D-Dl MS Grimma 58 [Altus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1555-60

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Grimma 58 [Altus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	165 x 210 mm
Other Identifiers	CCM: DresSL Grimma 58
Copyists	? Figulus, Wolfgang (ca. 1525–1589) Music
Relationships	Fürstenschule [princely school] St. Augustin, Grimma (owner) Birck, Friedrich (owner) Figulus, Wolfgang (ca. 1525–1589) (compiler) Fürstenschule [princely school] St Afra, Meissen (copied at)
External Links	images
External Authorities	RISM Online (sources/211005633)
Provenance	Fürstenschule [princely school] St Afra, Meissen , Meissen, Bavaria, Germany
Contents	85 pieces from 16 composers

General Description

An Altus partbook from an incomplete set of three volumes. Copied by Wolfgang Figulus(?) and others. Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

DIAMM, 2017

Extent

i+166+i folios

DIAMM, 2024

Binding

Restored and rebound in modern brown cardboard covers.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

Dates "XIIII Junii 58" (Discantus, f.141r), "XXIIII Junii 57" (Altus, f.152r).

DIAMM, 2024

Foliation

Modern pencil foliation

DIAMM, 2017

Foliation

Other numberings: Modern numbering of pieces

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses, 1 Kyrie-Gloria pair, 1 Kyrie, 1 Gloria, 1 Sanctus, 5 Mass Proper sections, 3 psalms, 1 processional hymn, 1 German/Latin sacred piece, 11 motets, 11 German sacred pieces = 38

(M. Agricola)-2, (Alder)-1, (Clemens non Papa)-1, (Figulus)-4, (Hähnel)-4, (Josquin?)-1, (Prenner/Silva)-1, (Senfl)-1, (Stoltzer)-6, (Stoltzer/Bauldeweyn)-1, (Verdelot)-1, (Wolff)-1, anon-14

3 paper partbooks (D-i + 158 + i folios, A-i + 166 + i, B-i + 156 + i), 165 x 210. Modern pencil foliation; modern numbering of pieces. Restored and rebound in modern brown cardboard covers. Copied by Wolfgang Figulus(?) and others. Ca. 1555-60 (SteudeMS). Copied at the Fürstenschule St. Afra in Meissen, under the direction of Wolfgang Figulus. Following Figulus' death (after 1588), the manuscript went to his son-in-law, Friedrich Birck, cantor at the Fürstenschule St. Augustin in Grimma from 1591 until his death in 1621. After Birck's death, his widow sold the manuscript to the Grimma Fürstenschule; in 1890 it was deposited in the library at Dresden.

