‡ denotes primary source study
Hamilton, Elizabeth Patricia Kathleen. 2009. A Study of Early Sixteenth-Century English Music Fragments from the DIAMM Database. University of Ottawa, MA. http://www.ruor.uottawa.ca/en/handle/10393/20241.
Fallows, David. 1993. The Drexel Fragments of Early Tudor Song. Royal Musical Association Research Chronicle, 26: 5-18.
Notes: discussion; contents list; description of MS.
Bent, Margaret. 1984. The Progeny of Old Hall: More Leaves from a Royal English Choirbook. Gordon Athol Anderson (1929-1981) in Memoriam, Musicological Studies, vol. 49. 2 vols.1-54. Henryville, Ottawa, and Binningen: Institute of Mediaeval Music.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.
Bent, Margaret. 1972. A Lost English Choirbook of the Fifteenth Century. International Musicological Society: Report of the Eleventh Congress, 257-62.
Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation.
Pages: 1,164-5; 11,73.
Warren, Edwin B. 1969. Life and Works of Robert Fayrfax. Musicological Studies and Documents, vol. 22. American Institute of Musicology.
Pages: 38-9,44,61,149, 157,172ff.
Ward, John M. 1966. John qd John and Other Fragments at Western Reserve University. Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, 832-55. New York.
Stevens, John E. 1961. Music & Poetry in the Early Tudor Court. Cambridge.
Pages: 362,407,468.
Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae, vol. 17. Neuhausen nr. Stuttgart: American Institute of Musicology.
Pages: III, 19-20,51,54-5,57.
Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London.
Pages: XVIII,43,106,110; XXXVI, 161.