GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

British Library, London, England

manuscript of polyphony: c. 1580-1606

Archive	British Library, London, England (GB-Lbl)
Shelfmark	R.M.24.d.2 (Baldwin Commonplace Book)
Surface	Paper
Numbering System	Foliation
Format	Ff. 1-89 in score format, with barlines; music on other folios in choirbook format
Measurements	285 x 250 mm
Other Identifiers	CCM: LonBLM 24 d.2
Notations	black void mensural
Copyists	Baldwin, John (ca. 1560–1615) Music
External Links	IIIF manifest
Provenance	Windsor, England
Contents	198 pieces from 40 composers

General Description

Copied by John Baldwin (d. 1615), a singer and clerk at St. George's Chapel, Windsor, and gentleman of the Chapel Royal from 1594; Baldwin also copied OxfC 979-83, parts of OxfBMS e.376-81 and OxfC 984-8, and 'My Ladye Nevells Booke'. Copied in Windsor. Later part of King's Library, formed in 1762 by King George III and expanded by later monarchs. Transferred from Buckingham Palace to British Museum in 1911.

DIAMM, 2017

Binding

New covers of aqua and pink paper and cardboard, with spine and corners of red leather

DIAMM, 2017

Watermark

Resembles Heawood #2873-4.

DIAMM, 2017

Liminary Note

Original flyleaves contain two poems by Baldwin praising various composers, especially William Byrd.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

Ca. 1580-1606 (BrayJB).

DIAMM, 2017

Foliation

New pencil foliation, 1-188

DIAMM, 2017

Foliation

Other numberings: New pencil numbering of pieces, 1-203, omits several pieces and counts partes of some motets as separate items.

DIAMM, 2017

Decoration

Last piece has large inked calligraphic initial; no other decoration.

DIAMM, 2017

Surface

Paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 5 Agnus, 2 Mass Ordinary sections, 1 Mass Proper section, 1 Te Deum section, 1 processional hymn, 80 motets, 6 Service sections, 10 anthems, 14 Italian secular pieces (2 with text incipits only; others textless in this source), 9 English secular pieces, 44 textless or instrumental pieces (In nomines, proportion exercises, etc.) = 174 + 1 duplicate = 175

(Aston)-1, Baldwin-20, Barberi, John Bedyngeham [not the 15th-century composer Johannes Bedingham]-3, Bevin-4, Bull-3, Byrchley-1, Byrd-23, R. Cooper-2, Daman-1, Dygon-1, Fayrfax-1, A. Ferrabosco I-4 + 1?, A. Ferrabosco I/(Verdelot)-1, N. Giles -7, Golder-1, Gore-1, Henry VIII-1, R. Johnson I-3, Marenzio-13, Merbecke-1, Philippe de Monte [filipus demontanus]-1, Moorecocke-1, Morley-1, J. Mundy-6, W. Mundy-5, R. Parsons I-3, T. Preston I-1, Shepherd-7, Tallis-3, Taverner-13, Taverner/(Aston)-1, Taverner/(Fayrfax)-1, Thorne-1, Tye-5, R. White-2, R. Wilkinson-1, Wood-4, T. Woodson-1, anon-23

iv + i + 188 + ii + ii paper folios, 285 x 250. New pencil foliation, 1-188; new pencil numbering of pieces, 1-203, omits several pieces and counts partes of some motets as separate items. New covers of aqua and pink paper and cardboard, with spine and corners of red leather. No index. Copied by John Baldwin (d. 1615), a singer and clerk at St. George's Chapel, Windsor, and gentleman of the Chapel Royal from 1594; Baldwin also copied OxfC 979-83, parts of OxfBMS e.376-81 and OxfC 984-8, and "My Ladye Nevells Booke" (last-named manuscript not within scope of this catalogue). Ff. 1-89 in score format, with barlines; music on other folios in choirbook format. Last piece has large inked calligraphic initial; no other decoration. Watermark resembles Heawood #2873-4. Original flyleaves contain two poems by Baldwin praising various composers, especially William Byrd.

Ca. 1580-1606 (BrayJB). Copied in Windsor. Later part of King's Library, formed in 1762 by King George III and expanded by later monarchs. Transferred from Buckingham Palace to British Museum in 1911.