Vol 4

Composers: Change "(Alder)-1" to "(Alder/Senfl)-1 "; change "(Prenner/Silva) -1" to "(Silva/Werrecore)-1"; change "(Wolff)-1" to "(FinckP/Josquin/Wolff) -1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–3	Qui regis Israel intende qui sedes 18.9	[Josquin]	Despres, Josquin (ca. 1450–1521)
Qui regis Israel intende qui sedes 18.9 Despres, Josquin (ca. 1450–1521) Appears on: 1–3 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Qui regis Israhel intende qui sedes 18.9 General Note Josquin, GA, Mot. 63 - Bk 5:29(1.p.) Item Bibliography Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: GA, Mot. 63 - Bk 5:29(1.p.).
3v–5	Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te	[Finck/Josquin/Wolff]	Wolff, Martin (?) Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521) (?)
Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te Wolff, Martin (?) Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 3v–5 Genres: Motet Source Attribution: [Finck/Josquin/Wolff] Voice: [no designation] Languages: Latin Voice Text: Conserva me domine quoniam speravi 15.10 II: Dominus pars haereditatis meae General Note RISM 1553^4:12
5v–7	Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae	-	Wolff, Martin (?) Despres, Josquin (ca. 1450–1521) (?) Finck, Heinrich (?)
Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae Wolff, Martin (?) Despres, Josquin (ca. 1450–1521) (?) Finck, Heinrich (?) Appears on: 5v–7 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dominus pars hereditatis [part 2] General Note RISM 1553^4:12
7v–9	Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Appears on: 7v–9 Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Herr neyge deine ohren und erhore mich II: Herr es ist dir kein gleich III: Ich danck dir Herr mein Gott General Note Hoffm.-Erbr. I, Wv 120 - Bk 5:9
9v–11v	Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich	-	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich Stoltzer, Thomas (ca. 1480–1526) Appears on: 9v–11v Genres: Motet Voice: [no designation] Languages: German Voice Text: Herr es ist dir kein gleich [part 2] General Note Hoffm.-Erbr. I, Wv 120 - Bk 5:9
11v–14	Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott	-	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott Stoltzer, Thomas (ca. 1480–1526) Appears on: 11v–14 Genres: Motet Voice: [no designation] Languages: German Voice Text: Ich danck dir herr mein Gott [part 3] General Note Hoffm.-Erbr. I, Wv 120 - Bk 5:9
14v–17v	Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper	[Bauldeweyn/Stoltzer]	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?) Appears on: 14v–17v Genres: Motet Source Attribution: [Bauldeweyn/Stoltzer] Voice: [no designation] Languages: Latin Voice Text: Benedicam dominum in omni tempore semper [1a pars only] General Note (1a pars only.) Hoffm.-Erbr. I, Wv 107 - Bk 5:28
17v–19v	Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram	[M. Agricola]	Agricola, Martin (ca. 1486–1556)
Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram Agricola, Martin (ca. 1486–1556) Appears on: 17v–19v Genres: Motet Source Attribution: [M. Agricola] Voice: [no designation] Languages: Latin Voice Text: Hiob tonso capite corruens in terram II: Castigasti me domine et eruditus III: Postquam autem convertisti me egi General Note Leipzig, Thomask. Ms. 49/50:160
20–21v	Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus	-	Agricola, Martin (ca. 1486–1556)
Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus Agricola, Martin (ca. 1486–1556) Appears on: 20–21v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Castigasti me domine [part 2] General Note Leipzig, Thomask. Ms. 49/50:160
21v–24	Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi	-	Agricola, Martin (ca. 1486–1556)
Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi Agricola, Martin (ca. 1486–1556) Appears on: 21v–24 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Postquam autem convertisti [part 3] General Note Leipzig, Thomask. Ms. 49/50:160
24–27	Missa Alma redemptoris: Kyrie	Anon.	Anonymous
Missa Alma redemptoris: Kyrie Anonymous Appears on: 24–27 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa]
27–30v	Missa Alma redemptoris: Et in terra pax [Gloria]	-	Anonymous
Missa Alma redemptoris: Et in terra pax [Gloria] Anonymous Appears on: 27–30v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gloria [Missa]
30v–34v	Missa Alma redemptoris: Patrem omnipotentem [Credo]	-	Anonymous
Missa Alma redemptoris: Patrem omnipotentem [Credo] Anonymous Appears on: 30v–34v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo [Missa]
34v–37v	Missa Alma redemptoris: Sanctus	-	Anonymous
Missa Alma redemptoris: Sanctus Anonymous Appears on: 34v–37v Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus [Missa]
37v–40	Missa Alma redemptoris: Agnus Dei	-	Anonymous
Missa Alma redemptoris: Agnus Dei Anonymous Appears on: 37v–40 Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus Dei [Missa]
40v–42v	Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me	[Hähnel]	Galliculus, Johannes
Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me Galliculus, Johannes Appears on: 40v–42v Genres: Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me General Note RISM 1539^14
43	Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ	Anon.	Anonymous
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ Anonymous Appears on: 43 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin, German Voice Text: Surrexit Christus hodie alleluia/Erstanden ist der heilige Christ General Note W. Figulus, Hymni sacri: 1604, S. 160
43v–46v	Missa Paschale: Kyrie	[Hähnel]	Galliculus, Johannes
Missa Paschale: Kyrie Galliculus, Johannes Appears on: 43v–46v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleÿson General Note RISM 1539^14 - Bk 9:11 - 21:68
46v–48	Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anon.	Anonymous
Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens Anonymous Appears on: 46v–48 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Victime paschali laudes immolent Christiani
48v–49	Victimae paschali - 2a pars (of 3): Dic nobis Maria	-	Anonymous
Victimae paschali - 2a pars (of 3): Dic nobis Maria Anonymous Appears on: 48v–49 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dic nobis Maria [part 2]
49v–50v	Victimae paschali - 3a pars (of 3): Credendum est magis	-	Anonymous
