GB-WRec MS 178 (Eton Choirbook)

Eton College Library, Eton, England

manuscript of polyphony: c. 1500-1504

Archive Eton College Library, Eton, England (GB-WRec)
Shelfmark MS 178 (Eton Choirbook)
Surface Parchment
Numbering System Foliation
Format portrait
Measurements 595 x 425 mm
Other Identifiers
  • CCM: EtonC 178
Notations
  • black full mensural
  • coloration in black void
  • coloration in red
Relationships
External Links
Provenance
Contents Contains 90 compositions from 27 composers.
General Description

The manuscript was probably in use until the Reformation. The parchment flyleaves are from an 11th-century Bible copied by an English hand. Copied for use at Eton College; the coats of arms of Eton College and of its Provost, Henry Bost (d. 1502), are found in decorated initials in the manuscript. 21 pieces are incomplete, and 29 of the 93 pieces listed in the original index are now missing (works by Baldwyn, Dunstable, Mychelson).

DIAMM, 2017
Physical Description

21 pieces are incomplete, and 29 of the 93 pieces listed in the original index are now missing

DIAMM, 2017
Binding

Leather covers are probably from the second half of the 16th century; stamped on the front cover are the Tudor Rose, portcullis, fleur-de-lis, and 'H.R.' (the initials of the London-based binder).

DIAMM, 2017
Notation

black full mensural with red coloration (black void semiminims and fusae)

DIAMM, 2017
Foliation

i + 128 + i

DIAMM, 2017
Foliation

Modern foliation; original foliation by fascicle signatures with numbers (A 1-8, B 1-8, etc.). Missing folios (original foliation): A 8, B 3-6, C 4-5, E 1-8, F 1-2, F 7-8, N 1-8, O 1-8, P 1-8, R4-5, S 1-8, T 1-3, T 6-7, Y 1-8, AA 1-8, BB 2-7, DD 1-8, EE 4-6. Originally 224 folios.

DIAMM, 2017
Decoration

Decorated initials.

DIAMM, 2017
Index

Original index on f. 1, continued on f. 126v

DIAMM, 2026
Surface

parchment

DIAMM, 2017
DIAMM Note

Original description describes 8 endpapers, but only one at front and 3 at back were found in situ. These were photographed as i (front) and ff. 127-8, ii (back). Each endpaper is an opened bifolio of another MS (non musical).

DIAMM, 2026
DIAMM Note

Published in facsimile by DIAMM (See DIAMM publications page)

Included in the Tudor Partbooks project at the Universities of Oxford and Newcastle.

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 Magnificats, 1 Passion, 54 motets = 64

(21 pieces are incomplete, and 29 of the 93 pieces listed in the original index are now missing)

Banastre-1, J. Browne-10, Brygeman-1, Cornyshe-5, Davy-9, Fawkyner-2, Fayrfax-2, Hacomblene-1, Hampton-1, Holyngborne-1, Horwud-4, Howchyn-2, Hygons-1, Kellyk-2, Lambe-8, Nesbet-1, Sturton-1, Sutton-1, Sygar-1, Turges-2, R. Wilkinson -7, William of Stratford-1

(Composers listed in the index whose works are now missing: Baldwyn, Dunstable, Mychelson)

iv + 126 + iv parchment folios of an original 224, 595 x 425. Modern foliation; original foliation by fascicle signatures with numbers (A 1-8, B 1-8, etc.). Missing folios (original foliation): A 8, B 3-6, C 4-5, E 1-8, F 1-2, F 7-8, N 1-8, O 1-8, P 1-8, R4-5, S 1-8, T 1-3, T 6-7, Y 1-8, AA 1-8, BB 2-7, DD 1-8, EE 4-6. Leather covers are probably from the second half of the 16th century; stamped on the front cover are the Tudor Rose, portcullis, fleur-de-lis, and "H.R." (the initials of the London-based binder). Two indices, on f. 1 and f. 1'. Black mensural notation with red for imperfection and white for semiminim and fusa. Decorated initials. The manuscript was probably in use until the Reformation. The parchment flyleaves are from an 11th-century Bible copied by an English hand.

1490-1502 (HarrnE). Copied for use at Eton College; the coats of arms of Eton College and of its Provost, Henry Bost (d. 1502), are found in decorated initials in the manuscript.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

24

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Sets

Select a set to see its sources.

denotes primary source study

Williamson, Magnus. 2010. The Eton Choirbook, Facsimile with introductory study.  Oxford: DIAMM Publications.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.

Williams, Carol J. 1979. The Salve Regina Settings in the Eton Choirbook. Miscellanea Musicologica [Adelaide], 10: 28-37. Notes: contents list (partial); mention of MS; discussion.

Phillips, Peter. 1978. Performance Practice in l6th-Century English Choral Music. Early Music, 6: 195-9. Notes: facsimile (partial); mention of MS; discussion.

Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575.  London. Pages: 58ff, passim. Notes: physical description (partial); contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Sandon, Nicholas. 1976. Fragments of Medieval Polyphony at Canterbury Cathedral. Musica Disciplina, 30: 37-53. Pages: 51-3.

Bent, Margaret, and Ian D Bent. 1969. Dufay, Dunstable, Plummer-A New Source. Journal of the American Musicological Society, 22: 394-424.

Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents, vol. 22.  American Institute of Musicology. Pages: 42.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 135.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 307-29.

Westrup, Jack A (editor). 1954-. New Oxford History of Music.  London, New York, and Toronto. Pages: III, Plate III.

Harrison, Frank Llewellyn. 1953. The Eton Choirbook: Its Background and Contents (Eton College Library ms. 178). Annales Musicologiques, 1: 151-75.

Harrison, Frank Llewellyn. 1952. The Eton College Choirbook (Eton College MS 178). International Musicological Society: Report of the 4th Congress, Utrecht 1952, 224-32.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: X-XII.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 1591-5, Tafel 48.

Hughes, Dom Anselm. 1926-7. The Eton Manuscript. Proceedings of the Royal Musical Association, 53: 67-83.

Squire, W Barclay. 1898. On an early Sixteenth Century MS. of English Music in the Library of Eton College. Archaeologia, 56: 89-102.

James, Montague Rhodes. 1895. A Descriptive Catalogue of the Manuscripts in the Library of Eton College.  Cambridge. Pages: 108-12.

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Michael Cuthbert

Tuesday, 4 November, 2025

[confirmed that Eton is officially a separate town from Windsor, and thus a valid provenance -- the RISM siglum Wr is technically incorrect.]

Michael Cuthbert

Tuesday, 4 November, 2025

[confirmed that Eton is officially a separate town from Windsor, and thus a valid provenance -- the RISM siglum Wr is technically incorrect.]

Clemens Goldberg

Thursday, 13 April, 2023

external link to PROMS fixed

Magnus Williamson

Tuesday, 23 February, 2021

date of ms corected

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description