Vol 4

Composers: Change "R. White-2" to "R. White-1, R. White/(W.? Mundy)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1r	Miserere nostri Domine (C3)	Alfonso ferabosco	Ferrabosco, Alfonso (the elder) (1543–1588)
Miserere nostri Domine (C3) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 1r Genres: Motet Source Attribution: Alfonso ferabosco Number of voices: 5 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Miserere / Miserere nostri domine Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Miserere / Miserere nostri domine Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Miserere / Miserere nostri domine Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Miserere / Miserere nostri domine Voice: [no designation] Languages: Latin Clef: f4 Voice Text: Miserere / Miserere nostri domine General Note Notes: Copied in score;
1v–2v	Miserere nostri Domine	w: damon	Daman, William
Miserere nostri Domine Daman, William Appears on: 1v–2v Genres: Motet Source Attribution: w: damon Number of voices: 5 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Miserere nostri Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Miserere nostri Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Miserere nostri Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Miserere nostri Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Miserere nostri General Note Annotations/Corrections: Stamps for British Museum and Royal Music Library; Notes: Copied in score across openings: top of 1v to top of 1r; bottom of 1v to bottom of 2r; ends on top of 2v;
2v–4r	Fuggito e'l sonno	luca marensio	Marenzio, Luca (ca. 1553–1599)
Fuggito e'l sonno Marenzio, Luca (ca. 1553–1599) Appears on: 2v–4r Source Attribution: luca marensio Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: [Untitled] General Note Notes: Copied in score across the opening: begins top of 3r, then proceeds from bottom of 2v to bottom of 3r, top of 3v to top of 4r, ends on bottom of 3v;
3v–5r	Senza il mio vago - 1a pars (of 2): Senza il mio vago	luca marensio	Marenzio, Luca (ca. 1553–1599)
Senza il mio vago - 1a pars (of 2): Senza il mio vago Marenzio, Luca (ca. 1553–1599) Appears on: 3v–5r Genres: Madrigal (Italian) Source Attribution: luca marensio Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: [Untitled] General Note Notes: Copied in score across openings. begins bottom of 3v, continues on bottom of 4r, top of 4v to top of 5r, ends on bottom of 4v;
4v–6r	Senza il mio vago - 2a pars (of 2): O giorno	luca marensio	Marenzio, Luca (ca. 1553–1599)
Senza il mio vago - 2a pars (of 2): O giorno Marenzio, Luca (ca. 1553–1599) Appears on: 4v–6r Genres: Madrigal (Italian) Source Attribution: luca marensio Number of voices: 5 Voice: [no designation] Languages: none Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: f4 Voice Text: [Untitled] General Note Notes: Copied in score across openings: bottom of 4v to bottom of 5r, top of 5v to top of 6r, ends on bottom of 5v;
5v–7r	Fiere silvestre - 1a pars (of 2): Fiere silvestre	luca marensio	Marenzio, Luca (ca. 1553–1599)
Fiere silvestre - 1a pars (of 2): Fiere silvestre Marenzio, Luca (ca. 1553–1599) Appears on: 5v–7r Genres: Madrigal (Italian) Source Attribution: luca marensio Number of voices: 5 Voice: [no designation] Languages: none Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: f4 Voice Text: [Untitled] General Note Notes: Copiedin score across openings: bottom of 5v to bottom of 6r, top of 5v to top of 7r, bottom of 6v to end on bottom of 7r;
7r–8v	Fiere silvestre - 2a pars (of 2): Ecco che un'altra volta	luca marensio	Marenzio, Luca (ca. 1553–1599)
Fiere silvestre - 2a pars (of 2): Ecco che un'altra volta Marenzio, Luca (ca. 1553–1599) Appears on: 7r–8v Genres: Madrigal (Italian) Source Attribution: luca marensio Number of voices: 5 Voice: [no designation] Languages: none Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: f4 Voice Text: [Untitled] General Note Notes: Copied in score across openings: bottom of 7r, top of 7v to top of 8r, bottom of 7v to bottom of 8r, ends top of 8v.;
8v–10r	E se di vero Amor	luca marensio	Marenzio, Luca (ca. 1553–1599)
E se di vero Amor Marenzio, Luca (ca. 1553–1599) Appears on: 8v–10r Source Attribution: luca marensio Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: [Untitled] General Note Notes: Copied in score across openings: begins top of 9r, continues on bottom of 8v to bottom of 9r; top of 9v to top of 10r;
9v–11r	Co m'ogni rio che d'acque	-	Marenzio, Luca (ca. 1553–1599)
Co m'ogni rio che d'acque Marenzio, Luca (ca. 1553–1599) Appears on: 9v–11r Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] General Note Notes: Copied in score across openings: bottoms of 9v to 10r, tops of 10v to 11r, bottoms of 10v to 11r;
11v–12v	Valli riposte	luca marensio	Marenzio, Luca (ca. 1553–1599)
Valli riposte Marenzio, Luca (ca. 1553–1599) Appears on: 11v–12v Source Attribution: luca marensio Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] General Note Notes: Copied in score across openings: tops of 11v-12r, bottoms of 11v-12r, then top and bottom of 12v;
13r–16v	Basti fin qui le pen' e i duri affanni (10vv)	luca marensio	Marenzio, Luca (ca. 1553–1599)
Basti fin qui le pen' e i duri affanni (10vv) Marenzio, Luca (ca. 1553–1599) Appears on: 13r–16v Genres: Madrigal (Italian) Source Attribution: luca marensio Number of voices: 10 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: [Untitled] General Note Annotations/Corrections: Pasted down correction of two middle staves on 16r; Notes: Copied in score across openings;
17r–18r	O fere stelle	luca marensio	Marenzio, Luca (ca. 1553–1599)
O fere stelle Marenzio, Luca (ca. 1553–1599) Appears on: 17r–18r Source Attribution: luca marensio Number of voices: 6 Voice: [no designation] Languages: none Clef: g2 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c2 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: f3 Voice Text: [Untitled] General Note Notes: Copied in score, mostly across openings: top-bottom of 17r, tops of 17v-18r, ending on bottom of 17v;
18r–19r	Se la mia vita [1a pars only]	luca marensio	Marenzio, Luca (ca. 1553–1599)
Se la mia vita [1a pars only] Marenzio, Luca (ca. 1553–1599) Appears on: 18r–19r Source Attribution: luca marensio Number of voices: 4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: [Untitled] General Note Annotations/Corrections: Maniculae in margin of 18v; Notes: Copied in score across openings: bottom of 18r, tops of18v-19r, middles of 18v-19r, ending on bottom of 18v.;
18v–20r	Piango ch'Amor	luca marensio	Marenzio, Luca (ca. 1553–1599)
Piango ch'Amor Marenzio, Luca (ca. 1553–1599) Appears on: 18v–20r Source Attribution: luca marensio Number of voices: 4 Voice: [no designation] Languages: none Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Clef: f4 Voice Text: [Untitled] General Note Annotations/Corrections: Maniculae in margin of 18v; Notes: Copied in score across openings: bottom of 18v-19r, then top of 19v-20r;
19v–20r	Affliger chi per voi (1a pars only)	luca marensio	Marenzio, Luca (ca. 1553–1599)
Affliger chi per voi (1a pars only) Marenzio, Luca (ca. 1553–1599) Appears on: 19v–20r Source Attribution: luca marensio Number of voices: 4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: [Untitled] General Note Annotations/Corrections: Maniculae in margin of 19v; Notes: Copied in score across openings: starts middle of 19v to middle of 20r, then bottom of 19v to end on bottom of 20r;
20v–21r	O voi che sospirati	luca marensio	Marenzio, Luca (ca. 1553–1599)
O voi che sospirati Marenzio, Luca (ca. 1553–1599) Appears on: 20v–21r Source Attribution: luca marensio Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: [Untitled] General Note Annotations/Corrections: In pencil: O voi che sospirate; Notes: Copied in score across openings: tops of 20v-21r, then bottoms of 20v-21r;
21r–22r	Dolorosi martir', fieri tormenti	luca marensio	Marenzio, Luca (ca. 1553–1599)
Dolorosi martir', fieri tormenti Marenzio, Luca (ca. 1553–1599) Appears on: 21r–22r Genres: Madrigal (Italian) Source Attribution: luca marensio Number of voices: 5 Voice: [no designation] Languages: none Clef: c1 Voice Text: Dolorosi martir Voice: [no designation] Languages: none Clef: c3 Voice Text: Dolorosi martir Voice: [no designation] Languages: none Clef: c4 Voice Text: Dolorosi martir Voice: [no designation] Languages: none Clef: c4 Voice Text: Dolorosi martir Voice: [no designation] Languages: none Clef: f4 Voice Text: Dolorosi martir General Note Notes: Copied in score across openings: bottom of 21r, tops of 21v-22r, bottoms of 21v-22r;
22v–25v	Super flumina Babylonis	[…]lipus demontanus	Monte, Philippe de
Super flumina Babylonis Monte, Philippe de Appears on: 22v–25v Source Attribution: […]lipus demontanus Number of voices: 8 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: super flumina babilonis Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: super flumina babilonis Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: super flumina babilonis Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: super flumina babilonis Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: super flumina babilonis Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: super flumina babilonis Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: super flumina babilonis Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: super flumina babilonis General Note Notes: Copied in score across openings across the tops of 22v-25v;
22v–24r	In nomine	tavarnor	Taverner, John
In nomine Taverner, John Appears on: 22v–24r Source Attribution: tavarnor Number of voices: 4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: In no[m]i[n]e General Note Notes: Copied in score across openings, across the bottoms of 22v-24r;
24r–25v	In nomine	mr goldar	Golder, Robert
In nomine Golder, Robert Appears on: 24r–25v Source Attribution: mr goldar Number of voices: 4 Voice: [no designation] Languages: none Clef: g2 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Clef: c2 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Clef: c4 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Clef: f4 Voice Text: In no[m]i[n]e General Note Notes: Copied in score across openings, across the bottoms of 24r-25v;
26r–30r	Quomodo cantabimus (2p. Si non proposuero Jersualem)	mr: w: birde	Byrd, William (ca. 1540–1623)
Quomodo cantabimus (2p. Si non proposuero Jersualem) Byrd, William (ca. 1540–1623) Appears on: 26r–30r Genres: Motet Source Attribution: mr: w: birde Number of voices: 8 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: quomodo cantabimus Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: quomodo cantabimus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: quomodo cantabimus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: quomodo cantabimus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: quomodo cantabimus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: quomodo cantabimus Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: quomodo cantabimus Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: quomodo cantabimus General Note Canon/Gimels: canon: tres partes in vna; Notes: Copied in score across openings;
30v–32r	Peccantem me quotidie	mr: w: birde	Byrd, William (ca. 1540–1623)
Peccantem me quotidie Byrd, William (ca. 1540–1623) Appears on: 30v–32r Source Attribution: mr: w: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: peccente[m] me Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: peccente[m] me Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: peccente[m] me Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: peccente[m] me Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: peccente[m] me General Note Notes: Copied in score across openings;
31v–33r	Aspice Domine quia facta est (6vv)	mr: w: birde	Byrd, William (ca. 1540–1623)
Aspice Domine quia facta est (6vv) Byrd, William (ca. 1540–1623) Appears on: 31v–33r Genres: Motet Source Attribution: mr: w: birde Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Aspice domine Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Aspice domine Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Aspice domine Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Aspice domine Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Aspice domine Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Aspice domine General Note Notes: Copied in score across openings: bottoms of 31v-32r, tops of 32v-33r, then bottoms of 32v-33r;
33r–36r	Attollite portas	mr: w: birde	Byrd, William (ca. 1540–1623)
Attollite portas Byrd, William (ca. 1540–1623) Appears on: 33r–36r Genres: Psalm Source Attribution: mr: w: birde Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Attollite portas Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Attollite portas Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Attollite portas Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Attollite portas Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Attollite portas Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Attollite portas General Note Notes: Copied in score across openings;
35v–37r	Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	mr: alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 35v–37r Genres: Motet Source Attribution: mr: alfonso Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: vias tuas Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: vias tuas Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: vias tuas Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: vias tuas Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: vias tuas General Note Annotations/Corrections: Manicula in margin of 35v; Notes: Copied in score across openings: top of 36r, bottoms of 35v-36r, tops of 36v-37r;
36v–39r	Vestigia mea dirige	mr: giles	Giles, Nathaniel (ca. 1558–1634)
Vestigia mea dirige Giles, Nathaniel (ca. 1558–1634) Appears on: 36v–39r Genres: Motet Source Attribution: mr: giles Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: vestigia mea Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: vestigia mea Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: vestigia mea Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: vestigia mea Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: vestigia mea General Note Annotations/Corrections: Manicula in margin of 36v. Pasted in correction stave for second line from 36v-37r; Notes: Copied in score across openings: bottoms of 36v-37r, tops of 37v-38r, bottoms of 37v-38r, tops of 38v-39r;
38v–40r	Tibi soli	mr: giles	Giles, Nathaniel (ca. 1558–1634)
Tibi soli Giles, Nathaniel (ca. 1558–1634) Appears on: 38v–40r Source Attribution: mr: giles Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Tibi soli Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Tibi soli Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Tibi soli Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Tibi soli Voice: [no designation] Languages: none Mensuration: cut-c Clef: f5 Voice Text: Tibi soli General Note Notes: Copied in score across openings: starts top of 39r, continues across bottoms of 38v-39r, then tops of 39v-40r;
39v–40r	My soul oppressed	mr: w: birde	Byrd, William (ca. 1540–1623)
My soul oppressed Byrd, William (ca. 1540–1623) Appears on: 39v–40r Genres: Anthem Source Attribution: mr: w: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: my soule: opprest Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: my soule: opprest Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: my soule: opprest Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: my soule: opprest Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: my soule: opprest General Note Annotations/Corrections: Manicula in the margin of 39v; Notes: Copied in score across openings: starts top of 40r, continues across bottoms of 39v-40r;
40v–45r	Domine quis habitabit	mr: w: birde	Byrd, William (ca. 1540–1623)
Domine quis habitabit Byrd, William (ca. 1540–1623) Appears on: 40v–45r Source Attribution: mr: w: birde Number of voices: 9 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: D[omi]ne Quis habitabit Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: D[omi]ne Quis habitabit Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: D[omi]ne Quis habitabit Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: D[omi]ne Quis habitabit Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: D[omi]ne Quis habitabit Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: D[omi]ne Quis habitabit Voice: [no designation] Languages: none Mensuration: cut-c Clef: f5 Voice Text: D[omi]ne Quis habitabit Voice: [no designation] Languages: none Mensuration: cut-c Clef: f5 Voice Text: D[omi]ne Quis habitabit Voice: [no designation] Languages: none Mensuration: cut-c Clef: f5 Voice Text: D[omi]ne Quis habitabit General Note Annotations/Corrections: Pasted in correction for stave 7 on 41v-46r; Notes: Copied in score across openings;
45v–46v	Amavit eum Dominus	doctor tye	Tye, Christopher (ca. 1505–ca. 1573) (?)
Amavit eum Dominus Tye, Christopher (ca. 1505–ca. 1573) (?) Appears on: 45v–46v Source Attribution: doctor tye Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Amauit Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Amauit Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Amauit Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Amauit Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Amauit General Note Notes: Copied in score across openings: tops of 45v-46r, bottoms of 45v-46r, ending on top of 46v;
46v–49r	Memento Domine	mr: w: birde	Byrd, William (ca. 1540–1623)
Memento Domine Byrd, William (ca. 1540–1623) Appears on: 46v–49r Genres: Motet Source Attribution: mr: w: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: memento d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: memento d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: memento d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: memento d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: memento d[omi]ne General Note Annotations/Corrections: Manicula in the margin of 47v; Notes: Copied in score across openings: bottoms of 46v-47r, tops of 47v-48r, bottoms of 47v- 48r, tops of 48v-49r;
48v–51r	Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	mr: w: birde	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti Byrd, William (ca. 1540–1623) Appears on: 48v–51r Genres: Motet Source Attribution: mr: w: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Tristicia Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Tristicia Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Tristicia Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Tristicia Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Tristicia General Note Annotations/Corrections: Maniculae in the margin of 48v, 49v and 50v; Notes: Copied in score across openings: bottoms of 48v-49r, tops of 49v-50r, bottoms of 49v-50r, tops of 50v-51r, bottoms of 50v-51r;
51r–52v	Tristitia et anxietas - 2a pars (of 2): Sed tu domine	mr: w: birde	Byrd, William (ca. 1540–1623)
Tristitia et anxietas - 2a pars (of 2): Sed tu domine Byrd, William (ca. 1540–1623) Appears on: 51r–52v Genres: Motet Source Attribution: mr: w: birde Number of voices: 5 Voice: [no designation] Languages: none Clef: c1 Voice Text: Sed tu d[omi]ne Voice: [no designation] Languages: none Clef: c3 Voice Text: Sed tu d[omi]ne Voice: [no designation] Languages: none Clef: c3 Voice Text: Sed tu d[omi]ne Voice: [no designation] Languages: none Clef: c4 Voice Text: Sed tu d[omi]ne Voice: [no designation] Languages: none Clef: f4 Voice Text: Sed tu d[omi]ne General Note Annotations/Corrections: Manicula in the margin of 51v; Notes: Copied in score across openings: bottom of 51r, tops of 51v-52r, bottoms of 51v-52r, ending on top of 52v;
52v–53v	Ultimi miei sospiri che mi lasciate	mr: alfonso: ferabosco	Verdelot, Philippe (ca. 1480–ca. 1532) Ferrabosco, Alfonso (the elder) (1543–1588) (?)
Ultimi miei sospiri che mi lasciate Verdelot, Philippe (ca. 1480–ca. 1532) Ferrabosco, Alfonso (the elder) (1543–1588) (?) Appears on: 52v–53v Genres: Madrigal (Italian) Source Attribution: mr: alfonso: ferabosco Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: vltimi me: Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: vltimi me: Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: vltimi me: Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: vltimi me: Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: vltimi me: Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: vltimi me: General Note Annotations/Corrections: Manicula in the margin of 52v; Notes: Copied in score across openings: begins on 53r, continues on bottoms of 52v-53r, ending on top of 53v;
53v–54r	Salva me - 1a pars (of 2): Salva me	alfonso	Ferrabosco, Alfonso (the elder) (1543–1588)
Salva me - 1a pars (of 2): Salva me Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 53v–54r Genres: Motet Source Attribution: alfonso Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Salua me d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Salua me d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Salua me d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Salua me d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: Salua me d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: Salua me d[omi]ne General Note Annotations/Corrections: Manicula in the margin of 53v. Library stamp on 53v; Notes: Copied in score across openings: begins on top of 54r, continues across bottoms of 53v-54r;
54r–54v	Salva me - 2a pars (of 2):Christe redemptor	alfonso [?]	Ferrabosco, Alfonso (the elder) (1543–1588)
Salva me - 2a pars (of 2):Christe redemptor Ferrabosco, Alfonso (the elder) (1543–1588) Appears on: 54r–54v Source Attribution: alfonso [?] Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: christe redemtor Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: christe redemtor Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: christe redemtor Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: christe redemtor Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: christe redemtor Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: christe redemtor General Note Notes: Copied in score across openings: bottom of 54r to top of 54v;
54v–56r	Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis	mr: white	White, Robert (ca. 1538–1574)
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis White, Robert (ca. 1538–1574) Appears on: 54v–56r Genres: Motet Source Attribution: mr: white Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: deus misereatur Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: deus misereatur Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: deus misereatur Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: deus misereatur Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: deus misereatur Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: deus misereatur General Note Annotations/Corrections: Manicula in the margin of 54v and 55v; Notes: Copied in score across openings: begins top of 55r, continues across bottoms of 54v-55r, tops of 55v-56r, ending on bottom of 55v;
55v–57v	Deus misereatur nostri - 2a pars (of 2): Laetentur et exsultent	mr: white	White, Robert (ca. 1538–1574)
Deus misereatur nostri - 2a pars (of 2): Laetentur et exsultent White, Robert (ca. 1538–1574) Appears on: 55v–57v Genres: Motet Source Attribution: mr: white Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: letentur er ex Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: letentur er ex Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: letentur er ex Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: letentur er ex Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: letentur er ex Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: letentur er ex General Note Annotations/Corrections: Manicula in the margin of 56v; Notes: Copied in score across openings: bottoms of 55v-56r, tops of 56v-57r, bottoms of 56v-57r, ending on top of 57v;
57v–58v	Adolescentulus sum ego	mr: w: mundie	Mundy, William (ca. 1528–ca. 1591)
Adolescentulus sum ego Mundy, William (ca. 1528–ca. 1591) Appears on: 57v–58v Genres: Motet Source Attribution: mr: w: mundie Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Adolosentulus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Adolosentulus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Adolosentulus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Adolosentulus Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Adolosentulus Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Adolosentulus General Note Annotations/Corrections: Manicula in the margin of 57v; Notes: Copied in score across openings: begins on top of 58r, continues across bottoms of 57v-58r, ending on top of 58v;
58v–59r	Tribulacio	mr: w: mu[n]die	Mundy, William (ca. 1528–ca. 1591)
Tribulacio Mundy, William (ca. 1528–ca. 1591) Appears on: 58v–59r Source Attribution: mr: w: mu[n]die Number of voices: 6 Voice: [no designation] Languages: none Clef: c1 Voice Text: tribulacio Voice: [no designation] Languages: none Clef: c3 Voice Text: tribulacio Voice: [no designation] Languages: none Clef: c3 Voice Text: tribulacio Voice: [no designation] Languages: none Clef: c4 Voice Text: tribulacio Voice: [no designation] Languages: none Clef: f4 Voice Text: tribulacio Voice: [no designation] Languages: none Clef: f4 Voice Text: tribulacio General Note Annotations/Corrections: Manicula in the margin of 58v; Notes: Copied in score across openings: tops of 58v-59r, ending on bottom of 58v;
59r–59v	Iudica me Deus	mr: Jo: mundie	Mundy, John (ca. 1555–1630)
Iudica me Deus Mundy, John (ca. 1555–1630) Appears on: 59r–59v Source Attribution: mr: Jo: mundie Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Judica me deus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Judica me deus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Judica me deus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Judica me deus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Judica me deus Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Judica me deus General Note Notes: Copied in score across openings: bottom of 59v - top of 59v;
59v–60r	Haec dies	mr: shepperde	Sheppard, John (ca. 1515–1558)
Haec dies Sheppard, John (ca. 1515–1558) Appears on: 59v–60r Genres: Motet Source Attribution: mr: shepperde Number of voices: 6 Voice: [no designation] Languages: none Clef: g2 Voice Text: hec dies Voice: [no designation] Languages: none Clef: c2 Voice Text: hec dies Voice: [no designation] Languages: none Clef: c3 Voice Text: hec dies Voice: [no designation] Languages: none Clef: c3 Voice Text: hec dies Voice: [no designation] Languages: none Clef: c4 Voice Text: hec dies Voice: [no designation] Languages: none Clef: f4 Voice Text: hec dies General Note Annotations/Corrections: Manicula in the margin of 59v; Notes: Copied in score across openings: begins on top of 60r, continues across the bottoms of 59v-60r;
60v–61r	Missa Gloria tibi Trinitas: Credo	mr: tavernar	Taverner, John
