responsory
Source Attribution: [Josquin]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Clamavi Ad dominum cum tribularer
105–105v Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus 4 -
Appears on: 105–105v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (2p.) Hei mihi quia incolatus meus
105v–106 Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio 4 -
Appears on: 105v–106
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (3p.) Gloria patri & filio & spritui sancto
106 Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me 4 -
Appears on: 106
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (4p.) Clamavi & exaudivit me
106v Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 6 [Senfl]
Appears on: 106v
Genres: Motet
Source Attribution: [Senfl]
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: o-2
Clef: c3
Voice Text: Media vita in morte sumus quem querimus
General Note

Canon: "Altus sequitur Tenorem in epidiapente [in Greek characters] [ ? ] + 6 semibreves" (there is a signum congruentiae at the 10th breve]

107 Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 6 -
Appears on: 107
Genres: Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c-2
Clef: c3
Voice Text: Secinda pars : Sancte deus sancte fortis sancte
General Note

Canon: "Altus post modum [ ? ] & 4 semibreves in epidiapente [Latin characters this time]" with signum congruentiae at the 5th semibreve after a 6 breve rest)

107v–108 Sive vivamus sive moriamur Domini 4 H. Isaac
Appears on: 107v–108
Genres: Motet
Source Attribution: H. Isaac
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Sive vivamus sive moriamur domini
108v–110 Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum 4 HF
Appears on: 108v–110
Genres: Motet
Source Attribution: HF
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Nisi dominus edificaverit domum in vanum
110v–112 Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis 4 -
Appears on: 110v–112
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Sicut sagittae in manu potentis
112–113 Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 5 [Jaquet of Mantua/Manchicourt]
Appears on: 112–113
Genres: Motet
Source Attribution: [Jaquet of Mantua/Manchicourt]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Laudem dicite deo nostro omnes sancti
113–114 Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 5 -
Appears on: 113–114
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Secuda pars : Laudate dominum deum omnes gentes
114v–115v Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 5 [Conseil]
Appears on: 114v–115v
Genres: Motet
Source Attribution: [Conseil]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Ego sum qui sum & consilium meum
115v–116 Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 5 -
Appears on: 115v–116
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Pars altera : Stetit Jesus in medio discipulorum
116v–117v Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 5 [Lupi]
Appears on: 116v–117v
Genres: Motet
Source Attribution: [Lupi]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Apparens Christus post passionem suam
117v–118v Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 5 -
Appears on: 117v–118v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Pars altera : ... Praecepit eis ne discederet
119 Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 5 Anon. Anonymous
Appears on: 119
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: ... Vidi impium super exaltatum
119v Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda 5 - Anonymous
Appears on: 119v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-o
Clef: c3
Voice Text: Secunda pars : ... Quomodo cecidisti de celo
120–121 Namque super terram ubi non est veritas 5 Anon. Anonymous
Appears on: 120–121
Genres: Motet
Source Attribution: Anon.
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Nanque super terram ubi non est veritas
121v–122 Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 6 Archadelt
Appears on: 121v–122
Genres: Contrafactum, Motet
Source Attribution: Archadelt
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Pro peccatis hominum occidit salvator mundi
122–122v Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 6 -
Appears on: 122–122v
Genres: Contrafactum, Motet
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c4
Voice Text: Pars altera : O clemens O pie Jesu Christe
123 Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua 4 LS
Appears on: 123
Genres: Responsory
Source Attribution: LS
Number of voices: 4
Voice: [Bassus]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Illuminare Hierusalem venit lux tua
General Note

Bassus copied here, with note "Tenor in Basso reperies"