Victimae paschali - 3a pars (of 3): Credendum est magis Anonymous Appears on: 49v–50v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 3]
50v–52	Christ ist erstanden (6vv) [S39]	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Christ ist erstanden (6vv) [S39] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 50v–52 Genres: Sacred Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Christ der ist erstanden alleluia General Note RISM 1544^2_1:22
52–53	Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 52–53 Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Her wie lang wiltu mein so gar vorgessen II: Schaw doch und erhore mich mein Her III: Ich hoff aber auf deine gute General Note Hoffm.-Erbr. I, Wv 121 - Bk 4:9 - 5:10
53–54v	Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 53–54v Genres: Motet Voice: [no designation] Languages: German Voice Text: Schaw doch und erhöre mich [part 2] General Note Hoffm.-Erbr. I, Wv 121 - Bk 4:9 - 5:10
54v–55v	Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 54v–55v Genres: Motet Voice: [no designation] Languages: German Voice Text: Ich hoff aber auf dein güte [part 3] General Note Hoffm.-Erbr. I, Wv 121 - Bk 4:9 - 5:10
55v–57	Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 55v–57 Genres: Motet Source Attribution: [Verdelot] Voice: [no designation] Languages: Latin Voice Text: Angelus domini locutus est mulieribus II: Ite et annunciate quia surrexit General Note RISM 1554^10:36
57–58v	Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit	-	Verdelot, Philippe (ca. 1480–ca. 1532)
Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 57–58v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ite et annunciate [part 2] General Note RISM 1554^10:36
59–60v	Et in terra pax [Gloria]	Anon.	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: 59–60v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria] Et in terra pax hominibus
61	Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich Figulus, Wolfgang (ca. 1525–1589) Appears on: 61 Genres: Response Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Et cum spiritu tuo. Habemus ad dominum. Dignum et iustum est. Und seine güte weret ewigklich General Note Bk 41:3
61v–62	Sanctus	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Sanctus Stoltzer, Thomas (ca. 1480–1526) Appears on: 61v–62 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: Sanctus General Note Hoffm.-Erbr. I, Wv 3
62–64v	Domine Jesu Christe respicere digneris	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Domine Jesu Christe respicere digneris Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 62–64v Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Domine Jesu Christe respicere digneris General Note RISM 1556^9:18
65–66	Deus pater mitissime nos in tuo verbo	Anon.	Anonymous
Deus pater mitissime nos in tuo verbo Anonymous Appears on: 65–66 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Deus pater mitissime nos in tuo verbo
66a–66m_v	[blank staves]	-	-
[blank staves] Appears on: 66a–66m_v General Note there are 13 blank (ruled) pages between f. 66 & f.67
69–71	Missa: Kyrie	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Missa: Kyrie Stoltzer, Thomas (ca. 1480–1526) Appears on: 69–71 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG]
71–75v	Missa: Et in terra pax [Gloria]	-	Stoltzer, Thomas (ca. 1480–1526)
Missa: Et in terra pax [Gloria] Stoltzer, Thomas (ca. 1480–1526) Appears on: 71–75v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gloria [Missa]
75v–76v	Alleluia. Pascha nostrum immolatus est	[Hähnel]	Galliculus, Johannes
Alleluia. Pascha nostrum immolatus est Galliculus, Johannes Appears on: 75v–76v Genres: Alleluia, Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum imolatus est
67–68	Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	[Hähnel]	Galliculus, Johannes
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden Galliculus, Johannes Appears on: 67–68 Genres: Hymn Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves Christus innocens General Note the folios numbered 67-68 are correctly placed in the ms but numbered out of sequence Concordances Nrn 20, 21: RISM 1539^14
68–68v	Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden	-	Galliculus, Johannes
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden Galliculus, Johannes Appears on: 68–68v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Dic nobis Maria [part 2] General Note the folios numbered 67-68 are correctly placed in the ms but numbered out of sequence Concordances Nrn 20, 21: RISM 1539^14
68v, 77–77v	Victimae paschali - 3a pars (of 3): Credendum est magis	-	Galliculus, Johannes
Victimae paschali - 3a pars (of 3): Credendum est magis Galliculus, Johannes Appears on: 68v, 77–77v Genres: Hymn Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 3] General Note the folios numbered 67-68 are correctly placed in the ms but numbered out of sequence Concordances Nrn 20, 21: RISM 1539^14
78–79v	Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus	[Silva/Werrecore]	Werrecore, Matthias Hermann (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)
Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus Werrecore, Matthias Hermann (?) Silva, Andreas de (ca. 1475–ca. 1522) (?) Appears on: 78–79v Genres: Motet Source Attribution: [Silva/Werrecore] Voice: [no designation] Languages: Latin Voice Text: Surrexit pastor bonus qui animam suam II: Ecce crucem domini fugite partes
79v–80v	Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini	-	Silva, Andreas de (ca. 1475–ca. 1522) (?) Werrecore, Matthias Hermann (?)
Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini Silva, Andreas de (ca. 1475–ca. 1522) (?) Werrecore, Matthias Hermann (?) Appears on: 79v–80v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce crucem domini [part 2]
80v–81	Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo	Anon.	Anonymous
Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo Anonymous Appears on: 80v–81 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis evo II: Ecce renascentis testatur gratia III: Qui crucifixus erat deus ecce
81–81v	Salve festa dies - 2a pars (of 4): Toto venerabilis	-	Anonymous
Salve festa dies - 2a pars (of 4): Toto venerabilis Anonymous Appears on: 81–81v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Toto venerabilis [part 2]
82–82v	Salve festa dies - 3a pars (of 4): Ecce renascentis	-	Anonymous