Missa Gloria tibi Trinitas: Credo Taverner, John Appears on: 60v–61r Source Attribution: mr: tavernar Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: Et expecto Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Et expecto Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Et expecto Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Et expecto Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice Text: Et expecto Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Et expecto General Note Notes: Copied in score across opening: top of 60v-61r;
60v–61r	Missa Gloria tibi Trinitas: Sanctus	mr Jo: tauernar	Taverner, John
Missa Gloria tibi Trinitas: Sanctus Taverner, John Appears on: 60v–61r Source Attribution: mr Jo: tauernar Number of voices: 6 Voice: [no designation] Languages: none Clef: g2 Voice Text: Osanna Voice: [no designation] Languages: none Clef: c1 Voice Text: Osanna Voice: [no designation] Languages: none Clef: c4 Voice Text: Osanna Voice: [no designation] Languages: none Clef: c4 Voice Text: Osanna Voice: [no designation] Languages: none Clef: c5 Voice Text: Osanna Voice: [no designation] Languages: none Clef: f4 Voice Text: Osanna General Note Annotations/Corrections: Manicula in the margin of 60v; Notes: Copied in score across openings: bottom of 60v-61r;
61v–62v	Loquebantur variis linguis	mr: tallis	Tallis, Thomas (ca. 1505–1585)
Loquebantur variis linguis Tallis, Thomas (ca. 1505–1585) Appears on: 61v–62v Genres: Motet Source Attribution: mr: tallis Number of voices: 7 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: variis linguis Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: variis linguis Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: variis linguis Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: variis linguis Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: variis linguis Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: variis linguis Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: variis linguis General Note Annotations/Corrections: Stave 7 crossed out and recopied due to error (61v-62r); Notes: Copied in score across openings;
63r–64v	In nomine	mr: iohn: mundie	Mundy, John (ca. 1555–1630)
In nomine Mundy, John (ca. 1555–1630) Appears on: 63r–64v Source Attribution: mr: iohn: mundie Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: In no[m]i[n]e General Note Notes: Copied in score, mostly across openings: top-bottom of 63r, then across the tops of 63v-64r;
63v–65r	In nomine	iohn mu[n]die	Mundy, John (ca. 1555–1630)
In nomine Mundy, John (ca. 1555–1630) Appears on: 63v–65r Source Attribution: iohn mu[n]die Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: In no[m]i[n]e General Note Annotations/Corrections: Manicula in the margin of 63v and 64v. Library stamp on 64v; Notes: Copied in score across openings, across the bottoms of 63v-65r;
64v–65v	In nomine	mr iohn mu[n]die: of windsore	Mundy, John (ca. 1555–1630)
In nomine Mundy, John (ca. 1555–1630) Appears on: 64v–65v Source Attribution: mr iohn mu[n]die: of windsore Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: in no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: in no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: in no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: in no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: in no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: in no[m]i[n]e General Note Annotations/Corrections: No. 48 incorrectly placed on 65v; Notes: Copied in score across openings, across the tops of 64v-65v;
65v–66v	In nomine	mr iohn mu[n]die	Mundy, John (ca. 1555–1630)
In nomine Mundy, John (ca. 1555–1630) Appears on: 65v–66v Source Attribution: mr iohn mu[n]die Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: In no[m]i[n]e General Note Notes: Copied in score: bottom of 65v, top-bottom of 66r, ends top of 66v;
66v–67v	Gaude Maria virgo - 1a pars (of 2): Gaude Maria virgo	mr morley	Morley, Thomas (ca. 1557–1602)
Gaude Maria virgo - 1a pars (of 2): Gaude Maria virgo Morley, Thomas (ca. 1557–1602) Appears on: 66v–67v Genres: Motet Source Attribution: mr morley Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: gaude maria virgo Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: gaude maria virgo Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: gaude maria virgo Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: gaude maria virgo Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: gaude maria virgo General Note Annotations/Corrections: Manicula in the margin of 66v; Notes: Copied in score across openings: begins 67r, continues across the bottoms of 66v-67r and ends top of 67v;
67v–69r	Gaude Maria virgo - 2a pars (of 2): Virgo prudentissima	mr tho: morley	Morley, Thomas (ca. 1557–1602)
Gaude Maria virgo - 2a pars (of 2): Virgo prudentissima Morley, Thomas (ca. 1557–1602) Appears on: 67v–69r Genres: Motet Source Attribution: mr tho: morley Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: v[i]rgo prude[n]tissima secunda pars Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: v[i]rgo prude[n]tissima secunda pars Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: v[i]rgo prude[n]tissima secunda pars Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: v[i]rgo prude[n]tissima secunda pars Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: v[i]rgo prude[n]tissima secunda pars General Note Annotations/Corrections: Manicula in the margin on 67v; Notes: Copied in score across openings: tops of 67v-68r, bottoms of 67v-68r, tops of 68v-69r;
68v–70r	Ne irascaris - 1a pars (of 2): Ne irascaris Domine	mr: w: birde	Byrd, William (ca. 1540–1623)
Ne irascaris - 1a pars (of 2): Ne irascaris Domine Byrd, William (ca. 1540–1623) Appears on: 68v–70r Genres: Motet Source Attribution: mr: w: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: ne irascaris d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: ne irascaris d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: ne irascaris d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: ne irascaris d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: ne irascaris d[omi]ne General Note Annotations/Corrections: Manicula in the margin on 68v; Notes: Copied in score across openings: begins top of 69r, continues across bottoms of 68v-69r, then tops of 69v-70r;
69v–71r	Ne irascaris - 2a pars (of 2): Civitatis sancti tui	mr: w: birde	Byrd, William (ca. 1540–1623)
Ne irascaris - 2a pars (of 2): Civitatis sancti tui Byrd, William (ca. 1540–1623) Appears on: 69v–71r Genres: Motet Source Attribution: mr: w: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Civitas sancti tu- Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Civitas sancti tu- Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Civitas sancti tu- Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Civitas sancti tu- Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Civitas sancti tu- General Note Annotations/Corrections: 'Syon' on 70r; Notes: Copied in score across openings: begins top of 70r, continues across the bottoms of 69v-70r, an across tops of 70v-71r;
70v–71v	Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	mr: w: birde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum Byrd, William (ca. 1540–1623) Appears on: 70v–71v Genres: Motet Source Attribution: mr: w: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Tibulaciones Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Tibulaciones Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Tibulaciones Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice Text: Tibulaciones Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Tibulaciones General Note Notes: Copied in score across openings: bottoms of 70v-71r to top of 71v;
71v–72v	Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	mr: wm: birde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo Byrd, William (ca. 1540–1623) Appears on: 71v–72v Genres: Motet Source Attribution: mr: wm: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: timor Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: timor Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: timor Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice Text: timor Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: timor General Note Notes: Copied in score across openings: begins tops of 71v-72r, bottoms of 71v-72r, ends top of 72v;
72v–73r	Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	mr: wm birde	Byrd, William (ca. 1540–1623)
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis Byrd, William (ca. 1540–1623) Appears on: 72v–73r Genres: Motet Source Attribution: mr: wm birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: nos enim Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: nos enim Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: nos enim Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice Text: nos enim Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: nos enim General Note Annotations/Corrections: Manicula in the margin of 72v; Notes: Copied in score across openings: begins top of 73r, continues across the bottom of 72v-73r;
73v–74r	Omni tempore - 1a pars (of 2): Omni tempore benedic Deum	mr: wm birde	Byrd, William (ca. 1540–1623)
Omni tempore - 1a pars (of 2): Omni tempore benedic Deum Byrd, William (ca. 1540–1623) Appears on: 73v–74r Genres: Motet Source Attribution: mr: wm birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: o[m]ni tempore Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: o[m]ni tempore Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: o[m]ni tempore Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice Text: o[m]ni tempore Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: o[m]ni tempore General Note Annotations/Corrections: Manicula in the margin of 73v; Notes: Copied in score across openings: tops of 73v-74r, bottoms of 73v-74r;
74r–75r	Omni tempore - 2a pars (of 2): Memor esto fili	mr: wm: birde	Byrd, William (ca. 1540–1623)
Omni tempore - 2a pars (of 2): Memor esto fili Byrd, William (ca. 1540–1623) Appears on: 74r–75r Genres: Motet Source Attribution: mr: wm: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: memor esto secunda pars Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: memor esto secunda pars Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: memor esto secunda pars Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice Text: memor esto secunda pars Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: memor esto secunda pars General Note Notes: Copied in score across openings: bottom of 74r, tops of 74v-75r;
74v–75v	Ne perdas - 1a pars (of 2): Ne perdas cum impiis	mr: wm: birde	Byrd, William (ca. 1540–1623)
Ne perdas - 1a pars (of 2): Ne perdas cum impiis Byrd, William (ca. 1540–1623) Appears on: 74v–75v Genres: Motet Source Attribution: mr: wm: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: ne perdas Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: ne perdas Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: ne perdas Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: ne perdas Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: ne perdas General Note Annotations/Corrections: Manicula in the margin of 74v. Library stanp on 74v; Notes: Copied in score across openings: begins top of 75v, continues across bottoms of 74v-75r, to top of 75v;
75v–76r	Ne perdas - 2a pars (of 2): Eripe me	mr: wm: birde	Byrd, William (ca. 1540–1623)
Ne perdas - 2a pars (of 2): Eripe me Byrd, William (ca. 1540–1623) Appears on: 75v–76r Genres: Motet Source Attribution: mr: wm: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Eripe me Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Eripe me Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Eripe me Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Eripe me Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Eripe me General Note Annotations/Corrections: Manicula in the margin of 75v.; Notes: Copied in score across openings: tops of 75v-76r, ending on bottom of 75v;
76r	[Untitled]	mr tav[e]rnar	Taverner, John
[Untitled] Taverner, John Appears on: 76r Source Attribution: mr tav[e]rnar Number of voices: 3 Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Clef: c1 Voice: [no designation] Languages: none Clef: c4 General Note Notes: Copied in score at the bottom of 76r;
76v–77v	Libera me - 1a pars (of 2): Libera me Domine de morte aeterna	mr p[ar]sons	Parsons (I), Robert (ca. 1535–ca. 1572)
Libera me - 1a pars (of 2): Libera me Domine de morte aeterna Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 76v–77v Genres: Motet Source Attribution: mr p[ar]sons Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: libera me d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: libera me d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: libera me d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: libera me d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: libera me d[omi]ne General Note Annotations/Corrections: False start of Paron librera me on 75v-76r - three staves crossed out on 75v and two staves on 76r. Manicula in margin of 76v. 'du[m] veneris' on 77r; Notes: Copied in score across openings: tops of 76v-77r, bottoms of 76v-77r, top of77v;
77v–78r	Libera me - 2a pars (of 2): Dies illa	-	Parsons (I), Robert (ca. 1535–ca. 1572)
Libera me - 2a pars (of 2): Dies illa Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 77v–78r Genres: Motet Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: dies illa: Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: dies illa: Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: dies illa: Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: dies illa: Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: dies illa: General Note Annotations/Corrections: Manicula on 77v; Notes: Copied in score across openings: begins on 78r and ends 77v;
78r–79r	Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	mr: wm: birde	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta Byrd, William (ca. 1540–1623) Appears on: 78r–79r Genres: Motet Source Attribution: mr: wm: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: Aspice d[omi[ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Aspice d[omi[ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Aspice d[omi[ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Aspice d[omi[ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: Aspice d[omi[ne General Note Annotations/Corrections: Manicula on 78v; Notes: Copied in score across openings: bottom of 78v, tops of 78v-79r, ending bottom of 78v;
78v–79r	Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	mr: wm birde	Byrd, William (ca. 1540–1623)
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine Byrd, William (ca. 1540–1623) Appears on: 78v–79r Genres: Motet Source Attribution: mr: wm birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: Respice d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Respice d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Respice d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Respice d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: Respice d[omi]ne General Note Notes: Copied in score across openings: bottoms of 78v-79r;
79v–80r	O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	mr: wm birde	Byrd, William (ca. 1540–1623)
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum Byrd, William (ca. 1540–1623) Appears on: 79v–80r Genres: Motet Source Attribution: mr: wm birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: O quam gloriosam Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: O quam gloriosam Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: O quam gloriosam Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: O quam gloriosam Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: O quam gloriosam General Note Notes: Copied in score across openings: tops of 79v-80r, bottoms of 79v-80r;
80r–81r	O quam gloriosum - 2a pars (of 2): Benedictio et claritas	mr: wm birde	Byrd, William (ca. 1540–1623)
O quam gloriosum - 2a pars (of 2): Benedictio et claritas Byrd, William (ca. 1540–1623) Appears on: 80r–81r Genres: Motet Source Attribution: mr: wm birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: Benedictio Voice: [no designation] Languages: none Mensuration: cut-c Clef: g1 Voice Text: Benedictio Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Benedictio Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Benedictio Voice: [no designation] Languages: none Mensuration: cut-c Clef: f3 Voice Text: Benedictio General Note Notes: Copied in score across openings: bottom of 80r, tops of 80v-81r;
80v–82v	Deus omnipotens	doctor: Bull	Bull, John (ca. 1562–1628)
Deus omnipotens Bull, John (ca. 1562–1628) Appears on: 80v–82v Source Attribution: doctor: Bull Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: deus omnipotens Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: deus omnipotens Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: deus omnipotens Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: deus omnipotens Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: deus omnipotens General Note Annotations/Corrections: Manicula on 81v; Notes: Copied in score across openings: bottoms of 80v-81r, tops 81v-82r, bottoms 81v-82r, top of 82v;
82v–83r	I am feeble	docter bull	Bull, John (ca. 1562–1628)
I am feeble Bull, John (ca. 1562–1628) Appears on: 82v–83r Source Attribution: docter bull Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: I ame feeble Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: I ame feeble Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: I ame feeble Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: I ame feeble Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: I ame feeble General Note Annotations/Corrections: Pasted in correction for third stave of 83r and stave 8 on 82v. Manicula on 82v; Notes: Copied in score across openings: top of 82v-83r, ending on bottom of 82v;
82v–85	Great Service: Te Deum	mr birde	Byrd, William (ca. 1540–1623)
Great Service: Te Deum Byrd, William (ca. 1540–1623) Appears on: 82v–85 Genres: Anglican Service Music, Te Deum Source Attribution: mr birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: in thee o lorde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: in thee o lorde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: in thee o lorde Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: in thee o lorde Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: in thee o lorde General Note Annotations/Corrections: 'long service' in different ink; Notes: Copied in score across openings: bottom of 82v-83r to top of 83v;
85r–85v	Missa Cantate Domino: Benedictus	mr: shepperde	Sheppard, John (ca. 1515–1558)
Missa Cantate Domino: Benedictus Sheppard, John (ca. 1515–1558) Appears on: 85r–85v Source Attribution: mr: shepperde Number of voices: 6 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: that we beinge Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: that we beinge Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: that we beinge Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: that we beinge Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: that we beinge Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: that we beinge General Note Canon/Gimels: canon in subdiapason'; Notes: Copied in score across openings, across tops of 85r-v;
84v–85v	In nomine	Jo: Baldwin	Baldwin, John (ca. 1560–1615)
In nomine Baldwin, John (ca. 1560–1615) Appears on: 84v–85v Genres: In nomine, Viol piece Source Attribution: Jo: Baldwin Number of voices: 5 Voice: [no designation] Languages: none Clef: g2 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Clef: c1 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: In no[m]i[n]e Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: In no[m]i[n]e General Note Annotations/Corrections: Manicula in the margin of 84v and 85v. 'laudes deo' at the end. Date 1606 with ascription; Notes: Copied in score across openings, across bottoms of 84v-85v;
86r	Great Service: And ye Child	mr: wm: birde	Byrd, William (ca. 1540–1623)
Great Service: And ye Child Byrd, William (ca. 1540–1623) Appears on: 86r Source Attribution: mr: wm: birde Number of voices: 4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: And yu childe Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: And yu childe Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: And yu childe Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: And yu childe
86r	Great Service: That we should be	mr: wm: birde	Byrd, William (ca. 1540–1623)
Great Service: That we should be Byrd, William (ca. 1540–1623) Appears on: 86r Source Attribution: mr: wm: birde Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: yt we shoulde bee Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: yt we shoulde bee Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: yt we shoulde bee Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: yt we shoulde bee Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: yt we shoulde bee General Note Notes: Bottom of 86r;
86v–87r	[Untitled]	-	Anonymous
[Untitled] Anonymous Appears on: 86v–87r Number of voices: 5 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: [Untitled] General Note Notes: Copied in score across openings: bottom of 86r, across tops of 86v-87r, ends bottom of 86v;
87v–89r	[Untitled]	-	Anonymous
[Untitled] Anonymous Appears on: 87v–89r Number of voices: 4 Voice: [no designation] Languages: none Mensuration: c Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: c Clef: c3 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: c Clef: c4 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: c Clef: f4 Voice Text: [Untitled] General Note Notes: Copied in score across openings: tops of 87v-88r, bottoms of 87v-88r, tops of 88v-89r;
89v–90r	If Reason did Rule	-	Anonymous
If Reason did Rule Anonymous Appears on: 89v–90r Number of voices: 2 Voice: [no designation] Languages: English Mensuration: cut-o Clef: c5 Voice Text: Yf reason did rule / Yf reason did rule and witt kept scools Voice: [no designation] Languages: English Mensuration: cut-o Clef: f5 Voice Text: Yf reason did rule / Yf reason did rule and witt kept scools General Note Notes: two parts on facing pages;
90v–91r	The Batchelar Most Joyfully	-	Anonymous
The Batchelar Most Joyfully Anonymous Appears on: 90v–91r Number of voices: 2 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: The batchelar most Joyfullye / The batchelar most Joyfullye Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: The batchelar most Joyfullye / The batchelar most Joyfullye General Note Notes: two parts on facing pages;
90v–91r	If he be merry and toy with any	-	Anonymous
If he be merry and toy with any Anonymous Appears on: 90v–91r Number of voices: 2 Voice: [no designation] Languages: English Clef: c1 Voice Text: Yf he be merie and toye with anye / Yf he be merie and toye with anye Voice: [no designation] Languages: English Clef: c4 Voice Text: Yf he be merie and toye with anye / Yf he be merie and toye with anye General Note Annotations/Corrections: Date 1600 at end; Notes: two parts on facing pages;
91v–92r	Dicant nunc Judei	Mr John: byrchley	Byrchley
Dicant nunc Judei Byrchley Appears on: 91v–92r Source Attribution: Mr John: byrchley Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Dica[n]t n[u]nc Jude / Dica[n]t n[u]nc Jude Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dica[n]t n[u]nc Jude / Dica[n]t n[u]nc Jude General Note Notes: two parts on facing pages;
91v–92r	Missa Te Deum: Agnus dei	-	Aston, Hugh (ca. 1485–1558)
Missa Te Deum: Agnus dei Aston, Hugh (ca. 1485–1558) Appears on: 91v–92r Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Agnus dei / Agnus dei Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Agnus dei / Agnus dei General Note Notes: two parts on facing pages;
92v–93r	Dicant nunc Judei	Mr: Johnson: of windsore / Mr: Ro: Johnson: priste	Johnson (I), Robert (ca. 1500–ca. 1560)
Dicant nunc Judei Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 92v–93r Source Attribution: Mr: Johnson: of windsore / Mr: Ro: Johnson: priste Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dicant n[u]nc Judei / Dicant n[u]nc Judei Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Dicant n[u]nc Judei / Dicant n[u]nc Judei General Note Notes: two parts on facing pages;
92v–93r	Dicant nunc Judei	Moris: gore	Gore
Dicant nunc Judei Gore Appears on: 92v–93r Source Attribution: Moris: gore Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Dica[n]t n[u]nc Judei / Dica[n]t n[u]nc Judei Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dica[n]t n[u]nc Judei / Dica[n]t n[u]nc Judei General Note Notes: two parts on facing pages;
93v–94r	Ego sum panis	-	Anonymous
Ego sum panis Anonymous Appears on: 93v–94r Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Ego su[m] panis / Ego su[m] panis Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Ego su[m] panis / Ego su[m] panis General Note Notes: two parts on facing pages;
93v–94r	Sancti spiritus Domine	-	Anonymous
Sancti spiritus Domine Anonymous Appears on: 93v–94r Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Sancti spirit[us] domine / Sancti spirit[us] domine Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Sancti spirit[us] domine / Sancti spirit[us] domine General Note Notes: two parts on facing pages;
93v–94r	Jesu salvator mundi	-	Anonymous
Jesu salvator mundi Anonymous Appears on: 93v–94r Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c1 Voice Text: Jesu salvator m[u]ndi / Jesu salvator m[u]ndi Voice: [no designation] Languages: Latin Mensuration: c-dot Clef: c4 Voice Text: Jesu salvator m[u]ndi / Jesu salvator m[u]ndi General Note Notes: two parts on facing pages;
94v–97r	Laudes Deo	Ro: Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Laudes Deo Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 94v–97r Genres: Motet Source Attribution: Ro: Johnson Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Laudes deo dicam / Laudes deo dicam Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Laudes deo dicam / Laudes deo dicam General Note Annotations/Corrections: ' v[e]rte folliu[m] att he bottom of 94v, 95r and 96r; Notes: two parts on facing pages;
96v–97r	Dicant nunc Judei	Mr: Ro: Johnson	Johnson (I), Robert (ca. 1500–ca. 1560)
Dicant nunc Judei Johnson (I), Robert (ca. 1500–ca. 1560) Appears on: 96v–97r Source Attribution: Mr: Ro: Johnson Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Dicant nu[n]c iudei / Dicant nu[n]c iudei Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Dicant nu[n]c iudei / Dicant nu[n]c iudei General Note Notes: two parts on facing pages;
96v–97r	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 96v–97r Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Agn[us] dei / Agn[us] dei Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Agn[us] dei / Agn[us] dei General Note Notes: two parts on facing pages;
97v–98r	Agnus Dei	Ro: bar:	Barber
Agnus Dei Barber Appears on: 97v–98r Source Attribution: Ro: bar: Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g2 Voice Text: Agnus dei / Agnus dei Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Agnus dei / Agnus dei General Note Notes: two parts on facing pages;