123–123v Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 4 -
Appears on: 123–123v
Genres: Responsory
Number of voices: 4
Voice: [Bassus]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: (R.) Et gloria domini super te Hierusalem
123v Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 4 -
Appears on: 123v
Genres: Responsory
Number of voices: 4
Voice: [Bassus]
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: (Vs.) Et ambulabunt gentes in lumine tuo
124–124v Nesciens mater virgo virum peperit 4 LS
Appears on: 124–124v
Genres: Motet
Source Attribution: LS
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Nesciens mater virgo virum peperit
124v–125v Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem 4 AB [= Bruck] alii Claudius [= Sermisy]
Appears on: 124v–125v
Genres: Motet
Source Attribution: AB [= Bruck] alii Claudius [= Sermisy]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Miserere mei domine & exaudi orationem
125v–126v Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam 4 -
Appears on: 125v–126v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Pars altera : Miserere mei deus secundum magnam
127 Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier 4 Marcus Mustateller
Appears on: 127
Genres: Motet
Source Attribution: Marcus Mustateller
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: c
Clef: c3
Voice Text: Accessit ad pedes Jesu peccatrix mulier
127–127v Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis 4 -
Appears on: 127–127v
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (2p.) Et osculata est et lavit lachrymis
127v–128 Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire 4 -
Appears on: 127v–128
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (3p.) Unde promeruit audire dominum clementer dicere
128 Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa 4 -
Appears on: 128
Genres: Motet
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: (4p.) Dimissa sunt ei peccata multa
128v Ego sum resurrectio et vita dicit Dominus Jesus 4 Steph: Mahu/[Walter]
Appears on: 128v
Genres: Motet
Source Attribution: Steph: Mahu/[Walter]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Ego sum resurrectio & vita dicit Iesus
129–129v Doleo super te frater mi Jonathan 4 (Greek) adelon (=unknown)/[Appenzeller]
Appears on: 129–129v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Appenzeller]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Doleo super te frater mi Jonathan
129v–130 Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 5 LS
Appears on: 129v–130
Genres: Motet
Source Attribution: LS
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: c-2
Clef: c3
Voice Text: In mitten unsers lebens zeit
130–130v Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 5 -
Appears on: 130–130v
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: German
Mensuration: cut-c
Clef: c3
Voice Text: Pars altera : ... heiliger starcker Got
130v–131v Spiritus Domini replevit orbem terrarum 4 (Greek) adelon (=unknown)/[Mouton]
Appears on: 130v–131v
Genres: Motet
Source Attribution: (Greek) adelon (=unknown)/[Mouton]
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Spiritus domini replevit orbem terrarum
131v–132v Cum ascendisset aurora urgebant angeli 6 Gregorius Peschin
Appears on: 131v–132v
Genres: Motet
Source Attribution: Gregorius Peschin
Number of voices: 6
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c3
Voice Text: Cum ascendisset aurora urgebant angeli
132v Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere 4 Petrus Moulou
Appears on: 132v
Genres: Responsory
Source Attribution: Petrus Moulou
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Induta est caro mea vermibus & pulvere
133 Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam 4 -
Appears on: 133
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Secunda pars : Dies mei velocius transeunt quam radius textoris
133–133v Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita 4 -
Appears on: 133–133v
Genres: Responsory
Number of voices: 4
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Tertia pars : Memento domine quia ventus est vita
134 Quisquis requiem quaeris feminam cave 6 [Othmayr]
Appears on: 134
Genres: Motet
Source Attribution: [Othmayr]
Number of voices: 6
Voice: Bassus
Languages: Latin
Mensuration: cut-c
Clef: f4
Voice Text: Mala herba mala herba

Voice: Vagans
Languages: German
Mensuration: cut-c
Clef: f4
Voice Text: Puff in sy, puff in sy
General Note

