Copied mostly by Nikolaus Peuschel (GottH); ff. 90'-118 copied by a different scribe, who also wrote ff. 95'-100 of StuttL 42, and ff. l'-38 and 103'-139 of StuttL 46. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550). Originally 224 folios.
D-Sl Cod. mus. I 2° 39
Württembergische Landesbibliothek, Stuttgart, Germany
manuscript of polyphony: c. 1540-50
| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
|---|---|
| Shelfmark | Cod. mus. I 2° 39 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Numbering System | Foliation |
| Measurements | 430 x 350 mm |
| Other Identifiers |
|
| Notations |
|
| Copyists |
|
| Relationships |
|
| External Links | |
| Provenance |
|
| Contents | Contains 8 compositions, 5 from 6 composers, 3 are anonymous. |
General Description
Physical Description
Three original folios now missing between new ff. 10/11; three folios missing between ff. 89/90; two folios missing between ff. 148/149.
Binding
Original covers of tooled leather over pasteboard.
Notation
black void mensural
Foliation
Modern foliation, 1-214 (ff. 215-216 missing)
Decoration
Inked initials in plain block style on ff. 90'-91, 98'-99, and 105'-106; no other decoration.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Magnificat, 1 processional hymn, 2 Passions, 5 motets = 9
Finck-1, Hähnel [Johan. Galliculus]-2, (Isaac)-1, (Longaval/Obrecht/Venture)-1, (Verdelot)-1, anon-3
214 paper folios of an original 224, 430 x 350. Three original folios now missing between new ff. 10/11; three folios missing between ff. 89/90; two folios missing between ff. 148/149. Modern foliation, 1-214 (ff. 215-216 missing). Original covers of tooled leather over pasteboard. No index. Copied mostly by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. Ff. 90'-118 copied by a different scribe, who also wrote ff. 95'-100 of StuttL 42, and ff. l'-38 and 103'-139 of StuttL 46. Inked initials in plain block style on ff. 90'-91, 98'-99, and 105'-106; no other decoration.
Ca. 1540-50. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
The inventory could not be loaded.
‡ denotes primary source study
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 599-601, 752-3, 774. Notes: contents list (partial); concordances (partial); incipits (partial).
Ingram, Sonja S. 1973. The Polyphonic Salve Regina, 1425-1550. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 64, 72-3, 83. Notes: mention of MS; contents list (partial); concordances (partial).
Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 99-100. Notes: physical description; mention of MS; discussion.
Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 21: 233-7. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 164. Notes: contents list (partial); concordances (partial); incipits (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 69-70. Notes: physical description; contents list; concordances (partial).
Wolff, Hellmuth Christian. 1956. Die Musik der alten Niederländer (15. und 16. Jahrhundert). Leipzig. Pages: 129-32. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 31, passim. Notes: physical description (partial); mention of MS; discussion.
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXX,xv, 124-30,193,198. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 28-9. Notes: physical description (partial); contents list.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Decoration Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description