97v–98r	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 97v–98r Number of voices: 2 Voice: [no designation] Languages: Latin Clef: c2 Voice Text: Agn[us] dei / Agn[us] dei Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Agn[us] dei / Agn[us] dei General Note Notes: two parts on facing pages;
97v–98r	Agnus Dei	-	Anonymous
Agnus Dei Anonymous Appears on: 97v–98r Number of voices: 2 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Agn[us] dei / Agn[us] dei Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Agn[us] dei / Agn[us] dei General Note Notes: two parts on facing pages;
98v–99r	A duo	John: baldwine	Baldwin, John (ca. 1560–1615)
A duo Baldwin, John (ca. 1560–1615) Appears on: 98v–99r Source Attribution: John: baldwine Number of voices: 2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: a duo Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: a duo General Note Annotations/Corrections: 1600 at end; Notes: two parts on facing pages;
99v–100r	In Women is Rest	mr: tauernar	Taverner, John
In Women is Rest Taverner, John Appears on: 99v–100r Source Attribution: mr: tauernar Number of voices: 2 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: In women is rest / In women is rest Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: In women is rest / In women is rest General Note Annotations/Corrections: Long correction at the end of the page marked by maniculae and cross on 100r; Notes: two parts on facing pages;
100v–101r	A duo	Jo: baldwine	Baldwin, John (ca. 1560–1615)
A duo Baldwin, John (ca. 1560–1615) Appears on: 100v–101r Source Attribution: Jo: baldwine Number of voices: 2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: A duo / vpon, vt, re, mi, fa General Note Annotations/Corrections: 'one p[ar]te vppon vt, re, mi, fa, sol; the: first: of: may:- anno: 1595'; Notes: Proportion exercise;
101v–102r	Ut re mi fa	tho: woodson	Woodson, Thomas
Ut re mi fa Woodson, Thomas Appears on: 101v–102r Source Attribution: tho: woodson Number of voices: 3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Vt, re, mee, fa Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Vt, re, mee, fa Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Vt, re, mee, fa General Note Notes: Proportion exercise;
101v–102r	A duo	John baldwine	Baldwin, John (ca. 1560–1615)
A duo Baldwin, John (ca. 1560–1615) Appears on: 101v–102r Source Attribution: John baldwine Number of voices: 2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: A duo / vpon. vt. re. mee. fa General Note Notes: Proportion exercise;
102v–103r	Miserere	Mr giles	Giles, Nathaniel (ca. 1558–1634)
Miserere Giles, Nathaniel (ca. 1558–1634) Appears on: 102v–103r Source Attribution: Mr giles Number of voices: 2 Voice: [no designation] Languages: none Mensuration: c Clef: c2 Voice Text: miserere Voice: [no designation] Languages: none Mensuration: c Clef: c4 Voice Text: miserere General Note Annotations/Corrections: '1594' 'a lesson of descant of thirtie eighte: propocions: of sundrie kindes: made: by mr giles mr of the chorister of windsor: then and now mr of ye children of ye chappell also:; Notes: Proportion exercise;
103v	Exaudi me	-	Anonymous
Exaudi me Anonymous Appears on: 103v Number of voices: 2 Voice: [no designation] Languages: none Mensuration: o Clef: c2 Voice Text: Exaudi me Voice: [no designation] Languages: none Mensuration: o Clef: c5 Voice Text: Exaudi me General Note Notes: Proportion exercise;
104r	In nomine 'Hold fast'	-	Tye, Christopher (ca. 1505–ca. 1573)
In nomine 'Hold fast' Tye, Christopher (ca. 1505–ca. 1573) Appears on: 104r Genres: none Number of voices: 3 Voice: [no designation] Languages: none Mensuration: o Clef: c2 Voice Text: Holde faste Voice: [no designation] Languages: none Mensuration: o Clef: f3 Voice Text: Holde faste Voice: [no designation] Languages: none Mensuration: o-dot Clef: no clef Voice Text: Holde faste General Note Annotations/Corrections: 'Iste tenor cantetr retortus per bemolle and diminuendo: per [natual sign] and caneatis de pansacionib[us] inpriniis s[us] no[n] vltra'; Notes: Hexachord exercise. Tenor part written in letters and flats;
104v–105r	Vide domine	Jo: Bedyngeham	Bedingham, John (–ca. 1460)
Vide domine Bedingham, John (–ca. 1460) Appears on: 104v–105r Source Attribution: Jo: Bedyngeham Number of voices: 2 Voice: [no designation] Languages: none Mensuration: o-dot Clef: c3 Voice Text: Vide domine Voice: [no designation] Languages: none Mensuration: o-dot Clef: f3 Voice Text: Vide domine General Note Notes: Proportion exercise;
105r	Parce domine	-	Anonymous
Parce domine Anonymous Appears on: 105r Number of voices: 2 Voice: [no designation] Languages: none Mensuration: o Clef: c2 Voice Text: perce d[omi]ne Voice: [no designation] Languages: none Mensuration: o Clef: c4 Voice Text: perce d[omi]ne General Note Notes: Proportion exercise;
105v–106r	Manus Dei	Jo: bedyngeham	Bedingham, John (–ca. 1460)
Manus Dei Bedingham, John (–ca. 1460) Appears on: 105v–106r Source Attribution: Jo: bedyngeham Number of voices: 2 Voice: [no designation] Languages: none Mensuration: o Clef: c1 Voice Text: manus dei Voice: [no designation] Languages: none Mensuration: o Clef: c3 Voice Text: manus dei General Note Annotations/Corrections: Library stamp on 105v; Notes: Proportion exercise;
106v–107r	Salve Jesu	Jo: bedyngeham	Bedingham, John (–ca. 1460)
Salve Jesu Bedingham, John (–ca. 1460) Appears on: 106v–107r Source Attribution: Jo: bedyngeham Number of voices: 3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c1 Voice Text: Salua Jesu Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice Text: Salua Jesu Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice Text: Salua Jesu General Note Notes: Proportion exercise;
106v	A duo	-	Anonymous
A duo Anonymous Appears on: 106v Number of voices: 2 Voice: [no designation] Languages: none Mensuration: c Clef: c1 Voice Text: a: duo Voice: [no designation] Languages: none Mensuration: c Clef: c4 Voice Text: a: duo General Note Notes: Proportion exercise;
107v–108r	In te domine speravi	Mr: giles	Giles, Nathaniel (ca. 1558–1634)
In te domine speravi Giles, Nathaniel (ca. 1558–1634) Appears on: 107v–108r Source Attribution: Mr: giles Number of voices: 2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Inte d[omi]ne speraui Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Inte d[omi]ne speraui General Note Notes: Proportion exercise;
108v–109r	Spes mea	John baldwine	Baldwin, John (ca. 1560–1615)
Spes mea Baldwin, John (ca. 1560–1615) Appears on: 108v–109r Source Attribution: John baldwine Number of voices: 2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Spes mea Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Spes mea General Note Annotations/Corrections: '1591' 'sembreeffe tyme is your grownde'; Notes: Proportion exercise;
109v–110r	In manus tuas domine	John: baldwine	Baldwin, John (ca. 1560–1615)
In manus tuas domine Baldwin, John (ca. 1560–1615) Appears on: 109v–110r Source Attribution: John: baldwine Number of voices: 2 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: In manus tuas d[omi]ne Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: In manus tuas d[omi]ne General Note Annotations/Corrections: '1591' at end;
110v	Salva nos	-	Anonymous
Salva nos Anonymous Appears on: 110v Number of voices: 4 Voice: [no designation] Languages: none Mensuration: c Clef: g2 Voice Text: Salua nos Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Salua nos General Note Annotations/Corrections: 'Singe true: lye not: / proue true: feare not:'; Notes: On faburden;
111r	Salva nos	-	Anonymous
Salva nos Anonymous Appears on: 111r Number of voices: 4 Voice: [no designation] Languages: none Mensuration: c Clef: g2 Voice Text: Salua nos Voice: [no designation] Languages: none Mensuration: cut-c Clef: f4 Voice Text: Salua nos General Note Annotations/Corrections: 'I am true: then trie mee: / but singe true: or shame mee'; Notes: On faburden;
111v–112r	Salvator mundi	mr gyls:- of windsore:- batchelar:- of musicke	Giles, Nathaniel (ca. 1558–1634)
Salvator mundi Giles, Nathaniel (ca. 1558–1634) Appears on: 111v–112r Source Attribution: mr gyls:- of windsore:- batchelar:- of musicke Number of voices: 3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: Saluator mu[n]di Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Saluator mu[n]di Voice: [no designation] Languages: none Mensuration: c Clef: f4 Voice Text: Saluator mu[n]di General Note Annotations/Corrections: Cantus firmus part labelled' 4:tym / over';
112v–113r	Sermone blando : angelus	-	Baldwin, John (ca. 1560–1615)
Sermone blando : angelus Baldwin, John (ca. 1560–1615) Appears on: 112v–113r Number of voices: 3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: Sermone blando: angelus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Sermone blando: angelus Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: Sermone blando: angelus General Note Annotations/Corrections: Cantus firmus part marked 'five: tymes: over'. Dated '1591' and '24. december'; Notes: Proportion Exercise;
113v–115r	Sit fast	doctor: tye	Tye, Christopher (ca. 1505–ca. 1573)
Sit fast Tye, Christopher (ca. 1505–ca. 1573) Appears on: 113v–115r Source Attribution: doctor: tye Number of voices: 3 Voice: [no designation] Languages: none Mensuration: c Clef: c1 Voice Text: Sit fast Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: Sit fast Voice: [no designation] Languages: none Mensuration: cut-c Clef: c5 Voice Text: Sit fast General Note Annotations/Corrections: 'singe ye trew and care not: / for I am trew feare not';
115v–118r	[3] Kyries of 3 voices	-	Anonymous
[3] Kyries of 3 voices Anonymous Appears on: 115v–118r Number of voices: 3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c2 Voice Text: Kiries of : 3: voc / kirieleyson Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice Text: Kiries of : 3: voc / kirieleyson Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice Text: Kiries of : 3: voc / kirieleyson General Note Annotations/Corrections: Library stamp on 115v;
118v–119r	O lux beata Trinitas	mr preston	Preston, Thomas (–ca. 1559)
O lux beata Trinitas Preston, Thomas (–ca. 1559) Appears on: 118v–119r Source Attribution: mr preston Number of voices: 3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c1 Voice Text: O lux / O lux Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice Text: O lux / O lux Voice: [no designation] Languages: none Mensuration: c-dot Clef: f3 Voice Text: O lux / O lux
118v–119r	Ut re mi fa sol la (2p. La sol fa mi re ut)	mr: alfonso: ferabosco	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)
Ut re mi fa sol la (2p. La sol fa mi re ut) Ferrabosco, Alfonso (the younger) (ca. 1575–1628) Appears on: 118v–119r Source Attribution: mr: alfonso: ferabosco Number of voices: 3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: vt re mi fa Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice Text: vt re mi fa Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice Text: vt re mi fa
119v–120r	A Fancy	Jo: baldwine	Baldwin, John (ca. 1560–1615)
A Fancy Baldwin, John (ca. 1560–1615) Appears on: 119v–120r Source Attribution: Jo: baldwine Number of voices: 3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: A fancie Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: A fancie Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: A fancie General Note Annotations/Corrections: 'vpon a grownde';
120v–121r	Browning a3	elleway beven	Bevin, Elway
Browning a3 Bevin, Elway Appears on: 120v–121r Genres: Song Source Attribution: elleway beven Number of voices: 3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c2 Voice Text: A browning of : 3: voc Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice Text: A browning of : 3: voc Voice: [no designation] Languages: none Mensuration: c-dot Clef: f4 Voice Text: A browning of : 3: voc
121v–122r	A Browning of 3 voc	iohn: baldwine	Baldwin, John (ca. 1560–1615)
A Browning of 3 voc Baldwin, John (ca. 1560–1615) Appears on: 121v–122r Source Attribution: iohn: baldwine Number of voices: 3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c1 Voice Text: A browninge of : 3: voc Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice Text: A browninge of : 3: voc Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice Text: A browninge of : 3: voc General Note Annotations/Corrections: 'these flatts and sharps heare shall: you teach your notes to call: / and change sowle in to fa: against the gam vt la: / and so, fa in to mee: as heare you may it see:' Damage on 122r;
122v–123r	O lux	iohn: baldwine	Baldwin, John (ca. 1560–1615)
O lux Baldwin, John (ca. 1560–1615) Appears on: 122v–123r Source Attribution: iohn: baldwine Number of voices: 3 Voice: [no designation] Languages: none Mensuration: c-dot Clef: c2 Voice Text: O lux Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice Text: O lux Voice: [no designation] Languages: none Mensuration: c-dot Clef: f4 Voice Text: O lux
123v–124r	Upon in nomine	John: bawdwine or baldwine	Baldwin, John (ca. 1560–1615)
Upon in nomine Baldwin, John (ca. 1560–1615) Appears on: 123v–124r Genres: In nomine, Viol piece Source Attribution: John: bawdwine or baldwine Number of voices: 4 Voice: [no designation] Languages: none Mensuration: c-dot Clef: g2 Voice Text: vpon: innomine Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice Text: vpon: innomine Voice: [no designation] Languages: none Mensuration: c-dot Clef: c2 Voice Text: vpon: innomine Voice: [no designation] Languages: none Mensuration: c-dot Clef: f4 Voice Text: vpon: innomine General Note Annotations/Corrections: Insertion end of bassus part marked with cross. '…placitus in margin';
124v–125r	Cuckoo as I me walked	John baldwine	Baldwin, John (ca. 1560–1615)
Cuckoo as I me walked Baldwin, John (ca. 1560–1615) Appears on: 124v–125r Genres: Song Source Attribution: John baldwine Number of voices: 3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: coockow Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: coockow Voice: [no designation] Languages: none Mensuration: cut-c Clef: c4 Voice Text: coockow
125v–126r	3 voices upon the Plainsong	john baldwine	Baldwin, John (ca. 1560–1615)
3 voices upon the Plainsong Baldwin, John (ca. 1560–1615) Appears on: 125v–126r Source Attribution: john baldwine Number of voices: 4 Voice: [no designation] Languages: none Mensuration: cut-c Clef: g2 Voice Text: iij: voc: vpo[n] the plainesong Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: iij: voc: vpo[n] the plainesong Voice: [no designation] Languages: none Mensuration: c-dot Clef: c3 Voice Text: iij: voc: vpo[n] the plainesong Voice: [no designation] Languages: none Mensuration: c Clef: f3 Voice Text: iij: voc: vpo[n] the plainesong General Note Annotations/Corrections: Date '1597'. Plainsoing part labelled 'vppon five minu[m]s';
126v–127r	[Untitled]	doc: bull	Bull, John (ca. 1562–1628)
[Untitled] Bull, John (ca. 1562–1628) Appears on: 126v–127r Source Attribution: doc: bull Number of voices: 3 Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c2 Voice Text: [Untitled] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c3 Voice Text: [Untitled]
127v–128r	Proportions to the Minim	iohn: baldwine	Baldwin, John (ca. 1560–1615)
Proportions to the Minim Baldwin, John (ca. 1560–1615) Appears on: 127v–128r Source Attribution: iohn: baldwine Number of voices: 4 Voice: [no designation] Languages: none Clef: g2 Voice Text: p[ro]porcions to the minu[m] Voice: [no designation] Languages: none Mensuration: cut-c Clef: c1 Voice Text: p[ro]porcions to the minu[m] Voice: [no designation] Languages: none Mensuration: c-dot Clef: c4 Voice Text: p[ro]porcions to the minu[m] Voice: [no designation] Languages: none Clef: f4 Voice Text: p[ro]porcions to the minu[m] General Note Annotations/Corrections: 'five minu[m]s' under cantus firmus part. Date '1603';
128v–134r	Mass for 3 voices	mr: w: birde	Byrd, William (ca. 1540–1623)
Mass for 3 voices Byrd, William (ca. 1540–1623) Appears on: 128v–134r Genres: Mass Ordinary Source Attribution: mr: w: birde Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Kyrieleison / Kyrieleison Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Kyrieleison / Kyrieleison Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Kyrieleison / Kyrieleison
134v–135r	Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	mr tauerna	Taverner, John
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] Taverner, John Appears on: 134v–135r Genres: Motet Source Attribution: mr tauerna Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Gaude plurimu[m] / Gaude plurimu[m] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Gaude plurimu[m] / Gaude plurimu[m] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c5 Voice Text: Gaude plurimu[m] / Gaude plurimu[m]
135r	Eundem igitur Jesum	mr: tavernar	Taverner, John
Eundem igitur Jesum Taverner, John Appears on: 135r Source Attribution: mr: tavernar Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Eundem igitur Jesu[m] / Eundem igitur Jesu[m] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Eundem igitur Jesu[m] / Eundem igitur Jesu[m] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: Eundem igitur Jesu[m] / Eundem igitur Jesu[m]
135v–136r	Illustrissima omnium (fr. 1 from a lost antiphon)	mr shepper	Sheppard, John (ca. 1515–1558)
Illustrissima omnium (fr. 1 from a lost antiphon) Sheppard, John (ca. 1515–1558) Appears on: 135v–136r Genres: Antiphon Source Attribution: mr shepper Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Illustrissima omniu[m] / Illustrissima omniu[m] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Illustrissima omniu[m] / Illustrissima omniu[m] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f5 Voice Text: Illustrissima omniu[m] / Illustrissima omniu[m] General Note Annotations/Corrections: Library stamp on 135v;
136r	Missa O bone Jesu: Genitum non factum (from Credo)	-	Fayrfax, Robert (1464–1521)
Missa O bone Jesu: Genitum non factum (from Credo) Fayrfax, Robert (1464–1521) Appears on: 136r Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c5 Voice Text: genitu[m] no[n] factu[m] / genitu[m] no[n] factu[m] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: genitu[m] no[n] factu[m] / genitu[m] no[n] factu[m] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f5 Voice Text: genitu[m] no[n] factu[m] / genitu[m] no[n] factu[m]
136v–137r	Dominus illuminacio mea	mr iohn mundie / a batchelar of musick	Mundy, John (ca. 1555–1630)
Dominus illuminacio mea Mundy, John (ca. 1555–1630) Appears on: 136v–137r Source Attribution: mr iohn mundie / a batchelar of musick Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Dominus illuminacio mea / Dominus illuminacio mea Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Dominus illuminacio mea / Dominus illuminacio mea Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Dominus illuminacio mea / Dominus illuminacio mea
137v–138r	Exsurge Domine (extract: opening duo)	mr iohn woodde / batchelar of musicke	Wood, John
Exsurge Domine (extract: opening duo) Wood, John Appears on: 137v–138r Genres: Motet Source Attribution: mr iohn woodde / batchelar of musicke Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Exurge domine / Exurge domine vt dissipentur Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Exurge domine / Exurge domine vt dissipentur Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Exurge domine / Exurge domine vt dissipentur
138r–139v	Noli aemulari in malignantibus	mr: wm mundie / a gentlema[n] of the chappell	Mundy, William (ca. 1528–ca. 1591)
Noli aemulari in malignantibus Mundy, William (ca. 1528–ca. 1591) Appears on: 138r–139v Genres: Motet Source Attribution: mr: wm mundie / a gentlema[n] of the chappell Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Noli emulari / Noli emulari Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Noli emulari / Noli emulari Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Noli emulari / Noli emulari
139v–140r	Vox Patris caelestis	mr: wm mundie	Mundy, William (ca. 1528–ca. 1591)
Vox Patris caelestis Mundy, William (ca. 1528–ca. 1591) Appears on: 139v–140r Genres: Motet Source Attribution: mr: wm mundie Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Vox patris / Vox patris celestis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Vox patris / Vox patris celestis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Vox patris / Vox patris celestis
140v–141r	Maria virgo sanctissima	mr wm mu[n]die	Mundy, William (ca. 1528–ca. 1591)
Maria virgo sanctissima Mundy, William (ca. 1528–ca. 1591) Appears on: 140v–141r Genres: Motet Source Attribution: mr wm mu[n]die Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Maria v[i]rgo sanctissima / Maria v[i]rgo sanctissima Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Maria v[i]rgo sanctissima / Maria v[i]rgo sanctissima Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Maria v[i]rgo sanctissima / Maria v[i]rgo sanctissima
140v–141r	Quis est homo	mr giles: batchelar of musick	Giles, Nathaniel (ca. 1558–1634)
Quis est homo Giles, Nathaniel (ca. 1558–1634) Appears on: 140v–141r Source Attribution: mr giles: batchelar of musick Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Quis est homo / Quis est homo Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Quis est homo / Quis est homo Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Quis est homo / Quis est homo
141v–142r	Exsurge Domine (extract: Esto pater / Quorum perturbatae)	mr wodde / batchelar: of musick	Wood, John
Exsurge Domine (extract: Esto pater / Quorum perturbatae) Wood, John Appears on: 141v–142r Genres: Antiphon Source Attribution: mr wodde / batchelar: of musick Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Esto pater / Querum parturbate Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f3 Voice Text: Esto pater / Querum parturbate Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f5 Voice Text: Esto pater / Querum parturbate
141v–142r	In manus tuas	mr parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
In manus tuas Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 141v–142r Source Attribution: mr parsons Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: In man[us] tuas / In man[us] tuas Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: In man[us] tuas / In man[us] tuas Voice: [no designation] Languages: Latin Clef: f4 Voice Text: In man[us] tuas / In man[us] tuas
142v–143r	Exsurge Domine (extract: v3, Perfice illud quod in nobis)	mr: iohn woodde	Wood, John
Exsurge Domine (extract: v3, Perfice illud quod in nobis) Wood, John Appears on: 142v–143r Genres: Motet Source Attribution: mr: iohn woodde Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Perfice illud / Perfice illud quod in nobis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Perfice illud / Perfice illud quod in nobis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Perfice illud / Perfice illud quod in nobis
142v–143r	Traditur militibus (from lost sequence Caenam cum discipulus)	tav[e]rnar	Taverner, John
Traditur militibus (from lost sequence Caenam cum discipulus) Taverner, John Appears on: 142v–143r Genres: Motet Source Attribution: tav[e]rnar Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Traditur militib[us] / Traditur militib[us] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Traditur militib[us] / Traditur militib[us] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Traditur militib[us] / Traditur militib[us]
143v–144r	Maria virgo sanctissima	mr: wm: mu[n]die	Mundy, William (ca. 1528–ca. 1591)
Maria virgo sanctissima Mundy, William (ca. 1528–ca. 1591) Appears on: 143v–144r Genres: Motet Source Attribution: mr: wm: mu[n]die Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g2 Voice Text: Ex quibus personis / Ex quibus personis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Ex quibus personis / Ex quibus personis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Ex quibus personis / Ex quibus personis
143v–144r	Adhesit pavimento	wm mundie	Mundy, William (ca. 1528–ca. 1591)
Adhesit pavimento Mundy, William (ca. 1528–ca. 1591) Appears on: 143v–144r Genres: Motet Source Attribution: wm mundie Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Adhesit pavime[n]to / Adhesit pavime[n]to Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Adhesit pavime[n]to / Adhesit pavime[n]to Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Adhesit pavime[n]to / Adhesit pavime[n]to
144v–145r	Vox Patris caelestis	mr wm: mu[n]die	Mundy, William (ca. 1528–ca. 1591)
Vox Patris caelestis Mundy, William (ca. 1528–ca. 1591) Appears on: 144v–145r Genres: Motet Source Attribution: mr wm: mu[n]die Number of voices: 3 Voice: [no designation] Languages: Latin Clef: g2 Voice Text: Surge propera / Surge propera Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Surge propera / Surge propera Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Surge propera / Surge propera
144v–145r	Tam peccatum	mr tavernar	Taverner, John
Tam peccatum Taverner, John Appears on: 144v–145r Source Attribution: mr tavernar Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Tam p[ec]cau[m] / Tam p[ec]cau[m] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tam p[ec]cau[m] / Tam p[ec]cau[m] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Tam p[ec]cau[m] / Tam p[ec]cau[m]
145v–146r	Exsurge Domine (extract: v4, Verbi tui fulminibus)	mr wodde	Wood, John
Exsurge Domine (extract: v4, Verbi tui fulminibus) Wood, John Appears on: 145v–146r Genres: Motet Source Attribution: mr wodde Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Verbi tui fulminib[us] / Verbi tui fulminib[us] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Verbi tui fulminib[us] / Verbi tui fulminib[us] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f5 Voice Text: Verbi tui fulminib[us] / Verbi tui fulminib[us]
145v–146r	Virgo pura	mr iohn tavernar	Taverner, John
Virgo pura Taverner, John Appears on: 145v–146r Source Attribution: mr iohn tavernar Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Virgo pura / Virgo pura Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f3 Voice Text: Virgo pura / Virgo pura Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f5 Voice Text: Virgo pura / Virgo pura General Note Annotations/Corrections: Library stamp on 145v;
146v–147r	Magnus es domine	mr: parsons	Parsons (I), Robert (ca. 1535–ca. 1572)
Magnus es domine Parsons (I), Robert (ca. 1535–ca. 1572) Appears on: 146v–147r Source Attribution: mr: parsons Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g2 Voice Text: Magnus es domine / Magnus es domine Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Magnus es domine / Magnus es domine Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Magnus es domine / Magnus es domine
146v–147r	Maria plena virtute: (extract) Rex amabilis	tavarnar	Fayrfax, Robert (1464–1521)
Maria plena virtute: (extract) Rex amabilis Fayrfax, Robert (1464–1521) Appears on: 146v–147r Genres: Motet Source Attribution: tavarnar Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Rex amabilis / Rex amabilis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Rex amabilis / Rex amabilis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Rex amabilis / Rex amabilis
147v–148r	Et cum pronobis	doc: tye	Tye, Christopher (ca. 1505–ca. 1573)