2 voice parts copied

134v–135 [Veni sancte spiritus] Reple tuorum corda 7 HF
Appears on: 134v–135
Genres: Motet, Veni sancte spiritus
Source Attribution: HF
Number of voices: 7
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: c4
Voice Text: Reple tuorum corda
135–136 Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 5 [Ockeghem]
Appears on: 135–136
Genres: Motet
Source Attribution: [Ockeghem]
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: o
Clef: f3
Voice Text: Caeleste beneficium introivit in orbem
136–137 Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 5 -
Appears on: 136–137
Genres: Motet
Number of voices: 5
Voice: [no designation]
Languages: Latin
Mensuration: cut-c
Clef: f3
Voice Text: (2p.) Caeleste beneficium accipe Germania
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480-ca. 1558)
Arcadelt, Jacques (ca. 1507-1568)
Bruck, Arnold von (ca. 1500-1554)
Carpentras, Elzear Genet (ca. 1470-1548)
Conseil, Jean (ca. 1498-1534)
Despres, Josquin (ca. 1450-1521)
Dietrich, Sixt (ca. 1493-1548)
Eckel, Matthias
Fage, Jean de la
Finck, Heinrich
Frosch, Johannes (ca. 1470-ca. 1532)
Galliculus, Johannes
Gombert, Nicolas (ca. 1495-ca. 1560)
Hellinck, Lupus (ca. 1494-1541)
Heurteur, Guillaume le (1530-1545)
Isaac, Heinrich (ca. 1450-1517)
Jonckers, Maistre Gosse
Lupi, Johannes (ca. 1506-1539)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483-1559)
Moulu, Pierre (ca. 1484-ca. 1550)
Mouton, Jean (ca. 1459-1522)
Mustateller (Muscateller?), Marcus
Ockeghem, Jean de (ca. 1410-1497)
Othmayr, Caspar
Peschin, Gregor
Reitveltus, Bartholomaeus
Richafort, Jean (ca. 1480-ca. 1550)
Senfl, Ludwig (ca. 1486-ca. 1543)
Sermisy, Claudin de (ca. 1490-1562)
Stoltzer, Thomas (ca. 1480-1526)
Verdelot, Philippe (ca. 1480-ca. 1532)
Walter, Johann (1496-1570)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
[Veni sancte spiritus] Reple tuorum corda 134v–135
Accessit ad pedes Jesu - 1a pars (of 4): Accessit ad pedes Jesu peccatrix mulier 127
Accessit ad pedes Jesu - 2a pars (of 4): Et osculata est et lavit lachrymis 127–127v
Accessit ad pedes Jesu - 3a pars (of 4): Unde promeruit audire 127v–128
Accessit ad pedes Jesu - 4a pars (of 4): Dimissa sunt ei peccata multa 128
Amen dico vobis quia nemo propheta 1v
Apparens Christus - 1a pars (of 2): Apparens Christus post passionem suam 116v–117v
Apparens Christus - 2a pars (of 2): Et convescens praecepit eis 117v–118v
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 70–71
Beati omnes - 2a pars (of 2): Filii tui sicut novellae olivarum 71–72
Benedic anima mea - 1a pars (of 2): Benedic anima mea Domino et omnia quae 96–96v
Benedic anima mea - 2a pars (of 2): Qui redemit de interitu vitam tuam 97–97v
Caeleste beneficium - 1a pars (of 2): Caeleste beneficium introivit in orbem 135–136
Caeleste beneficium - 2a pars (of 2): Caeleste beneficium accipe Germania 136–137
Christe qui lux es et dies noctis [M15] 64v–67
Christus resurgens - 1a pars (of 3): Christus resurgens ex mortuis jam non 10v–11
Christus resurgens - 2a pars (of 3): Quod enim vivit deo alleluia 11
Christus resurgens - 3a pars (of 3): Dicant nunc Judaei quomodo milites 11–12v
Clamavi ad Dominum 15.8 - 1a pars (of 4): Clamavi ad Dominum cum tribularer 104–105
Clamavi ad Dominum 15.8 - 2a pars (of 4): Heu mihi quia incolatus meus 105–105v
Clamavi ad Dominum 15.8 - 3a pars (of 4): Gloria Patri et Filio 105v–106
Clamavi ad Dominum 15.8 - 4a pars (of 4): Clamavi et exaudivit me 106
Congregati sunt inimici - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Anonymous 119
Congregati sunt inimici - 2a pars (of 2): Tu Domine qui superborum corda Anonymous 119v
Cum ascendisset aurora urgebant angeli 131v–132v
Da pacem Domine (M25) 24–25
Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 47–48
Doleo super te frater mi Jonathan 129–129v
Domine libera animam meam a labiis 48–48v
Domine quo ibo - 1a pars (of 2): Domine quo ibo a spiritu tuo et quo Anonymous 25–25v
Domine quo ibo - 2a pars (of 2): Si sumpsero pennas meas diluculo Anonymous 25v–26v
Duo homines ascenderunt in templum 28v–30
Ecce Dominus veniet nolite timere 14.5 69v–70