Salve festa dies - 3a pars (of 4): Ecce renascentis Anonymous Appears on: 82–82v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce renascentis [part 3]
83–83v	Salve festa dies - 4a pars (of 4): Qui crucifixus erat	-	Anonymous
Salve festa dies - 4a pars (of 4): Qui crucifixus erat Anonymous Appears on: 83–83v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Qui crucifixus erat [part 4]
84–87	Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist	Anon.	Anonymous
Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist Anonymous Appears on: 84–87 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Meine seel erhebt den Herren und mein geist II: Er gedenckt der barmhertzigkeit
87–89	Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit	-	Anonymous
Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit Anonymous Appears on: 87–89 Genres: BVM, Canticle, Magnificat Voice: [no designation] Languages: German Voice Text: Er gedenkt der barmherzigkeit [part 2]
89v–91	Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen Stoltzer, Thomas (ca. 1480–1526) Appears on: 89v–91 Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Erzurne dich nit uber die bosen und sey II: Halt dem Hern stil und las in III: Der gotlose drauet dem gerechten IV: Der Her kent [die tage der] frommen V: Ich bin iung gewesen und hab noch VI: Der gottlose sieht auff den gerecht VII: Bewar die frommigkeit und schaw General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
91–92	Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil Stoltzer, Thomas (ca. 1480–1526) Appears on: 91–92 Genres: Motet Voice: [no designation] Languages: German Voice Text: Halt dem hern stil [part 2] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
92v–94v	Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet Stoltzer, Thomas (ca. 1480–1526) Appears on: 92v–94v Genres: Motet Voice: [no designation] Languages: German Voice Text: Der gotlosse dräuet [part 3] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
94v [tacet]	Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage Stoltzer, Thomas (ca. 1480–1526) Appears on: 94v [tacet] Genres: Motet Voice: [no designation] Languages: German Voice Text: Der her kennt die Tage [part 4] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
94v–96v	Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen Stoltzer, Thomas (ca. 1480–1526) Appears on: 94v–96v Genres: Motet Voice: [no designation] Languages: German Voice Text: Ich bin iung gewesen [part 5] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
96v–98	Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht Stoltzer, Thomas (ca. 1480–1526) Appears on: 96v–98 Genres: Motet Voice: [no designation] Languages: German Voice Text: Der gottlose sieht [part 6] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
98v–100v	Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit	-	Stoltzer, Thomas (ca. 1480–1526)
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit Stoltzer, Thomas (ca. 1480–1526) Appears on: 98v–100v Genres: Motet Voice: [no designation] Languages: German Voice Text: Beware die frommigkeit [part 7] General Note Hoffm.-Erbr. I, Wv 119 - Bk 5:7
100v–102v	Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum	Anon.	Anonymous
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum Anonymous Appears on: 100v–102v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nisi dominus aedificaverit domum in vanum II: Non confundentur cum loquentur
103–104v	Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur	-	Anonymous
Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur Anonymous Appears on: 103–104v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Non confundentur [!] [part 2]
104v–107	Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani	Anon.	Anonymous
Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani Anonymous Appears on: 104v–107 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Victime paschali laudes immolant Christiani II: Credendum est magis soli Marie
107v–109v	Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie	-	Anonymous
Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie Anonymous Appears on: 107v–109v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 2]
109v–112	Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus Figulus, Wolfgang (ca. 1525–1589) Appears on: 109v–112 Genres: Motet Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: Domine deus patrum nostrorum tu es deus II: In nobis quidem non est tanta III: Credite in domino deo vestro General Note Eichorn 1575 (Cant. sacr.):8
112v–115	Domine Deus - 2a pars (of 3): In nobis quidem non est tanta	-	Figulus, Wolfgang (ca. 1525–1589) (?)
Domine Deus - 2a pars (of 3): In nobis quidem non est tanta Figulus, Wolfgang (ca. 1525–1589) (?) Appears on: 112v–115 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In nobis quidem [part 2] General Note Eichorn 1575 (Cant. sacr.):8
115v–117v	Domine Deus - 3a pars (of 3): Credite in Domino deo vestro	-	Figulus, Wolfgang (ca. 1525–1589)
Domine Deus - 3a pars (of 3): Credite in Domino deo vestro Figulus, Wolfgang (ca. 1525–1589) Appears on: 115v–117v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Credite in domino [part 3] General Note Eichorn 1575 (Cant. sacr.):8
118–119	Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres	[M. Agricola]	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres Agricola, Martin (ca. 1486–1556) Appears on: 118–119 Genres: Motet Source Attribution: [M. Agricola] Voice: [no designation] Languages: Latin Voice Text: Deus auribus nostris audivimus patres II: Quoniam non in gladio eorum III: Tu es rex meus deus manda IV: In deo laudabimus tota die et nomen General Note Wittenberg 1557 (Mel. schol.)
119–120v	Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum	-	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum Agricola, Martin (ca. 1486–1556) Appears on: 119–120v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quoniam non in gladio [part 2] General Note Wittenberg 1557 (Mel. schol.)
120v–123v	Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda	-	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda Agricola, Martin (ca. 1486–1556) Appears on: 120v–123v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Tu es rex deus meus [part 3] General Note Wittenberg 1557 (Mel. schol.)
123v–124	Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen	-	Agricola, Martin (ca. 1486–1556)
Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen Agricola, Martin (ca. 1486–1556) Appears on: 123v–124 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In deo laudabimus [part 4] General Note Wittenberg 1557 (Mel. schol.)
124v–126	Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri Figulus, Wolfgang (ca. 1525–1589) Appears on: 124v–126 Genres: Introit Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: Exurge quare obdormis domine exurge Vs: (Deus auribus nostris) Patres nostri General Note Bk 44:16
126–128v	Missa Da Jacob das kleid ansahe: Kyrie	[Figulus]	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Kyrie Figulus, Wolfgang (ca. 1525–1589) Appears on: 126–128v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Figulus] Voice: [no designation] Languages: Latin Voice Text: [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
128v–131v	Missa Da Jacob das kleid ansahe: Gloria	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Gloria Figulus, Wolfgang (ca. 1525–1589) Appears on: 128v–131v Genres: Gloria (et in terra pax), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Gloria [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
131v–136v	Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo]	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo] Figulus, Wolfgang (ca. 1525–1589) Appears on: 131v–136v Genres: Credo (patrem omnipotentem), Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Credo [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
137–139	Missa Da Jacob das kleid ansahe: Sanctus	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Sanctus Figulus, Wolfgang (ca. 1525–1589) Appears on: 137–139 Genres: Mass Ordinary, Sanctus [& Benedictus] Voice: [no designation] Languages: Latin Voice Text: Sanctus [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
139–141v	Missa Da Jacob das kleid ansahe: Agnus Dei	-	Figulus, Wolfgang (ca. 1525–1589)
Missa Da Jacob das kleid ansahe: Agnus Dei Figulus, Wolfgang (ca. 1525–1589) Appears on: 139–141v Genres: Agnus Dei, Mass Ordinary Voice: [no designation] Languages: Latin Voice Text: Agnus Dei [Missa Da Jacob das kleid ansahe] General Note Montanus u. Neuber 1559 (Tric. sacra) - Bk 44:17 (var.)
141v–143	Christ ist erstanden von der marter alle	Anon.	Anonymous
Christ ist erstanden von der marter alle Anonymous Appears on: 141v–143 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German, Greek Voice Text: Christ ist erstanden von der marter alle
143–144v	Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Stoltzer, Thomas (ca. 1480–1526) Appears on: 143–144v Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Hilff Her die heÿligen haben abgenommen II: Weil den die elenden vorstöret sein [= ff. 150-153v] General Note Hoffm.-Erbr. I, Wv 122 - Bk 5:8 - 46:37 (var.)
145–147v	Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	-	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden Stoltzer, Thomas (ca. 1480–1526) Appears on: 145–147v Genres: Motet Voice: [no designation] Languages: German Voice Text: Weil den die elenden [part 2] General Note Hoffm.-Erbr. I, Wv 122 - Bk 5:8 - 46:37 (var.)
147v–150v	Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell	Anon.	Anonymous
Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell Anonymous Appears on: 147v–150v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Gelobet seÿ der Her der Got Israhel II: Auff das [er] erscheine denen
150v–152	Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen	-	Anonymous
Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen Anonymous Appears on: 150v–152 Genres: Motet Voice: [no designation] Languages: German Voice Text: Auff das [er] erscheine denen [part 3]
152v–153v	Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem	Anon.	Anonymous
Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem Anonymous Appears on: 152v–153v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ascendo ad patrem meum et ad patrem II: Viri Gallilaei quid aspicitis in coelum
153v–154v	Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum	-	Anonymous
Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum Anonymous Appears on: 153v–154v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Viri Gallilaei quid aspicitis [part 2]
154v–156v	Da Jacob das Kleid ansah mit großem Schmerzen	[Alder/Senfl]	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Da Jacob das Kleid ansah mit großem Schmerzen Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 154v–156v Genres: Motet Source Attribution: [Alder/Senfl] Voice: [no designation] Languages: German Voice Text: Da Jacob das kleidt ansah mit grossen schmerzen General Note RISM 1544^2_1:120 - Bk 42:9
156v–158v	Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen Stoltzer, Thomas (ca. 1480–1526) Appears on: 156v–158v Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Hilff Herr die heÿligen haben abgenommen II: Weil den die elenden verstoret sein [= ff. 137v-141] General Note Bk 5:8 (var.) - 46:33 (var.)
158v–160v	Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	-	Stoltzer, Thomas (ca. 1480–1526)
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden Stoltzer, Thomas (ca. 1480–1526) Appears on: 158v–160v Genres: Motet Voice: [no designation] Languages: German Voice Text: Weil den die elenden [part 2] General Note Bk 5:8 (var.) - 46:33 (var.)
160v–162	Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort	Anon.	Anonymous
Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort Anonymous Appears on: 160v–162 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Erhalt uns Herr beÿ deinen wort II: Beweis dein macht Herr Jesu Christ III: Gott heÿliger geist du troster werd IV: Verleÿ uns friede genediglich Herr
162–163v	Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ	-	Anonymous
Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ Anonymous Appears on: 162–163v Genres: Motet Voice: [no designation] Languages: German Voice Text: Beweiß dein macht Herr Jesu Christ [part 2]
163v–164v	Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert	-	Anonymous
Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert Anonymous Appears on: 163v–164v Genres: Motet Voice: [no designation] Languages: German Voice Text: Gott heyliger Geist [part 3]
164v–166	Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr	-	Anonymous
Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr Anonymous Appears on: 164v–166 Genres: Motet Voice: [no designation] Languages: German Voice Text: Verley uns friede genediglich [part 4]