Et cum pronobis Tye, Christopher (ca. 1505–ca. 1573) Appears on: 147v–148r Source Attribution: doc: tye Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Et cu[m] pronobis / Et cu[m] pronobis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Et cu[m] pronobis / Et cu[m] pronobis Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Et cu[m] pronobis / Et cu[m] pronobis
147v–148r	Jesu spes penitentibus	tav[e]rna	Taverner, John
Jesu spes penitentibus Taverner, John Appears on: 147v–148r Source Attribution: tav[e]rna Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g1 Voice Text: Jesu spes penite[n]tib[us] / Jesu spes penite[n]tib[us] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Jesu spes penite[n]tib[us] / Jesu spes penite[n]tib[us] Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Jesu spes penite[n]tib[us] / Jesu spes penite[n]tib[us]
148v–149r	O splendor gloriae	mr: tavernar	Taverner, John
O splendor gloriae Taverner, John Appears on: 148v–149r Genres: Motet Source Attribution: mr: tavernar Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g1 Voice Text: O splendor glorie / Jhesu christe vnice Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: O splendor glorie / Jhesu christe vnice Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: O splendor glorie / Jhesu christe vnice
148v–149r	Gloriosa domine	tavernar	Taverner, John
Gloriosa domine Taverner, John Appears on: 148v–149r Source Attribution: tavernar Number of voices: 3 Voice: [no designation] Languages: Latin Clef: g1 Voice Text: Gloriosa domine tua / Gloriosa domine tua Voice: [no designation] Languages: Latin Clef: c1 Voice Text: Gloriosa domine tua / Gloriosa domine tua Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Gloriosa domine tua / Gloriosa domine tua
149v–150r	Prudens virgo taces	mr: tavernar	Taverner, John
Prudens virgo taces Taverner, John Appears on: 149v–150r Source Attribution: mr: tavernar Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Prudens virgo taces / Prudens virgo taces Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Prudens virgo taces / Prudens virgo taces Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Prudens virgo taces / Prudens virgo taces
149v–150r	Tu ad liberandum	mr tavernar	Taverner, John
Tu ad liberandum Taverner, John Appears on: 149v–150r Source Attribution: mr tavernar Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tu ad liberandu[m] / Tu ad liberandu[m] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Tu ad liberandu[m] / Tu ad liberandu[m] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Tu ad liberandu[m] / Tu ad liberandu[m]
150v–151r	Te angelorum domina	mr: iohn tavernar	Taverner, John
Te angelorum domina Taverner, John Appears on: 150v–151r Source Attribution: mr: iohn tavernar Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Te angeloru[m] domina / Te angeloru[m] domina Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Te angeloru[m] domina / Te angeloru[m] domina Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Te angeloru[m] domina / Te angeloru[m] domina
150v–151r	Ergo Sathan mors peccatum	mr: iohn: shepperde	Mundy, John (ca. 1555–1630)
Ergo Sathan mors peccatum Mundy, John (ca. 1555–1630) Appears on: 150v–151r Source Attribution: mr: iohn: shepperde Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Ergo sathan mors p[ec]catu[m] / Ergo sathan mors p[ec]catu[m] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Ergo sathan mors p[ec]catu[m] / Ergo sathan mors p[ec]catu[m] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Ergo sathan mors p[ec]catu[m] / Ergo sathan mors p[ec]catu[m]
151v–152r	Domine Deus caelestis - 1a pars (of 2): Domine Deus caelestis	doc: tye	Tye, Christopher (ca. 1505–ca. 1573)
Domine Deus caelestis - 1a pars (of 2): Domine Deus caelestis Tye, Christopher (ca. 1505–ca. 1573) Appears on: 151v–152r Genres: Motet Source Attribution: doc: tye Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Domine deus celestis / Domine deus celestis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Domine deus celestis / Domine deus celestis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Domine deus celestis / Domine deus celestis
151v–152r	Domine Deus caelestis - 2a pars (of 2): Da illi domine pectus tuo	doc: tye	Tye, Christopher (ca. 1505–ca. 1573)
Domine Deus caelestis - 2a pars (of 2): Da illi domine pectus tuo Tye, Christopher (ca. 1505–ca. 1573) Appears on: 151v–152r Genres: Motet Source Attribution: doc: tye Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Da illi domine pectus tuo / Da illi domine pectus tuo Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Da illi domine pectus tuo / Da illi domine pectus tuo Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Da illi domine pectus tuo / Da illi domine pectus tuo General Note Canon/Gimels: Canon;
152v–153r	In quo corriget	mr doc: tye:	Tye, Christopher (ca. 1505–ca. 1573)
In quo corriget Tye, Christopher (ca. 1505–ca. 1573) Appears on: 152v–153r Source Attribution: mr doc: tye: Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: In quo corrigit / In quo corrigit Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: In quo corrigit / In quo corrigit Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: In quo corrigit / In quo corrigit
152v–153r	In corde meo abscondi	-	Anonymous
In corde meo abscondi Anonymous Appears on: 152v–153r Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: g2 Voice Text: In corde meo abscondi / In corde meo abscondi Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: In corde meo abscondi / In corde meo abscondi Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f3 Voice Text: In corde meo abscondi / In corde meo abscondi
152v–153r	Manus tuae fecerunt me [2p. Veniant mihi]	mr white	White, Robert (ca. 1538–1574)
Manus tuae fecerunt me [2p. Veniant mihi] White, Robert (ca. 1538–1574) Appears on: 152v–153r Genres: Motet Source Attribution: mr white Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Man[us] tue feceru[n]t me / Man[us] tue feceru[n]t me Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Man[us] tue feceru[n]t me / Man[us] tue feceru[n]t me Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Man[us] tue feceru[n]t me / Man[us] tue feceru[n]t me
153v–154r	Quales sumus: (extract) Ut te laudare presumamus	-	Mason, John
Quales sumus: (extract) Ut te laudare presumamus Mason, John Appears on: 153v–154r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Ut te laudare presumam[us] / Ut te laudare presumam[us] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Ut te laudare presumam[us] / Ut te laudare presumam[us] Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Ut te laudare presumam[us] / Ut te laudare presumam[us]
153v–154r	Quales sumus: (extract) Quare pro nobis	-	Mason, John
Quales sumus: (extract) Quare pro nobis Mason, John Appears on: 153v–154r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Quare pronobis / Quare pronobis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Quare pronobis / Quare pronobis Voice: [no designation] Languages: Latin Clef: f3 Voice Text: Quare pronobis / Quare pronobis
154v–155r	Maria plena virtute - 1a pars (of 2): Maria plena virtute	-	Anonymous
Maria plena virtute - 1a pars (of 2): Maria plena virtute Anonymous Appears on: 154v–155r Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Maris plena virtute / Maris plena virtute Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Maris plena virtute / Maris plena virtute Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Maris plena virtute / Maris plena virtute General Note a unicum, not the setting by Fayrfax
154v–155	Maria plena virtute - 2a pars (of 2): Rex amabilis	-	Anonymous
Maria plena virtute - 2a pars (of 2): Rex amabilis Anonymous Appears on: 154v–155 Genres: Motet Number of voices: 3
155v–156r	Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater)	mr: tho: tallis	Tallis, Thomas (ca. 1505–1585)
Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater) Tallis, Thomas (ca. 1505–1585) Appears on: 155v–156r Genres: Motet Source Attribution: mr: tho: tallis Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Gaude gloriosa / Gaude gloriosa Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Gaude gloriosa / Gaude gloriosa Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Gaude gloriosa / Gaude gloriosa
155v–156r	Ave Dei patris filia (extract, trio: Ave summae aeternitatis filia)	mr doc: fayrefax	Fayrfax, Robert (1464–1521)
Ave Dei patris filia (extract, trio: Ave summae aeternitatis filia) Fayrfax, Robert (1464–1521) Appears on: 155v–156r Genres: Motet Source Attribution: mr doc: fayrefax Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Ave su[m]me eternitatis / Ave su[m]me eternitatis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Ave su[m]me eternitatis / Ave su[m]me eternitatis Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Ave su[m]me eternitatis / Ave su[m]me eternitatis General Note Annotations/Corrections: Library stamps on 155v;
156v–157r	Gaude gloriosa Dei mater (extract: trio, Gaude Virgo Maria quae corpore et anima)	mr: tallis	Tallis, Thomas (ca. 1505–1585)
Gaude gloriosa Dei mater (extract: trio, Gaude Virgo Maria quae corpore et anima) Tallis, Thomas (ca. 1505–1585) Appears on: 156v–157r Genres: Motet Source Attribution: mr: tallis Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude virgo maria / Gaude virgo maria Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude virgo maria / Gaude virgo maria Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Gaude virgo maria / Gaude virgo maria
156v–157r	Ave Dei patris filia (extract, opening trio)	doc: fairfax	Fayrfax, Robert (1464–1521)
Ave Dei patris filia (extract, opening trio) Fayrfax, Robert (1464–1521) Appears on: 156v–157r Genres: Motet Source Attribution: doc: fairfax Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c2 Voice Text: Ave dei patris filia / Ave dei patris filia Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Ave dei patris filia / Ave dei patris filia Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f3 Voice Text: Ave dei patris filia / Ave dei patris filia
157v–158r	Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater	mr tavernar	Taverner, John
Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater Taverner, John Appears on: 157v–158r Genres: Motet Source Attribution: mr tavernar Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Gaude maria Jesu mater / Gaude maria Jesu mater Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gaude maria Jesu mater / Gaude maria Jesu mater Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Gaude maria Jesu mater / Gaude maria Jesu mater
158v–159r	Inclina Domine aurem tuam (I)	mr: iohn shepparde	Sheppard, John (ca. 1515–1558)
Inclina Domine aurem tuam (I) Sheppard, John (ca. 1515–1558) Appears on: 158v–159r Source Attribution: mr: iohn shepparde Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Inclina domine aure[m] tua[m] / Inclina domine aure[m] tua[m] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f3 Voice Text: Inclina domine aure[m] tua[m] / Inclina domine aure[m] tua[m] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f5 Voice Text: Inclina domine aure[m] tua[m] / Inclina domine aure[m] tua[m]
158v–159r	Salve intemerata virgo - 5a pars (of 5): Secundum humanitatem	mr: tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 5a pars (of 5): Secundum humanitatem Tallis, Thomas (ca. 1505–1585) Appears on: 158v–159r Genres: Motet Source Attribution: mr: tallis Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Tu nimiru[m] vniversas / Tu nimiru[m] vniversas Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f3 Voice Text: Tu nimiru[m] vniversas / Tu nimiru[m] vniversas Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f5 Voice Text: Tu nimiru[m] vniversas / Tu nimiru[m] vniversas
159v–160r	Salve intemerata virgo - 3a pars (of 5): Tu nimirum	mr: tho: tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 3a pars (of 5): Tu nimirum Tallis, Thomas (ca. 1505–1585) Appears on: 159v–160r Genres: Motet Source Attribution: mr: tho: tallis Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c1 Voice Text: Anne mulieris sanctissima / Anne mulieris sanctissima Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Anne mulieris sanctissima / Anne mulieris sanctissima Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Anne mulieris sanctissima / Anne mulieris sanctissima
159v–160r	Salve intemerata virgo - 4a pars (of 5): Per haec nos	mr: tho: tallis	Tallis, Thomas (ca. 1505–1585)
Salve intemerata virgo - 4a pars (of 5): Per haec nos Tallis, Thomas (ca. 1505–1585) Appears on: 159v–160r Genres: Motet Source Attribution: mr: tho: tallis Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Per hec nos / Per hec nos precellentissima Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Per hec nos / Per hec nos precellentissima Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Per hec nos / Per hec nos precellentissima
160v–161r	Alleluia. Confitemini Domino quoniam bonus	mr: wm: birde	Byrd, William (ca. 1540–1623)
Alleluia. Confitemini Domino quoniam bonus Byrd, William (ca. 1540–1623) Appears on: 160v–161r Genres: Alleluia, Motet Source Attribution: mr: wm: birde Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Alleluya confitemini / Alleluya ://: confitemini Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Alleluya confitemini / Alleluya ://: confitemini Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Alleluya confitemini / Alleluya ://: confitemini
160v–161r	Cunctis diebus quibus nunc milito	mr: wm: birde	Byrd, William (ca. 1540–1623)
Cunctis diebus quibus nunc milito Byrd, William (ca. 1540–1623) Appears on: 160v–161r Genres: Motet Source Attribution: mr: wm: birde Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Cunctis diebus / Cunctis diebus Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Cunctis diebus / Cunctis diebus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Cunctis diebus / Cunctis diebus
160v–161r	Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	mr birde	Byrd, William (ca. 1540–1623)
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium Byrd, William (ca. 1540–1623) Appears on: 160v–161r Genres: Motet Source Attribution: mr birde Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Infelix ego / Infelix ego Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Infelix ego / Infelix ego Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: f4 Voice Text: Infelix ego / Infelix ego
161v–163r	Stella caeli	mr: iohn: thorne: of yorke	Thorne, John
Stella caeli Thorne, John Appears on: 161v–163r Source Attribution: mr: iohn: thorne: of yorke Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Stella celi / Stella celi [2p. Ipsa stella;3p. O gloriosa; 4p. salua nos Jesu] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f3 Voice Text: Stella celi / Stella celi [2p. Ipsa stella;3p. O gloriosa; 4p. salua nos Jesu] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Stella celi / Stella celi [2p. Ipsa stella;3p. O gloriosa; 4p. salua nos Jesu]
162v–163r	Stella caeli [2p. Ipsa stella; 3p. O gloriosa; 4p. Nam te filius 5p. Salva nos Jesu]	mr: doc: cooper	Cowper (Cooper), Robert (ca. 1474–ca. 1540)
Stella caeli [2p. Ipsa stella; 3p. O gloriosa; 4p. Nam te filius 5p. Salva nos Jesu] Cowper (Cooper), Robert (ca. 1474–ca. 1540) Appears on: 162v–163r Source Attribution: mr: doc: cooper Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Stella celi / Stella celi [2p. Ipsa stella; 3p. O gloriosa; 4p.Nam te fillius; 5p. salua nos Jesu] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Stella celi / Stella celi [2p. Ipsa stella; 3p. O gloriosa; 4p.Nam te fillius; 5p. salua nos Jesu] Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Stella celi / Stella celi [2p. Ipsa stella; 3p. O gloriosa; 4p.Nam te fillius; 5p. salua nos Jesu]
163v–164r	O crux gloriosa	docter cooper	Cowper (Cooper), Robert (ca. 1474–ca. 1540)
O crux gloriosa Cowper (Cooper), Robert (ca. 1474–ca. 1540) Appears on: 163v–164r Source Attribution: docter cooper Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: O crux / O crux: gloriosa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: O crux / O crux: gloriosa Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: O crux / O crux: gloriosa
164v–165r	Gloria laus	mr: moore cocke	Moorecocke
Gloria laus Moorecocke Appears on: 164v–165r Source Attribution: mr: moore cocke Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Gloria laus / Gloria laus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c2 Voice Text: Gloria laus / Gloria laus Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Gloria laus / Gloria laus
165v–166r	Ad lapidis posicionem	mr: iohn: digon	Dygon, John
Ad lapidis posicionem Dygon, John Appears on: 165v–166r Source Attribution: mr: iohn: digon Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Ad lapidis posicione[m] / Ad lapidis posicione[m] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Ad lapidis posicione[m] / Ad lapidis posicione[m] Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: f4 Voice Text: Ad lapidis posicione[m] / Ad lapidis posicione[m] General Note Annotations/Corrections: In later pencil: 'the first note is a brief' 'The upper line is made only for the sake of one note'. Cross and breve added in red pencil;
165v–166r	Rex benedicte tuos	mr: ihon: digon: prior: of St: augustines	Dygon, John
Rex benedicte tuos Dygon, John Appears on: 165v–166r Source Attribution: mr: ihon: digon: prior: of St: augustines Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Rex benedicte tuos / Rex benedicte tuos Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c3 Voice Text: Rex benedicte tuos / Rex benedicte tuos Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Rex benedicte tuos / Rex benedicte tuos General Note Annotations/Corrections: maniculae in margin. 'prior of St austins in canterburie' an end of second part;
166v–167r	Quam pulchra es	rex henricus: octauus	Henry VIII (1491–1547)
Quam pulchra es Henry VIII (1491–1547) Appears on: 166v–167r Source Attribution: rex henricus: octauus Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Qua[m] pulcra es / Qua[m] pulcra es Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c3 Voice Text: Qua[m] pulcra es / Qua[m] pulcra es Voice: [no designation] Languages: Latin Mensuration: cut-o Clef: c4 Voice Text: Qua[m] pulcra es / Qua[m] pulcra es General Note Annotations/Corrections: maniculae indicate start of the 'secu[n]dus contratenor' and third part;
167v–169r	If Reason Did Rule	John: baldwine	Baldwin, John (ca. 1560–1615)
If Reason Did Rule Baldwin, John (ca. 1560–1615) Appears on: 167v–169r Source Attribution: John: baldwine Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: If reason did rule / If reason did rule and witt kept schoole [2p. For if yt I shold thus applye] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: If reason did rule / If reason did rule and witt kept schoole [2p. For if yt I shold thus applye] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: If reason did rule / If reason did rule and witt kept schoole [2p. For if yt I shold thus applye] General Note Annotations/Corrections: Date '1597: / november' Library stamp on 169r;
169v–171r	I Had Both Money and a Friend	eleway: beven	Bevin, Elway
I Had Both Money and a Friend Bevin, Elway Appears on: 169v–171r Source Attribution: eleway: beven Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: I had both monye and a frende / I had both monye and a frende [2p. And soe I got my monie] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: I had both monye and a frende / I had both monye and a frende [2p. And soe I got my monie] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: I had both monye and a frende / I had both monye and a frende [2p. And soe I got my monie]
171v–173r	In the Merry Month of May	iohn: baldwine	Baldwin, John (ca. 1560–1615)
In the Merry Month of May Baldwin, John (ca. 1560–1615) Appears on: 171v–173r Source Attribution: iohn: baldwine Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: In the merie monthe of maye / In the merie monthe of maye [2p. Coridon would kisse her then] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: In the merie monthe of maye / In the merie monthe of maye [2p. Coridon would kisse her then] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: In the merie monthe of maye / In the merie monthe of maye [2p. Coridon would kisse her then] General Note Annotations/Corrections: Date '1592';
173v–175r	Lord Who Shall Dwell	iohn: baldwin	Baldwin, John (ca. 1560–1615)
Lord Who Shall Dwell Baldwin, John (ca. 1560–1615) Appears on: 173v–175r Source Attribution: iohn: baldwin Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: Lord who shall dwell / Lord who shall dwell in thy tabernacle [2p. He that stteth no by hyme selfe] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: Lord who shall dwell / Lord who shall dwell in thy tabernacle [2p. He that stteth no by hyme selfe] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: Lord who shall dwell / Lord who shall dwell in thy tabernacle [2p. He that stteth no by hyme selfe] General Note Annotations/Corrections: Date '1597';
175v–177r	Out of the Deep (III) [2p. My soul flyeth to the lord]	mr: giles / batchelar of musicke	Giles, Nathaniel (ca. 1558–1634)
Out of the Deep (III) [2p. My soul flyeth to the lord] Giles, Nathaniel (ca. 1558–1634) Appears on: 175v–177r Genres: Anthem Source Attribution: mr: giles / batchelar of musicke Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: Out of the deepe / Out of the deepe [2p. My soule flyeth to the lord] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: Out of the deepe / Out of the deepe [2p. My soule flyeth to the lord] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: Out of the deepe / Out of the deepe [2p. My soule flyeth to the lord] General Note Annotations/Corrections: Library stamp on 176v;
177v–178r	Save me O God	iohn: baldwine	Baldwin, John (ca. 1560–1615)
Save me O God Baldwin, John (ca. 1560–1615) Appears on: 177v–178r Source Attribution: iohn: baldwine Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: Save me O god / Save me O god for thy name sake [2p. Behoulde god is my helper] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: Save me O god / Save me O god for thy name sake [2p. Behoulde god is my helper] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: Save me O god / Save me O god for thy name sake [2p. Behoulde god is my helper] General Note Annotations/Corrections: Library stamp on 178r;
178v–180r	Behold How Good	iohn: baldwine	Baldwin, John (ca. 1560–1615)
Behold How Good Baldwin, John (ca. 1560–1615) Appears on: 178v–180r Source Attribution: iohn: baldwine Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: Beholde how good / Beholde how good and ioyfull a thinge [2p. It is like the dewe of hermon] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c3 Voice Text: Beholde how good / Beholde how good and ioyfull a thinge [2p. It is like the dewe of hermon] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: Beholde how good / Beholde how good and ioyfull a thinge [2p. It is like the dewe of hermon] General Note Annotations/Corrections: Date '1597';
180v–181r	Behold How Good	iohn: baldwine	Baldwin, John (ca. 1560–1615)
Behold How Good Baldwin, John (ca. 1560–1615) Appears on: 180v–181r Source Attribution: iohn: baldwine Number of voices: 3 Voice: [no designation] Languages: English Clef: c1 Voice Text: three things therbee / three things therbee Voice: [no designation] Languages: English Clef: c3 Voice Text: three things therbee / three things therbee Voice: [no designation] Languages: English Clef: c4 Voice Text: three things therbee / three things therbee
181v–183r	Lord Who Shall Dwell	elewaie: bevin	Bevin, Elway
Lord Who Shall Dwell Bevin, Elway Appears on: 181v–183r Source Attribution: elewaie: bevin Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: Lord whoe shall dwell / Lord whoe shall dwell in thy tabernacle Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: Lord whoe shall dwell / Lord whoe shall dwell in thy tabernacle Voice: [no designation] Languages: English Mensuration: cut-c Clef: f4 Voice Text: Lord whoe shall dwell / Lord whoe shall dwell in thy tabernacle
183v–184r	By Mirth Much Sickness	eleway: bevan	Bevin, Elway
By Mirth Much Sickness Bevin, Elway Appears on: 183v–184r Source Attribution: eleway: bevan Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: By mirthe much sicknes / By mirthe much sicknes is cleane abiecte Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: By mirthe much sicknes / By mirthe much sicknes is cleane abiecte Voice: [no designation] Languages: English Mensuration: cut-c Clef: f4 Voice Text: By mirthe much sicknes / By mirthe much sicknes is cleane abiecte
184v–186r	What Comfort at thy Death II: Death thus to suffer	mr iohn shepper	Sheppard, John (ca. 1515–1558)
What Comfort at thy Death II: Death thus to suffer Sheppard, John (ca. 1515–1558) Appears on: 184v–186r Genres: Anthem Source Attribution: mr iohn shepper Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: c1 Voice Text: What comforte at thy death / What comforte at thy death [2p. Death thus to suffer] Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: What comforte at thy death / What comforte at thy death [2p. Death thus to suffer] Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: What comforte at thy death / What comforte at thy death [2p. Death thus to suffer] General Note Annotations/Corrections: Manicula in margin marks start of tenor part;
186v–187r	A Virgin and Mother	mr: iohn: marbecke of windsore	Merbecke, John
A Virgin and Mother Merbecke, John Appears on: 186v–187r Source Attribution: mr: iohn: marbecke of windsore Number of voices: 3 Voice: [no designation] Languages: English Mensuration: cut-c Clef: g2 Voice Text: A virgine and mother / A virgine and mother Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: A virgine and mother / A virgine and mother Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: A virgine and mother / A virgine and mother
187v–188r	Steven First After Christ	mr: iohn shepperd	Sheppard, John (ca. 1515–1558)
Steven First After Christ Sheppard, John (ca. 1515–1558) Appears on: 187v–188r Source Attribution: mr: iohn shepperd Number of voices: 3 Voice: [no designation] Languages: English Clef: g1 Voice Text: Steven firste after christe / Steven firste after christe Voice: [no designation] Languages: English Mensuration: cut-c Clef: c2 Voice Text: Steven firste after christe / Steven firste after christe Voice: [no designation] Languages: English Mensuration: cut-c Clef: c4 Voice Text: Steven firste after christe / Steven firste after christe
188v	Jesus autem transiens	mr: wilkinson	Wylkynson, Robert
Jesus autem transiens Wylkynson, Robert Appears on: 188v Genres: Motet Source Attribution: mr: wilkinson Number of voices: 13 in 1 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c4 Voice Text: Jhesus autem transiens / Jhesus autem transiens General Note Canon/Gimels: canon: 13: voc; Annotations/Corrections: Date '1594'. The names of Petrys, andreas, iacobus, iohannes,, thomas, philippo, batholomeus, matheus, simon and mathias written throughout the stave. At end: 'huius distinctas muse totis sumito partes/ margine quotis paruo noia stpta vides'. Library stamp.; Notes: Large strapwork initial J;