Ego sum qui sum - 1a pars (of 2): Ego sum qui sum et consilium meum 114v–115v
Ego sum qui sum - 2a pars (of 2): Stetit Jesus in medio discipulorum suorum 115v–116
Ego sum resurrectio et vita dicit Dominus Jesus 128v
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen 73v–75
Erzürne dich nicht - 2a pars (of 7): Halt dem Herrn still 75v–77
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet dem Gerechten 77v–78v
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage der Frommen 78v–80
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen 80v–83
Erzürne dich nicht - 6a pars (of 7): Der Gottlose sieht 83v–86
Erzürne dich nicht - 7a pars (of 7): Bewahre die Frommigkeit 85v–89
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt 6
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt 6–6v
Exaltare super caelos Deus et super omnem 97v–99
Gaude Maria virgo - 1a pars (of 4): Gaude Maria virgo cunctas hereses sola 15–16
Gaude Maria virgo - 2a pars (of 4): Gabrielem archangelum te esse 16
Gaude Maria virgo - 3a pars (of 4): Uterum tuum de spiritu sancto 16–16v
Gaude Maria virgo - 4a pars (of 4): Erubescat Judeus infelix qui dicit 16v–17
Grates nunc omnes (5vv) - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo 46v
Grates nunc omnes (5vv) - 2a pars (of 2): Huic oportet ut canamus cum angelis 46v–47
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 68v–69
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen 89v–90
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich 90–90v
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte 91
Homo natus de muliere - 1a pars (of 2): Homo natus de muliere brevi vivens 94–95
Homo natus de muliere - 2a pars (of 2): Homo cum in honore esset non 95–96
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua 123
Illuminare Jerusalem - 1a pars (of 3): Illuminare Jerusalem venit lux tua et gloria 9v
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 9v–10v
Illuminare Jerusalem - 2a pars (of 3): Et gloria Domini super te Jerusalem 123–123v
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 10v
Illuminare Jerusalem - 3a pars (of 3): Et ambulabunt gentes in lumine tuo 123v
In cathedra Moisi omnia quaecunque iusserint 30v–31v
Induta est caro - 1a pars (of 3): Induta est caro mea vermibus et pulvere 132v
Induta est caro - 2a pars (of 3): Dies mei velocius transeunt quam 133
Induta est caro - 3a pars (of 3): Memento Domine quia ventus est vita 133–133v
Inter natos mulierum - 1a pars (of 3): Inter natos mulierum non surrexit major 26v–27v
Inter natos mulierum - 2a pars (of 3): Qui viam Domino preparavit in eremo 27v–28
Inter natos mulierum - 3a pars (of 3): Fuit homo missus a deo cui nomen 28–28v
Invocabat autem Samson - 1a pars (of 2): Invocabat autem Samson Dominum dicens 100v–101v
Invocabat autem Samson - 2a pars (of 2): Et columnas quibus domus innitebatur 101v–102v
Ite in orbem - 1a pars (of 3): Ite in orbem universum et praedicate 12v–13
Ite in orbem - 2a pars (of 3): Qui crediderit et baptisatus fuerit 13–13v
Ite in orbem - 3a pars (of 3): In nomine patris et filii et spiritus 13v–14
Lamentabatur Jacob de duobus filiis suis 99–100
Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo nostro omnes sancti 112–113
Laudem dicite Deo - 2a pars (of 2): Laudate Dominum Deum omnes gentes 113–114
Locutus est Dominus - 1a pars (of 2): Locutus est Dominus ad Moisem dicens 3–4
Locutus est Dominus - 2a pars (of 2): Stetit Moses coram pharaone 4–5v
Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen 21–22
Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum 22–23
Media vita (6vv, M57) - 1a pars (of 2): Media vita in morte sumus 106v
Media vita (6vv, M57) - 2a pars (of 2): Sancte Deus sancte fortis 107
Media vita / In mitten unser lebens (5vv, M56) - 1a pars (of 2): Media vita in morte sumus quem querimus - In mitten unser lebens 129v–130
Media vita / In mitten unser lebens (5vv, M56) - 2a pars (of 2): Sancte Deus fortis sancte et misericors - Heiliger starcker Gott 130–130v
Memento mei Domine Deus Anonymous 102v–103
Miserere mei Domine - 1a pars (of 2): Miserere mei Domine et exaudi orationem 124v–125v
