The manuscript was probably in use until the Reformation. The parchment flyleaves are from an 11th-century Bible copied by an English hand. Copied for use at Eton College; the coats of arms of Eton College and of its Provost, Henry Bost (d. 1502), are found in decorated initials in the manuscript. 21 pieces are incomplete, and 29 of the 93 pieces listed in the original index are now missing (works by Baldwyn, Dunstable, Mychelson).
GB-WRec MS 178 (Eton Choirbook)
Eton College Library, Eton, England
manuscript of polyphony: c. 1500-1504
| Archive | Eton College Library, Eton, England (GB-WRec) |
|---|---|
| Shelfmark | MS 178 (Eton Choirbook) |
| Surface | Parchment |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 595 x 425 mm |
| Other Identifiers |
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| Notations |
|
| Relationships |
|
| External Links | |
| Provenance |
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| Contents | Contains 90 compositions from 27 composers. |
General Description
Physical Description
21 pieces are incomplete, and 29 of the 93 pieces listed in the original index are now missing
Binding
Leather covers are probably from the second half of the 16th century; stamped on the front cover are the Tudor Rose, portcullis, fleur-de-lis, and 'H.R.' (the initials of the London-based binder).
Notation
black full mensural with red coloration (black void semiminims and fusae)
Foliation
i + 128 + i
Foliation
Modern foliation; original foliation by fascicle signatures with numbers (A 1-8, B 1-8, etc.). Missing folios (original foliation): A 8, B 3-6, C 4-5, E 1-8, F 1-2, F 7-8, N 1-8, O 1-8, P 1-8, R4-5, S 1-8, T 1-3, T 6-7, Y 1-8, AA 1-8, BB 2-7, DD 1-8, EE 4-6. Originally 224 folios.
Decoration
Decorated initials.
Index
Original index on f. 1, continued on f. 126v
Surface
parchment
DIAMM Note
Original description describes 8 endpapers, but only one at front and 3 at back were found in situ. These were photographed as i (front) and ff. 127-8, ii (back). Each endpaper is an opened bifolio of another MS (non musical).
DIAMM Note
Published in facsimile by DIAMM (See DIAMM publications page)
Included in the Tudor Partbooks project at the Universities of Oxford and Newcastle.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
9 Magnificats, 1 Passion, 54 motets = 64
(21 pieces are incomplete, and 29 of the 93 pieces listed in the original index are now missing)
Banastre-1, J. Browne-10, Brygeman-1, Cornyshe-5, Davy-9, Fawkyner-2, Fayrfax-2, Hacomblene-1, Hampton-1, Holyngborne-1, Horwud-4, Howchyn-2, Hygons-1, Kellyk-2, Lambe-8, Nesbet-1, Sturton-1, Sutton-1, Sygar-1, Turges-2, R. Wilkinson -7, William of Stratford-1
(Composers listed in the index whose works are now missing: Baldwyn, Dunstable, Mychelson)
iv + 126 + iv parchment folios of an original 224, 595 x 425. Modern foliation; original foliation by fascicle signatures with numbers (A 1-8, B 1-8, etc.). Missing folios (original foliation): A 8, B 3-6, C 4-5, E 1-8, F 1-2, F 7-8, N 1-8, O 1-8, P 1-8, R4-5, S 1-8, T 1-3, T 6-7, Y 1-8, AA 1-8, BB 2-7, DD 1-8, EE 4-6. Leather covers are probably from the second half of the 16th century; stamped on the front cover are the Tudor Rose, portcullis, fleur-de-lis, and "H.R." (the initials of the London-based binder). Two indices, on f. 1 and f. 1'. Black mensural notation with red for imperfection and white for semiminim and fusa. Decorated initials. The manuscript was probably in use until the Reformation. The parchment flyleaves are from an 11th-century Bible copied by an English hand.
1490-1502 (HarrnE). Copied for use at Eton College; the coats of arms of Eton College and of its Provost, Henry Bost (d. 1502), are found in decorated initials in the manuscript.
24
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Sets
TUDOR PARTBOOKS
Project Collection · 170 sources
‡ denotes primary source study
‡ Williamson, Magnus. 2010. The Eton Choirbook, Facsimile with introductory study. Oxford: DIAMM Publications.
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Williams, Carol J. 1979. The Salve Regina Settings in the Eton Choirbook. Miscellanea Musicologica [Adelaide], 10: 28-37. Notes: contents list (partial); mention of MS; discussion.
Phillips, Peter. 1978. Performance Practice in l6th-Century English Choral Music. Early Music, 6: 195-9. Notes: facsimile (partial); mention of MS; discussion.
Benham, Hugh Raymond. 1977. Latin Church Music in England c. 1460-1575. London. Pages: 58ff, passim. Notes: physical description (partial); contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Sandon, Nicholas. 1976. Fragments of Medieval Polyphony at Canterbury Cathedral. Musica Disciplina, 30: 37-53. Pages: 51-3.
Bent, Margaret, and Ian D Bent. 1969. Dufay, Dunstable, Plummer-A New Source. Journal of the American Musicological Society, 22: 394-424.
Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents, vol. 22. American Institute of Musicology. Pages: 42.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 135.
Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: 307-29.
Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: III, Plate III.
Harrison, Frank Llewellyn. 1953. The Eton Choirbook: Its Background and Contents (Eton College Library ms. 178). Annales Musicologiques, 1: 151-75.
Harrison, Frank Llewellyn. 1952. The Eton College Choirbook (Eton College MS 178). International Musicological Society: Report of the 4th Congress, Utrecht 1952, 224-32.
Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: X-XII.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II, 1591-5, Tafel 48.
Hughes, Dom Anselm. 1926-7. The Eton Manuscript. Proceedings of the Royal Musical Association, 53: 67-83.
Squire, W Barclay. 1898. On an early Sixteenth Century MS. of English Music in the Library of Eton College. Archaeologia, 56: 89-102.
James, Montague Rhodes. 1895. A Descriptive Catalogue of the Manuscripts in the Library of Eton College. Cambridge. Pages: 108-12.
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Michael Cuthbert
Tuesday, 4 November, 2025
[confirmed that Eton is officially a separate town from Windsor, and thus a valid provenance -- the RISM siglum Wr is technically incorrect.]
Michael Cuthbert
Tuesday, 4 November, 2025
[confirmed that Eton is officially a separate town from Windsor, and thus a valid provenance -- the RISM siglum Wr is technically incorrect.]
Clemens Goldberg
Thursday, 13 April, 2023
external link to PROMS fixed
Magnus Williamson
Tuesday, 23 February, 2021
date of ms corected
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description