Composer	Compositions
Anonymous	A duo – 106v Agnus Dei – 96v–97r Agnus Dei – 97v–98r Agnus Dei – 97v–98r Ego sum panis – 93v–94r Exaudi me – 103v If Reason did Rule – 89v–90r If he be merry and toy with any – 90v–91r In corde meo abscondi – 152v–153r Jesu salvator mundi – 93v–94r Maria plena virtute - 1a pars (of 2): Maria plena virtute – 154v–155r Maria plena virtute - 2a pars (of 2): Rex amabilis – 154v–155 Parce domine – 105r Salva nos – 110v Salva nos – 111r Sancti spiritus Domine – 93v–94r The Batchelar Most Joyfully – 90v–91r [3] Kyries of 3 voices – 115v–118r [Untitled] – 87v–89r [Untitled] – 86v–87r
Aston, Hugh (ca. 1485-1558)	Missa Te Deum: Agnus dei – 91v–92r
Baldwin, John (ca. 1560-1615)	3 voices upon the Plainsong – 125v–126r A Browning of 3 voc – 121v–122r A Fancy – 119v–120r A duo – 98v–99r A duo – 101v–102r A duo – 100v–101r Behold How Good – 178v–180r Behold How Good – 180v–181r Cuckoo as I me walked – 124v–125r If Reason Did Rule – 167v–169r In manus tuas domine – 109v–110r In nomine – 84v–85v In the Merry Month of May – 171v–173r Lord Who Shall Dwell – 173v–175r O lux – 122v–123r Proportions to the Minim – 127v–128r Save me O God – 177v–178r Sermone blando : angelus – 112v–113r Spes mea – 108v–109r Upon in nomine – 123v–124r
Barber	Agnus Dei – 97v–98r
Bedingham, John (-ca. 1460)	Manus Dei – 105v–106r Salve Jesu – 106v–107r Vide domine – 104v–105r
Bevin, Elway	Browning a3 – 120v–121r By Mirth Much Sickness – 183v–184r I Had Both Money and a Friend – 169v–171r Lord Who Shall Dwell – 181v–183r
Bull, John (ca. 1562-1628)	Deus omnipotens – 80v–82v I am feeble – 82v–83r [Untitled] – 126v–127r
Byrchley	Dicant nunc Judei – 91v–92r
Byrd, William (ca. 1540-1623)	Alleluia. Confitemini Domino quoniam bonus – 160v–161r Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta – 78r–79r Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine – 78v–79r Aspice Domine quia facta est (6vv) – 31v–33r Attollite portas – 33r–36r Cunctis diebus quibus nunc milito – 160v–161r Domine quis habitabit – 40v–45r Great Service: And ye Child – 86r Great Service: Te Deum – 82v–85 Great Service: That we should be – 86r Infelix ego omnium - 1a pars (of 3): Infelix ego omnium – 160v–161r Mass for 3 voices – 128v–134r Memento Domine – 46v–49r My soul oppressed – 39v–40r Ne irascaris - 1a pars (of 2): Ne irascaris Domine – 68v–70r Ne irascaris - 2a pars (of 2): Civitatis sancti tui – 69v–71r Ne perdas - 1a pars (of 2): Ne perdas cum impiis – 74v–75v Ne perdas - 2a pars (of 2): Eripe me – 75v–76r O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum – 79v–80r O quam gloriosum - 2a pars (of 2): Benedictio et claritas – 80r–81r Omni tempore - 1a pars (of 2): Omni tempore benedic Deum – 73v–74r Omni tempore - 2a pars (of 2): Memor esto fili – 74r–75r Peccantem me quotidie – 30v–32r Quomodo cantabimus (2p. Si non proposuero Jersualem) – 26r–30r Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum – 70v–71v Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo – 71v–72v Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis – 72v–73r Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti – 48v–51r Tristitia et anxietas - 2a pars (of 2): Sed tu domine – 51r–52v
Cowper (Cooper), Robert (ca. 1474-ca. 1540)	O crux gloriosa – 163v–164r Stella caeli [2p. Ipsa stella; 3p. O gloriosa; 4p. Nam te filius 5p. Salva nos Jesu] – 162v–163r
Daman, William	Miserere nostri Domine – 1v–2v
Dygon, John	Ad lapidis posicionem – 165v–166r Rex benedicte tuos – 165v–166r
Fayrfax, Robert (1464-1521)	Ave Dei patris filia (extract, opening trio) – 156v–157r Ave Dei patris filia (extract, trio: Ave summae aeternitatis filia) – 155v–156r Maria plena virtute: (extract) Rex amabilis – 146v–147r Missa O bone Jesu: Genitum non factum (from Credo) – 136r
Ferrabosco, Alfonso (the elder) (1543-1588)	Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25) – 35v–37r Miserere nostri Domine (C3) – 1r Salva me - 1a pars (of 2): Salva me – 53v–54r Salva me - 2a pars (of 2):Christe redemptor – 54r–54v (?) Ultimi miei sospiri che mi lasciate – 52v–53v
Ferrabosco, Alfonso (the younger) (ca. 1575-1628)	Ut re mi fa sol la (2p. La sol fa mi re ut) – 118v–119r
Giles, Nathaniel (ca. 1558-1634)	In te domine speravi – 107v–108r Miserere – 102v–103r Out of the Deep (III) [2p. My soul flyeth to the lord] – 175v–177r Quis est homo – 140v–141r Salvator mundi – 111v–112r Tibi soli – 38v–40r Vestigia mea dirige – 36v–39r
Golder, Robert	In nomine – 24r–25v
Gore	Dicant nunc Judei – 92v–93r
Henry VIII (1491-1547)	Quam pulchra es – 166v–167r
Johnson (I), Robert (ca. 1500-ca. 1560)	Dicant nunc Judei – 92v–93r Dicant nunc Judei – 96v–97r Laudes Deo – 94v–97r
Marenzio, Luca (ca. 1553-1599)	Affliger chi per voi (1a pars only) – 19v–20r Basti fin qui le pen' e i duri affanni (10vv) – 13r–16v Co m'ogni rio che d'acque – 9v–11r Dolorosi martir', fieri tormenti – 21r–22r E se di vero Amor – 8v–10r Fiere silvestre - 1a pars (of 2): Fiere silvestre – 5v–7r Fiere silvestre - 2a pars (of 2): Ecco che un'altra volta – 7r–8v Fuggito e'l sonno – 2v–4r O fere stelle – 17r–18r O voi che sospirati – 20v–21r Piango ch'Amor – 18v–20r Se la mia vita [1a pars only] – 18r–19r Senza il mio vago - 1a pars (of 2): Senza il mio vago – 3v–5r Senza il mio vago - 2a pars (of 2): O giorno – 4v–6r Valli riposte – 11v–12v
Mason, John	Quales sumus: (extract) Quare pro nobis – 153v–154r Quales sumus: (extract) Ut te laudare presumamus – 153v–154r
Merbecke, John	A Virgin and Mother – 186v–187r
Monte, Philippe de	Super flumina Babylonis – 22v–25v
Moorecocke	Gloria laus – 164v–165r
Morley, Thomas (ca. 1557-1602)	Gaude Maria virgo - 1a pars (of 2): Gaude Maria virgo – 66v–67v Gaude Maria virgo - 2a pars (of 2): Virgo prudentissima – 67v–69r
Mundy, John (ca. 1555-1630)	Dominus illuminacio mea – 136v–137r Ergo Sathan mors peccatum – 150v–151r In nomine – 64v–65v In nomine – 63r–64v In nomine – 63v–65r In nomine – 65v–66v Iudica me Deus – 59r–59v
Mundy, William (ca. 1528-ca. 1591)	Adhesit pavimento – 143v–144r Adolescentulus sum ego – 57v–58v Maria virgo sanctissima – 143v–144r Maria virgo sanctissima – 140v–141r Noli aemulari in malignantibus – 138r–139v Tribulacio – 58v–59r Vox Patris caelestis – 139v–140r Vox Patris caelestis – 144v–145r
Parsons (I), Robert (ca. 1535-ca. 1572)	In manus tuas – 141v–142r Libera me - 1a pars (of 2): Libera me Domine de morte aeterna – 76v–77v Libera me - 2a pars (of 2): Dies illa – 77v–78r Magnus es domine – 146v–147r
Preston, Thomas (-ca. 1559)	O lux beata Trinitas – 118v–119r
Sheppard, John (ca. 1515-1558)	Haec dies – 59v–60r Illustrissima omnium (fr. 1 from a lost antiphon) – 135v–136r Inclina Domine aurem tuam (I) – 158v–159r Missa Cantate Domino: Benedictus – 85r–85v Steven First After Christ – 187v–188r What Comfort at thy Death II: Death thus to suffer – 184v–186r
Tallis, Thomas (ca. 1505-1585)	Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater) – 155v–156r Gaude gloriosa Dei mater (extract: trio, Gaude Virgo Maria quae corpore et anima) – 156v–157r Loquebantur variis linguis – 61v–62v Salve intemerata virgo - 3a pars (of 5): Tu nimirum – 159v–160r Salve intemerata virgo - 4a pars (of 5): Per haec nos – 159v–160r Salve intemerata virgo - 5a pars (of 5): Secundum humanitatem – 158v–159r
Taverner, John	Eundem igitur Jesum – 135r Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater – 157v–158r Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum] – 134v–135r Gloriosa domine – 148v–149r In Women is Rest – 99v–100r In nomine – 22v–24r Jesu spes penitentibus – 147v–148r Missa Gloria tibi Trinitas: Credo – 60v–61r Missa Gloria tibi Trinitas: Sanctus – 60v–61r O splendor gloriae – 148v–149r Prudens virgo taces – 149v–150r Tam peccatum – 144v–145r Te angelorum domina – 150v–151r Traditur militibus (from lost sequence Caenam cum discipulus) – 142v–143r Tu ad liberandum – 149v–150r Virgo pura – 145v–146r [Untitled] – 76r
Thorne, John	Stella caeli – 161v–163r
Tye, Christopher (ca. 1505-ca. 1573)	(?) Amavit eum Dominus – 45v–46v Domine Deus caelestis - 1a pars (of 2): Domine Deus caelestis – 151v–152r Domine Deus caelestis - 2a pars (of 2): Da illi domine pectus tuo – 151v–152r Et cum pronobis – 147v–148r In nomine 'Hold fast' – 104r In quo corriget – 152v–153r Sit fast – 113v–115r
Verdelot, Philippe (ca. 1480-ca. 1532)	Ultimi miei sospiri che mi lasciate – 52v–53v
White, Robert (ca. 1538-1574)	Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis – 54v–56r Deus misereatur nostri - 2a pars (of 2): Laetentur et exsultent – 55v–57v Manus tuae fecerunt me [2p. Veniant mihi] – 152v–153r
Wood, John	Exsurge Domine (extract: v3, Perfice illud quod in nobis) – 142v–143r Exsurge Domine (extract: Esto pater / Quorum perturbatae) – 141v–142r Exsurge Domine (extract: opening duo) – 137v–138r Exsurge Domine (extract: v4, Verbi tui fulminibus) – 145v–146r
Woodson, Thomas	Ut re mi fa – 101v–102r
Wylkynson, Robert	Jesus autem transiens – 188v