Miserere mei Domine - 2a pars (of 2): Miserere mei Deus secundum magnam 125v–126v
Namque super terram ubi non est veritas Anonymous 120–121
Nesciens mater virgo virum peperit 44v–45v
Nesciens mater virgo virum peperit 124–124v
Nigra ego sum - 1a pars (of 2): Nigra ego sum fateor vaccinia nigra Anonymous 59–59v
Nigra ego sum - 2a pars (of 2): Nigra veni nostroque precor succurre Anonymous 60–60v
Nisi Dominus - 1a pars (of 2): Nisi Dominus edificaverit domum in vanum 108v–110
Nisi Dominus - 2a pars (of 2): Sicut sagittae in manu potentis 110v–112
Non turbetur cor vestrum (I) - 1a pars (of 2): Non turbetur cor vestrum ego vado 56–56v
Non turbetur cor vestrum (I) - 2a pars (of 2): Ego rogabo patrem meum 56v–57v
O Domine Jesu Christe - 1a pars (of 7): O Domine Jesu Christe adoro te in cruce pendentem 60v–61
O Domine Jesu Christe - 2a pars (of 7): O Domine Jesu Christe adoro te in cruce vulneratum 61–61v
O Domine Jesu Christe - 3a pars (of 7): O Domine Jesu Christe per illam amaritudinem 62–62v
O Domine Jesu Christe - 4a pars (of 7): O Domine Jesu Christe adoro te in sepulcro 62v–63
O Domine Jesu Christe - 5a pars (of 7): O Domine Jesu Christe adoro te descendentem 63
O Domine Jesu Christe - 6a pars (of 7): O Domine Jesu Christe adoro te resurgentem 63v
O Domine Jesu Christe - 7a pars (of 7): O Domine Jesu Christe pastor bone 63v–64v
Omnes gentes (M79) - 1a pars (of 2): Omnes gentes plaudite manibus jubilate 33–34v
Omnes gentes (M79) - 2a pars (of 2): Ascendit Deus in jubilo et Dominus 34v–36v
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 18v–20
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 20–21
Pater peccavi - 1a pars (of 3): Pater peccavi in caelum et coram te 17–17v
Pater peccavi - 2a pars (of 3): Fac me sicut unum ex mercenariis 17v–18
Pater peccavi - 3a pars (of 3): Quanti mercenarii in domo patris 18–18v
Peccata mea domine - 1a pars (of 2): Peccata mea domine 40–41
Peccata mea domine - 2a pars (of 2): Quoniam iniquitatem meam 41–42
Petre amas me - 1a pars (of 3): Petre amas me? Tu scis Domine quia amo te 14–14v
Petre amas me - 2a pars (of 3): Pasce oves meas 14v–15
Petre amas me - 3a pars (of 3): Simon Joannis diligis me plus his 15
Prima die sabbatorum Maria Magdalena 103–104
Pro peccatis - 1a pars (of 2): Pro peccatis hominum occidit salvator mundi (=Vae quis mane) 121v–122
Pro peccatis - 2a pars (of 2): O clemens O pie Jesu Christe (= Vae qui potentes) 122–122v
Qui de terra - 1a pars (of 2): Qui de terra est loquitur qui de caelo 72v–73
Qui de terra - 2a pars (of 2): Et testimonium eius nemo accipit 73–73v
Quisquis requiem quaeris feminam cave 134
Quod toleras rex alme crucis tormenta Anonymous 1v–2v
Recordare Domine testamenti tui et dic 57v–58v
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 42–43
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris 43–43v
Sic enim Deus dilexit mundum 43v–44
Simile est regnum caelorum homini 23–24
Sive vivamus sive moriamur Domini 107v–108
Spiritus Domini replevit orbem terrarum 130v–131v
Sum tuus in vita (4vv) [M109] 67–68v
Super flumina Babylonis - 1a pars (of 2): Super flumina Babylonis illic sedimus 48v–50
Super flumina Babylonis - 2a pars (of 2): Si oblitus fuero 50–53
Tota pulchra es (M115) - 1a pars (of 3): Tota pulchra es amica mea 36v–37v
Tota pulchra es (M115) - 2a pars (of 3): Jam enim hiems transiit imber abiit 37v–38v
Tota pulchra es (M115) - 3a pars (of 3): Et vox turturis audita est in terra 38v–40
Traditor autem dedit eis signum dicens Anonymous 69–69v
Tu autem cum oraveris 1
Tua est potentia tuum regnum Dominus 26.17 45v–46
Venite post me qui laboratis et onerati 31v–32v
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitabit 6v–7v
Verbum caro - 2a pars (of 3): In principio erat verbum et verbum 8–8v
Verbum caro - 3a pars (of 3): Quem aethera et terra atque mare 8v–9
Verbum iniquum (I) - 1a pars (of 2): Verbum iniquum et dolosum 53v–55
Verbum iniquum (I) - 2a pars (of 2): Duo rogavi te Domine ne deneges mihi 55–55v
Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore 92–93
Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare 93–94