Composer	Compositions
Agricola, Martin (ca. 1486–1556)	Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres – 118–119 Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum – 119–120v Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda – 120v–123v Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen – 123v–124 Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram – 17v–19v Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus – 20–21v Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi – 21v–24
Alder, Cosmas (1500–1550)	Da Jacob das Kleid ansah mit großem Schmerzen – 154v–156v
Anonymous	Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem – 152v–153v Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum – 153v–154v Christ ist erstanden von der marter alle – 141v–143 Deus pater mitissime nos in tuo verbo – 65–66 Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort – 160v–162 Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ – 162–163v Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert – 163v–164v Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr – 164v–166 Et in terra pax [Gloria] – 59–60v Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell – 147v–150v Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen – 150v–152 Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist – 84–87 Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit – 87–89 Missa Alma redemptoris: Agnus Dei – 37v–40 Missa Alma redemptoris: Et in terra pax [Gloria] – 27–30v Missa Alma redemptoris: Kyrie – 24–27 Missa Alma redemptoris: Patrem omnipotentem [Credo] – 30v–34v Missa Alma redemptoris: Sanctus – 34v–37v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum – 100v–102v Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur – 103–104v Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo – 80v–81 Salve festa dies - 2a pars (of 4): Toto venerabilis – 81–81v Salve festa dies - 3a pars (of 4): Ecce renascentis – 82–82v Salve festa dies - 4a pars (of 4): Qui crucifixus erat – 83–83v Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ – 43 Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani – 104v–107 Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens – 46v–48 Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie – 107v–109v Victimae paschali - 2a pars (of 3): Dic nobis Maria – 48v–49 Victimae paschali - 3a pars (of 3): Credendum est magis – 49v–50v [No description] – 66a–66m_v
Bauldeweyn, Noel (ca. 1480–1529)	(?) Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper – 14v–17v
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Domine Jesu Christe respicere digneris – 62–64v
Despres, Josquin (ca. 1450–1521)	(?) Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te – 3v–5 (?) Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae – 5v–7 Qui regis Israel intende qui sedes 18.9 – 1–3
Figulus, Wolfgang (ca. 1525–1589)	Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus – 109v–112 (?) Domine Deus - 2a pars (of 3): In nobis quidem non est tanta – 112v–115 Domine Deus - 3a pars (of 3): Credite in Domino deo vestro – 115v–117v Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri – 124v–126 Missa Da Jacob das kleid ansahe: Agnus Dei – 139–141v Missa Da Jacob das kleid ansahe: Gloria – 128v–131v Missa Da Jacob das kleid ansahe: Kyrie – 126–128v Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo] – 131v–136v Missa Da Jacob das kleid ansahe: Sanctus – 137–139 Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich – 61
Finck, Heinrich	(?) Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te – 3v–5 (?) Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae – 5v–7
Galliculus, Johannes	Alleluia. Pascha nostrum immolatus est – 75v–76v Missa Paschale: Kyrie – 43v–46v Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me – 40v–42v Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden – 67–68 Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden – 68–68v Victimae paschali - 3a pars (of 3): Credendum est magis – 68v, 77–77v
Reitveltus, Bartholomaeus	(?) Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 52–53 (?) Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 53–54v (?) Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 54v–55v
Senfl, Ludwig (ca. 1486–ca. 1543)	Christ ist erstanden (6vv) [S39] – 50v–52 (?) Da Jacob das Kleid ansah mit großem Schmerzen – 154v–156v
Silva, Andreas de (ca. 1475–ca. 1522)	(?) Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus – 78–79v (?) Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini – 79v–80v
Stoltzer, Thomas (ca. 1480–1526)	(?) Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper – 14v–17v Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen – 89v–91 Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil – 91–92 Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet – 92v–94v Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage – 94v [tacet] Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen – 94v–96v Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht – 96v–98 Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit – 98v–100v Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich – 7v–9 Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich – 9v–11v Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott – 11v–14 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 52–53 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 53–54v Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 54v–55v Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen – 156v–158v Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen – 143–144v Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden – 145–147v Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden – 158v–160v Missa: Et in terra pax [Gloria] – 71–75v Missa: Kyrie – 69–71 Sanctus – 61v–62
Verdelot, Philippe (ca. 1480–ca. 1532)	Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus – 55v–57 Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit – 57–58v
Werrecore, Matthias Hermann	(?) Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus – 78–79v (?) Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini – 79v–80v
Wolff, Martin	(?) Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te – 3v–5 (?) Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae – 5v–7