Composition	Composers (? Uncertain)	Folios / Pages
3 voices upon the Plainsong	Baldwin, John (ca. 1560–1615)	125v–126r
[3] Kyries of 3 voices	Anonymous	115v–118r
[Untitled]	Taverner, John	76r
[Untitled]	Anonymous	86v–87r
[Untitled]	Anonymous	87v–89r
[Untitled]	Bull, John (ca. 1562–1628)	126v–127r
A Browning of 3 voc	Baldwin, John (ca. 1560–1615)	121v–122r
A duo	Baldwin, John (ca. 1560–1615)	98v–99r
A duo	Baldwin, John (ca. 1560–1615)	100v–101r
A duo	Baldwin, John (ca. 1560–1615)	101v–102r
A duo	Anonymous	106v
A Fancy	Baldwin, John (ca. 1560–1615)	119v–120r
A Virgin and Mother	Merbecke, John	186v–187r
Ad lapidis posicionem	Dygon, John	165v–166r
Adhesit pavimento	Mundy, William (ca. 1528–ca. 1591)	143v–144r
Adolescentulus sum ego	Mundy, William (ca. 1528–ca. 1591)	57v–58v
Affliger chi per voi (1a pars only)	Marenzio, Luca (ca. 1553–1599)	19v–20r
Agnus Dei	Anonymous	96v–97r
Agnus Dei	Barber	97v–98r
Agnus Dei	Anonymous	97v–98r
Agnus Dei	Anonymous	97v–98r
Alleluia. Confitemini Domino quoniam bonus	Byrd, William (ca. 1540–1623)	160v–161r
Amavit eum Dominus	Tye, Christopher (ca. 1505–ca. 1573) (?)	45v–46v
Aspice Domine de sede (5vv) - 1a pars (of 2): Aspice Domine de sede sancta	Byrd, William (ca. 1540–1623)	78r–79r
Aspice Domine de sede (5vv) - 2a pars (of 2): Respice domine	Byrd, William (ca. 1540–1623)	78v–79r
Aspice Domine quia facta est (6vv)	Byrd, William (ca. 1540–1623)	31v–33r
Attollite portas	Byrd, William (ca. 1540–1623)	33r–36r
Ave Dei patris filia (extract, opening trio)	Fayrfax, Robert (1464–1521)	156v–157r
Ave Dei patris filia (extract, trio: Ave summae aeternitatis filia)	Fayrfax, Robert (1464–1521)	155v–156r
Basti fin qui le pen' e i duri affanni (10vv)	Marenzio, Luca (ca. 1553–1599)	13r–16v
Behold How Good	Baldwin, John (ca. 1560–1615)	178v–180r
Behold How Good	Baldwin, John (ca. 1560–1615)	180v–181r
Browning a3	Bevin, Elway	120v–121r
By Mirth Much Sickness	Bevin, Elway	183v–184r
Co m'ogni rio che d'acque	Marenzio, Luca (ca. 1553–1599)	9v–11r
Conserva me Domine - 2a pars (of 2): Vias tuas Domine (C25)	Ferrabosco, Alfonso (the elder) (1543–1588)	35v–37r
Cuckoo as I me walked	Baldwin, John (ca. 1560–1615)	124v–125r
Cunctis diebus quibus nunc milito	Byrd, William (ca. 1540–1623)	160v–161r
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis	White, Robert (ca. 1538–1574)	54v–56r
Deus misereatur nostri - 2a pars (of 2): Laetentur et exsultent	White, Robert (ca. 1538–1574)	55v–57v
Deus omnipotens	Bull, John (ca. 1562–1628)	80v–82v
Dicant nunc Judei	Byrchley	91v–92r
Dicant nunc Judei	Johnson (I), Robert (ca. 1500–ca. 1560)	92v–93r
Dicant nunc Judei	Gore	92v–93r
Dicant nunc Judei	Johnson (I), Robert (ca. 1500–ca. 1560)	96v–97r
Dolorosi martir', fieri tormenti	Marenzio, Luca (ca. 1553–1599)	21r–22r
Domine Deus caelestis - 1a pars (of 2): Domine Deus caelestis	Tye, Christopher (ca. 1505–ca. 1573)	151v–152r
Domine Deus caelestis - 2a pars (of 2): Da illi domine pectus tuo	Tye, Christopher (ca. 1505–ca. 1573)	151v–152r
Domine quis habitabit	Byrd, William (ca. 1540–1623)	40v–45r
Dominus illuminacio mea	Mundy, John (ca. 1555–1630)	136v–137r
E se di vero Amor	Marenzio, Luca (ca. 1553–1599)	8v–10r
Ego sum panis	Anonymous	93v–94r
Ergo Sathan mors peccatum	Mundy, John (ca. 1555–1630)	150v–151r
Et cum pronobis	Tye, Christopher (ca. 1505–ca. 1573)	147v–148r
Eundem igitur Jesum	Taverner, John	135r
Exaudi me	Anonymous	103v
Exsurge Domine (extract: v3, Perfice illud quod in nobis)	Wood, John	142v–143r
Exsurge Domine (extract: Esto pater / Quorum perturbatae)	Wood, John	141v–142r
Exsurge Domine (extract: opening duo)	Wood, John	137v–138r
Exsurge Domine (extract: v4, Verbi tui fulminibus)	Wood, John	145v–146r
Fiere silvestre - 1a pars (of 2): Fiere silvestre	Marenzio, Luca (ca. 1553–1599)	5v–7r
Fiere silvestre - 2a pars (of 2): Ecco che un'altra volta	Marenzio, Luca (ca. 1553–1599)	7r–8v
Fuggito e'l sonno	Marenzio, Luca (ca. 1553–1599)	2v–4r
Gaude gloriosa Dei mater (extract: opening trio, Gaude gloriosa Dei mater)	Tallis, Thomas (ca. 1505–1585)	155v–156r
Gaude gloriosa Dei mater (extract: trio, Gaude Virgo Maria quae corpore et anima)	Tallis, Thomas (ca. 1505–1585)	156v–157r
Gaude Maria virgo - 1a pars (of 2): Gaude Maria virgo	Morley, Thomas (ca. 1557–1602)	66v–67v
Gaude Maria virgo - 2a pars (of 2): Virgo prudentissima	Morley, Thomas (ca. 1557–1602)	67v–69r
Gaude plurimum - 2a pars (of 3): Gaude Maria, Jesu mater	Taverner, John	157v–158r
Gaude plurimum [2p. Gaude Maria, Jesu mater; 3p. Eundem igitur Jesum]	Taverner, John	134v–135r
Gloria laus	Moorecocke	164v–165r
Gloriosa domine	Taverner, John	148v–149r
Great Service: And ye Child	Byrd, William (ca. 1540–1623)	86r
Great Service: Te Deum	Byrd, William (ca. 1540–1623)	82v–85
Great Service: That we should be	Byrd, William (ca. 1540–1623)	86r
Haec dies	Sheppard, John (ca. 1515–1558)	59v–60r
I am feeble	Bull, John (ca. 1562–1628)	82v–83r
I Had Both Money and a Friend	Bevin, Elway	169v–171r
If he be merry and toy with any	Anonymous	90v–91r
If Reason did Rule	Anonymous	89v–90r
If Reason Did Rule	Baldwin, John (ca. 1560–1615)	167v–169r
Illustrissima omnium (fr. 1 from a lost antiphon)	Sheppard, John (ca. 1515–1558)	135v–136r
In corde meo abscondi	Anonymous	152v–153r
In manus tuas	Parsons (I), Robert (ca. 1535–ca. 1572)	141v–142r
In manus tuas domine	Baldwin, John (ca. 1560–1615)	109v–110r
In nomine	Taverner, John	22v–24r
In nomine	Golder, Robert	24r–25v
In nomine	Mundy, John (ca. 1555–1630)	63r–64v
In nomine	Mundy, John (ca. 1555–1630)	63v–65r
In nomine	Mundy, John (ca. 1555–1630)	64v–65v
In nomine	Mundy, John (ca. 1555–1630)	65v–66v
In nomine	Baldwin, John (ca. 1560–1615)	84v–85v
In nomine 'Hold fast'	Tye, Christopher (ca. 1505–ca. 1573)	104r
In quo corriget	Tye, Christopher (ca. 1505–ca. 1573)	152v–153r
In te domine speravi	Giles, Nathaniel (ca. 1558–1634)	107v–108r
In the Merry Month of May	Baldwin, John (ca. 1560–1615)	171v–173r
In Women is Rest	Taverner, John	99v–100r
Inclina Domine aurem tuam (I)	Sheppard, John (ca. 1515–1558)	158v–159r
Infelix ego omnium - 1a pars (of 3): Infelix ego omnium	Byrd, William (ca. 1540–1623)	160v–161r
Iudica me Deus	Mundy, John (ca. 1555–1630)	59r–59v
Jesu salvator mundi	Anonymous	93v–94r
Jesu spes penitentibus	Taverner, John	147v–148r
Jesus autem transiens	Wylkynson, Robert	188v
Laudes Deo	Johnson (I), Robert (ca. 1500–ca. 1560)	94v–97r
Libera me - 1a pars (of 2): Libera me Domine de morte aeterna	Parsons (I), Robert (ca. 1535–ca. 1572)	76v–77v
Libera me - 2a pars (of 2): Dies illa	Parsons (I), Robert (ca. 1535–ca. 1572)	77v–78r
Loquebantur variis linguis	Tallis, Thomas (ca. 1505–1585)	61v–62v
Lord Who Shall Dwell	Baldwin, John (ca. 1560–1615)	173v–175r
Lord Who Shall Dwell	Bevin, Elway	181v–183r
Magnus es domine	Parsons (I), Robert (ca. 1535–ca. 1572)	146v–147r
Manus Dei	Bedingham, John (–ca. 1460)	105v–106r
Manus tuae fecerunt me [2p. Veniant mihi]	White, Robert (ca. 1538–1574)	152v–153r
Maria plena virtute - 1a pars (of 2): Maria plena virtute	Anonymous	154v–155r
Maria plena virtute - 2a pars (of 2): Rex amabilis	Anonymous	154v–155
Maria plena virtute: (extract) Rex amabilis	Fayrfax, Robert (1464–1521)	146v–147r
Maria virgo sanctissima	Mundy, William (ca. 1528–ca. 1591)	140v–141r
Maria virgo sanctissima	Mundy, William (ca. 1528–ca. 1591)	143v–144r
Mass for 3 voices	Byrd, William (ca. 1540–1623)	128v–134r
Memento Domine	Byrd, William (ca. 1540–1623)	46v–49r
Miserere	Giles, Nathaniel (ca. 1558–1634)	102v–103r
Miserere nostri Domine	Daman, William	1v–2v
Miserere nostri Domine (C3)	Ferrabosco, Alfonso (the elder) (1543–1588)	1r
Missa Cantate Domino: Benedictus	Sheppard, John (ca. 1515–1558)	85r–85v
Missa Gloria tibi Trinitas: Credo	Taverner, John	60v–61r
Missa Gloria tibi Trinitas: Sanctus	Taverner, John	60v–61r
Missa O bone Jesu: Genitum non factum (from Credo)	Fayrfax, Robert (1464–1521)	136r
Missa Te Deum: Agnus dei	Aston, Hugh (ca. 1485–1558)	91v–92r
My soul oppressed	Byrd, William (ca. 1540–1623)	39v–40r
Ne irascaris - 1a pars (of 2): Ne irascaris Domine	Byrd, William (ca. 1540–1623)	68v–70r
Ne irascaris - 2a pars (of 2): Civitatis sancti tui	Byrd, William (ca. 1540–1623)	69v–71r
Ne perdas - 1a pars (of 2): Ne perdas cum impiis	Byrd, William (ca. 1540–1623)	74v–75v
Ne perdas - 2a pars (of 2): Eripe me	Byrd, William (ca. 1540–1623)	75v–76r
Noli aemulari in malignantibus	Mundy, William (ca. 1528–ca. 1591)	138r–139v
O crux gloriosa	Cowper (Cooper), Robert (ca. 1474–ca. 1540)	163v–164r
O fere stelle	Marenzio, Luca (ca. 1553–1599)	17r–18r
O lux	Baldwin, John (ca. 1560–1615)	122v–123r
O lux beata Trinitas	Preston, Thomas (–ca. 1559)	118v–119r
O quam gloriosum - 1a pars (of 2): O quam gloriosum est regnum	Byrd, William (ca. 1540–1623)	79v–80r
O quam gloriosum - 2a pars (of 2): Benedictio et claritas	Byrd, William (ca. 1540–1623)	80r–81r
O splendor gloriae	Taverner, John	148v–149r
O voi che sospirati	Marenzio, Luca (ca. 1553–1599)	20v–21r
Omni tempore - 1a pars (of 2): Omni tempore benedic Deum	Byrd, William (ca. 1540–1623)	73v–74r
Omni tempore - 2a pars (of 2): Memor esto fili	Byrd, William (ca. 1540–1623)	74r–75r
Out of the Deep (III) [2p. My soul flyeth to the lord]	Giles, Nathaniel (ca. 1558–1634)	175v–177r
Parce domine	Anonymous	105r
Peccantem me quotidie	Byrd, William (ca. 1540–1623)	30v–32r
Piango ch'Amor	Marenzio, Luca (ca. 1553–1599)	18v–20r
Proportions to the Minim	Baldwin, John (ca. 1560–1615)	127v–128r
Prudens virgo taces	Taverner, John	149v–150r
Quales sumus: (extract) Quare pro nobis	Mason, John	153v–154r
Quales sumus: (extract) Ut te laudare presumamus	Mason, John	153v–154r
Quam pulchra es	Henry VIII (1491–1547)	166v–167r
Quis est homo	Giles, Nathaniel (ca. 1558–1634)	140v–141r
Quomodo cantabimus (2p. Si non proposuero Jersualem)	Byrd, William (ca. 1540–1623)	26r–30r
Rex benedicte tuos	Dygon, John	165v–166r
Salva me - 1a pars (of 2): Salva me	Ferrabosco, Alfonso (the elder) (1543–1588)	53v–54r
Salva me - 2a pars (of 2):Christe redemptor	Ferrabosco, Alfonso (the elder) (1543–1588)	54r–54v
Salva nos	Anonymous	110v
Salva nos	Anonymous	111r
Salvator mundi	Giles, Nathaniel (ca. 1558–1634)	111v–112r
Salve intemerata virgo - 3a pars (of 5): Tu nimirum	Tallis, Thomas (ca. 1505–1585)	159v–160r
Salve intemerata virgo - 4a pars (of 5): Per haec nos	Tallis, Thomas (ca. 1505–1585)	159v–160r
Salve intemerata virgo - 5a pars (of 5): Secundum humanitatem	Tallis, Thomas (ca. 1505–1585)	158v–159r
Salve Jesu	Bedingham, John (–ca. 1460)	106v–107r
Sancti spiritus Domine	Anonymous	93v–94r
Save me O God	Baldwin, John (ca. 1560–1615)	177v–178r
Se la mia vita [1a pars only]	Marenzio, Luca (ca. 1553–1599)	18r–19r
Senza il mio vago - 1a pars (of 2): Senza il mio vago	Marenzio, Luca (ca. 1553–1599)	3v–5r
Senza il mio vago - 2a pars (of 2): O giorno	Marenzio, Luca (ca. 1553–1599)	4v–6r
Sermone blando : angelus	Baldwin, John (ca. 1560–1615)	112v–113r
Sit fast	Tye, Christopher (ca. 1505–ca. 1573)	113v–115r
Spes mea	Baldwin, John (ca. 1560–1615)	108v–109r
Stella caeli	Thorne, John	161v–163r
Stella caeli [2p. Ipsa stella; 3p. O gloriosa; 4p. Nam te filius 5p. Salva nos Jesu]	Cowper (Cooper), Robert (ca. 1474–ca. 1540)	162v–163r
Steven First After Christ	Sheppard, John (ca. 1515–1558)	187v–188r
Super flumina Babylonis	Monte, Philippe de	22v–25v
Tam peccatum	Taverner, John	144v–145r
Te angelorum domina	Taverner, John	150v–151r
The Batchelar Most Joyfully	Anonymous	90v–91r
Tibi soli	Giles, Nathaniel (ca. 1558–1634)	38v–40r
Traditur militibus (from lost sequence Caenam cum discipulus)	Taverner, John	142v–143r
Tribulacio	Mundy, William (ca. 1528–ca. 1591)	58v–59r
Tribulationes civitatum - 1a pars (of 3): Tribulationes civitatum	Byrd, William (ca. 1540–1623)	70v–71v
Tribulationes civitatum - 2a pars (of 3): Timor et hebitudo	Byrd, William (ca. 1540–1623)	71v–72v
Tribulationes civitatum - 3a pars (of 3): Nos enim pro peccatis	Byrd, William (ca. 1540–1623)	72v–73r
Tristitia et anxietas - 1a pars (of 2): Tristitia et anxietas, Domine tu jurasti	Byrd, William (ca. 1540–1623)	48v–51r
Tristitia et anxietas - 2a pars (of 2): Sed tu domine	Byrd, William (ca. 1540–1623)	51r–52v
Tu ad liberandum	Taverner, John	149v–150r
Ultimi miei sospiri che mi lasciate	Verdelot, Philippe (ca. 1480–ca. 1532) Ferrabosco, Alfonso (the elder) (1543–1588) (?)	52v–53v
Upon in nomine	Baldwin, John (ca. 1560–1615)	123v–124r
Ut re mi fa	Woodson, Thomas	101v–102r
Ut re mi fa sol la (2p. La sol fa mi re ut)	Ferrabosco, Alfonso (the younger) (ca. 1575–1628)	118v–119r
Valli riposte	Marenzio, Luca (ca. 1553–1599)	11v–12v
Vestigia mea dirige	Giles, Nathaniel (ca. 1558–1634)	36v–39r
Vide domine	Bedingham, John (–ca. 1460)	104v–105r
Virgo pura	Taverner, John	145v–146r
Vox Patris caelestis	Mundy, William (ca. 1528–ca. 1591)	139v–140r
Vox Patris caelestis	Mundy, William (ca. 1528–ca. 1591)	144v–145r
What Comfort at thy Death II: Death thus to suffer	Sheppard, John (ca. 1515–1558)	184v–186r