Set: B. 211-215

Type: Partbooks

No images available

D-Rp B. 211-215 (A)

No images available

D-Rp B. 211-215 (B)

No images available

D-Rp B. 211-215 (D)

No images available

D-Rp B. 211-215 (Q)

No images available

D-Rp B. 211-215 (T)

denotes primary source study

Kolb, Paul. 2020. Catalogue of Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B 220-222. Journal of the Alamire Foundation, 12: 113-164. Pages: 129-149. Notes: contents list; concordances.

McDonald, Grantley. 2020. The Library of Johannes Stomius, Lutheran Musical Humanist in Salzburg. Journal of the Alamire Foundation, 12/1: 51-88. Notes: identifies Stomius as the main scribe.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Notes: contents list; description.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III.  Bern and Stuttgart. Pages: I, 77. Notes: physical description (partial); mention of MS; discussion.

Brzezinska, Barbara. 1976. W Kwestii Autorstwa Motetu 'Date Siceram Moerentibus'. Muzyka, 21/2: 53-65. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 28-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 3-4, 30-1, 45, 52, 68-9, 84. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 105-7, 110-1. Notes: contents list (partial); mention of MS; discussion.

Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae, vol. 28.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, vii-viii, xii, 66-74. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I, 87-8, 175-82, 213-4; II, 205-39. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5.  Kassel. Pages: 41-2, 107, 117, 168, 182-4. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Mohr, Peter. 1955. Die Handschrift B 211-215 der Proske-Bibliothek zu Regensburg mit kurzer Beschreibung der Handschriften B 216-219 und B 220-222. Schriften des Landesinstituts für Musikforschung Kiel, vol. 7.  Kassel and Basel. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: X, 1695. Notes: facsimile (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VIII, 124-5; XI, 123-4. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 119; XXVI, 154, 164; LXVI, 68-76, 97-103, 174-80; LXX,65-94,97-114,193,197-8. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: III, ix, xiv, 88-9. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description