Composition	Composers (? Uncertain)	Folios / Pages
Alleluia. Pascha nostrum immolatus est	Galliculus, Johannes	75v–76v
Angelus Domini - 1a pars (of 2): Angelus Domini locutus est mulieribus	Verdelot, Philippe (ca. 1480–ca. 1532)	55v–57
Angelus Domini - 2a pars (of 2): Ite et annunciate quia surrexit	Verdelot, Philippe (ca. 1480–ca. 1532)	57–58v
Ascendo ad patrem - 1a pars (of 2): Ascendo ad patrem meum et ad patrem	Anonymous	152v–153v
Ascendo ad patrem - 2a pars (of 2): Viri Gallilaei quid aspicitis in caelum	Anonymous	153v–154v
Benedicam Dominum - 1a pars (of 4): Benedicam Dominum in omni tempore semper	Bauldeweyn, Noel (ca. 1480–1529) (?) Stoltzer, Thomas (ca. 1480–1526) (?)	14v–17v
Christ ist erstanden (6vv) [S39]	Senfl, Ludwig (ca. 1486–ca. 1543)	50v–52
Christ ist erstanden von der marter alle	Anonymous	141v–143
Conserva me domine 15.10 - 1a pars (of 2): Conserva me domine quoniam speravi in te	Wolff, Martin (?) Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521) (?)	3v–5
Conserva me domine 15.10 - 2a pars (of 2): Dominus pars hereditatis meae	Wolff, Martin (?) Despres, Josquin (ca. 1450–1521) (?) Finck, Heinrich (?)	5v–7
Da Jacob das Kleid ansah mit großem Schmerzen	Alder, Cosmas (1500–1550) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	154v–156v
Deus auribus nostris - 1a pars (of 4): Deus auribus nostris audivimus patres	Agricola, Martin (ca. 1486–1556)	118–119
Deus auribus nostris - 2a pars (of 4): Quoniam non in gladio eorum	Agricola, Martin (ca. 1486–1556)	119–120v
Deus auribus nostris - 3a pars (of 4): Tu es rex meus Deus manda	Agricola, Martin (ca. 1486–1556)	120v–123v
Deus auribus nostris - 4a pars (of 4): In deo laudabimus tota die et nomen	Agricola, Martin (ca. 1486–1556)	123v–124
Deus pater mitissime nos in tuo verbo	Anonymous	65–66
Domine Deus - 1a pars (of 3): Domine Deus patrum nostrorum tu es Deus	Figulus, Wolfgang (ca. 1525–1589)	109v–112
Domine Deus - 2a pars (of 3): In nobis quidem non est tanta	Figulus, Wolfgang (ca. 1525–1589) (?)	112v–115
Domine Deus - 3a pars (of 3): Credite in Domino deo vestro	Figulus, Wolfgang (ca. 1525–1589)	115v–117v
Domine Jesu Christe respicere digneris	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	62–64v
Erhalt uns Herr - 1a pars (of 4): Erhalt uns Herr bei Deinen wort	Anonymous	160v–162
Erhalt uns Herr - 2a pars (of 4): Beweis Dein macht Herr Jesu Christ	Anonymous	162–163v
Erhalt uns Herr - 3a pars (of 4): Gott Heiliger Geist du Tröster wert	Anonymous	163v–164v
Erhalt uns Herr - 4a pars (of 4): Verleih uns Friede genädiglich Herr	Anonymous	164v–166
Erzürne dich nicht - 1a pars (of 7): Erzürne dich nicht uber die bösen	Stoltzer, Thomas (ca. 1480–1526)	89v–91
Erzürne dich nicht - 2a pars (of 7): Halt dem hern stil	Stoltzer, Thomas (ca. 1480–1526)	91–92
Erzürne dich nicht - 3a pars (of 7): Der Gottlose dräuet	Stoltzer, Thomas (ca. 1480–1526)	92v–94v
Erzürne dich nicht - 4a pars (of 7): Der Herr kennt die Tage	Stoltzer, Thomas (ca. 1480–1526)	94v [tacet]
Erzürne dich nicht - 5a pars (of 7): Ich bin jung gewesen	Stoltzer, Thomas (ca. 1480–1526)	94v–96v
Erzürne dich nicht - 6a pars (of 7): Der gottlose sieht	Stoltzer, Thomas (ca. 1480–1526)	96v–98
Erzürne dich nicht - 7a pars (of 7): Beware die frommigkeit	Stoltzer, Thomas (ca. 1480–1526)	98v–100v
Et in terra pax [Gloria]	Anonymous	59–60v
Exurge quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri	Figulus, Wolfgang (ca. 1525–1589)	124v–126
Gelobet sei der Herr - 1a pars (of 3): Gelobet sei der Herr, der Gott Israell	Anonymous	147v–150v
Gelobet sei der Herr - 3a pars (of 3): Auf dass er erscheine denen	Anonymous	150v–152
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich	Stoltzer, Thomas (ca. 1480–1526)	7v–9
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich	Stoltzer, Thomas (ca. 1480–1526)	9v–11v
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott	Stoltzer, Thomas (ca. 1480–1526)	11v–14
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	52–53
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	53–54v
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	54v–55v
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	Stoltzer, Thomas (ca. 1480–1526)	143–144v
Hilf Herr, die Heiligen - 1a pars (of 2): Hilf Herr, die Heiligen haben abgenommen	Stoltzer, Thomas (ca. 1480–1526)	156v–158v
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	Stoltzer, Thomas (ca. 1480–1526)	145–147v
Hilf Herr, die Heiligen - 2a pars (of 2): Weil dann die Elenden	Stoltzer, Thomas (ca. 1480–1526)	158v–160v