Images © The British Library

Set: TUDOR PARTBOOKS

Type: Project Collection

GB-CF MS D/DP Z6/1

GB-CF MS D/DP Z6/2

GB-Cfm MU MS 1005 (Fayrfax fragments)

GB-Cgc MS 667/760 (Caius Choirbook)

GB-Cjc MS 234 (K.31)

GB-Ckc Rowe 316

GB-Cp MS 31 [Contratenor] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 32 [Bassus] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 40 [Triplex] (Peterhouse Partbooks: Henrician Set)

GB-Cp MS 41 [Medius] (Peterhouse Partbooks: Henrician Set)

GB-Cqcl Old Library G.4.17

GB-Cu Dd.13.27

GB-DORmcghie McGhie manuscript

GB-Lbl [pr. bk.] C. 52. b. 21

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Medius]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 1 [Tenor]

No images available

GB-Lbl [pr. bk.] Music Library K. 2. f. 13

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Altus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Bassus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Discantus]

No images available

GB-Lbl [pr. bk.] Music Library K. 3. f. 9 [Tenor]

GB-Lbl Add. MS 4900

GB-Lbl Add. MS 15166

GB-Lbl Add. MS 17802 (Gyffard Partbooks)

GB-Lbl Add. MS 17803 (Gyffard Partbooks)

GB-Lbl Add. MS 17804 (Gyffard Partbooks)

GB-Lbl Add. MS 17805 (Gyffard Partbooks)

GB-Lbl Add. MS 22597

GB-Lbl Add. MS 29996

GB-Lbl Add. MS 30480 (Hamond Partbooks)

GB-Lbl Add. MS 30481 (Hamond Partbooks)

GB-Lbl Add. MS 30482 (Hamond Partbooks)

GB-Lbl Add. MS 30483 (Hamond Partbooks)

GB-Lbl Add. MS 30484 (Hamond Partbooks)

GB-Lbl R.M.24.d.2 (Baldwin Commonplace Book)

GB-Lbl Royal Appendix 12

GB-Lbl Royal Appendix 13

GB-Lbl Royal Appendix 14

GB-Lbl Royal Appendix 15

GB-Lbl Royal Appendix 16

GB-Lbl Royal Appendix 17

GB-Lbl Royal Appendix 18

GB-Lbl Royal Appendix 19

GB-Lbl Royal Appendix 20

GB-Lbl Royal Appendix 21

GB-Lbl Royal Appendix 22

GB-Lbl Royal Appendix 23

GB-Lbl Royal Appendix 24

GB-Lbl Royal Appendix 25

GB-Lbl Royal Appendix 26

GB-Lbl Royal Appendix 27

GB-Lbl Royal Appendix 28

GB-Lbl Royal Appendix 29

GB-Lbl Royal Appendix 30

GB-Lbl Royal Appendix 31

GB-Lbl Royal Appendix 32

GB-Lbl Royal Appendix 33

GB-Lbl Royal Appendix 34

GB-Lbl Royal Appendix 35

No images available

GB-Lbl Royal Appendix 41

No images available

GB-Lbl Royal Appendix 42

No images available

GB-Lbl Royal Appendix 43

No images available

GB-Lbl Royal Appendix 44

GB-Lbl Royal Appendix 45 (Ludford)

GB-Lbl Royal Appendix 46 (Ludford)

GB-Lbl Royal Appendix 47 (Ludford)

GB-Lbl Royal Appendix 48 (Ludford)

GB-Lbl Royal Appendix 49

GB-Lbl Royal Appendix 50

GB-Lbl Royal Appendix 51

GB-Lbl Royal Appendix 52

GB-Lbl Royal Appendix 53

GB-Lbl Royal Appendix 54

GB-Lbl Royal Appendix 56

No images available

GB-Lbl Royal Appendix 57

GB-Lbl Royal Appendix 58

No images available

GB-Lbl Royal Appendix 59

No images available

GB-Lbl Royal Appendix 60

No images available

GB-Lbl Royal Appendix 61

No images available

GB-Lbl Royal Appendix 62

GB-Lbl Royal Appendix 74 (Lumley)

GB-Lbl Royal Appendix 75 (Lumley)

GB-Lbl Royal Appendix 76 (Lumley)

No images available

GB-Lcm [pr. bk.] B187

No images available

GB-Lcm [pr. bk.] B190 [Altus]

No images available

GB-Lcm [pr. bk.] B190 [Bassus]

No images available

GB-Lcm [pr. bk.] B190 [Discantus]

No images available

GB-Lcm [pr. bk.] B190 [Tenor]

GB-Llp MS 1 (Lambeth Choirbook; Arundel Choirbook)

GB-Lna SP I/246

GB-Ob MS. Mus. c. 784 (Willmott Manuscript)

GB-Ob MS. Mus. d. 103

GB-Ob MS. Mus. e. 1 (Sadler Partbooks)

GB-Ob MS. Mus. e. 2 (Sadler Partbooks)

GB-Ob MS. Mus. e. 3 (Sadler Partbooks)

GB-Ob MS. Mus. e. 4 (Sadler Partbooks)

GB-Ob MS. Mus. e. 5 (Sadler Partbooks)

GB-Ob MS. Mus. e. 21

GB-Ob MS. Mus. Sch. e. 376 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 377 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 378 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 379 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 380 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 381 (Forrest-Heather Partbooks)

GB-Ob MS. Mus. Sch. e. 420 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 421 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 422 (Wanley Partbooks)

GB-Ob MS. Mus. Sch. e. 423

GB-Ob MS. Tenbury 341

GB-Ob MS. Tenbury 342

GB-Ob MS. Tenbury 343

GB-Ob MS. Tenbury 344

GB-Ob MS. Tenbury 389

No images available

GB-Ob MS. Tenbury 807

No images available

GB-Ob MS. Tenbury 808

No images available

GB-Ob MS. Tenbury 809

No images available

GB-Ob MS. Tenbury 810

No images available

GB-Ob MS. Tenbury 811

No images available

GB-Ob MS. Tenbury 1382 (Southwell Tenor Book)

GB-Ob MS. Tenbury 1464

GB-Ob MS. Tenbury 1486 (Braikenridge Manuscript)

No images available

GB-Och Mus. 45

GB-Och Mus. 979 (Baldwin Partbooks)

GB-Och Mus. 980 (Baldwin Partbooks)

GB-Och Mus. 981 (Baldwin Partbooks)

GB-Och Mus. 982 (Baldwin Partbooks)

GB-Och Mus. 983 (Baldwin Partbooks)

GB-Och Mus. 984 (Dow Partbooks)

GB-Och Mus. 985 (Dow Partbooks)

GB-Och Mus. 986 (Dow Partbooks)

GB-Och Mus. 987 (Dow Partbooks)

GB-Och Mus. 988 (Dow Partbooks)

GB-Odiamm Contratenor partbook in private ownership (contact DIAMM)

GB-W X4/34/3 (Fayrfax fragments)

GB-WCc MS 153 Bassus (Winchester Partbooks)

GB-WCc MS 153 Contra Altus (Winchester Partbooks)

GB-WCc MS 153 Discantus (Winchester Partbooks)

GB-WCc MS 153 Tenor (Winchester Partbooks)

GB-WRec MS 178 (Eton Choirbook)

No images available

IRL-Dm [pr. bk.] Z4. 3. 1-5

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Altus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Bassus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Discantus]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Superius (Quintus)]

No images available

IRL-Dtc [pr. bk.] OLS. 192. n. 40 [Tenor]

No images available

US-NYp Mus. Res. *MNZ (Chirk) [1] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [2] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [3] (Chirk Castle Partbooks)

No images available

US-NYp Mus. Res. *MNZ (Chirk) [4] (Chirk Castle Partbooks)

US-NYp Mus. Res. Drexel 4180

US-NYp Mus. Res. Drexel 4181

No images available

US-NYp Mus. Res. Drexel 4182

US-NYp Mus. Res. Drexel 4183

US-NYp Mus. Res. Drexel 4184

US-NYp Mus. Res. Drexel 4185

US-Ws V.a. 408

‡ denotes primary source study

Owens, Jessie Ann. 1987. London, British Library, R.M. 24.d.2 [Baldwin Commonplace Book: facsimile edn with introductory study].

Sadie, Stanley (editor). 1980. The New Grove Dictionary of Music and Musicians. London. Pages: XVII, 61. Notes: facsimile (partial).

Trowell, Brian. 1980. Faburden-New Sources, New Evidence: A Preliminary Survey. Modern Musical Scholarship, 28-78. Stocksfield, Boston, Henley, and London. Pages: 64, 70, 75, 77. Notes: mention of MS; contents list (partial).

Ledbetter, Steven, and Patricia Myers (editors). 1977-. Luca Marenzio: The Secular Works. New York. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Bray, Roger W. 1975. John Baldwin. Music and Letters, 56: 55-9. Notes: physical description; mention of MS; discussion.

Bray, Roger W. 1974. British Library, R. M. 24 d 2 (John Baldwin's Commonplace Book): An Index and Commentary. Royal Musical Association Research Chronicle, 12: 137-51. Notes: physical description; contents list; concordances; mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1. London. Notes: contents list (partial); concordances (partial).

Bray, Roger W. 1969. The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580 [dissertation]. Oxford University, Unpublished Ph.D. dissertation. Pages: I, 33, 40, 141-55, 169-85, passim; II, 60-6, 75-88. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brett, Philip. 1965. The Songs of William Byrd. Cambridge University, Unpublished Ph.D. dissertation. Pages: 226. Notes: physical description (partial); contents list (partial).

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music. London: Stainer & Bell. Pages: II, 217, 219; XVII, 157; XIX, 330; XX, 249-50; XXIII, 16-20, 148; XXV, 141-6,164,171,175,183; XXVIII,124, 133-4; XXIX,128,134; XXX,152-3,156,158-61,177,196-8. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Lamont, Herbert Harry. 1963. John Shepherd: His Life and Music. University of Southern California, Unpublished Ph.D. dissertation. Pages: I, 82-3, 106-7, 218-9, 223-4, 227. Notes: physical description (partial); contents list (partial); concordances (partial).

Lowinsky, Edward E. 1960. Early Scores in Manuscript. Journal of the American Musicological Society, 13: 126-73. Pages: 155-6. Notes: physical description (partial).

Warrem, Edwin B (editor). 1959-66. Robert Fayrfax (ca. 1464-1521): Collected Works. Corpus mensurabilis musicae, vol. 17. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, 95-6. Notes: contents list (partial); concordances (partial).

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: IX, 219-20; XLIV, 2,4,183,185. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H (editor). 1937-50, 1962. The Collected Works of William Byrd. Pages: IX, vi, 99-129. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Andrews, Hilda K. 1929. Catalogue of the King's Music Library: Part II. The Miscellaneous Manuscripts. London. Notes: physical description (partial); contents list.

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: I, lx, lxii; II, xxiv, xxxiii; III, xviii-xx, 123-31; V, xxi, xxiii; VI, xxvii-xxviii, xxxii; IX, xii-xiv, passim; X, 162, 213-4. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

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Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Prof Nick Sandon

Thursday, 17 March, 2022

Amended title of Byrd's setting of "Aspice domine quia facta est" (6vv) & separated from 5vv setting

Jason Smart

Monday, 1 June, 2020

Inventory corrected as follows: 'Genitum non factum' on f.136 is an extract from the mass 'O bone Jesu' by Robert Fayrfax. 'Rex amabilis' (mis)attributed to Taverner on f.146v is an extract from 'Maria plena virtute' by Robert Fayrfax. 'Ut te laudare' and 'Quare pro nobis' on ff.153v-f.154 are both extracts from 'Quales sumus O miseris' by John Mason. 'Maria plena virtute' on ff.154v-155 is not from the setting by Fayrfax. Like the 'Rex amabilis' that follows, it is unique to this source.

Matthias Range

Wednesday, 28 August, 2019

Images are now present. 155v-157r, Tallis Gaude gloriosa part 1 & 2, Fayrfax Ave Patris parts 2 & 1 (ie reversed!), laid out Tallis 1 Fayrfax 2 on 1st opening, then Tallis 2 Fayrfax 1 on second... Inventory updated to show partes, so that this is clearer.

Julia Craig-McFeely

Wednesday, 28 August, 2019

Compositions linked to images; and some (but not all) composition partes tidied up

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Liminary Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description