Hiob [Job] tonso capite - 1a pars (of 3): Hiob tonso capite corruens in terram	Agricola, Martin (ca. 1486–1556)	17v–19v
Hiob [Job] tonso capite - 2a pars (of 3): Castigasti me Domine et eruditus	Agricola, Martin (ca. 1486–1556)	20–21v
Hiob [Job] tonso capite - 3a pars (of 3): Postquam autem convertisti me egi	Agricola, Martin (ca. 1486–1556)	21v–24
Meine Seel erhebt [Magnificat, K.477] - 1a pars (of 2): Meine Seel erhebt den Herren und mein geist	Anonymous	84–87
Meine Seel erhebt [Magnificat, K.477] - 2a pars (of 2): Er gedenkt der barmherzigkeit	Anonymous	87–89
Missa Alma redemptoris: Agnus Dei	Anonymous	37v–40
Missa Alma redemptoris: Et in terra pax [Gloria]	Anonymous	27–30v
Missa Alma redemptoris: Kyrie	Anonymous	24–27
Missa Alma redemptoris: Patrem omnipotentem [Credo]	Anonymous	30v–34v
Missa Alma redemptoris: Sanctus	Anonymous	34v–37v
Missa Da Jacob das kleid ansahe: Agnus Dei	Figulus, Wolfgang (ca. 1525–1589)	139–141v
Missa Da Jacob das kleid ansahe: Gloria	Figulus, Wolfgang (ca. 1525–1589)	128v–131v
Missa Da Jacob das kleid ansahe: Kyrie	Figulus, Wolfgang (ca. 1525–1589)	126–128v
Missa Da Jacob das kleid ansahe: Patrem omnipotentem [Credo]	Figulus, Wolfgang (ca. 1525–1589)	131v–136v
Missa Da Jacob das kleid ansahe: Sanctus	Figulus, Wolfgang (ca. 1525–1589)	137–139
Missa Paschale: Kyrie	Galliculus, Johannes	43v–46v
Missa: Et in terra pax [Gloria]	Stoltzer, Thomas (ca. 1480–1526)	71–75v
Missa: Kyrie	Stoltzer, Thomas (ca. 1480–1526)	69–71
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum	Anonymous	100v–102v
Nisi Dominus - 2a pars (of 2): Non confundentur cum loquentur	Anonymous	103–104v
Qui regis Israel intende qui sedes 18.9	Despres, Josquin (ca. 1450–1521)	1–3
Resurrexit quid queritis viventem cum mortuis Vs: Domine probasti me et cognovisti me	Galliculus, Johannes	40v–42v
Salve festa dies - 1a pars (of 4): Salve festa dies toto venerabilis evo	Anonymous	80v–81
Salve festa dies - 2a pars (of 4): Toto venerabilis	Anonymous	81–81v
Salve festa dies - 3a pars (of 4): Ecce renascentis	Anonymous	82–82v
Salve festa dies - 4a pars (of 4): Qui crucifixus erat	Anonymous	83–83v
Sanctus	Stoltzer, Thomas (ca. 1480–1526)	61v–62
Set of responses Et cum spiritu tuo. Habemus ad Dominum. Dignum et iustum est. Und seine güte weret ewigklich	Figulus, Wolfgang (ca. 1525–1589)	61
Surrexit Christus hodie alleluia / Erstanden ist der heilige Christ	Anonymous	43
Surrexit pastor bonus - 1a pars (of 2): Surrexit pastor bonus	Werrecore, Matthias Hermann (?) Silva, Andreas de (ca. 1475–ca. 1522) (?)	78–79v
Surrexit pastor bonus - 2a pars (of 2): Ecce crucem Domini	Silva, Andreas de (ca. 1475–ca. 1522) (?) Werrecore, Matthias Hermann (?)	79v–80v
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	Galliculus, Johannes	67–68
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden	Galliculus, Johannes	68–68v
Victimae paschali - 3a pars (of 3): Credendum est magis	Galliculus, Johannes	68v, 77–77v
Victimae paschali - 1a pars (of 2): Victime paschali laudes immolant Christiani	Anonymous	104v–107
Victimae paschali - 1a pars (of 3): Victimae paschali laudes immolent Christiani Agnus redemit oves Christus innocens	Anonymous	46v–48
Victimae paschali - 2a pars (of 2): Credendum est magis soli Marie	Anonymous	107v–109v
Victimae paschali - 2a pars (of 3): Dic nobis Maria	Anonymous	48v–49
Victimae paschali - 3a pars (of 3): Credendum est magis	Anonymous	49v–50v

Set: MS Grimma 58 (1-3)

Type: Partbooks

No images available

D-Dl MS Grimma 58 [Altus]

No images available

D-Dl MS Grimma 58 [Bassus]

No images available

D-Dl MS Grimma 58 [Discantus]

‡ denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 101-2. Notes: physical description (partial); contents list; concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 140. Notes: concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 305-6. Notes: contents list (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 116ff. Notes: mention of MS.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 247, 268. Notes: mention of MS.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 133. Notes: concordances (partial); incipits (partial).

Hoffmann-Erbrecht, Lothar. 1955. Die Chorbücher der Stadtkirche zu Pirna. Acta Musicologica, 121-137. Pages: 135-6. Notes: physical description; contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI, 173; XCIX,ix,91-2. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description